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In the Dark Pine-Wood (Downloadable)
Contralto voice and piano - Medium - Digital Download SKU: MQ.8769-4E Composed by J…
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Contralto voice and piano - Medium - Digital Download SKU: MQ.8769-4E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-4E. Published by E. C. Schirmer Music Company - Digital (MQ.8769-4E). English.Juliana Hall wrote her song cycle Of That So Sweet Imprisonment for mezzo soprano Stephanie Blythe, for whom Hall had expressed a desire to write a piece. Blythe accepted Hall's proposal, and her request was that Hall write a song cycle for contralto voice. In recounting her motivation for writing this piece, Hall - in a discussion with Blythe at the Fall Island Vocal Arts Seminar (where Hall was the Guest Composer in 2018) - said You know what I think is really so wonderful is how you [Blythe] communicate, from here to there, right to the audience...it just speaks, the words, the text, come right...right to the heart of each person...I was thinking, what a wonderful person, what a wonderful voice...to be able to communicate...I've just got the most perfect singer to take these songs, this wonderful subject of love, and present it to the worldThe seven poems Hall set in Of That So Sweet Imprisonment were chosen from James Joyce's early book of poems, Chamber Music (Elkin Mathews, London) published in 1907. The poems are arranged in a narrative arc that takes the listener from the presence of love in nature (Strings in the Earth and Air), to the human feeling of emptiness when love is not present (Winds of May), to a description exulting in the joys of human love (Of That So Sweet Imprisonment), to expression of human love such as kissing (In the Dark Pine-Wood), to love's tranformation of a girl into a woman through love making (Bid Adieu), to the feelings of contentment in the early morning after making love (At That Hour When All Things Have Repose), and finally a call for the lovers to go to a special place where they may remain together in love (O Cool is the Valley).Of That So Sweet Imprisonment will be premiered on Saturday, January 19, 2019 at the DiMenna Center for Classical Music in New York City, by Ms. Blythe and pianist Alan Smith, on the third concert of the Sparks & Wiry Cries' NYC songSLAM Festival, entitled Expressions of Love: Stephanie Blythe and Friends.Contents:I. Strings in the Earth and AirII. Winds of MayIII. Of That So Sweet ImprisonmentIV. In the Dark Pine-WoodV. Bid AdieuVI. At That Hour When All Things Have ReposeVII. O Cool is the Valley.
$3.00
2.74 €
#
Juliana Hall
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In the Dark Pine-Wood
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Strings in the Earth and Air (Downloadable)
Contralto voice and piano - Medium - Digital Download SKU: MQ.8769-1E Composed by J…
(+)
Contralto voice and piano - Medium - Digital Download SKU: MQ.8769-1E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-1E. Published by E. C. Schirmer Music Company - Digital (MQ.8769-1E). English.Juliana Hall wrote her song cycle Of That So Sweet Imprisonment for mezzo soprano Stephanie Blythe, for whom Hall had expressed a desire to write a piece. Blythe accepted Hall's proposal, and her request was that Hall write a song cycle for contralto voice. In recounting her motivation for writing this piece, Hall - in a discussion with Blythe at the Fall Island Vocal Arts Seminar (where Hall was the Guest Composer in 2018) - said You know what I think is really so wonderful is how you [Blythe] communicate, from here to there, right to the audience...it just speaks, the words, the text, come right...right to the heart of each person...I was thinking, what a wonderful person, what a wonderful voice...to be able to communicate...I've just got the most perfect singer to take these songs, this wonderful subject of love, and present it to the worldThe seven poems Hall set in Of That So Sweet Imprisonment were chosen from James Joyce's early book of poems, Chamber Music (Elkin Mathews, London) published in 1907. The poems are arranged in a narrative arc that takes the listener from the presence of love in nature (Strings in the Earth and Air), to the human feeling of emptiness when love is not present (Winds of May), to a description exulting in the joys of human love (Of That So Sweet Imprisonment), to expression of human love such as kissing (In the Dark Pine-Wood), to love's tranformation of a girl into a woman through love making (Bid Adieu), to the feelings of contentment in the early morning after making love (At That Hour When All Things Have Repose), and finally a call for the lovers to go to a special place where they may remain together in love (O Cool is the Valley).Of That So Sweet Imprisonment will be premiered on Saturday, January 19, 2019 at the DiMenna Center for Classical Music in New York City, by Ms. Blythe and pianist Alan Smith, on the third concert of the Sparks & Wiry Cries' NYC songSLAM Festival, entitled Expressions of Love: Stephanie Blythe and Friends.Contents:I. Strings in the Earth and AirII. Winds of MayIII. Of That So Sweet ImprisonmentIV. In the Dark Pine-WoodV. Bid AdieuVI. At That Hour When All Things Have ReposeVII. O Cool is the Valley.
$3.00
2.74 €
#
Juliana Hall
#
Strings in the Earth and Air
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Monteverdi - The Seventh Book of Madrigals (1619) - 33. Tirsi e Clori
Brass Ensemble E-Flat Tuba TC,Euphonium,Horn,Trombone,Trumpet - Level 3 - Digital Download…
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Brass Ensemble E-Flat Tuba TC,Euphonium,Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.767368 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 77 pages. Lyons Music Services #3557567. Published by Lyons Music Services (A0.767368). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts.This section of the 7th book is really a miniature scena (although Monteverdi describes it as a ballet), telling the story of Tirsi and Clori (Thyrsis and Chloris) two lovers from ancient greek myths. This piece is the final section of Tirsi e Clori, which Monteverdi describes as the Ballo (Dance) where all the characters in the story provide a spectacle of celebration at the end of the performance. There is a short (12 measure) section forming an introduction at a slow tempo, followed by a 1-in-a-bar dance, a change occurs at measure 113 to simple duple time before returning to a rousing reprise of the lively 3/2 music. The whole is brought to a rousing conclusion with a long cadence in what is rapidly approaching the Baroque style.The instruments are divided between two 'choirs' a 5-part one, representing the singers (Cantus,Quintus, Alto, Tenor and Bass) and a four part accompanying group representing the continuo. There is also an optional percussion part, as the original would have been so accompanied, even though it was not notated in the score.At just over 8 minutes in length, this is a great finisher for a concert - or, in the right circumstances, a starter - especially as Monteverdi has made the ending very loud and full.The seventh book has been a challenge. The much more intricate music, showing Monteverdi's development towards a true operatic technique requires a really careful study of his orchestrations. It has been a great pleasure to set this music and I hope lots of ensembles will 'give it a go'!
$12.99
11.88 €
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Claudio Monteverdi
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Monteverdi - The Seventh Book of Madrigals
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Lyons Music Services
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SheetMusicPlus
Winds of May (Downloadable)
Contralto voice and piano - Medium - Digital Download SKU: MQ.8769-2E Composed by J…
(+)
Contralto voice and piano - Medium - Digital Download SKU: MQ.8769-2E Composed by Juliana Hall. 7 pages. E. C. Schirmer Music Company - Digital #8769-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8769-2E). English.Juliana Hall wrote her song cycle Of That So Sweet Imprisonment for mezzo soprano Stephanie Blythe, for whom Hall had expressed a desire to write a piece. Blythe accepted Hall's proposal, and her request was that Hall write a song cycle for contralto voice. In recounting her motivation for writing this piece, Hall - in a discussion with Blythe at the Fall Island Vocal Arts Seminar (where Hall was the Guest Composer in 2018) - said You know what I think is really so wonderful is how you [Blythe] communicate, from here to there, right to the audience...it just speaks, the words, the text, come right...right to the heart of each person...I was thinking, what a wonderful person, what a wonderful voice...to be able to communicate...I've just got the most perfect singer to take these songs, this wonderful subject of love, and present it to the worldThe seven poems Hall set in Of That So Sweet Imprisonment were chosen from James Joyce's early book of poems, Chamber Music (Elkin Mathews, London) published in 1907. The poems are arranged in a narrative arc that takes the listener from the presence of love in nature (Strings in the Earth and Air), to the human feeling of emptiness when love is not present (Winds of May), to a description exulting in the joys of human love (Of That So Sweet Imprisonment), to expression of human love such as kissing (In the Dark Pine-Wood), to love's tranformation of a girl into a woman through love making (Bid Adieu), to the feelings of contentment in the early morning after making love (At That Hour When All Things Have Repose), and finally a call for the lovers to go to a special place where they may remain together in love (O Cool is the Valley).Of That So Sweet Imprisonment will be premiered on Saturday, January 19, 2019 at the DiMenna Center for Classical Music in New York City, by Ms. Blythe and pianist Alan Smith, on the third concert of the Sparks & Wiry Cries' NYC songSLAM Festival, entitled Expressions of Love: Stephanie Blythe and Friends.Contents:I. Strings in the Earth and AirII. Winds of MayIII. Of That So Sweet ImprisonmentIV. In the Dark Pine-WoodV. Bid AdieuVI. At That Hour When All Things Have ReposeVII. O Cool is the Valley.
$4.00
3.66 €
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Juliana Hall
#
Winds of May
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Of That So Sweet Imprisonment (Downloadable)
Contralto voice and piano - Medium - Digital Download SKU: MQ.8769-3E Composed by J…
(+)
Contralto voice and piano - Medium - Digital Download SKU: MQ.8769-3E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-3E. Published by E. C. Schirmer Music Company - Digital (MQ.8769-3E). English.Juliana Hall wrote her song cycle Of That So Sweet Imprisonment for mezzo soprano Stephanie Blythe, for whom Hall had expressed a desire to write a piece. Blythe accepted Hall's proposal, and her request was that Hall write a song cycle for contralto voice. In recounting her motivation for writing this piece, Hall - in a discussion with Blythe at the Fall Island Vocal Arts Seminar (where Hall was the Guest Composer in 2018) - said You know what I think is really so wonderful is how you [Blythe] communicate, from here to there, right to the audience...it just speaks, the words, the text, come right...right to the heart of each person...I was thinking, what a wonderful person, what a wonderful voice...to be able to communicate...I've just got the most perfect singer to take these songs, this wonderful subject of love, and present it to the worldThe seven poems Hall set in Of That So Sweet Imprisonment were chosen from James Joyce's early book of poems, Chamber Music (Elkin Mathews, London) published in 1907. The poems are arranged in a narrative arc that takes the listener from the presence of love in nature (Strings in the Earth and Air), to the human feeling of emptiness when love is not present (Winds of May), to a description exulting in the joys of human love (Of That So Sweet Imprisonment), to expression of human love such as kissing (In the Dark Pine-Wood), to love's tranformation of a girl into a woman through love making (Bid Adieu), to the feelings of contentment in the early morning after making love (At That Hour When All Things Have Repose), and finally a call for the lovers to go to a special place where they may remain together in love (O Cool is the Valley).Of That So Sweet Imprisonment will be premiered on Saturday, January 19, 2019 at the DiMenna Center for Classical Music in New York City, by Ms. Blythe and pianist Alan Smith, on the third concert of the Sparks & Wiry Cries' NYC songSLAM Festival, entitled Expressions of Love: Stephanie Blythe and Friends.Contents:I. Strings in the Earth and AirII. Winds of MayIII. Of That So Sweet ImprisonmentIV. In the Dark Pine-WoodV. Bid AdieuVI. At That Hour When All Things Have ReposeVII. O Cool is the Valley.
$3.00
2.74 €
#
Juliana Hall
#
Of That So Sweet Imprisonment
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Bid Adieu (Downloadable)
Contralto voice and piano - Medium - Digital Download SKU: MQ.8769-5E Composed by J…
(+)
Contralto voice and piano - Medium - Digital Download SKU: MQ.8769-5E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-5E. Published by E. C. Schirmer Music Company - Digital (MQ.8769-5E). English.Juliana Hall wrote her song cycle Of That So Sweet Imprisonment for mezzo soprano Stephanie Blythe, for whom Hall had expressed a desire to write a piece. Blythe accepted Hall's proposal, and her request was that Hall write a song cycle for contralto voice. In recounting her motivation for writing this piece, Hall - in a discussion with Blythe at the Fall Island Vocal Arts Seminar (where Hall was the Guest Composer in 2018) - said You know what I think is really so wonderful is how you [Blythe] communicate, from here to there, right to the audience...it just speaks, the words, the text, come right...right to the heart of each person...I was thinking, what a wonderful person, what a wonderful voice...to be able to communicate...I've just got the most perfect singer to take these songs, this wonderful subject of love, and present it to the worldThe seven poems Hall set in Of That So Sweet Imprisonment were chosen from James Joyce's early book of poems, Chamber Music (Elkin Mathews, London) published in 1907. The poems are arranged in a narrative arc that takes the listener from the presence of love in nature (Strings in the Earth and Air), to the human feeling of emptiness when love is not present (Winds of May), to a description exulting in the joys of human love (Of That So Sweet Imprisonment), to expression of human love such as kissing (In the Dark Pine-Wood), to love's tranformation of a girl into a woman through love making (Bid Adieu), to the feelings of contentment in the early morning after making love (At That Hour When All Things Have Repose), and finally a call for the lovers to go to a special place where they may remain together in love (O Cool is the Valley).Of That So Sweet Imprisonment will be premiered on Saturday, January 19, 2019 at the DiMenna Center for Classical Music in New York City, by Ms. Blythe and pianist Alan Smith, on the third concert of the Sparks & Wiry Cries' NYC songSLAM Festival, entitled Expressions of Love: Stephanie Blythe and Friends.Contents:I. Strings in the Earth and AirII. Winds of MayIII. Of That So Sweet ImprisonmentIV. In the Dark Pine-WoodV. Bid AdieuVI. At That Hour When All Things Have ReposeVII. O Cool is the Valley.
$3.00
2.74 €
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Juliana Hall
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Bid Adieu
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
A Dossan of Heather
Fiddle, tin whistle, flute or other traditional instruments - Beginning-Intermediate - Dig…
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Fiddle, tin whistle, flute or other traditional instruments - Beginning-Intermediate - Digital Download SKU: M0.98635MEB Irish traditional music from Packie Manus Byrne of Donegal. Composed by Stephen Jones. Edited by Stephen Jones and Jean Duval. Flute, Fife and Oboe, World. Celtic / Irish. E-book and online audio. Mel Bay Publications - Digital Sheet Music #98635MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.98635MEB). ISBN 9781619116382. 8.75x11.75 inches.This is not just another book of Irish session tunes. It represents the relatively unknown repertoire of a single Irish traditional musician, Packie Manus Byrne of Donegal. There has been considerable interest in the music of Donegal over the past 10 years or so, especially with the rise of groups such as Altan. Packie Manus Byrne is a familiar name to traditional-music lovers in Ireland and the UK, where he enjoyed a successful career as a folk performer for more than 20 years. Almost all these tunes were being played in Packie's home area between 1925 and 1935; the collection is thus something of a time capsule with a unity of origin and style that sets it apart from other collections. The 85 genuine old traditional tunes are being made public for the first time. This unique collection, with all the background information and stories, gives the reader a real sense of the community out of which the music came and the characters who played it. Suitable for fiddle, tin whistle, flute and other traditional instruments. The online audio download includes 33 of the tunes performed by Jean Duval, Stephen Jones, Johanne St. Laurent, Lynda Dowker, and Reinhard Görner on a variety of instruments.
$24.99
22.85 €
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Stephen Jones
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A Dossan of Heather
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
The Dying of the Light : Musical Settings of the Poetry of Dylan Thomas (Downloadable Piano/Vocal Score)
Tenor voice solo with string quartet or piano - Moderately Easy - Digital Download SKU:…
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Tenor voice solo with string quartet or piano - Moderately Easy - Digital Download SKU: MQ.8329-E Composed by Gwyneth W. Walker. Instrument part. 23 pages. Duration 10 minutes, 10 seconds. E. C. Schirmer Music Company - Digital #8329-E. Published by E. C. Schirmer Music Company - Digital (MQ.8329-E). English.The poetry of Dylan Thomas (1914–1953) is characteristically Welsh and dark. Death is a common topic in his writings. Yet despite the somber imagery, there is often a strength and resilience. The journey of death is described, but not taken. Death is the adversary, not the ruler. The Hand that Signed the Paper speaks of the often cruel and deadly power of a signed document- a document of taxation, of treaty or of counting casualties. The five fingers mark the dead, but do not soothe. “Hands have no tears to flow.†And Death Shall Have No Dominion expresses the triumph of the human spirit over death. “Though lovers be lost love shall not.†Do Not Go Gentle into that Good Night represents the fight against death. “Rage, rage against the dying of the light.†The musical expression of these poems places the voice in the low (dark) range. Tempi are slow, and minor keys are prevalent. Only occasionally are major tonalities presented. These passages combine with particularly uplifting phrases such as “Though they sink through the sea, they shall rise again†and “Wild men, who caught and sang the sun in flight…†Near the end of the last song, the poet addresses his deceased father: “And you, my father, there on the sad height...†The voice stays on a constant pitch while the harmony lifts beneath (to the heights), in the Lydian (raised) mode. [One might hear the voice as “perched atop†the rising chords.] This is one of the most personal lines of Dylan Thomas' poetry. As the poet speaks to his father, the climax of the song comes with the rising phrases of “Rage, rage against the dying of the light.†The final chords are dissonant, marked “with determination and triumph.†Duration: 10:10.
$12.00
10.97 €
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Gwyneth W
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The Dying of the Light : Musical Settings of the Poetry of Dylan Thomas
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Intermezzo from Cavalliera Rusticana
String Ensemble Violin - Digital Download SKU: A0.997866 Composed by Pietro Mascagn…
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String Ensemble Violin - Digital Download SKU: A0.997866 Composed by Pietro Mascagni. Arranged by Joe Williams. Classical,Opera,Romantic Period. Score and parts. 11 pages. Joe Williams #603549. Published by Joe Williams (A0.997866). This beautiful Intermezzo foreshadows the tragedy to befall the lovers in Mascagni's one act opera, Cavalliera Rusticana. Arranged here for a violin ensemble of 6 violins.
$7.99
7.3 €
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Pietro Mascagni
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Intermezzo from Cavalliera Rusticana
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Joe Williams
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SheetMusicPlus
The Gardener for 3 cellos
String Ensemble,String Quintet - Level 2 - Digital Download SKU: A0.909016 Composed…
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String Ensemble,String Quintet - Level 2 - Digital Download SKU: A0.909016 Composed by Emma Butterworth. Celtic,Children,Christmas,Folk,Spiritual. Score and parts. 7 pages. Emma Butterworth #3914609. Published by Emma Butterworth (A0.909016). 'The Gardener' is based on an old English folk song called 'The Bloody Gardener', which was a traditional ballad detailing the betrayal of two young lovers by the boy's wicked mother. This haunting melody works beautifully on the cello, and its simple rhythms make it an accessible play.This arrangement was specifically written for a mixed-level group, with the first cello part slightly more advanced (going up to 4th position). The second cello part has optional 2nd position and features both the main melody and counter melodies. The third cello part is the most elementary, remaining in first position.
$6.99
6.39 €
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Emma Butterworth
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The Gardener for 3 cellos
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Emma Butterworth
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SheetMusicPlus
Beyond the Rainbow Bridge - backing track
String Ensemble Drum Set,Electric Bass Guitar,Piano Accompaniment - Level 3 - Digital Down…
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String Ensemble Drum Set,Electric Bass Guitar,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1105087 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Country,Rock. Accompaniment. Duration 221. David Kai #708333. Published by David Kai (A0.1105087). A song for those grieving the loss of a pet, especially those whose pets support them through issues such as PTSD and depression. The death of a pet is certainly one the most difficult things that pet lovers experience. Pets offer us companionship, affection and healing, but their relatively short lifespan means that we will experience this loss many times in our lives. Many of us take comfort in the idea of a rainbow bridge that our pets cross when they die, and that we too will cross to be united with our pets. This song expresses the grief that we experience with the death of a pet, but also the hope that we will be reunited with them one day. This version of the song is a backing track for a soloist. BEYOND THE RAINBOW BRIDGE by David Kai ©2019 The day that I first met you, I held you in the palm of my hand And from that moment onward I knew that we would be the best of friends And though you started as a Christmas gift to set beneath the tree You know you really were a gift from God to me. We walked through fields and forests, we’d hit the trail in sun and wind and rain When I was at my lowest, you licked my hand and raised me up again But time passed much too quickly, and you know just what you did You took a piece of my broken heart beyond the rainbow bridge. I’m not sure what heaven’s like , I’m not sure how things will be But if we won’t be together, it won’t feel like heaven to me But if the Lord be willing, I’ll hear your welcome bark again, And see you running to me, through the golden fields of grain Most faithful of companions, you’d been with me in sickness and in health You always loved to see me, even when I couldn’t really love myself And when you licked my hand that one last time, then you know just what you did You took a piece of my broken heart beyond the rainbow bridge. You took a piece of my broken heart beyond the rainbow bridge.
$1.99
1.82 €
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David Kai
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Beyond the Rainbow Bridge - backing track
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David Kai
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SheetMusicPlus
Can't Stop The Feeling from TROLLS
Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.796737 By Justin Timbe…
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Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.796737 By Justin Timberlake. By Johan Schuster, Justin Timberlake, Max Martin, and Shellback. Arranged by Gary D. Belshaw (ASCAP). Dance,Pop. 40 pages. DR GARY D BELSHAW #4301061. Published by DR GARY D BELSHAW (A0.796737). For Advanced Intermediate Flute Choir. 40 pages, including one sample part page for display here. Duration: 3 minutes.This uptempo, disco- and soul-pop number with punk influences debuted as Justin Timberlake's fifth U. S. No. 1 single and is one of the top 20 longest running No. 1 singles on the Adult Contemporary chart. This arrangements spreads the almost uncontrollable joy among all the players in your ensemble, and its appeal will be to young and old alike. It's difficult enough to wow and yet accessible enough for pop-music lovers and arts aficionados alike. An optional cut from Rehearsals C to I makes this an ideal encore on a recruiting or publicity tour: short, but...wow!Look for opportunities for percussive and/or beatbox sounds throughout.Thank you for considering this work; your reviews of my work are really important to me. Follow Gary D.Belshaw Music on Facebook and Twitter (@GaryDBelshawMus). A like on this Sheet Music Plus page will be deeply appreciated.Take pride in your copy of this work. 1. Avoid cheap 20-lb office supply paper. Invest a couple extra bucks in some 22- or 24-lb. paper. 2. Avoid bright white sheets: look for beige, tan, or natural paper. 3. Always use a smooth-finish paper stock. 4. One final thought: if you have access to a printer or copier that will take 9 x 12 stock, your pages will be more like traditional printed music in size. Obtaining paper stock with the other elements listed above will result in music sheets that would look startling similar to products from long-established publishing houses.
$14.99
13.7 €
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Justin Timberlake
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Can't Stop The Feeling from TROLLS
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DR GARY D BELSHAW
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SheetMusicPlus
Tristan und Isolde
3 (3. auch Picc.) · 2 · Engl. Hr. · 2 · Bassklar. · 3 - 4 · 3 · 3 …
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3 (3. auch Picc.) · 2 · Engl. Hr. · 2 · Bassklar. · 3 - 4 · 3 · 3 · 1 - P. S. (Trgl. · Bck.) - Hfe. - Str. Auf der Bühne: Engl. Hr. · 6 Hr. · 3 Trp. · 3 Pos. - Digital Download SKU: S9.Q17773 Handlung in drei Aufzügen. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 270' 0. Schott Music - Digital #Q17773. Published by Schott Music - Digital (S9.Q17773). German.An important addition to the newly produced orchestral materials by Schott Music is the fi rst publication of vocal scores of Richard Wagner’s ten great operas in every important version. For the first time, we are able to offer theatres and interested opera-lovers vocal scores as urtext editions conceived following uniform editorial criteria: * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. * The publisher has secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages (German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. TRISTAN UND ISOLDE Performance directions by the singer Ludwig Schnorr von Carolsfeld are incorporated in the vocal score from the Complete Edition’s Tristan und Isolde volume. He entered these directions into his own copy of the Tristan part which he used at the 1865 Munich premiere. Richard Wagner was deeply impressed by his interpretation of the title role. For the first time in a vocal score of Tristan und Isolde all cuts are incorporated—with the corresponding transitional bars—which Wagner himself made, and approved, in two cases, were actually declared by him to be final. These cuts strikingly document Wagner’s struggle with the final form of the work. For the first time in a single edition all of Wagner’s own suggestions for ossias are found; ossias which evolved from performances under his own direction. Egon Voss writes about this in his foreword to the vocal score: “Such ‘pointers’, as you might say, were current practice in the 19th century which Wagner, as the example shows, did not evade. He was enough of a practical man of the theatre to know that a badly sung top note is worse than doing without it. Wagner even tolerated the transposition of lengthier passages because he was less concerned with the letter of the score than with theatrical effectiveness. [...] The present vocal score goes beyond the Complete Edition [...] in that the ossias mentioned above are indicated in the vocal part itself, in small notes. They concern principally the role of Tristan, but also those of Isolde, Brangäne and Kurwenal. They rest in part on the Tristan edition within the Complete Edition but for the greater part go back to a source which could not be consulted for the Complete Edition because it was not yet accessible. This relates to a vocal score from the estate of the composer Peter Cornelius who was engaged by Wagner as repetiteur at the Vienna rehearsals in 1861-63. That the ossia bars go back to Wagner can be taken as certain, since in some places they are notated in his own hand.†(Egon Voss, quoted from the foreword to the vocal score) The transpositions mentioned by Egon Voss—two by Hans von Bülow for the revival of the work which he conducted in Munich in 1869 and the third suggested by Wagner himself in 1861—are printed in the appendix to the vocal score. The ossias, transpositions, and cuts are available for practical use in the theatre and in rehearsal. The cuts are also incorporated into the orchestral materials for Tristan und Isolde. This is also the case with ossias which affect the orchestral parts.2013 marks Wagner’s bicentenary, making the year largely focused on his music, particularly the dramatic works. An important addition to the newly produced orchestral materials by Schott Music. The score corresponds to the performance materials from the Complete Edition. Schott Music have secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. For the first time, this work is available to theatres and interested opera-lovers as urtext editions. For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. The forewords are given in three languages (German, English, and French). Other vocal scores available: Der fliegende Holländer (1841) Der fliegende Holländer (1842-80) Tannhäuser Lohengrin Das Rheingold Die Walküre Siegfried Götterdämmerung Die Meistersinger von Nürnberg Parsifal.
$47.99
43.87 €
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Richard Wagner
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Tristan und Isolde
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Schott Music - Digital
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SheetMusicPlus
La dulzura del silencio (The Sweetness of Silence), Celtic song by Gustavo Fuentes
Small Ensemble Cello,Flute,Soprano Recorder,Violin - Level 4 - Digital Download SKU: A0…
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Small Ensemble Cello,Flute,Soprano Recorder,Violin - Level 4 - Digital Download SKU: A0.900399 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. Score and parts. 3 pages. Gustavo Fuentes #3534751. Published by Gustavo Fuentes (A0.900399). The sweetness of Silence. Celtic music song composed by Gustavo Fuentes, arranged for three voices. Two melody instruments, such as tin whistle, flute, recorder or violin, and low voice like cello or bass, with chords for piano or guitar. The audio is from to the Gustavo Fuentes CD Almas en vuelo that you can listen to on Spotify.Lovers communicate in unique and diverse ways. They use words of love, loving glances and tender caresses to share in the joy of being together.But one of the most enjoyable things a couple can share is silence. Being silent, perhaps holding hands and looking into each other’s eyes, can communicate plenty. Merely knowing the other person is right there by your side with love, affection and understanding is one of the most gratifying feelings in the world. And that is what this song is about: love, lovers and shared silence. Canción de música celta compuesta por Gustavo Fuentes, arreglada para tres voces. Dos agudas como tin-whistle, low whistle, flauta traversa, flauta dulce o violÃn, y un instrumento grave como cello o bajo, con cifrado de acordes para piano o guitarra. El audio pertenece al CD de Gustavo Fuentes Almas en vuelo, que se puede escuchar completo en Spotify. La comunicación entre los enamorados es única y diversa. Palabras de amor, miradas, caricias, todo aporta en el momento de compartir el sentimiento de felicidad y dicha que los envuelve.Y una de las cosas más disfrutables es compartir el silencio. Ese dulce silencio –tal vez tomados de la mano y mirándose a los ojos- donde sin decir una palabra se dice tanto, y donde la mayor motivación es saber que el otro está ahÃ, presente a su lado con su amor, su cariño y su comprensión.De eso habla esta canción: del amor, de los enamorados, y de la dulzura de su silencio compartido.
$4.99
4.56 €
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Gustavo Fuentes
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La dulzura del silencio
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Gustavo Fuentes
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SheetMusicPlus
Romeo And Juliet (love Theme)
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1001558 By Henry Mancini. By Nino Rota. Arranged by Rita Arendz. Film/TV,Romantic Period. Brass Band. 40 pages. Rita Arendz #6682653. Published by Rita Arendz (A0.1001558). The tragic romance of Romeo and Juliet dates from before Shakespeare's 1597 dramatic play. Since then, the story has been adapted for opera, musicals, and film. In the late 1870's Tchaikovsky toyed with the idea of an opera. He completed a Fantasy Overture, and later on, sketched the Duet between the two lovers. A tragedy in itself, Tchaikovsky never finished his opera. Almost 100 years later, Franco Zeffirelli directed a film version where Giovanni Rota Rinaldi (Nino Rota) created the musical score in 1968. The most notable segment is the Love Theme sung by the troubadour during the masked ball where Romeo and Juliet first meet.This setting is based on the timeless innocence of Rinaldi's writing of the Love Theme and makes reference to the passionate duet of Tchaikovksy, with Juliet played by the Tenor Horn and Romeo by the Euphonium. As Shakespeare wrote in Twelfth Night, if music be the food of love, play on!Scored for the smaller British Brass Band with a minimum of 9 parts up to full band. Duration ~4:25. 40 Pages.
$45.99
42.05 €
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Henry Mancini
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Romeo And Juliet
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Rita Arendz
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SheetMusicPlus
El cielo en tus ojos (The Sky in Your Eyes), Celtic Song by Gustavo Fuentes
Small Ensemble Cello,Flute,Soprano Recorder,Violin - Digital Download SKU: A0.900404
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Small Ensemble Cello,Flute,Soprano Recorder,Violin - Digital Download SKU: A0.900404 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. Score and parts. 3 pages. Gustavo Fuentes #3637523. Published by Gustavo Fuentes (A0.900404). The Sky in Your Eyes. Celtic music song composed by Gustavo Fuentes, arranged for two voices. One melody instrument, such as tin-whistle, flute, recorder, low whistle, violin or piano and low voice like cello or bass, with chords for piano or guitar. The audio is from to the Gustavo Fuentes CD Almas en vuelo that you can listen to on Spotify. The eyes are the windows to the soul. They can reflect sadness, happiness, pain, peace, love. The eyes of a mother looking at her child, of a migrant taking one last look at their homeland, the eyes of two lovers getting lost in ecstasy.So we must let our eyes be. Let them fill up with tears of joy, tears of sadness and tears of excitement. We must truly let our eyes be windows to our souls so those that want to get to know it only need to look inside. Once we let our eyes reflect the skies, reflect smiles, reflect hope and even reflect the world, we might be able to perceive the eyes around us. Canción de música celta compuesta por Gustavo Fuentes, arreglada para dos voces. Una aguda como tin-whistle, low whistle, flauta traversa, flauta dulce, violÃn o piano y un instrumento grave como cello o bajo, con cifrado de acordes para piano o guitarra. El audio pertenece al CD de Gustavo Fuentes Almas en vuelo, que se puede escuchar completo en Spotify. La mirada es el lenguaje del alma. En los ojos se traslucen la tristeza, la alegrÃa, el dolor, la paz, el amor. La mirada de una madre hacia su hijo, la mirada de aquel que debe emigrar y observa por última vez su tierra, la mirada de los enamorados que se funden en el éxtasis.Dejemos ser a nuestros ojos. Que se llenen de lágrimas de emoción, que palidezcan de tristeza o que brillen de deseo. Demos permiso a nuestras miradas y que sean realmente el espejo de nuestra alma para quienes quieran conocerla. Aceptemos que se nos llenen los ojos de cielo, de sonrisas, de esperanza y también de ausencia. Permitamos que nuestro mundo se vea en nuestros ojos, y tal vez entonces podamos ver el universo de miradas que nos rodea.
$4.99
4.56 €
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Gustavo Fuentes
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El cielo en tus ojos
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Gustavo Fuentes
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SheetMusicPlus
Tannhäuser und der Sängerkrieg auf Wartburg
Digital Download SKU: S9.Q25917 Vocal Score based on the Richard Wagner Complete…
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Digital Download SKU: S9.Q25917 Vocal Score based on the Richard Wagner Complete Edition edited by Wolfgang M. Wagner. Composed by Richard Wagner. This edition: vocal/piano score. Erstveröffentlichung - Oper - Theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25917. Published by Schott Music - Digital (S9.Q25917). German • French.An important addition to Schott's newly published orchestral material is the first publication of piano scores for the ten major operas by Richard Wagner in all major versions. For the first time, we offer the stages and interested opera lovers piano scores as urtext editions that were designed according to uniform editorial criteria.•The score is aligned with the performance material of the Complete Edition. •All piano scores have study numbers and continuous measure numbers for rehearsal and study practice. •The editors are renowned musicologists from the circles of those working on the Richard Wagner Complete Edition who contribute detailed information on the respective editions to the critical prefaces.•The prefaces are printed in three languages (German, English, French). •The uniform appealing cover design with reproductions of paintings from the Wagner era emphasizes the serial character of the edition.TANNHÄUSERFor the Richard Wagner Complete Edition, the editors Egon Voss, Peter Jost and Reinhard Strohm as well as Cristina UrchueguÃa have researched and presented Tannhäuser's genesis and history of more than thirty years, which also took about thirty years of scientific work, on 2,959 pages in eight volumes. With the present piano score, the findings gathered therein shall now also to be made accessible for the musical practice. (Wolfgang M. Wagner, quoted from the foreword to the new Tannhäuser piano score)The piano score unites for the first time all four stages of the work (the score as of 1845, the score as of 1860, the Paris version as of 1861/62 with the complete French text of this version, and the Vienna version as of 1875) in a single excerpt for rehearsal and study practice, thus allowing the comparison of the versions, without sacrificing practicability.All variants are printed one after the other in the chronological sequence of the action on the stage, so that each of them can be explored in their context of action by simply turning over the pages. Only two variants rejected before the Paris premiere were printed separately in the appendix. A fascinating insight into Richard Wagner's thinking in terms of stage practice and into his very precise ideas of tonal balance, scenic details and role-conception are made possible by the quotations printed in key passages from his work On the Performance of Tannhäuser, published in 1852.For example, soon after the world premiere, Wagner suggested the deletion of bars in the orchestral part in the 4th scene of Act I, reasoning that […] due to the tremendous woodenness and self-consciousness of our usual supernumeraries, the impression of overwhelming liveliness, which was intended by me and which was to imply a heightening of the mood led up to by the liveliest manifestations of life, was not achieved. (piano reduction, p. 221)In the big ensemble scene at the end of Act II, Wagner puts in a comment at a certain passage, referring to the conductor and his great responsibility for tonal balance:The exclamations 'Ach, erbarm' dich mein!' require such a piercing emphasis that he [the performer of Tannhauser] as a mere, well-trained singer is not enough; it is but the highest dramatic art that has to provide him the energy of pain and desperation for an expression that must seem to break forth from the most gruesome depths of an awfully woeful heart, like a cry for salvation. The conductor has to ensure that the implied success is made possible for the principal singer by the most discrete accompaniment of the other singers as well as of the orchestra. (piano reduction, p. 367)3 (3. auch Picc.) · 2 · 2 · Bassklar. [nicht in Pariser F.] · 2 - 2 Ventilhr. · 2 Waldhr. · 3 Ventiltrp. · 3 · 1 [Pariser F.: Ophicléïde] - P. S. (Trgl. · Beck. · Tamb. · gr. Tr. · Tamt. [Pariser F.] · Kast. [Pariser/Wiener F.) (2-3 Spieler) - Str. Auf dem Theater: 2 Picc. [P/W: 1] · 4 Fl. [P/W: 2] · 4 Ob. [P/W: 2] · Engl. Hr. · 6 Klar. [P/W: 3] · 4 Fg. [P: 2, W: 0] - 12 Wald-Hr. · 12 Trp. [P: 9] · 4 Pos. [P/W: 4 Hr.] - Trgl. · Beck. · Tamb. · Kast. [nur in P] - Hfe. [in P/W].
$53.99
49.36 €
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Richard Wagner
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Tannhäuser und der Sängerkrieg auf Wartburg
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Schott Music - Digital
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SheetMusicPlus
AGAPE (For God So Loved The World) A601G - Single
Small Ensemble Bass Voice,Electric Guitar,Piano and Keyboard,Synthesizer - Level 2 - Digit…
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Small Ensemble Bass Voice,Electric Guitar,Piano and Keyboard,Synthesizer - Level 2 - Digital Download SKU: A0.1050351 Composed by Shag Evans. Arranged by Shag Evans. Christmas,Easter,Holiday,Pop,Praise & Worship. Score and parts. 15 pages. Shag Evans #654670. Published by Shag Evans (A0.1050351). AGAPE (For God So Loved The World) is a modern Christian bible song featuring famous verbatim quotes from Book of John 3:16: For God so loved the world, that he gave his only begotten son, that whosoever believeth in him should not perish, but have everlasting life. This tune makes fun holiday music for Christmas, Easter and Holy Week! Arrangement A601G is a professional sheet music score containing lead & harmony vocal parts, four different keyboard staff parts (piano and synths), guitar, bass, and accurate guitar chord diagrams. All parts are included in this sheet music score (in the video only the vocal part is shown). Key of G means mezzo or low baritone range. Lead vocal note span: E-B low --> high (octave plus a fifth). The melody of this tune spans 1.5 octaves but the low note is only briefly tagged. More keys and other arrangements of this song are coming soon. SUMMARY: Professional Sheet Music. Custom Made For Music Lovers. ADDITIONAL DETAILS: Quality PDF 300dpi resolution: Awesome viewing. Complete music score: Repeats on verse & coda. Full instrument notation: 9 staves, 6 instrument parts, 2 vocal parts. Contains accurate guitar chord diagrams: No approximations or generic substitutes. Separate full lyric sheet included. More keys & more arrangements coming soon! Be sure to watch & listen to the entertaining follow-the-bouncing-ball style Sing-A-Long Soundtrack video (see the YT link below).
$3.99
3.65 €
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Shag Evans
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AGAPE
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Shag Evans
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SheetMusicPlus
Folk Songs For Classical Guitar - Volume 33 (Songs 865-891)
Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1166663 Comp…
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Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1166663 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 50 pages. Socrates Arvanitakis #767044. Published by Socrates Arvanitakis (A0.1166663). This is the thirtieth-third volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all  volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view.Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 33 (Songs 865-891)Tobacco Is An Indian WeedTom BowlingTom’s Gone to HiloTommy make room for your UncleTop of the Morning (the)Tramping SongTravel the Country RoundTree in the Wood (the)Trees they do grow High (the)Trees They’re All Bare (the)Trimdon Grange ExplosionTurmut-hoeingTurpin HeroTwo Magicians (the)Twa SistersTwankydilloTwelve Apostles (the)Twelve Days of Christmas (the)Twenty Eighteen Two Affectionate LoversTwo Brothers  (the)Unfortunate Tailor (the)Up the RawUp! Good Christen FolkVan Dieman’s LandVenus and AdonisVicar of Bray (the).
$25.00
22.86 €
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Traditional/Anonymous
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Folk Songs For Classical Guitar - Volume 33
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Socrates Arvanitakis
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SheetMusicPlus
Chekhov's The Seagull: An Opera - Score Only
Level 4 - Digital Download SKU: A0.1251001 Composed by Felicity Mazur-Park. 21st Ce…
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Level 4 - Digital Download SKU: A0.1251001 Composed by Felicity Mazur-Park. 21st Century,Classical,Contemporary,Opera,Thriller. 93 pages. Felicity Mazur-Park #845295. Published by Felicity Mazur-Park (A0.1251001). Anton Chekhov was a Russian playwright, who was famous for his tragicomedies.The Seagull is one of his most successful tragicomedies. It has been adapted for many other mediums including ballets, operas, and musicals. In this play, Chekhov uses the symbol of the seagull to represent the doomed fate of the characters.The younger characters, Konstantin and Nina, begin the opera as lovers, but by Act Four are estranged from the world and each other. Arguably, the older lead characters, Irina and Trigorin, are highly destructive to their younger counterparts. Both Konstantin and Nina are young, aspiring artists. What responsibility do experienced, professional artists have to their younger counterparts?
$49.99
45.7 €
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Felicity Mazur-Park
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Chekhov's The Seagull: An Opera - Score Only
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Felicity Mazur-Park
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SheetMusicPlus
Scarborough Fair arr. for violin, cello and piano
Piano Trio - Level 2 - Digital Download SKU: A0.1474945 Composed by Traditional. Ar…
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Piano Trio - Level 2 - Digital Download SKU: A0.1474945 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Historic,Traditional. 17 pages. Colin Kirkpatrick Publications #1052537. Published by Colin Kirkpatrick Publications (A0.1474945). This is one of the most popular and best-loved folksongs of all time, made famous by Simon and Garfunkel, Bob Dylan and many others. The song is in the Dorian mode and thought to have originated over four hundred years ago. Scarborough (SKAH-buh-ruh) is an English coastal town in the county of Yorkshire. It was occupied by the Romans during the fourth and fifth centuries but today has become the largest holiday resort on the Yorkshire coast with a thriving fishing industry. There are many different versions of the lyrics and by the end of the 19th century, dozens of variants existed. The repeated chorus of “parsley, sage, rosemary and thyme” is significant. In olden times, these herbs had medicinal purposes. In addition, parsley was associated with comfort, sage with strength, rosemary with love and thyme with courage. The song takes the form of a melancholy dialogue between two individuals who were once lovers but now live separate lives. Each of them asks the listener to pass on a message to the other. The young man requests impossible tasks from his former lover, saying that if she can perform them, he will take her back. In return, she requests equally impossible things of him, saying she will perform her tasks when he performs his. The fact that all the tasks are impossible seems to imply that neither of them have any intention of becoming reunited. This arrangement stays well within the instrumental ranges and attempts to reflect the melancholy feeling of the lyrics. The violin top note is E6 (the E above the treble staff) and the cello top note is G4 (the G above the bass staff). This arrangement would make a splendid encore piece for a recital.
$11.99
10.96 €
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Traditional
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Scarborough Fair arr. for violin, cello and piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
Scarborough Fair arr. for flute, clarinet, bassoon and piano
Level 2 - Digital Download SKU: A0.1444898 Composed by Traditional. Arranged by Col…
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Level 2 - Digital Download SKU: A0.1444898 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Folk,Historic,Irish,Multicultural,World. 20 pages. Colin Kirkpatrick Publications #1024766. Published by Colin Kirkpatrick Publications (A0.1444898). This is one of the most popular and best-loved folksongs of all time, made famous by Simon and Garfunkel, Bob Dylan and many others. The song is in the Dorian mode and thought to have originated over four hundred years ago. Scarborough (SKAH-buh-ruh) is an English coastal town in the county of Yorkshire. It was occupied by the Romans during the fourth and fifth centuries but today has become the largest holiday resort on the Yorkshire coast with a thriving fishing industry. There are many different versions of the lyrics and by the end of the 19th century, dozens of variants existed. The repeated chorus of “parsley, sage, rosemary and thyme” is significant. In olden times, these herbs had medicinal purposes. In addition, parsley was associated with comfort, sage with strength, rosemary with love and thyme with courage. The song takes the form of a melancholy dialogue between two individuals who were once lovers but now live separate lives. Each of them asks the listener to pass on a message to the other. The young man requests impossible tasks from his former lover, saying that if she can perform them, he will take her back. In return, she requests equally impossible things of him, saying she will perform her tasks when he performs his. The fact that all the tasks are impossible seems to imply that neither of them have any intention of becoming reunited. This arrangement for woodwind instruments and piano stays well within the instrumental ranges and attempts to reflect the melancholy feeling of the lyrics. The clarinet part avoids awkward movement around the break. This arrangement would make a splendid encore piece for a recital.
$11.99
10.96 €
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Traditional
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Scarborough Fair arr. for flute, clarinet, bassoon and piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
Scarborough Fair arr. for two violins, cello and piano
Level 2 - Digital Download SKU: A0.1473773 Composed by Traditional. Arranged by Col…
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Level 2 - Digital Download SKU: A0.1473773 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Historic,Traditional. 20 pages. Colin Kirkpatrick Publications #1051492. Published by Colin Kirkpatrick Publications (A0.1473773). This is one of the most popular and best-loved folksongs of all time, made famous by Simon and Garfunkel, Bob Dylan and many others. The song is in the Dorian mode and thought to have originated over four hundred years ago. Scarborough (SKAH-buh-ruh) is an English coastal town in the county of Yorkshire. It was occupied by the Romans during the fourth and fifth centuries but today has become the largest holiday resort on the Yorkshire coast with a thriving fishing industry. There are many different versions of the lyrics and by the end of the 19th century, dozens of variants existed. The repeated chorus of “parsley, sage, rosemary and thyme” is significant. In olden times, these herbs had medicinal purposes. In addition, parsley was associated with comfort, sage with strength, rosemary with love and thyme with courage. The song takes the form of a melancholy dialogue between two individuals who were once lovers but now live separate lives. Each of them asks the listener to pass on a message to the other. The young man requests impossible tasks from his former lover, saying that if she can perform them, he will take her back. In return, she requests equally impossible things of him, saying she will perform her tasks when he performs his. The fact that all the tasks are impossible seems to imply that neither of them have any intention of becoming reunited. This arrangement stays well within the instrumental ranges and attempts to reflect the melancholy feeling of the lyrics. This arrangement would make a splendid encore piece for a recital.
$11.99
10.96 €
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Traditional
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Scarborough Fair arr. for two violins, cello and piano
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Scarborough Fair arr. for oboe, clarinet, bassoon and piano
Level 2 - Digital Download SKU: A0.1452373 Composed by Traditional. Arranged by Col…
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Level 2 - Digital Download SKU: A0.1452373 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Historic,Multicultural,World. 20 pages. Colin Kirkpatrick Publications #1031703. Published by Colin Kirkpatrick Publications (A0.1452373). This is one of the most popular and best-loved folksongs of all time, made famous by Simon and Garfunkel, Bob Dylan and many others. The song is in the Dorian mode and thought to have originated over four hundred years ago. Scarborough (SKAH-buh-ruh) is an English coastal town in the county of Yorkshire. It was occupied by the Romans during the fourth and fifth centuries but today has become the largest holiday resort on the Yorkshire coast with a thriving fishing industry. There are many different versions of the lyrics and by the end of the 19th century, dozens of variants existed. The repeated chorus of “parsley, sage, rosemary and thyme” is significant. In olden times, these herbs had medicinal purposes. In addition, parsley was associated with comfort, sage with strength, rosemary with love and thyme with courage. The song takes the form of a melancholy dialogue between two individuals who were once lovers but now live separate lives. Each of them asks the listener to pass on a message to the other. The young man requests impossible tasks from his former lover, saying that if she can perform them, he will take her back. In return, she requests equally impossible things of him, saying she will perform her tasks when he performs his. The fact that all the tasks are impossible seems to imply that neither of them have any intention of becoming reunited. This arrangement for woodwind instruments and piano stays well within the instrumental ranges and attempts to reflect the melancholy feeling of the lyrics. It would make an excellent addition to a woodwind recital.
$11.99
10.96 €
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Traditional
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Scarborough Fair arr. for oboe, clarinet, bassoon and piano
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
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