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You've selected:
All I've Got To Do
Sheetmusic to print
12 sheet music found
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1
All I've Got To Do
Interactive Download SKU: HX.315481 By The Beatles. This edition: Interactive Downl…
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Interactive Download SKU: HX.315481 By The Beatles. This edition: Interactive Download. Pop,Rock. Easy Guitar. 2 pages. Published by Hal Leonard - Digital (HX.315481).
$2.99
2.72 €
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The Beatles
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All I've Got To Do
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Hal Leonard - Digital
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SheetMusicPlus
When the World Drops In to Town
Mixed Percussion Accordion,Acoustic Guitar,Electric Bass Guitar,Violin - Level 3 - Digital…
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Mixed Percussion Accordion,Acoustic Guitar,Electric Bass Guitar,Violin - Level 3 - Digital Download SKU: A0.1105258 By David Kai. By David Kai. Arranged by David Kai. Celtic,Country,Folk,Irish. Full Performance. Duration 233. David Kai #708518. Published by David Kai (A0.1105258). A song celebrating the people of Gander, Newfoundland & Labrador in Canada who helped close to 7,000 stranded airline passengers after September 11, 2001. The story of Gander and the surrounding towns has been immortalized in the Broadway show, Come From Away. The song is written in a Celtic/Newfoundland style. This song features the use of an Ugly Stick, a traditional Newfoundland percussion instrument. WHEN THE WORLD DROPS IN TO TOWN Words and music by David Kai ©2020 On the 11th of September, in a quiet little town In a place that they call Newfoundland, all the planes were coming down Just how many were arriving, it was hard to know or tell In a quiet town in Newfoundland on the day the towers fell. With ten thousand waiting on the ground, seven thousand on their way The schools and halls and churches were preparing for their stay And not only in Gander, but in places all around ‘Cause you’ve got to pull together when the world drops into town. Chorus: So raise a glass to them, let’s sing a song to cheer For all the workers, cooks and clerks, for all the volunteers Who showed such kindness, who stepped up when chips were down ‘Cause you’ve got to pull together when the world drops into town All the stores they opened up their doors, the supplies, how fast they flew! “Take it all to help the plane people, it’s the least that we can do!†Aunt Winnie baked two dozen of her partridgeberry pies She said, “I think those plane people will be in for some surprise!†So the people were all settled, and much to their delight There were home-cooked meals and showers in homes, even trips to see the sights Though they came from countries ‘round the world, they did seem to all fit in And in kitchen parties here and there, new found friends were being screeched in. Chorus: Soon the skies, they were reopened, just a week and they were gone Though the planes took off into the skies all the memories lingered on For what they all remember, and what’s talked of to this day Is how townsfolk cared for people who had come from far away. So let’s sing and let’s be thankful, for each and every one Who showed us how to live together in the year two-thousand one, Let’s celebrate their kindness, for we never will forget, That in Newfoundland a stranger’s just a friend you haven’t met. Chorus:.
$1.99
1.81 €
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David Kai
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When the World Drops In to Town
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David Kai
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SheetMusicPlus
I’ve Got Peace Like a River for 8-note Bells and Boomwhackers® (with Color Coded Notes)
Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,…
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Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - Digital Download SKU: A0.565147 By Sharon Wilson. By Traditional Spiritual. Arranged by Sharon Wilson. Children,Folk,Instructional,Praise & Worship,Spiritual. Score and parts. 11 pages. Sharon Wilson #3490233. Published by Sharon Wilson (A0.565147). This sheet music is notated for handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody (with added harmony on some notes) while the Boomwhackers® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate 1-staff score for each instrument. This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. Handbells sold by Rhythm Band or KidsPlay also use this same color scheme (other brands may use different color schemes). Using color coded notes helps beginning musicians learn to read standard sheet music notation. This set of scores is also available (separate purchase) in black and white which will print clearer if you do not have access to a color printer.Notes used for each instrument are as follows: Bells – D E G A B  Boomwhackers® – C D E F G A BThough this sheet music is notated for Handbells and Boomwhackers®, this arrangement is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel (though the color coding may not match).Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of this song. The staves are shown without sharps or flats for simplicity since even though this song is actually written in the key of G major, no sharps or flats are used.The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned one to three notes. For beginners, it is best to assign one note to each person. Instrument assignment suggestions are provided on the last page for 6 to 12 players.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®* form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Permission is granted to make up to 10 copies of each score. For more than 10 copies, please purchase additional sets.This arrangement is one of the 10 songs included in the collection Ten Traditional Spirituals for 8-Note Bells and Boomwhackers®.Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
5.45 €
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Sharon Wilson
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I’ve Got Peace Like a River for 8-note Bells and Boomwhackers®
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Sharon Wilson
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SheetMusicPlus
They'll Be on the Rock This Christmas
Accordion,Drum Set,Electric Bass Guitar,Piano Accompaniment - Level 3 - Digital Download
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Accordion,Drum Set,Electric Bass Guitar,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1105243 By David Kai. By David Kai. Arranged by David Kai. Celtic,Country,Folk,Irish. Full Performance. Duration 228. David Kai #708503. Published by David Kai (A0.1105243). A Newfoundland Christmas song about wishing to be back home for Christmas. THEY’LL BE ON THE ROCK THIS CHRISTMAS words and music by David Kai ©1997 They’ll come from far as Whitehorse and as close as Sydney Mines, They’re packing up their suitcases and their boxes tied with twine, They’re getting on those airplanes, Dash 8s and DC 9s, Driving to the ferry docks and they’re waiting there in line. And they'll be on the Rock this Christmas, where stars shine twice as bright, They'll be on the Rock this Christmas, greeting mummers every night, Yarning ‘round the wood stove, eating partridgeberry pie, And I’ll be wondering “Why, oh why aren’t I?†‘Cause I’ll be in the factory, pulling double overtime, No one wants the Christmas shift so I guess that makes it mine, Late tonight I’ll light a candle in my lonely room, And think of those who are traveling home, ‘cause I know that very soon, That they'll be on the Rock this Christmas, where stars shine twice as bright, Yeah, they'll be on the Rock this Christmas, greeting mummers every night, Yarning ‘round the wood stove eating partridgeberry pie, And I’ll be wondering “Why, oh why aren’t I?†I’ve got to get there somehow, this poor soul’s just too homesick, My busted car won’t take me far, but my thumb will do the trick. I’ll call the boss from Port aux Basques, hope he’s in the mood to see, ‘Though I may choose to leave the Rock, it’s the Rock that won’t leave me. And I'll be on the Rock this Christmas, where stars shine twice as bright, Yeah, I'll be on the Rock this Christmas, greeting mummers every night, Yarning ‘round the wood stove, eating partridgeberry pie, And no more wondering “Why, oh why aren’t I?†Optional extra chorus: And we'll be on the Rock this Christmas, where stars shine twice as bright, Yeah, we'll be on the Rock this Christmas, greeting mummers every night, Yarning ‘round the wood stove, eating partridgeberry pie, And no more wondering “Why, oh why aren’t I?†Tag: No, no more wondering “Why, oh why aren’t I?â€.
$1.99
1.81 €
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David Kai
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They'll Be on the Rock This Christmas
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David Kai
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SheetMusicPlus
Mysterious Moment for oboe and string trio
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 …
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Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
7.28 €
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David Warin Solomons
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Mysterious Moment for oboe and string trio
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David Warin Solomons
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SheetMusicPlus
Stabat Mater - string ensemble parts
Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke L…
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Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lustenhouwer #795094. Published by Annemieke Lustenhouwer (A0.1195919). What happens when you close your eyes and you see yourself standing next to Mother Mary when Jesus dies? What do you see and what do you feel? That was what I’ve been asking myself for years when I read the text Stabat Mater. This composition tells about this experience and this questions. Sometimes a motif tells quite literally about this story, like the moment when Jesus is nailed down the cross: first the right hand, then the left hand and finaly with one nail both feet. In the first part of the composition, the viola tells with sforzato accents about this.This Stabat Mater is not only an expression of the pain of the Virgin Mother, but is also a tribute to JS Bach as well. Bach is by some seen as a fith evangelist. Nowadays there are still a lot of people who are affected by how his music tells about biblical stories, like I am. In this Stabat Mater I use the number 5 to express that: the first part is written in 5/4th and the last part Quando corpus et Amen is written with 5 parts in the choir. There can also be found a reworked choral in the choir passages of  O quam tristis et afflicta. It is the choral Wie nahe mir mein Ende from BWV 166.Polyfony is a returning presence in this Stabat Mater. I had an visual idea about this. When I was young I saw in an exhibition a tapestry with all kinds of colours and threads, and everything felt in motion. It was a kind of organized mess, but it was beautiful and felt perfect. I wondered if I could manage to express this idea in music as well. Under one of the polyphonic passages there is a Latin-American dance rhythm to express that motion. I heard that rhythm in my childhood in a rhythmbox of the keyboard of my dad. Another passage has the baroque sarabande-rhythme underneath in the double bass.A lullaby-feeling in some parts of the Stabat Mater tells about another story that got intertwined with this composition. It’s the story of a mother who rocks her terminal dying little son in her arms. I once read that story and it felt connected with the Stabat Mater text for a long time. I decided to express that as well.This composition is dedicated to the Dutch conductor Geert van den Dungen. However I saw many conductors, while playing the oboe and clarinet from a young age, there was nobody who let me think very deeply about music. Geert was the one who changed that for me. I started to study scores and developed a great interest in music analysis and music psychology. Many moments of inspiration and understanding for this Stabat Mater happened on choir rehearsals and concerts where Geert was working. I am very grateful for that.String parts only, see for conductors/ choir score Sheet Music plus and Sheet music direct.
$19.00
17.3 €
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Annemieke Lustenhouwer
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Stabat Mater - string ensemble parts
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Annemieke Lustenhouwer
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SheetMusicPlus
Chamber Symphony
Clarinet, bassoon, trumpet, viola, piano - Digital Download SKU: IZ.PDP100 Composed…
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Clarinet, bassoon, trumpet, viola, piano - Digital Download SKU: IZ.PDP100 Composed by David Diamond. Score and Parts. 97 pages. Imagine Music - Digital #PDP100. Published by Imagine Music - Digital (IZ.PDP100). 9 x 12 in inches.The Chamber Symphony dates from his New York period before he studied with the legendary Nadia Boulanger (1887-1979) at the American Conservatory outside of Paris. Like other works from his early 20s, this piece exhibits an extraordinary grasp of structure and overall design within a tonal harmonic language. The unusual scoring (clarinet, bassoon, viola, trumpet, and piano), like so many other chamber pieces written between the two World Wars, shows the influence of Igor Stravinsky (1882-1971), who would later become a close friend of the young American. The Chamber Symphony was premiered on 7 May 1937 at the Federal Theater in New York City. Jacques Gordon conducted the WP A Ensemble. Evidently the group was under-rehearsed and Diamond was not happy the performance. Thinking that the fault lay with the composition itself, he consigned the score and parts to a trunk in the attic of the family home in Rochester where it remained for over fifty years. I ran across a reference to the Chamber Symphony in the early 1990s and telephoned David Diamond to ask if I could get a copy of it. Thus began a sporadic exchange of telephone calls and postcards over the next five years. Among other things, we discovered that his parents and my paternal grandmother had come from the same region of Ukraine. Eventually he tottered up to the attic and sent me a copy of the score, with his penciled corrections, and his original parts, which I photocopied and returned to him. I performed the piece with colleagues at Kansas State University and sent Diamond a copy of the recording. He was ecstatic with our performance and told me I wonder why I've suppressed it for all these years? I got to meet David Diamond in June 2000 and we discussed the possibility of trying to get the Chamber Symphony published. He averred that his regular publishers wouldn't be interested owing to the limited market for such a work. A year after David Diamond's death I began my venture into music publishing and contacted Sam Elliott, a close friend of the composer's who serves as the executor for his estate. Mr. Elliott was happy to hear that I wanted to publish the Piece through Prairie Dawg Press and gave his kind permission to do so. I hope that my colleagues will enjoy this work as much as I have and that it will receive frequent performances.
$55.00
50.08 €
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David Diamond
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Chamber Symphony
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Imagine Music - Digital
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SheetMusicPlus
Dragon Tale
PDF Full Score - Digital Download SKU: H1.1171DP Composed by John Carter. Musicals …
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PDF Full Score - Digital Download SKU: H1.1171DP Composed by John Carter. Musicals for Youth. General Worship. Full Score. 68 pages. Hope Publishing - Digital #1171DP. Published by Hope Publishing - Digital (H1.1171DP). Mary Kay Beall.Sacred Musical for Adult Choirs Ideal for children's and community theatrical groups. The story line is definitely witty, very Victorian, and everyone's cup of tea. Ideal for children's and community theatrical groups. There are speaking parts for 9 persons. Performance time approx. 64 minutes.
Song List
: Don't You Think a Battle Is Delightful? Ev'ry Town Has Something He Will Do the Dragon In! I'd Love to Be the Daughter of a King If I Were Just an Ordinary Girl Recipe for a Princess Since I Met You We've Got to Hand It to Hugh! What Could Be So Bad about a Dragon? Yoo! Hoo! It's Hugh!
$18.95
17.26 €
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John Carter
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Dragon Tale
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Hope Publishing - Digital
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SheetMusicPlus
Dragon Tale
Singers/Actors Edition - Digital Download SKU: H1.1170DP Composed by John Carter. M…
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Singers/Actors Edition - Digital Download SKU: H1.1170DP Composed by John Carter. Musicals for Adults. General Worship. Actor/vocal score. 28 pages. Hope Publishing - Digital #1170DP. Published by Hope Publishing - Digital (H1.1170DP). Mary Kay Beall.Sacred Musical for Adult Choirs Ideal for children's and community theatrical groups. The story line is definitely witty, very Victorian, and everyone's cup of tea. Ideal for children's and community theatrical groups. There are speaking parts for 9 persons. Performance time approx. 64 minutes.
Song List
: Don't You Think a Battle Is Delightful? Ev'ry Town Has Something He Will Do the Dragon In! I'd Love to Be the Daughter of a King If I Were Just an Ordinary Girl Recipe for a Princess Since I Met You We've Got to Hand It to Hugh! What Could Be So Bad about a Dragon? Yoo! Hoo! It's Hugh!
$6.50
5.92 €
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John Carter
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Dragon Tale
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Hope Publishing - Digital
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SheetMusicPlus
Won't You Take Care of Me
Rhythm Section 2-Part Chorus,Voice - Level 5 - Digital Download SKU: A0.1426660 By …
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Rhythm Section 2-Part Chorus,Voice - Level 5 - Digital Download SKU: A0.1426660 By Holiyo. By Holyone Tombari Dodoh. Blues,Contemporary,Film/TV,Jazz,Soul. Vocal Jazz Ensemble. 35 pages. Holyone Tombari Dodoh #1007362. Published by Holyone Tombari Dodoh (A0.1426660). Lyrics:I see you don't care, You don't care. I see you don't care. Won't you take care of me? Won't you take care of me? Won't you take care of me? I used to be your keeper,Was always there for you all time,And if you cried,I'd hold you,Close to my heart and whisper,You are the best thing in this world,My little sweet,Cry no more.Now, won't you take care of me? Won't you take care of me? Won't you take care of me? You needed me,I was there,I could not leave you there alone.My little love,You got me.You called to me;Teach me all,I was so glad to show you all,My little dear,Know it all.And when you're scared,I held you,I said, My baby, I'm right here.I prayed to God,Keep my love!But now, won't you take care of me?Won't you take care of me?Won't you take care of me?My little sweet,My happiness,I will never forget.Now a grown-up,Now you don't care,Never remember me? I just need you here with me.I cannot do it on my own,My little best,You've so grown.I need you to understand;I will not be here for so long,My little sweet,I need you now!So now, won't you take care of me? Won't you take care of me? Won't you take care of me?
$6.90
6.28 €
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Holiyo
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Won't You Take Care of Me
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Holyone Tombari Dodoh
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SheetMusicPlus
City Life
Double Bass,Drum Set,Percussion,Piano and Keyboard,Tenor Saxophone - Level 5 - Interactive…
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Double Bass,Drum Set,Percussion,Piano and Keyboard,Tenor Saxophone - Level 5 - Interactive Download SKU: A0.1227644 Composed by Reese Rosbrook. This edition: Interactive Download. Jazz. 10 pages. Duration 149. Reese_Rosbrook #6P4oLzKV6tnK36zxmQL5n3. Published by Reese_Rosbrook (A0.1227644). Key: Ab major.It's been a while since I've made a jazzy piece, and being inspired from a recent trip to New York City really brought the jazz out of me. This one is super special, because it describes what life is like in the city. The A section is your common stroll, let's say through Central Park or down the block. The beat never stops with anyone. Everyone just keeps walking, and this constant bass line represents that. The B section represents the unexpected. You decide to walk through the subway, encountering a man playing tunes on a funky guitar. The weird chords and rhythms emphasize the curiosity of the music you're hearing. And finally, the C section represents the city lights. Beautiful, aren't they? Yet, unusual at the same time, represented by the 7/4 time signature. (Which was my first time using that time signature, how do you think I did?) I had fun writing this. I'm currently working on a research paper on the Origins of Jazz, and it kind of got me into a Dave Brubeck mood. Thanks for listening! -Reese.
$2.99
2.72 €
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Reese Rosbrook
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City Life
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Reese_Rosbrook
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SheetMusicPlus
Made You Look
Piano,Piccolo,Soprano Flute - Level 3 - Digital Download SKU: A0.1221022 By Meghan …
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Piano,Piccolo,Soprano Flute - Level 3 - Digital Download SKU: A0.1221022 By Meghan Trainor. By Luis Federico Vindver, Megan Trainor, and Sean Douglas. Arranged by Benzaiten Editions. Film/TV,Funk,Hip-Hop,Pop,R & B. Score and part. 11 pages. Benzaiten Editions #817369. Published by Benzaiten Editions (A0.1221022). Flute & Piano music sheet for Made You Look by Meghan Trainor. Composed by Sean Douglas, Megan Trainor, Luis Federico Vindver. Intermediate level. Film/TV, Funk, Pop, R&B/Hip-Hop. Arranged by Benzaiten Editions.This beautiful song is arranged here for flute and piano accompaniment in the key of Bb, which is the original key of the song.This file contains:- Complete score (Flute + Piano Parts) of Made You Look- Flute part music sheetIf you're looking for a flute sheet music of Meghan Trainor's Made You Look that includes both the chords and lyrics, we've got you covered!The versions of this same sheet music that are available in Benzaiten Editions:Flute sheet music (no chords, no lyrics)Flute sheet music (with chords)Flute sheet music (with lyrics)Flute sheet music (with chords and lyrics)Flute & piano sheet music(no chords, no lyrics)Flute & piano sheet music (with chords)Flute & piano sheet music (with lyrics)Â Flute & piano sheet music (chords and lyrics) Â All our sheet music were created, arranged, and edited with great care and attention. I hope you enjoy it!Please feel free to share your performances of our arrangements with us! =)About Digital DownloadsDigital Downloads refer to sheet music files that can be downloaded and viewed directly on your computer, tablet, or mobile device. These files are readily accessible for you to view and print at your convenience, whether at home, school, or any other location where you may choose to make music. Unlike physical sheet music, digital downloads do not require an internet connection once they have been downloaded. Simply complete your purchase, download the file, and start playing!
$5.99
5.45 €
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Meghan Trainor
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Sean Douglas, Megan Trainor, Luis Federico Vindver
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Made You Look
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Benzaiten Editions
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SheetMusicPlus
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