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All That Remains
Sheetmusic to print
106 sheet music found
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101
The Dreamer that Remains
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Harry Partch
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The Dreamer that Remains
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Schott Music - Digital
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SheetMusicPlus
Speakers, singers and orchestra - difficult - Digital Download SKU: S9.Q46168 A Study in Loving. Composed by Harry Partch. This edition: study sco...
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Speakers, singers and orchestra - difficult - Digital Download SKU: S9.Q46168 A Study in Loving. Composed by Harry Partch. This edition: study score. The Harry Partch Edition. Downloadable, Study score. Duration 10 minutes. Schott Music - Digital #Q46168. Published by Schott Music - Digital (S9.Q46168). The last major project of his life, The Dreamer That Remains, was composed while Harry Partch was being filmed from the beginning of his work until the world premiere in 1972. The resulting documentary offers a unique insight into the technical requirements of the musicians as well as the handling of the instruments designed by Partch himself, such as the Adapted Viola, New Harmonic Canon I, New Kithara I, Boo II and Mbira Bass Dyad.Adapted Viola · Adapted Guitar II · Harmonic Canon I (clear bass) · Harmonic Canon I (blue tined bass) · Harmonic Canon III (Blue Rainbow) · Kitahra I (new, 1972) · Chromelodeon II · Cloud-Chamber Bowls · Gourd Tree · Diamond Marimba · Quadrangularis Reversum · Boo II · Eucal Blossom · Mbira Bass Dyad · Small (1-string) Ektara · Large (2-string) Ektara.
$17.99
Ballade Pour Adeline
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Contemporary
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Paul De Senneville
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Eve C
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Ballade Pour Adeline
#
Zene Strings
#
SheetMusicPlus
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.515867 Composed by Paul De Senneville. Arranged by Eve C. Mailly. Classical,Contemporary...
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.515867 Composed by Paul De Senneville. Arranged by Eve C. Mailly. Classical,Contemporary,Film/TV,Traditional,Wedding. Score and parts. 17 pages. Zene Strings #6010531. Published by Zene Strings (A0.515867). Ballade Pour Adeline is a beautiful song written by Paul de Senneville and made famous by Richard Clayderman. This arrangement remains true to the original flowing melody and rolling accompaniment, but is arranged for string trio - perfect for weddings, or any event that calls for a lush, beautiful song.As with all of our string trio arrangements, the middle part is included in both treble clef (for violin 2) and alto clef (for viola) giving you the option of playing this arrangement with two violins and cello or violin, viola and cello.From your friends at Zene Strings -- enjoy!To see our other great arrangements visit: Zene Sheet Music.   Questions or comments?  Email us at Music@ZeneSheetMusic.com.  We're here to help!
$12.99
Jesus Paid It All - SSTT Quartet or Choir (Piano Accompaniment + Chords)
#
Sacred music
#
Elvina Hall and John Grape
#
Valdir Maia
#
Jesus Paid It All - SSTT Quart
#
Valdir Maia
#
SheetMusicPlus
Choral Choir (4-Part) - Level 2 - Digital Download SKU: A0.1204515 Composed by Elvina Hall and John Grape. Arranged by Valdir Maia. Christian,Easter,Prai...
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Choral Choir (4-Part) - Level 2 - Digital Download SKU: A0.1204515 Composed by Elvina Hall and John Grape. Arranged by Valdir Maia. Christian,Easter,Praise & Worship,Sacred,Spiritual. Octavo. 4 pages. Valdir Maia #802970. Published by Valdir Maia (A0.1204515). See my other arrangements here in SMP and in my YouTube channel @easysheetmusic.Celebrate Easter with the timeless hymn Jesus Paid It All! This beloved song has been a staple in church services for generations, and its message of redemption and salvation through Jesus Christ remains as powerful today as it did when it was first written..If you're looking for an easy way to share this hymn with your choir or vocal group, consider using easy sheet music that is available online. With the sheet music in hand, your soprano, alto, tenor, baritone, and bass singers will be able to quickly learn the harmonies and come together to create a beautiful and uplifting performance..Whether you're planning a special Easter service or simply want to add a meaningful piece to your repertoire, Jesus Paid It All is sure to touch the hearts of all who hear it. So gather your choir or vocal group and let the powerful message of this hymn inspire you this Easter season!
$3.99
Jesus Paid It All - TTB Trio or Choir (Piano Accompaniment + Chords)
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Sacred music
#
Elvina Hall and John Grape
#
Valdir Maia
#
Jesus Paid It All - TTB Trio o
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Valdir Maia
#
SheetMusicPlus
Choral Choir - Level 2 - Digital Download SKU: A0.1204533 Composed by Elvina Hall and John Grape. Arranged by Valdir Maia. Christian,Easter,Praise & Wors...
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Choral Choir - Level 2 - Digital Download SKU: A0.1204533 Composed by Elvina Hall and John Grape. Arranged by Valdir Maia. Christian,Easter,Praise & Worship,Sacred,Spiritual. Octavo. 4 pages. Valdir Maia #803000. Published by Valdir Maia (A0.1204533). See my other arrangements here in SMP and in my YouTube channel @easysheetmusic.Celebrate Easter with the timeless hymn Jesus Paid It All! This beloved song has been a staple in church services for generations, and its message of redemption and salvation through Jesus Christ remains as powerful today as it did when it was first written..If you're looking for an easy way to share this hymn with your choir or vocal group, consider using easy sheet music that is available online. With the sheet music in hand, your soprano, alto, tenor, baritone, and bass singers will be able to quickly learn the harmonies and come together to create a beautiful and uplifting performance..Whether you're planning a special Easter service or simply want to add a meaningful piece to your repertoire, Jesus Paid It All is sure to touch the hearts of all who hear it. So gather your choir or vocal group and let the powerful message of this hymn inspire you this Easter season!
$2.99
Jesus Paid It All - SSTT Quartet or Choir (+ Chords)
#
Sacred music
#
Elvina Hall and John Grape
#
Valdir Maia
#
Jesus Paid It All - SSTT Quart
#
Valdir Maia
#
SheetMusicPlus
Choral Choir - Level 2 - Digital Download SKU: A0.1204517 Composed by Elvina Hall and John Grape. Arranged by Valdir Maia. Christian,Easter,Praise & Wors...
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Choral Choir - Level 2 - Digital Download SKU: A0.1204517 Composed by Elvina Hall and John Grape. Arranged by Valdir Maia. Christian,Easter,Praise & Worship,Sacred,Spiritual. Octavo. 4 pages. Valdir Maia #802975. Published by Valdir Maia (A0.1204517). See my other arrangements here in SMP and in my YouTube channel @easysheetmusic.Celebrate Easter with the timeless hymn Jesus Paid It All! This beloved song has been a staple in church services for generations, and its message of redemption and salvation through Jesus Christ remains as powerful today as it did when it was first written..If you're looking for an easy way to share this hymn with your choir or vocal group, consider using easy sheet music that is available online. With the sheet music in hand, your soprano, alto, tenor, baritone, and bass singers will be able to quickly learn the harmonies and come together to create a beautiful and uplifting performance..Whether you're planning a special Easter service or simply want to add a meaningful piece to your repertoire, Jesus Paid It All is sure to touch the hearts of all who hear it. So gather your choir or vocal group and let the powerful message of this hymn inspire you this Easter season!
$3.99
Jesus Paid It All - SSTT Quartet or Choir
#
Sacred music
#
Elvina Hall and John Grape
#
Valdir Maia
#
Jesus Paid It All - SSTT Quart
#
Valdir Maia
#
SheetMusicPlus
Choral Choir - Level 2 - Digital Download SKU: A0.1204520 Composed by Elvina Hall and John Grape. Arranged by Valdir Maia. Christian,Easter,Praise & Wors...
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Choral Choir - Level 2 - Digital Download SKU: A0.1204520 Composed by Elvina Hall and John Grape. Arranged by Valdir Maia. Christian,Easter,Praise & Worship,Sacred,Spiritual. Octavo. 4 pages. Valdir Maia #802979. Published by Valdir Maia (A0.1204520). See my other arrangements here in SMP and in my YouTube channel @easysheetmusic.Celebrate Easter with the timeless hymn Jesus Paid It All! This beloved song has been a staple in church services for generations, and its message of redemption and salvation through Jesus Christ remains as powerful today as it did when it was first written..If you're looking for an easy way to share this hymn with your choir or vocal group, consider using easy sheet music that is available online. With the sheet music in hand, your soprano, alto, tenor, baritone, and bass singers will be able to quickly learn the harmonies and come together to create a beautiful and uplifting performance..Whether you're planning a special Easter service or simply want to add a meaningful piece to your repertoire, Jesus Paid It All is sure to touch the hearts of all who hear it. So gather your choir or vocal group and let the powerful message of this hymn inspire you this Easter season!
$3.99
Jesus Paid It All - SSTT Quartet or Choir (Piano Accompaniment)
#
Sacred music
#
Elvina Hall and John Grape
#
Valdir Maia
#
Jesus Paid It All - SSTT Quart
#
Valdir Maia
#
SheetMusicPlus
Choral Choir - Level 2 - Digital Download SKU: A0.1204516 Composed by Elvina Hall and John Grape. Arranged by Valdir Maia. Christian,Easter,Praise & Wors...
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Choral Choir - Level 2 - Digital Download SKU: A0.1204516 Composed by Elvina Hall and John Grape. Arranged by Valdir Maia. Christian,Easter,Praise & Worship,Sacred,Spiritual. Octavo. 4 pages. Valdir Maia #802971. Published by Valdir Maia (A0.1204516). See my other arrangements here in SMP and in my YouTube channel @easysheetmusic.Celebrate Easter with the timeless hymn Jesus Paid It All! This beloved song has been a staple in church services for generations, and its message of redemption and salvation through Jesus Christ remains as powerful today as it did when it was first written..If you're looking for an easy way to share this hymn with your choir or vocal group, consider using easy sheet music that is available online. With the sheet music in hand, your soprano, alto, tenor, baritone, and bass singers will be able to quickly learn the harmonies and come together to create a beautiful and uplifting performance..Whether you're planning a special Easter service or simply want to add a meaningful piece to your repertoire, Jesus Paid It All is sure to touch the hearts of all who hear it. So gather your choir or vocal group and let the powerful message of this hymn inspire you this Easter season!
$3.99
Mysterious Moment for oboe and string trio
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Contemporary
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David Warin Solomons
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Mysterious Moment for oboe and
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and...
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Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
"I Know That My Redeemer Lives!", organ, instruments
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John Hattan
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Forsyth Publishing
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"I Know That My Redeemer Lives
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Forsyth Publishing
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Violin - Level 4 - Digital Download SKU: A0.932722 Composed by John Hattan. Arranged by Forsyth Publishing. Christian,Class...
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Small Ensemble Cello,Clarinet,Violin - Level 4 - Digital Download SKU: A0.932722 Composed by John Hattan. Arranged by Forsyth Publishing. Christian,Classical,Sacred. Score and parts. 4 pages. Forsyth Publishing #6415993. Published by Forsyth Publishing (A0.932722). This whimzically joyful piece presents the joy of knowing our Redeemer does live and the happy and confidence of knowing He lives radiates while the melody remains untouched to show this joy has lasted centuries. This 1:43 composition has Bach and Mozart articulation considerations. This was originally used as an offertory for organ, it could be used as part of the prelude or a short special music in the service.
$3.99
All About That Bass
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Meghan Trainor
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P Johnson
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All About That Bass
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Sinfonia Music Co
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - Digital Download SKU: A0.1494969 By Meghan Trainor. By Kevin Kadish and Meghan Trainor. Arranged by P Johnson. Disco,Latin,Pop,Wedding. Brass Band. 22 pages. Sinfonia Music Co #1071533. Published by Sinfonia Music Co (A0.1494969). Meghan Trainer's 2014 debut hit single 'All About That Bass' remains a real crowd pleaser with young and old alike, and would be a great addition to any bands reportois, this delightful arrangement for British Brass Band is sure to get your audiences feet tapping, and that bass groov'in.
$48.40
Solage: Le basile for Brass Quartet
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Solage, Late 14th Century
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James M
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Solage: Le basile for Brass Qu
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jmsgu3
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SheetMusicPlus
Brass Quartet Cornet,Horn,Trombone - Level 2 - Digital Download SKU: A0.1266016 Composed by Solage, Late 14th Century. Arranged by James M. Guthrie. Cham...
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Brass Quartet Cornet,Horn,Trombone - Level 2 - Digital Download SKU: A0.1266016 Composed by Solage, Late 14th Century. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #858750. Published by jmsgu3 (A0.1266016). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.
$32.95
Solage: Le basile for Double Reed Quartet
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Solage
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James M
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Solage: Le basile for Double R
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Bassoon,Double Reed Quartet,English Horn - Level 2 - Digital Download SKU: A0.1266448 Composed by Solage. Arranged by James M. Guthrie....
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Woodwind Ensemble Bassoon,Double Reed Quartet,English Horn - Level 2 - Digital Download SKU: A0.1266448 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Holiday. 8 pages. Jmsgu3 #859185. Published by jmsgu3 (A0.1266448). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95
Stellar Evolution (of Sun-Like Stars)
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New Age
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Contemporary
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Danielle Anderson
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Stellar Evolution
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D. Anderson
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SheetMusicPlus
Alto Saxophone,B-Flat Bass Clarinet,Baritone Saxophone,Bass Drum,Celesta,Cymbals,Euphonium,Glockenspiel,Horn,Oboe,Piano,Piccolo,Snare Drum,Tambourine,Tenor Saxo...
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Alto Saxophone,B-Flat Bass Clarinet,Baritone Saxophone,Bass Drum,Celesta,Cymbals,Euphonium,Glockenspiel,Horn,Oboe,Piano,Piccolo,Snare Drum,Tambourine,Tenor Saxophone,Timpani,Trombone,Trumpet,Xylophone - Level 4 - Digital Download SKU: A0.1272745 Composed by Danielle Anderson. 19th Century,Classical,Contemporary,New Age. Full Performance. Duration 500. D. Anderson #864934. Published by D. Anderson (A0.1272745). Stars about the mass of our Sun were not always the specks we see in the sky, but rather a clump of cool, dense clouds known as nebulae. Follow the complex and smoking-hot life as a star as it transitions from its birthplace in the nebulae, swirls and contracts into a protostar, sustains nuclear fusion, lives out its glory days on the main sequence, and after a few close-calls with a second main sequence phase, inevitably meets its end as a red giant. Once the red giant star sheds off its outer layers to form a planetary nebula, all that remains is a white dwarf, never to shine as bright as it once did. It's complex, it's full of surprises, it's one of the most fascinating phenomena in space: this is stellar evolution.
$5.99
La nemesi
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now your fire is spent
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Monica Bergo
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La nemesi
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Monica Bergo
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SheetMusicPlus
Small Ensemble Pan Pipe,Piano,Trumpet,Tubular Bells,Viola,Violin - Level 3 - Digital Download SKU: A0.976861 Composed by Monica Bergo. Contemporary,Hallo...
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Small Ensemble Pan Pipe,Piano,Trumpet,Tubular Bells,Viola,Violin - Level 3 - Digital Download SKU: A0.976861 Composed by Monica Bergo. Contemporary,Halloween. Score and parts. 43 pages. Monica Bergo #3238977. Published by Monica Bergo (A0.976861). 2017 Holiday Contest EntryNEMESIS I enter the room of my consciousness That incredible disorder I rummage through the drawers Where I keep sufferings And the ineradicable memories Dust that knows of regret Spider webs cover my time, I recompose pieces of life But I'm here for you Fleeting shadow And my face reflects, Inside you My nemesis, my alter ego You reflect me and then Are a dark ghost The imperfect and the unsaid I will let you be what you are, My soul, black and rending. If you destroy my image It does not matter Finally that door remains open And opening the border between dream and reality I stumble among people at my funeral Who cry, who laugh, It is my Carnival I look at them from above, a spectral profile Rush down into the void that I have inside Nobody hugs me, I touch the silence, Slow-motion of a movie without more viewers, Close the curtain of the world outside and ... and ... The snow falls , how cold it is For this actress without identity I escape from the frost of my uncertainties But there is no refuge save me from she Who is heat, but to hurt Is my animal instinct I'm alone in this storm But certainly I do not regret Your mood swings, your sterile love Even without, I will survive My nemesis now dominates Be careful! If she comes for you She destroys you, crushes you, is cruel and savage, And then she will laugh in your face And sitting here on the bank of my river I'm waiting for you to pass this way Naked and without arrogance I'll never get enough This dance that gives me joy And in the darkness I move safe and stealthy (what are you?) I'm not afraid of anything and I feel wicked (you are lost now) Souls dancing to the beat of their sins (you like us) In this limbo I disown my past days (and so will you be...) Wind and storm I'm not just this, The rumble of thunder I don't understand any longer which side I’m on And it goes against the wind and sharpens my torment I'm hungry for the Sun Nemesis cannot dominate me My nemesis is here, Is stronger than ever And I know that she is reaching for me And it’s she who does not know Ever to stop halfway, Is Lady of Vice and Deception She seizes me , she exhausts me because She does not accept the peace that I have inside She has no balance, Makes me waver, And frustrates what I have achieved Tell me that you'll disappear As a dream in the morning light And will be, within me, A memory clouded by time I leave the room of my consciousness To make order is impossible Strange this drawer, not only sufferings But something relentless Nemesis, it is no longer your time By now your fire is spent And I will be born again to enchantment By words and music Food for the soul ... Monica Bergo
$3.99
Amol iz geven a mayse for soprano or treble voice and 2 violins (simplified version)
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Traditional
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David Warin Solomons
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Amol iz geven a mayse for sopr
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David Warin Solomons
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SheetMusicPlus
Small Ensemble High Voice,Violin - Level 2 - Digital Download SKU: A0.575878 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Folk...
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Small Ensemble High Voice,Violin - Level 2 - Digital Download SKU: A0.575878 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Folk,World. Score and parts. 10 pages. David Warin Solomons #2028991. Published by David Warin Solomons (A0.575878). Simplified arrangement (by special request) of a Yiddish folk song for alto voice and 2 violins A sad lullaby telling the tale of a king and the gradual disappearance of his kingdom, family and garden. All that remains is a little bird and it also flies away. The sound sample is an electronic preview (with the voice part represented by a cor anglais).
$7.00
Amol iz geven a mayse for soprano or treble voice and 2 violins
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Traditional
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David Warin Solomons
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Amol iz geven a mayse for sopr
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David Warin Solomons
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SheetMusicPlus
Small Ensemble High Voice,Violin - Level 3 - Digital Download SKU: A0.575877 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Folk...
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Small Ensemble High Voice,Violin - Level 3 - Digital Download SKU: A0.575877 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Folk,World. Score and parts. 10 pages. David Warin Solomons #2029007. Published by David Warin Solomons (A0.575877). Arrangement (by special request) of a Yiddish folk song for alto voice and 2 violins A sad lullaby telling the tale of a king and the gradual disappearance of his kingdom, family and garden. All that remains is a little bird and it also flies away. A simplified version is also available The sound sample is an electronic preview (with the voice part represented by a cor anglais).
$7.00
Can't Take My Eyes Off Of You
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Frankie Valli
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Dico
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Can't Take My Eyes Off Of You
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Dico
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SheetMusicPlus
Small Ensemble Alto Saxophone,Cello,Clarinet,Drum Set,Flute,Oboe,Piano,Soprano Saxophone,Tenor Saxophone,Trumpet,Violin - Level 3 - Digital Download SKU: A0....
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Small Ensemble Alto Saxophone,Cello,Clarinet,Drum Set,Flute,Oboe,Piano,Soprano Saxophone,Tenor Saxophone,Trumpet,Violin - Level 3 - Digital Download SKU: A0.842900 By Frankie Valli. By Bob Crewe and Bob Gaudio. Arranged by Dico. Pop,Wedding. Score and parts. 18 pages. Dico #6342741. Published by Dico (A0.842900). WEDDING SERIES - a set of popular songs and wedding standards that I have arranged for years. The formations are varied, from duos to orchestras with choir. The majority are mixed/flexible sextets in which some instruments can be replaced and the ensembles can be totally changed. Some arrangements have shortened versions. These options are provided in my catalogue.CAN'T TAKE MY EYES OFF YOU - A great success from the end of the 60s that remains today, with several versions and arrangements released. This is just one more of them. For flexible sextet:- Part 1: Flute (Oboe | Clarinet | Sop sax)- Part 2: Trumpet (Flugelhorn | Alto sax | Tenor sax)- Drum Set- Piano- Violin- Cello.A bass guitar can be added to play the chords symbols in piano part.
$19.00
Can't Take My Eyes Off Of You
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Frankie Valli
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Dico
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Can't Take My Eyes Off Of You
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Dico Ferreira
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Drum Set,E-Flat Alto Saxophone,Flugelhorn,Flute,Oboe,Piano,Soprano Saxophone,Tenor Saxophone,Trumpet,Violin - Level 3 - Digital Do...
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Small Ensemble Cello,Clarinet,Drum Set,E-Flat Alto Saxophone,Flugelhorn,Flute,Oboe,Piano,Soprano Saxophone,Tenor Saxophone,Trumpet,Violin - Level 3 - Digital Download SKU: A0.506557 By Frankie Valli. By Bob Crewe and Bob Gaudio. Arranged by Dico. Pop,Wedding. Score and parts. 18 pages. Dico Ferreira #118038. Published by Dico Ferreira (A0.506557). WEDDING SERIES - a set of popular songs and wedding standards that I have arranged for years. The formations are varied, from duos to orchestras with choir. The majority are mixed/flexible sextets in which some instruments can be replaced and the ensembles can be totally changed. Some arrangements have shortened versions. These options are provided in my catalogue.CAN'T TAKE MY EYES OFF YOU - A great success from the end of the 60s that remains today, with several versions and arrangements released. This is just one more of them. For flexible sextet:- Part 1: Flute (Oboe | Clarinet | Sop sax)- Part 2: Trumpet (Flugelhorn | Alto sax | Tenor sax)- Drum Set- Piano- Violin- Cello.A bass guitar can be added to play the chords symbols in piano part.
$19.00
Suzanne
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Leonard Cohen
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William van de Groep
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Suzanne
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Online Music Master
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SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.1470268 By Leonard Cohen. By Leonard Cohen. Arranged by William van de Groep. 21st Century,Country,Pop,Singer...
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Guitar - Level 3 - Digital Download SKU: A0.1470268 By Leonard Cohen. By Leonard Cohen. Arranged by William van de Groep. 21st Century,Country,Pop,Singer/Songwriter. Guitar Tab. 3 pages. Online Music Master #1047980. Published by Online Music Master (A0.1470268). Guitar Tab and musicnotation sheet of the Guitar Part of this legendary song with lyrics includeded. Suzanne is a song by Leonard Cohen, released in 1967 on his debut album, Songs of Leonard Cohen. The song is a beautiful and haunting ballad that captures the essence of Cohen's poetic and lyrical genius. It tells the story of a mystical and introspective journey with a woman named Suzanne. The lyrics paint vivid pictures of moments spent with Suzanne by the river, where she feeds him tea and oranges that come all the way from China. The song delves into themes of love, spirituality, and longing, blending the sacred and the mundane. Cohen's imagery is rich and evocative, portraying Suzanne as a figure who is both ethereal and grounded, leading him to a deeper understanding of himself and the world around him.Musically, Suzanne features Cohen's gentle and melancholic voice, accompanied by simple yet effective acoustic guitar and subtle background vocals. The melody is soothing and reflective, perfectly complementing the introspective nature of the lyrics. Suzanne has been covered by numerous artists and remains one of Cohen's most beloved and enduring songs, celebrated for its lyrical depth and emotional resonance. The song encapsulates Cohen's ability to weave together complex emotions and ideas into a seamless and captivating narrative.
$4.99
Schubert: Ave Maria for Bass Flute & Piano
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Classical
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Franz Schubert
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James M
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Schubert: Ave Maria for Bass F
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.548690 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas...
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Bass Flute,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.548690 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and individual part. 4 pages. Jmsgu3 #3411129. Published by jmsgu3 (A0.548690). A Bass Flute Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Bass Flute part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$29.95
Schubert: Ave Maria for Baritone Horn & Piano
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Classical
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Franz Schubert
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James M
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Schubert: Ave Maria for Barito
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jmsgu3
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SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 1 - Digital Download SKU: A0.552828 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,E...
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Baritone Horn TC,Euphonium,Piano - Level 1 - Digital Download SKU: A0.552828 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411131. Published by jmsgu3 (A0.552828). A Baritone Horn Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Baritone Horn part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$29.95
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
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Silvano A
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Introduction, Theme and Variat
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Soundnotation
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SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
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Silvano A
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Introduction, Theme and Variat
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Soundnotation
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SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
Endless love
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Florence
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Florence
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Endless love
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Florence
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SheetMusicPlus
Acoustic Guitar - Level 2 - Digital Download SKU: A0.1453112 By Florence. By Florence. Arranged by Florence. 21st Century,Pop. Accompaniment. Duration 14...
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Acoustic Guitar - Level 2 - Digital Download SKU: A0.1453112 By Florence. By Florence. Arranged by Florence. 21st Century,Pop. Accompaniment. Duration 142. Florence #1032345. Published by Florence (A0.1453112). “Endless Love” is a poignant ballad that captures the timeless essence of love. The lyrics paint a vivid picture of an unwavering connection between two souls. From the initial spark of attraction to the depths of devotion, the song explores the profound impact of love on our lives.Key Themes:Eternal Bond: The chorus emphasizes an unbreakable bond that transcends physical barriers. Whether it’s the vastness of the stars or the challenges of life, this love remains steadfast.Intimacy and Vulnerability: The verses delve into personal moments—the stolen glances, the gentle touch, and the soulful gaze. These intimate details reveal vulnerability and authenticity.Resilience: The bridge acknowledges life’s hardships but asserts that love can withstand any storm. It’s a testament to the enduring power of shared emotions.Musical Style: “Endless Love” features a melodic, piano-driven arrangement with heartfelt vocals. The tempo is slow, allowing listeners to immerse themselves in the emotional journey.Listeners’ Experience: Listeners will feel the warmth of love, the ache of longing, and the promise of forever. The song invites reflection on their own relationships and the enduring connections that shape their lives.🎵❤️.
$10.00
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