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Alan E
Sheetmusic to print
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E Toro nga Hau: The Three Winds
Small Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone - Level 4 - Digital Dow…
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Small Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone - Level 4 - Digital Download SKU: A0.1021989 Composed by Michael J. Burns. Contemporary. Score and parts. 43 pages. Effiny Music #6273591. Published by Effiny Music (A0.1021989). The original version of E Toro nga Hau: The Three Winds was written for oboe, clarinet and bassoon in 2001 and premiered by the Eastwind Trio d’Anches (the faculty reed trio from the University of North Carolina at Greensboro with the composer on bassoon) during a tour in New Zealand and Australia in May 2001. The premiere of the version for saxophone trio was performed by members of the Red Clay Saxophone Quartet on February 5, 2008.E Toro nga Hau: The Three Winds was inspired by the Australasian tour and my return home to New Zealand as a performer. Another inspiration was that my dear Grandmother passed away at the age of 94 in February 2001. Due to this there are elements of sadness and happiness throughout the piece. The bittersweet first movement begins melancholy, with a melody that freely switches between minor and major modes, but ends up with a lively dancing section focusing on happy memories, where the chickens from my grandmother’s farm may even be heard. The second movement is lively throughout with extensive use of mixed meter and includes a jazz rock interlude.While the work does not contain any actual New Zealand elements in the music, it was evocative of my time spent there growing up. It is in a style typical of my writing, containing jazzy influences combined with the more traditional. The title is given in Maori (the language of the native Polynesian race in New Zealand) and English and merely relates to the fact that it is written for three woodwind instruments. This work has been performed throughout North America and the South Pacific.This work also exists in two double reed versions: one for oboe, English horn, and bassoon, and another for oboe and two bassoons.
$20.00
17.99 €
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Michael J
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E Toro nga Hau: The Three Winds
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Effiny Music
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SheetMusicPlus
SYMPHONY in E MINOR Second Movement score
Small Ensemble - Level 3 - Digital Download SKU: A0.903724 Composed by Ted Moon. 20…
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Small Ensemble - Level 3 - Digital Download SKU: A0.903724 Composed by Ted Moon. 20th Century,Romantic Period. Score and parts. 9 pages. Alan Edgar Ted Moon #2010337. Published by Alan Edgar Ted Moon (A0.903724). A lively second movement of Ted Moon's Symphony, thoroughly enjoyable to hear and to play, with rich orchestration and continuous invention. Further information from alan@science-music.karoo.co.uk Sets of parts also available.
$5.00
4.5 €
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Ted Moon
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SYMPHONY in E MINOR Second Movement score
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Alan Edgar Ted Moon
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SheetMusicPlus
Lo, How A Rose E'er Blooming
Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.992793 Composed by Tra…
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Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.992793 Composed by Traditional. Arranged by Alan Fagan. Christian,Christmas,Classical. Score and parts. 8 pages. Alan Fagan #3541195. Published by Alan Fagan (A0.992793). A rich, regal arrangement of this somewhat obscure but well-loved Christmas Carol.
$6.99
6.29 €
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Traditional
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Lo, How A Rose E'er Blooming
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Alan Fagan
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SheetMusicPlus
God Defend New Zealand (New Zealand National Anthem) vocal with studio band Key Eb to F
Large Ensemble - Level 3 - Digital Download SKU: A0.717691 Composed by Thomas Brack…
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Large Ensemble - Level 3 - Digital Download SKU: A0.717691 Composed by Thomas Bracken, John Woods. Arranged by Daryl McKenzie. Multicultural,Patriotic,World. Score and parts. 26 pages. Daryl McKenzie #3418005. Published by Daryl McKenzie (A0.717691). God Defend New Zealand (New Zealand National Anthem) vocal (solo and/or Children's choir) with studio band Key Eb to F.Alto Sax, Tenor Sax, 2 Trumpets, 2 Trombones (Playable with Tenor, 1 Trpt, 1 Trb), Piano, Synth (E.Pno/Strings), Guitar, Bass Guitar, Drums, Tympani. Scored in a traditional manner with a light rock/pop feel and a majestic finish. One verse in Maori and one in English More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$19.99
17.98 €
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Thomas Bracken, John Woods
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God Defend New Zealand
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Daryl McKenzie
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SheetMusicPlus
Deck the Halls - Welsh Traditional - Chamber music - Woodwind - 2 E Flat Clarinets Easy level
Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 1 - Digital Download SKU: A…
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Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 1 - Digital Download SKU: A0.760460 Composed by Welsh Traditional. Arranged by Raymond Fenech. Christmas,Classical,Holiday,Instructional,Spiritual. Score and parts. 6 pages. Raymond Fenech #3866465. Published by Raymond Fenech (A0.760460). The music to Deck the Halls is believed to Welsh in origin and was reputed to have come from a tune called Nos Galan dated back to the sixteenth century. In the eighteenth century Mozart used the tune to Deck the Halls for a violin and piano duet. The first publication date of Deck the Halls is 1881. The Level is Easy, and the duration is approximately 0.44 minutes. It could be played in any type of Christmas concert.
$3.99
3.59 €
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Welsh Traditional
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Deck the Halls - Welsh Traditional - Chamber music - Woodwind - 2 E Flat Clarinets Easy level
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Raymond Fenech
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SheetMusicPlus
Avalanche
Bass Drum,Snare Drum,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 3 - Digital Download
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Bass Drum,Snare Drum,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1394012 By Youngblood Brass Band. By David Henzie-Skogen and Nat McIntosh. Arranged by Nat McIntosh. Funk,Hip-Hop,Jazz,R & B,Soul. 28 pages. Layered Music #977467. Published by Layered Music (A0.1394012). Full score and parts for the Youngblood Brass Band song 'Avalanche', by David Henzie-Skogen and Nat McIntosh, taken from the center:leve:roar album recordings. This is the official, verbatim transcription from the record, i.e. 2 trumpet parts, 2 trombones, 1 tenor sax, 1 snare drum/cymbal, 1 bass drum/cymbal, and sousaphone. Transcribed and approved by the authors. This is the only YBB-sanctioned sheet music in existence for this original tune.YBB members are also available for online lessons, commissions, bespoke arrangements, and custom studio work. Contact us for details, and check out our entire catalog of music, merch, and arrangements at youngbloodbrassbandofficial.bandcamp.comAll links to YBB social media/music/info: linktr.ee/youngbloodbrassbandThanks for listening.
$65.00
58.47 €
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Youngblood Brass Band
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Avalanche
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Layered Music
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SheetMusicPlus
Hine e Hine (Maori Lullaby) for Two Flutes and Clarinet
Woodwind Ensemble,Woodwind Trio Clarinet,Flute - Level 3 - Digital Download SKU: A0.763…
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Woodwind Ensemble,Woodwind Trio Clarinet,Flute - Level 3 - Digital Download SKU: A0.763709 Composed by Princess Te Rangi Pai. Arranged by Nigel Williams. Folk,Instructional,Multicultural,Standards,World. 10 pages. Nigel Williams #6323577. Published by Nigel Williams (A0.763709). New Zealand Maori Princess Te Rangi Pai composed this charming lullaby in 1907. This gentle arrangement places the melody in the clarinet with the two flutes accompanying throughout. An excellent high school student recital piece. The full score downloads with three parts attached. Enjoy browsing my extensive selection of woodwind solos, duets, trios and quartets available on SMP.
$6.99
6.29 €
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Princess Te Rangi Pai
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Hine e Hine
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Nigel Williams
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SheetMusicPlus
Hine e Hine (Maori Lullaby) for Two Flutes and Viola
Small Ensemble Flute,Viola - Level 2 - Digital Download SKU: A0.763713 Composed by …
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Small Ensemble Flute,Viola - Level 2 - Digital Download SKU: A0.763713 Composed by Princess Te Rangi Pai. Arranged by Nigel Williams. Concert,Folk,Instructional,Standards,World. Score and parts. 10 pages. Nigel Williams #6328075. Published by Nigel Williams (A0.763713). New Zealand Maori Princess Te Rangi Pai composed this charming lullaby in 1907. This gentle arrangement places the melody in the viola with the two flutes accompanying throughout. An excellent high school student recital piece. The full score downloads with three parts attached. Enjoy browsing my extensive selection of woodwind and string solos, duets, trios and quartets available on SMP.
$6.99
6.29 €
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Princess Te Rangi Pai
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Hine e Hine
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Nigel Williams
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SheetMusicPlus
Hine e Hine (Maori Lullaby) for Two Flutes and Violin
Small Ensemble Flute,Violin - Level 2 - Digital Download SKU: A0.763710 Composed by…
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Small Ensemble Flute,Violin - Level 2 - Digital Download SKU: A0.763710 Composed by Princess Te Rangi Pai. Arranged by Nigel Williams. Concert,Folk,Instructional,Standards,World. Score and parts. 10 pages. Nigel Williams #6327753. Published by Nigel Williams (A0.763710). New Zealand Maori Princess Te Rangi Pai composed this charming lullaby in 1907. This gentle arrangement places the melody in the violin with the two flutes accompanying throughout. An excellent high school student recital piece. The full score downloads with three parts attached. Enjoy browsing my extensive selection of woodwind and string solos, duets, trios and quartets available on SMP.
$6.99
6.29 €
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Princess Te Rangi Pai
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Hine e Hine
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Nigel Williams
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SheetMusicPlus
Hine e Hine (Maori Lullaby) for Two Flutes and Bassoon
Woodwind Ensemble,Woodwind Trio Bassoon,Flute - Level 2 - Digital Download SKU: A0.7637…
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Woodwind Ensemble,Woodwind Trio Bassoon,Flute - Level 2 - Digital Download SKU: A0.763712 Composed by Princess Te Rangi Pai. Arranged by Nigel Williams. Folk,Instructional,Multicultural,Standards,World. 10 pages. Nigel Williams #6328081. Published by Nigel Williams (A0.763712). New Zealand Maori Princess Te Rangi Pai composed this charming lullaby in 1907. This gentle arrangement places the melody in the bassoon with the two flutes accompanying throughout. An excellent high school student recital piece. The full score downloads with three parts attached. Enjoy browsing my extensive selection of woodwind solos, duets, trios and quartets available on SMP.
$6.99
6.29 €
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Princess Te Rangi Pai
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Hine e Hine
#
Nigel Williams
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SheetMusicPlus
Hine e Hine (Maori Lullaby) for Two Flutes and Oboe
Woodwind Ensemble,Woodwind Trio Flute,Oboe - Level 3 - Digital Download SKU: A0.763708
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Woodwind Ensemble,Woodwind Trio Flute,Oboe - Level 3 - Digital Download SKU: A0.763708 Composed by Princess Te Rangi Pai. Arranged by Nigel Williams. Folk,Instructional,Multicultural,Standards,World. 7 pages. Nigel Williams #6323573. Published by Nigel Williams (A0.763708). New Zealand Maori Princess Te Rangi Pai composed this charming lullaby in 1907. This gentle arrangement places the melody in the oboe with the two flutes accompanying throughout. An excellent high school student recital piece. The full score downloads with three parts attached. Enjoy browsing my extensive selection of woodwind solos, duets, trios and quartets available on SMP.
$6.99
6.29 €
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Princess Te Rangi Pai
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Hine e Hine
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Nigel Williams
#
SheetMusicPlus
Fugue in E Minor, BWV 533 (Clarinet Quintet + Piccolo & Flute)
Small Ensemble B-Flat Bass Clarinet,B-Flat Clarinet,Contra Alto Clarinet,E-Flat Clarinet,F…
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Small Ensemble B-Flat Bass Clarinet,B-Flat Clarinet,Contra Alto Clarinet,E-Flat Clarinet,Flute,Piccolo - Digital Download SKU: A0.1138223 By Richard Byrnes. By Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. Score and parts. 17 pages. Richard Byrnes #738493. Published by Richard Byrnes (A0.1138223). Originally for organ, this Fugue in indicated as being composed before 1708.This is an arrangement by Richard Byrnes for Piccolo, Flute, E-flat Clarinet, B-flat Clarinet, 2 Bass Clarinets & Contralto Clarinet.You will notice that there are no dynamics offered. Rather find a dynamic level for your group where all of the parts are balanced equally.Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble.In addition to many works by J.S. Bach, we offer works by Brahms, Debussy, Fauré, Glinka, Gottschalk, Granados, Griffes, Lotti, Mozart, Ravel, Richard Strauss, and Turina.
$19.99
17.98 €
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Richard Byrnes
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Fugue in E Minor, BWV 533
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Richard Byrnes
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SheetMusicPlus
Concerto E minor
Flute, string orchestra and basso continuo - intermediate to advanced - Digital Download
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Flute, string orchestra and basso continuo - intermediate to advanced - Digital Download SKU: S9.Q4719 Composed by Franz Benda. This edition: piano reduction with solo part. Il Flauto traverso. Downloadable, Piano reduction with solo part. Duration 23 minutes. Schott Music - Digital #Q4719. Published by Schott Music - Digital (S9.Q4719). Key: E minor.Franz Benda belongs to the so-called Berlin or North German School which became extremely significant in the second half of the 18th century particularly in the field of instrumental music and which made the transition from the baroque to the classical period together with the Mannheim School. In the works of the Berlin School, the strict counterpoint of the predecessors is loosened by a freer and melodically pleasant, almost galant style and often even completely displaced.
$17.99
16.18 €
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Franz Benda
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Concerto E minor
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Schott Music - Digital
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SheetMusicPlus
Concerto E minor
Flute, string orchestra and basso continuo - intermediate to advanced - Digital Download
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Flute, string orchestra and basso continuo - intermediate to advanced - Digital Download SKU: S9.Q1102 Composed by Franz Benda. This edition: score. Concertino. Downloadable, Score. Duration 23 minutes. Schott Music - Digital #Q1102. Published by Schott Music - Digital (S9.Q1102). Key: E minor.Franz Benda belongs to the so-called Berlin or North German School which became extremely significant in the second half of the 18th century particularly in the field of instrumental music and which made the transition from the baroque to the classical period together with the Mannheim School. In the works of the Berlin School, the strict counterpoint of the predecessors is loosened by a freer and melodically pleasant, almost „galant“ style and often even completely displaced.
$27.99
25.18 €
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Franz Benda
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Concerto E minor
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Schott Music - Digital
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SheetMusicPlus
HALLOWEEN: In The Hall Of The Mountain King with backing track - Western Classical Music Classroom E
Large Ensemble Bass Guitar,Bassoon,Cello,Double Bass,Flute,Marimba,Piano,Recorder,Tuba,Uku…
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Large Ensemble Bass Guitar,Bassoon,Cello,Double Bass,Flute,Marimba,Piano,Recorder,Tuba,Ukulele,Vibraphone,Violin,Xylophone - Level 2 - Digital Download SKU: A0.563804 Composed by Edvard Grieg. Arranged by Austin Ralphson. Halloween,Instructional,Romantic Period,Standards. Score and parts. 33 pages. Austin Ralphson #5020421. Published by Austin Ralphson (A0.563804). As an experienced classroom music teacher, two of the main difficulties I have faced have been: * having the time to arrange music for standard classroom instruments such as keyboards, ukuleles, guitars, tuned percussion etc. * finding suitable arrangements of Western Classical pieces to contribute to a broad and balanced curriculum The Classroom Ensemble Series meets both of these problems head on, providing approachable yet challenging arrangements which are tailor-made for a large classroom ensemble. Each piece includes a score and parts as follows: Melody (treble clef) Melody plus note names (treble clef) Melody (ukulele tab) Melody (guitar tab) Bass part (bass clef) Bass part plus note names (bass clef) Bass part (bass guitar tab) Easy piano part (treble and bass clefs) Standard piano part (treble and bass clefs) Chords (chord shapes with chord names, e.g. Dm) Chords (ukulele tabs and chord shapes) Chords (guitar tabs and chord shapes)This arrangement of In The Hall Of The Mountain King enables all students within a classroom, regardless of ability, to make clear progress on one or more of the parts provided. You can use the YouTube video above as a backing track within the classroom, helping the students to play together and freeing you up to teach. Or you can lead the session yourself.Backing tracks for all other pieces in this series can be found at https://www.youtube.com/channel/UCPhyKv6OeJfWvkmNIkzAjhAPrinting and CopyingThe purchaser may print or copy all pages of this resource as required in order to facilitate a performance, but must not distribute to others.Also look out for the associated books, which offer this piece and others at a greatly reduced price.
$4.99
4.49 €
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Edvard Grieg
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HALLOWEEN: In The Hall Of The Mountain King with backing track - Western Classical Music Classroom E
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Austin Ralphson
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Double Reed Choir
Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 2 - Digital Download SKU: A0.…
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Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 2 - Digital Download SKU: A0.549212 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3465004. Published by jmsgu3 (A0.549212). A musical monument: the first composition to employ dynamics. Instrumentation: 3 oboes, 3 English horns, 2 bassoons, 1 contrabassoon. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86.  Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
43.14 €
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Gabrieli
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Gabrieli: Sonata Pian e Forte Ch. 175 for Double Reed Choir
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jmsgu3
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch 175 for Cello Choir
String Ensemble Cello - Level 2 - Digital Download SKU: A0.549267 Composed by Giova…
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String Ensemble Cello - Level 2 - Digital Download SKU: A0.549267 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Instructional,Renaissance,Standards. 45 pages. Jmsgu3 #3479835. Published by jmsgu3 (A0.549267). A musical monument: the first composition to employ dynamics. Minimum instrumentation: 11 cellos.  Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.14 €
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Giovanni Gabrieli
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Gabrieli: Sonata Pian e Forte Ch 175 for Cello Choir
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jmsgu3
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Saxophone Choir
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.549214 Composed by Giovanni …
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Woodwind Ensemble - Level 3 - Digital Download SKU: A0.549214 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3 #3465026. Published by jmsgu3 (A0.549214). A musical monument: the first known composition in history to employ dynamics. Minimum Instrumentation: 2 sopranos, 5 altos, 3 tenors, and 1 baritone sax. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.14 €
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Giovanni Gabrieli
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Gabrieli: Sonata Pian e Forte Ch. 175 for Saxophone Choir
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jmsgu3
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Brass Choir
Brass Band Bass Trombone,Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.549208
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Brass Band Bass Trombone,Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.549208 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3464513. Published by jmsgu3 (A0.549208). A musical monument: the first composition to employ dynamics Minimum Instrumentation: 4 trumpets, 3 French Horns, 2 tenor trombones, 1 bass trombone, 1 tuba. Arranged in two antiphonal choirs. Suggested instrumentation: 8 trumpets, 9 Horns, 6 Tenor Trombones, 2 Bass Trombone, 4 Tubas. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.14 €
#
Giovanni Gabrieli
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Gabrieli: Sonata Pian e Forte Ch. 175 for Brass Choir
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jmsgu3
#
SheetMusicPlus
Un éléphant qui se balançait Rainbow coded music sheet Music therapy resource
Small Ensemble Guitar,Handbell,Orff Instrument,Voice - Level 1 - Digital Download SKU: …
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Small Ensemble Guitar,Handbell,Orff Instrument,Voice - Level 1 - Digital Download SKU: A0.993887 Composed by Public Domain. Arranged by iEduArts Publishers. Children,Instructional. Score and parts. 1 pages. IEduArts Publishers #4290721. Published by iEduArts Publishers (A0.993887). Very important - Print in colors. Start reading music by the colors of the rainbow. Each note of the diatonic scale of C major is a color of the Rainbow. C 3 = red with black line Re orange, E yellow, F Green, G Light blue, A Dark blue , B indigo i C 4 red (without black line). Start learning french. Great music reading method. Music therapy resource, music education method. We offer great iIllustrations which will help student to develop expressive language with teacher's help.
$3.99
3.59 €
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Public Domain
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Un éléphant qui se balançait Rainbow coded music sheet Music therapy resource
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iEduArts Publishers
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SheetMusicPlus
Fugue in E Minor, BWV 533 (Brass Quintet + Piccolo & Flute)
Small Ensemble B-Flat Trumpet,Flute,Horn,Piccolo,Trombone,Tuba - Digital Download SKU: …
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Small Ensemble B-Flat Trumpet,Flute,Horn,Piccolo,Trombone,Tuba - Digital Download SKU: A0.1138521 By Richard Byrnes. By Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. Score and parts. 17 pages. Richard Byrnes #738862. Published by Richard Byrnes (A0.1138521). Originally for organ, this Fugue in indicated as being composed before 1708.This is an arrangement by Richard Byrnes for Piccolo, Flute, Piccolo Trumpet, Trumpet, Horn, Trombone & Tuba. You will notice that there are no dynamics offered. Rather find a dynamic level for your group where all of the parts are balanced equally.Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble.In addition to many works by J.S. Bach, we offer works by Brahms, Debussy, Fauré, Glinka, Gottschalk, Granados, Griffes, Lotti, Mozart, Ravel, Richard Strauss, and Turina.
$19.99
17.98 €
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Richard Byrnes
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Fugue in E Minor, BWV 533
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Richard Byrnes
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SheetMusicPlus
Fugue in E Minor, BWV 533 (Saxophone Quartet + Piccolo, Flute & Contrabassoon)
Small Ensemble Alto Saxophone,Baritone Saxophone,Contrabassoon,Flute,Piccolo,Soprano Saxop…
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Small Ensemble Alto Saxophone,Baritone Saxophone,Contrabassoon,Flute,Piccolo,Soprano Saxophone,Tenor Saxophone - Digital Download SKU: A0.1140021 By Richard Byrnes. By Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. Score and parts. 17 pages. Richard Byrnes #740283. Published by Richard Byrnes (A0.1140021). Originally for organ, this Fugue in indicated as being composed before 1708.This is an arrangement by Richard Byrnes for Piccolo, Flute, Soprano Saxophone, Alto Saxophone, Tenor Saxophone, Baritone Saxophone & Contrabassoon. You will notice that there are no dynamics offered. Rather find a dynamic level for your group where all of the parts are balanced equally.Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble.In addition to many works by J.S. Bach, we offer works by Brahms, Debussy, Fauré, Glinka, Gottschalk, Granados, Griffes, Lotti, Mozart, Ravel, Richard Strauss, and Turina.
$19.99
17.98 €
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Richard Byrnes
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Fugue in E Minor, BWV 533
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Richard Byrnes
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SheetMusicPlus
Fugue in E Minor, BWV 533 (Woodwind Septet)
Woodwind Ensemble Clarinet,Contrabassoon,Flute,Oboe,Piccolo - Digital Download SKU: A0.…
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Woodwind Ensemble Clarinet,Contrabassoon,Flute,Oboe,Piccolo - Digital Download SKU: A0.1140449 By Richard Byrnes. By Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 17 pages. Richard Byrnes #740691. Published by Richard Byrnes (A0.1140449). Originally for organ, this Fugue in indicated as being composed before 1708.This is an arrangement by Richard Byrnes for Piccolo, Flute, Oboe, Clarinet Bassoon & Contrabassoon.You will notice that there are no dynamics offered. Rather find a dynamic level for your group where all of the parts are balanced equally.Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble.In addition to many works by J.S. Bach, we offer works by Brahms, Debussy, Fauré, Glinka, Gottschalk, Granados, Griffes, Lotti, Mozart, Ravel, Richard Strauss, and Turina.
$19.99
17.98 €
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Richard Byrnes
#
Fugue in E Minor, BWV 533
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Richard Byrnes
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SheetMusicPlus
Fugue in E Minor, BWV 533 (Double Reed Quintet + Piccolo & Flute)
Small Ensemble Contrabassoon,English Horn,Flute,Oboe,Piccolo - Digital Download SKU: A0…
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Small Ensemble Contrabassoon,English Horn,Flute,Oboe,Piccolo - Digital Download SKU: A0.1139031 By Richard Byrnes. By Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. Score and parts. 17 pages. Richard Byrnes #739313. Published by Richard Byrnes (A0.1139031). Originally for organ, this Fugue in indicated as being composed before 1708.This is an arrangement by Richard Byrnes for Piccolo, Flute, Oboe, English Horn, Bassoon & Contrabassoon. You will notice that there are no dynamics offered. Rather find a dynamic level for your group where all of the parts are balanced equally. Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble.In addition to many works by J.S. Bach, we offer works by Brahms, Debussy, Fauré, Glinka, Gottschalk, Granados, Griffes, Lotti, Mozart, Ravel, Richard Strauss, and Turina.
$19.99
17.98 €
#
Richard Byrnes
#
Fugue in E Minor, BWV 533
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Richard Byrnes
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SheetMusicPlus
The Trumpet Shall Sound- Aria
Brass Duet - Grade 3.5 - Digital Download SKU: DX.145206 Composed by George Frideri…
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Brass Duet - Grade 3.5 - Digital Download SKU: DX.145206 Composed by George Frideric Handel. Traditional. Sacred instrumental music. Score and parts. 16 pages. David E. Smith - Digital Sheet Music #145206. Published by David E. Smith - Digital Sheet Music (DX.145206). Taken from the Messiah, this duet (trpt. and tromb.-opt bar/tuba) with piano is essentially a transcription of the original work. The balance in the writing between the solo and the accompaniment allows for great flavor.Key of Bb.
$6.50
5.85 €
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George Frideric Handel
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The Trumpet Shall Sound- Aria
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David E. Smith - Digital Sheet Music
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SheetMusicPlus
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