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1776
Schubert: Ave Maria for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.548690 Comp…
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Bass Flute,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.548690 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and individual part. 4 pages. Jmsgu3 #3411129. Published by jmsgu3 (A0.548690). A Bass Flute Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Bass Flute part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$29.95
27.4 €
#
Franz Schubert
#
Schubert: Ave Maria for Bass Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Schubert: Ave Maria for Baritone Horn & Piano
Baritone Horn TC,Euphonium,Piano - Level 1 - Digital Download SKU: A0.552828 Compos…
(+)
Baritone Horn TC,Euphonium,Piano - Level 1 - Digital Download SKU: A0.552828 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411131. Published by jmsgu3 (A0.552828). A Baritone Horn Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Baritone Horn part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$29.95
27.4 €
#
Franz Schubert
#
Schubert: Ave Maria for Baritone Horn & Piano
#
jmsgu3
#
SheetMusicPlus
Ebben Ne Andrò Lontana from La Wally
Brass Ensemble Euphonium,Horn,Trombone - Level 4 - Digital Download SKU: A0.991320 …
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Brass Ensemble Euphonium,Horn,Trombone - Level 4 - Digital Download SKU: A0.991320 Composed by Alfredo Catalani. Arranged by Geoff Ogle (ASCAP). Romantic Period. Score and parts. 22 pages. Geoff Ogle #6018893. Published by Geoff Ogle (A0.991320). Add a romantic style to your program with this beautiful aria from a lesser-known opera. Your players' performance of lyrical music will mature playing this romantic aria. Enthrall your audience with aria featured in the French cult-classic Diva. This transcription includes alternate parts to create an optimal combination of players.
$15.00
13.72 €
#
Alfredo Catalani
#
Ebben Ne Andrò Lontana from La Wally
#
Geoff Ogle
#
SheetMusicPlus
Ebben Ne Andrò Lontana from La Wally
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Bassoon,Clarinet,Oboe - Level 4 - Digita…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Bassoon,Clarinet,Oboe - Level 4 - Digital Download SKU: A0.991321 Composed by Alfredo Catalani. Arranged by Geoff Ogle (ASCAP). Romantic Period. 19 pages. Geoff Ogle #6018895. Published by Geoff Ogle (A0.991321). Add a romantic style to your program with this beautiful aria from a lesser-known opera. Your players' performance of lyrical music will mature playing this romantic aria. Enthrall your audience with aria featured in the French cult-classic Diva. This transcription includes alternate parts to create an optimal combination of players.
$15.00
13.72 €
#
Alfredo Catalani
#
Ebben Ne Andrò Lontana from La Wally
#
Geoff Ogle
#
SheetMusicPlus
Ebben Ne Andrò Lontana from La Wally
Woodwind Ensemble Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.991318 C…
(+)
Woodwind Ensemble Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.991318 Composed by Alfredo Catalani. Arranged by Geoff Ogle (ASCAP). Contemporary. 18 pages. Geoff Ogle #6018889. Published by Geoff Ogle (A0.991318). Add a romantic style to your program with this beautiful aria from a lesser-known opera. Your players' performance of lyrical music will mature playing this romantic aria. Enthrall your audience with aria featured in the French cult-classic Diva. This transcription includes alternate parts to create an optimal combination of players.
$15.00
13.72 €
#
Alfredo Catalani
#
Ebben Ne Andrò Lontana from La Wally
#
Geoff Ogle
#
SheetMusicPlus
Wie Du warst (Octavian's Aria) from Der Rosenkavalier - Accessible Accompaniments Edition
Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799612 Composed by Richa…
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Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5022023. Published by Nicole Elyse DiPaolo (A0.799612). The first of its kind, and the third entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Wie Du warst, Octavian's famous aria from Strauss's Der Rosenkavalier (1911). Mezzos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury. This edition also includes a two-measure recomposed ending four measures after rehearsal 25, making this edition a great choice for concert and audition situations in which another singer isn't available to sing the Marschallin's lines.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.19 €
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Richard Strauss
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Wie Du warst
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Nicole Elyse DiPaolo
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SheetMusicPlus
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Comp…
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.19 €
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Gioachino Rossini
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Largo al factotum
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Nicole Elyse DiPaolo
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SheetMusicPlus
Aria: Halleluja, Stärk' und Macht from Cantata BWV 29 (arrangement for Alto recorder and organ)
Small Ensemble Alto Recorder,Harpsichord,Organ,Piano - Digital Download SKU: A0.756364
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Small Ensemble Alto Recorder,Harpsichord,Organ,Piano - Digital Download SKU: A0.756364 Composed by Johann Sebastian Bach. Arranged by Gil Garty. Baroque,Christian,Sacred. Score and parts. 6 pages. Gil Garty #2956969. Published by Gil Garty (A0.756364). Originally for violin, tenor voice, organ and continuo. Arranged for Alto recorder and organ.
$5.00
4.57 €
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Johann Sebastian Bach
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Aria: Halleluja, Stärk' und Macht from Cantata BWV 29
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Gil Garty
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SheetMusicPlus
Limes (CM 2017) Parte terza: il sogno come evasione dalla precarietà della vita
Bass Clarinet,Cello,Guitar,Oboe,Percussion,Piano,Violin - Digital Download SKU: A0.1070…
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Bass Clarinet,Cello,Guitar,Oboe,Percussion,Piano,Violin - Digital Download SKU: A0.1070871 Composed by Carmelo Mantione. 20th Century,Contemporary,Standards. Full Performance. Duration 619. Carmelo Mantione #5889423. Published by Carmelo Mantione (A0.1070871). Live recording: Daniela Carlino -Syrah ensemble, Palermo 2017Parte Terza: il sogno come evasione dalla precarietà della vita L'ultima parte è la più complessa della composizione ed è basata su un testo di Guido Gozzano: La via del rifugio . Si tratta di una poesia molto articolata che offre parecchi spunti quasi teatrali: il poeta si trova disteso a terra, nella campagna piemontese, mentre due bambine, nipoti, figlie della sorella, giocano cantando un'antica filastrocca. Il poeta alterna le sue riflessioni sulla vita e sulle grandi domande dell'esistenza ai versi di questa filastrocca e alla descrizione dei giochi delle bambine, i girotondi e la cattura di una farfalla, che tanto coinvolge le piccole. Al fine di rendere meglio la teatralità del brano l'autore ha affidato il testo della filastrocca a due voci infantili e le riflessioni del poeta alla voce di soprano (con l'eccezione di qualche frammento di quest'ultimo tipo recitato dalle bambine stesse). La struttura del testo, con ritorni frequenti di alcune brevi strofe, ha suggerito una forma musicale che si avvicina al tradizionale rondò, in cui in particolare un refrain ritorna in maniera sempre nuova alternandosi a vari episodi. La melodia della filastrocca, elaborazione di una tipica melodia tradizionale è il refrain principale e viene sempre variato nella combinazione delle due voci e degli strumenti, e nell'armonizzazione. Un altro episodio frequente, anch'esso rivisitato nei vari ritorni, è quello del primo intervento dell'autore: socchiusi gli occhi sto seduto sul trifoglio, e vedo un quatrifoglio che non raccoglierò, nelle sue varianti testuali. Il brano vuole anche essere anche una sintesi dei precedenti (Parte Prima e Seconda), riproponendo riferimenti importanti ai temi principali uditi, ma anche a frammenti secondari, che compaiono all'interno del tessuto musicale per suggerire stati d'animo o immagini simili a quelle originarie del brano da cui sono state estrapolate o comunque servono a mettere i brani a confronto e creare delle correlazioni musicali e concettuali.
$1.99
1.82 €
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Carmelo Mantione
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Limes
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Carmelo Mantione
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SheetMusicPlus
CACCINI Francesca: O che nuovo stupor, aria, - Voice and Piano (G minor)
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868746 Composed by Franc…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868746 Composed by Francesca CACCINI (1587 – after 1641). Arranged by Sergei PICHUGIN. Baroque,Christmas,Concert,Instructional,Standards. 9 pages. Really Good Music, LLC. #4415015. Published by Really Good Music, LLC. (A0.868746). O che nuovo stupor is an Aria allegra by Francesca CACCINI (1587 – after 1641), an early Baroque Italian composer and singer, daughter of Giulio CACCINI. The realization of this wonderful Christmas song for voice and piano, made by Sergei Pichugin, is based on its publication in Il primo libro delle musiche (Florence, 1618). The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of G minor (D4 – F5) for high voice.
$5.95
5.44 €
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Francesca CACCINI
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CACCINI Francesca: O che nuovo stupor, aria, - Voice and Piano
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Really Good Music, LLC.
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SheetMusicPlus
CAVALLI Francesco: Vada lungi l'allegrezza, aria from the cantata, - Voice and Piano (G m
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868819 Composed by Franc…
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868819 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #4596957. Published by Really Good Music, LLC. (A0.868819). Vada lungi l'allegrezza is an aria from Solo cantata XI Presso un fiume tranquillo, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of G minor (D4 – G5) for high voice.
$5.95
5.44 €
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Francesco CAVALLI
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CAVALLI Francesco: Vada lungi l'allegrezza, aria from the cantata, - Voice and Piano
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Really Good Music, LLC.
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SheetMusicPlus
Miscellaneous: Halloween Collection (parts) for double reed quartet
This is an exclusive arrangements for double reed quartet of MEDIUM/HIGH skill level from …
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This is an exclusive arrangements for double reed quartet of MEDIUM/HIGH skill level from the original composition by Miscellaneous. This title is available as instant sheet music download. Contents: halloween night, the witches and the pupmkins, the goblins, the ghosts, the end of the night, toccata and fugue, funeral march, in the hall of the mountain king, danse macabre, hungarian dance No. 5, totentanz, nordraak's funeral march, a night on bald mountain, lullaby of the spirits / classical,halloween,holiday,french
$17.99
16.46 €
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Miscellaneous
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Virtualsheetmusic
Miscellaneous: Halloween Collection (f.score) for double reed quartet
This is an exclusive arrangements for double reed quartet of MEDIUM/HIGH skill level from …
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This is an exclusive arrangements for double reed quartet of MEDIUM/HIGH skill level from the original composition by Miscellaneous. This title is available as instant sheet music download. Contents: halloween night, the witches and the pupmkins, the goblins, the ghosts, the end of the night, toccata and fugue, funeral march, in the hall of the mountain king, danse macabre, hungarian dance No. 5, totentanz, nordraak's funeral march, a night on bald mountain, lullaby of the spirits / classical,halloween,holiday,french
$9.99
9.14 €
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Miscellaneous
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Virtualsheetmusic
Miscellaneous: Halloween Collection (COMPLETE) for double reed quartet
This is an exclusive arrangements for double reed quartet of MEDIUM/HIGH skill level from …
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This is an exclusive arrangements for double reed quartet of MEDIUM/HIGH skill level from the original composition by Miscellaneous. This title is available as instant sheet music download. Contents: halloween night, the witches and the pupmkins, the goblins, the ghosts, the end of the night, toccata and fugue, funeral march, in the hall of the mountain king, danse macabre, hungarian dance no. 5, totentanz, nordraak's funeral march, a night on bald mountain, lullaby of the spirits / classical,halloween,holiday,french
$21.99
20.12 €
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Miscellaneous
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Virtualsheetmusic
Aria alla Napolitana: Grida l'alma a tutt'ore
Continuo,High Voice,Low Voice - Digital Download SKU: A0.791570 Composed by Frances…
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Continuo,High Voice,Low Voice - Digital Download SKU: A0.791570 Composed by Francesco Manelli. Arranged by Early Music Scores. Baroque,Classical. 3 pages. Early Music Scores #5292891. Published by Early Music Scores (A0.791570). 3 voices and continuoGrida l'alma a tutt'ore: Aria alla Napolitana. Composed by Francesco Manelli (1594-1667). Baroque period. From Musiche Varie, op.4, Venice, 1636. Original in the Staatsbibliothek zu Berlin (D Bsb), formerly the Deutsche Staatsbibliothek (D Bds), Mus MS W35. Edited by Felipe Dias. 3 pages.
$6.99
6.4 €
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Francesco Manelli
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Aria alla Napolitana: Grida l'alma a tutt'ore
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Early Music Scores
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SheetMusicPlus
Gottes Zeit ist die allerbeste Zeit - For String Orquestra
Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.8894…
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Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.889436 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. Score and parts. 11 pages. Luis Anjos Teixeira #4737807. Published by Luis Anjos Teixeira (A0.889436). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of theDivi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe, edited by Wilhelm Rust. The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying. The Arrangement is relatively easy to perform, also appropriate for beginners. It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern string orquestra or a string quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. If the orquestra only has one double bass I would recommend you to reenforce the bass with a cello. It can be very well performed by a „string quintet- a string quartet with a double bass. Have fun! It is a piece that can be used in many different kinds of situations, in a serious concert hall, or a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$10.99
10.05 €
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Johann Sebastian Bach
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edited by Wilhelm Rust.
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Gottes Zeit ist die allerbeste Zeit - For String Orquestra
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Luis Anjos Teixeira
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SheetMusicPlus
Counterpoint Invariable
String Ensemble,String Trio Violin - Level 5 - Digital Download SKU: A0.800316 Comp…
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String Ensemble,String Trio Violin - Level 5 - Digital Download SKU: A0.800316 Composed by Sarah Wallin Huff. Contemporary. Score and parts. 47 pages. Novel Soundtrax #32443. Published by Novel Soundtrax (A0.800316). Appears on Soul of the Machine by Navona Records. Completed in 2011, this complex and experimental work for violin trio consists of three movements: I. Intervallic Structure (Andante con moto) II. Tone and Color (Meno mosso) III. Urban Rhythm (Allegro ma non troppo) Based upon a strict and unvarying formula of patterns that are passed equally between the three violin parts, all three movements utilize this same precise structure of A, B, C, and Ostinato phrases. Each movement, however, while based upon the same formulaic set of patterns, vary by the material of the four phrases themselves; the phrases’ material is each based upon very different scales, depending on the particular movement’s character. Counterpoint Invariable is a successful thought-experiment, turned to driving and evocative emotional artwork, highlighting Wallin Huff's ongoing fascination with the logic of mechanical structure giving way to outward beauty. It is a true, fulfilling reward to perform and explore this work in its entirety.
$18.00
16.47 €
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Sarah Wallin Huff
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Counterpoint Invariable
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Novel Soundtrax
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SheetMusicPlus
CAVALLI Francesco: Un agile vento, aria from the cantata, - Voice and Piano (G major)
Medium Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868769 Composed by Fra…
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Medium Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868769 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #4580877. Published by Really Good Music, LLC. (A0.868769). Un agile vento is an aria from Solo cantata III Nell'acque semina, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G major (D4 – E5) for low voice.
$5.95
5.44 €
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Francesco CAVALLI
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CAVALLI Francesco: Un agile vento, aria from the cantata, - Voice and Piano
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Really Good Music, LLC.
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SheetMusicPlus
CAVALLI Francesco: Tiranna mia, aria from the cantata, - Voice and Piano (C minor)
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868780 Composed by Franc…
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868780 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #4580903. Published by Really Good Music, LLC. (A0.868780). Tiranna mia is an aria from Solo cantata VI Tu vaneggi, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of C minor (G4 – G5) for high voice.
$5.95
5.44 €
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Francesco CAVALLI
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CAVALLI Francesco: Tiranna mia, aria from the cantata, - Voice and Piano
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Really Good Music, LLC.
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SheetMusicPlus
CAVALLI Francesco: Sperar qualche mercè, aria from the cantata, - Voice and Piano (G min
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868785 Composed by Franc…
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868785 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #4580913. Published by Really Good Music, LLC. (A0.868785). Sperar qualche mercè is an aria from Solo cantata VI Tu vaneggi, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of G minor (G4 – G5) for high voice.
$5.95
5.44 €
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Francesco CAVALLI
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CAVALLI Francesco: Sperar qualche mercè, aria from the cantata, - Voice and Piano
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Really Good Music, LLC.
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SheetMusicPlus
CAVALLI Francesco: Sè senza hauresti, aria from the cantata, - Voice and Piano (E minor)
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868761 Composed by Franc…
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868761 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #4580845. Published by Really Good Music, LLC. (A0.868761). Sè senza hauresti is an aria from Solo cantata II A pie d'un bel cipresso, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of E minor (F#4 – A5) for high voice.
$5.95
5.44 €
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Francesco CAVALLI
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CAVALLI Francesco: Sè senza hauresti, aria from the cantata, - Voice and Piano
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Really Good Music, LLC.
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SheetMusicPlus
CAVALLI Francesco: Chiedi consiglio à mè, aria from the cantata, - Voice and Piano (G m
Medium Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868781 Composed by Fra…
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Medium Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868781 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #4580899. Published by Really Good Music, LLC. (A0.868781). Chiedi consiglio à mè is an aria from Solo cantata V In duri lacci, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G minor (D4 – D5) for low voice.
$5.95
5.44 €
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Francesco CAVALLI
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CAVALLI Francesco: Chiedi consiglio à mè, aria from the cantata, - Voice and Piano
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Really Good Music, LLC.
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SheetMusicPlus
CAVALLI Francesco: Chiedi consiglio à mè, aria from the cantata, - Voice and Piano (B m
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868779 Composed by Franc…
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868779 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #4580897. Published by Really Good Music, LLC. (A0.868779). Chiedi consiglio à mè is an aria from Solo cantata V In duri lacci, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of B minor (F#4 – F#5) for high voice.
$5.95
5.44 €
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Francesco CAVALLI
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CAVALLI Francesco: Chiedi consiglio à mè, aria from the cantata, - Voice and Piano
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Really Good Music, LLC.
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SheetMusicPlus
CAVALLI Francesco: Tengo un lampo di speme, aria from the cantata, - Voice and Piano (B f
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868822 Composed by Franc…
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868822 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #4596969. Published by Really Good Music, LLC. (A0.868822). Tengo un lampo di speme is an initial aria from Solo cantata XII, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of B flat major (D4 – G5) for high voice.
$5.95
5.44 €
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Francesco CAVALLI
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CAVALLI Francesco: Tengo un lampo di speme, aria from the cantata, - Voice and Piano
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Really Good Music, LLC.
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SheetMusicPlus
CAVALLI Francesco: Luce cara di vaga speranza, aria from the cantata, - Voice and Piano (
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868825 Composed by Franc…
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868825 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #4596975. Published by Really Good Music, LLC. (A0.868825). Luce cara di vaga speranza is an aria from Solo cantata XII Tengo un lampo di speme, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of B flat major (F4 – G5) for high voice.
$5.95
5.44 €
#
Francesco CAVALLI
#
CAVALLI Francesco: Luce cara di vaga speranza, aria from the cantata, - Voice and Piano
#
Really Good Music, LLC.
#
SheetMusicPlus
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