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Bass with Bassoon and Piano
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2026
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bas…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - Digital Download SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
9.24 €
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Nathan Petitpas - Dots and Beams
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Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters
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Dots and Beams
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SheetMusicPlus
Erik Satie - Gymnopedie No 1(Trio Piano, Cello and Bassoon) with chords
Small Ensemble Bassoon,Harpsichord,Organ,Piano,Voice - Level 1 - Digital Download SKU: …
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Small Ensemble Bassoon,Harpsichord,Organ,Piano,Voice - Level 1 - Digital Download SKU: A0.707180 Composed by Erik Satie. Arranged by ANDRE LAITANO. 20th Century,Graduation,Instructional,Standards,Wedding. Score and parts. 10 pages. ANDRÃ? DOS SANTOS #6673891. Published by ANDRÃ? DOS SANTOS (A0.707180). See other scores on this link: https://www.sheetmusicplus.com/publishers/andr-laitano-sheet-music/3015572 .
$4.00
3.69 €
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Erik Satie
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Erik Satie - Gymnopedie No 1(Trio Piano, Cello and Bassoon) with chords
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ANDRÃ? DOS SANTOS
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SheetMusicPlus
Traditional - Away in A Manger (Trio Piano, Bassoon and Violin) with chords
Small Ensemble Bassoon,Harpsichord,Organ,Piano,Violin,Voice - Level 1 - Digital Download
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Small Ensemble Bassoon,Harpsichord,Organ,Piano,Violin,Voice - Level 1 - Digital Download SKU: A0.706887 Composed by Traditional. Arranged by André Laitano. Christian,Christmas,Instructional,Sacred,Standards. Score and parts. 9 pages. ANDR� DOS SANTOS #6663755. Published by ANDR� DOS SANTOS (A0.706887). Traditional - Away in A Manger (Trio Piano, Bassoon and Violin) with chordsSee other scores on this link: https://www.sheetmusicplus.com/publishers/andr-laitano-sheet-music/3015572
$4.00
3.69 €
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Traditional
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Traditional - Away in A Manger
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ANDRÃ? DOS SANTOS
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SheetMusicPlus
"Abschied" for bassoon, cello & piano Op. 86 (score & parts)
Small Ensemble Bassoon,Cello,Piano - Level 5 - Digital Download SKU: A0.980443 Comp…
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Small Ensemble Bassoon,Cello,Piano - Level 5 - Digital Download SKU: A0.980443 Composed by Gary Noland. 20th Century,Concert,Contemporary,Standards. Score and parts. 9 pages. Freeland Publications #3244127. Published by Freeland Publications (A0.980443). Duration: ca. 3'10 (1986). A valuable addition to the bassoon, cello & piano literature. This piece is an excellent choice for senior to graduate level bassoonists giving recitals at conservatories and music schools. Parts included with score. Here is a link to a performance by bassoonist Evan Kuhlman, cellist Diane Chaplin, and pianist Kaori Katayama Noland: https://www.youtube.com/watch?v=U7YdhJgFy1A
$4.50
4.16 €
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Gary Noland
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piano literature
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"Abschied" for bassoon, cello & piano Op. 86
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Freeland Publications
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SheetMusicPlus
Traditional - Away in A Manger (Trio Piano, Bassoon and Violoncello) with chords
Small Ensemble Bassoon,Cello,Harpsichord,Organ,Piano,Voice - Level 1 - Digital Download
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Small Ensemble Bassoon,Cello,Harpsichord,Organ,Piano,Voice - Level 1 - Digital Download SKU: A0.706889 Composed by Traditional. Arranged by André Laitano. Christian,Christmas,Instructional,Sacred,Standards. Score and parts. 9 pages. ANDR� DOS SANTOS #6663757. Published by ANDR� DOS SANTOS (A0.706889). Traditional - Away in A Manger (Trio Piano, Bassoon and Violoncello) with chordsSee other scores on this link: https://www.sheetmusicplus.com/publishers/andr-laitano-sheet-music/3015572
$4.00
3.69 €
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Traditional
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Traditional - Away in A Manger
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ANDRÃ? DOS SANTOS
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SheetMusicPlus
Double Concerto for Oboe and Bassoon with Piano and Percussion
Large Ensemble Bassoon,Cymbals,Djembe,Glockenspiel,Gong,Multi-Percussion,Oboe,Piano Accomp…
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Large Ensemble Bassoon,Cymbals,Djembe,Glockenspiel,Gong,Multi-Percussion,Oboe,Piano Accompaniment,Snare Drum,Tambourine,Triangle - Level 5 - Digital Download SKU: A0.918688 Composed by Jenni Brandon. Contemporary. Score and parts. 86 pages. Jenni Brandon Music #5720435. Published by Jenni Brandon Music (A0.918688). Double Concerto for Oboe and Bassoon with Wind Symphony (JB 136) by Jenni Brandon: This piece tells the story of our Galaxy, of the great unknown and what lies beyond, and where we belong within this vastness of space. Written for Scott Pool, Rogene Russell and the University of Texas at Arlington Wind Symphony under the direction of Douglas Stotter.This work was funded by a grant from the UT Arlington Research Enhancement Program. This is a great recital work to showcase excellent college or professional double reed performers. This work is also available as a Double Concerto for Oboe and Bassoon with Wind Symphony (JB 156) through Jenni Brandon Music - www.jennibrandon.comSingle movement with sections: I. The Spiral Galaxy; II. Travelling through the Milky Way; III. The Orion Spur: The Blue Planet Waltz; IV. Supermassive Black Hole: Falling into the abyss…; V. Dark Matter: …an elementary particle that pervades the universe.; VI. The Orion Nebula: We are made of star-stuff.; ...Flying through the Spiral GalaxyDuration 18:30. Instrumentation: oboe, bassoon, piano, percussion(suspended cymbal, glockenspiel, triangle, gong, snare drum, tambourine, sand block, Djembe)When printing - print two copies of the oboe/bassoon solo part as they are on the same part.Jenni Brandon Musicwww.jennibrandon.comASCAP
$35.00
32.32 €
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Jenni Brandon
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II
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Double Concerto for Oboe and Bassoon with Piano and Percussion
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Jenni Brandon Music
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SheetMusicPlus
Maggiolata-Hubay-Bassoon/Organ
Instrumental Duet Bassoon,Instrumental Duet,Organ - Level 2 - Digital Download SKU: A0.…
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Instrumental Duet Bassoon,Instrumental Duet,Organ - Level 2 - Digital Download SKU: A0.844665 Composed by Jeno Hubay. Arranged by Phil Beaman. Romantic Period,Standards,Wedding. Score and parts. 4 pages. Phil Beaman #4897179. Published by Phil Beaman (A0.844665). Maggiolata is the Italian name of an ancient Spring Festival celebrated on May 1st, hence the subtitle Song of May. Jeno Hubay, Head of the Violin Dept at the Budapest Academy of Music, wrote this piece to be as light and celebratory as a perfect spring day. My arrangement abridges and slightly simplifies this classical standard. I reduced it from 6 1/2 minutes to 2 1/2 minutes by focusing on the recapitulation of the main theme but also included opening and closing cadenzas. Most of the expression markings are my own additions. I have scored it as an Instrumental Solo with an Organ accompaniment but a Piano accompaniment could be easily adapted from this. This arrangement, with an octave and a half solo range, is easy enough to be accessible for most players and its beautiful melody will have you singing and longing for spring. 3 page score, 1 page part5:00 minutes with repeatrecording is Violin and piano version
$5.99
5.53 €
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Jeno Hubay
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Maggiolata-Hubay-Bassoon/Organ
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Phil Beaman
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SheetMusicPlus
For Unto Us a Child is Born from The Messiah for String or Piano Trio (or Wind Trio or Mixed Trio)
Composed by George Frideric Handel. Arranged by Daniel Kelley. Baroque,Christian,Chr…
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Composed by George Frideric Handel. Arranged by Daniel Kelley. Baroque,Christian,Christmas,St andards. Score and parts. 33 pages. Last Resort Music Publishing #4883179. Published by Last Resort Music Publishing
<br> Full Set of Parts includes:<br> <br> Part 1 Flute or Oboe or Violin<br> Part 1 Clarinet in Bb<br> Part 2 Flute or Oboe or Violin<br> Part 2 Viola<br> Part 2 Clarinet in Bb<br> Part 3 Cello or Bassoon<br> Part 3 Bass Clarinet in Bb<br> Keyboard or Guitar<br> Score<br> Playable by String Trio (Violin, Violin or Viola, & Cello), Woodwind Trio, Clarinet Trio, Piano Trio & more. The Keyboard Part is a full harmonization of Parts 2 and 3. Therefore, this arrangement can be played as a Piano Trio, or an entire trio could play with a pianist, as long as Part 1 is being played.<br> <br> Don't miss our other Christmas & Nutcracker arrangements including Dance of the Sugar Plum Fairy, March, Overture & Trepak, Silent Night, The First Noel, Handel's Messiah, We Wish You a Merry Christmas and more!
$9.95
9.19 €
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George Frideric Handel
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For Unto Us a Child is Born from The Messiah for String or Piano Trio
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SheetMusicPlus
The Skye Boat Song (oboe, bassoon and piano)
Instrumental Duet,Piano Bassoon,Instrumental Duet,Oboe,Piano - Level 2 - Digital Download …
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Instrumental Duet,Piano Bassoon,Instrumental Duet,Oboe,Piano - Level 2 - Digital Download SKU: A0.1373257 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Folk,Historic,Irish,Traditional. 12 pages. Colin Kirkpatrick Publications #957602. Published by Colin Kirkpatrick Publications (A0.1373257). This is one of the most well-known of all British folksongs and refers to real historical events. It has been used in film and television programs (notably the TV series Outlander) and known to almost everyone in Britain. Skye (also known as “The Isle of Skyeâ€) is the largest island of the Inner Hebrides. With an area of about 640 square miles, the island is about sixty miles long and lies close to the Scottish mainland.   The boat in the song (“Speed bonny boatâ€) refers to a small sailing ship that in 1746 “carried the lad who was born to be king†to the Isle of Skye. The lad in question was Prince Charles Edward Stuart known affectionately as “Bonnie Prince Charlie.†The song also refers to the Battle of Culloden of April 1746, the last ever battle on British soil, fought between the British Army and the army of Bonnie Prince Charlie.   In June 1746 and disguised as a maid-servant, Charles was secretly transported from the Hebridean island of Benbecula to the more southerly Isle of Skye. This is the event to which the song refers. The woodwind parts avoid technical challenges and the piano part is fairly easy. This beautiful folk song would make a spendid addition to your repertoire and aso make a pleasant encore number after a classical recital.
$5.95
5.5 €
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Traditional
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The Skye Boat Song
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Colin Kirkpatrick Publications
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SheetMusicPlus
Andante, Op. 5, Mvt. 2 (Double Reed Choir + Piccolo & 2 Flutes)
Large Ensemble Contrabassoon,English Horn,Flute,Oboe,Piccolo - Digital Download SKU: A0…
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Large Ensemble Contrabassoon,English Horn,Flute,Oboe,Piccolo - Digital Download SKU: A0.1047895 By Richard Byrnes. By Johannes Brahms. Arranged by Richard Byrnes. Romantic Period. Score and parts. 92 pages. Richard Byrnes #652340. Published by Richard Byrnes (A0.1047895). Johannes Brahms (1833-1897) was a German composer who crafted his works using the techniques of musical counterpoint within traditional forms. Within those strictures he created many beautiful and powerful works. Barely 20 years old, Brahms wrote this in 1853. It is the second of five movements. Being his last piano sonata, it is his biggest solo piano work. This movement begins with a quotation from a poem by Otto Inkermann: Through evening's shade, the pale moon gleams While rapt in love's ecstatic dreams Two hearts are fondly beating. This is an arrangement by Richard Byrnes for Piccolo, 3 Oboes, 2 English Horns, 4 Bassoons, & 2 Contrabassoons. In addition to works by Brahms, we offer works by J.S. Bach, Debussy, Fauré, Glinka, Gottschalk, Granados, Griffes, Lotti, Mozart, Ravel, Richard Strauss, and Turina.
$65.99
60.94 €
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Richard Byrnes
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Andante, Op. 5, Mvt. 2
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Richard Byrnes
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SheetMusicPlus
AMAZING GRACE (Violin & Bassoon with Piano - Score & Parts included)
Composed by Traditional American Melody. Arranged by Gary Lanier. Christian, Gospel,…
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Composed by Traditional American Melody. Arranged by Gary Lanier. Christian, Gospel, Praise & Worship, Sacred. Score and parts. 11 pages. The Lanier Company #4737149. Published by The Lanier Company
$8.99
8.3 €
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Traditional American Melody
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Worship, Sacred
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AMAZING GRACE
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The Lanier Company
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SheetMusicPlus
Holiday Etudes/Duets Bass Clef Book
Instrumental Duet Instrumental Duet - Level 2 - Digital Download SKU: A0.754843 Com…
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Instrumental Duet Instrumental Duet - Level 2 - Digital Download SKU: A0.754843 Composed by Sy Brandon. Holiday,Instructional,Standards. Score and parts. 28 pages. Sy Brandon #3009085. Published by Sy Brandon (A0.754843). A transcription for all instruments (C, Bb, F, Eb, Bass Clef, Tenor Clef, Alto Clef, Tuba books are available and interchangeable) of a set of intermediate tuba etudes depicting various holidays throughout the year. These etudes received first prize in the Tuba Universal Brotherhood Association’s 1996 Composition Competition. The etudes are published in duet form in order for them to be used as either an etude book and/or a duet. The second part is designed to be playable by the teacher or a more advanced student. There is a piano accompaniment book designed to accompany either the etude or duet. The alto and tenor clef books can be used for practice in these clefs for bassoonists and trombonists. The mp3 sample contains April Fools as an etude, Kwanzaa as a duet, and Mother's Day as a solo with piano.
$7.99
7.38 €
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Sy Brandon
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Holiday Etudes/Duets Bass Clef Book
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Sy Brandon
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SheetMusicPlus
Pitch Only - Bass Clef (Sight Reading Exercise Book)
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,…
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Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Piano,Timpani,Trombone,Tuba,Voice - Level 2 - Digital Download SKU: A0.931838 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313621. Published by Dots and Beams (A0.931838). This book provides its user with a series of notes on a bass staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above and below the staff extend to the space just beyond the fourth ledger line. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls.As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years and still find a valuable way to use them.
$10.00
9.24 €
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Nathan Petitpas - Dots and Beams
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Pitch Only - Bass Clef
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Dots and Beams
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SheetMusicPlus
American Patriotic Music for All, Volume 1 (for bass instruments)
Small Ensemble - Level 3 - Digital Download SKU: A0.722610 Composed by Various. Arr…
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Small Ensemble - Level 3 - Digital Download SKU: A0.722610 Composed by Various. Arranged by Randy Calistri-Yeh. Folk,Holiday,Patriotic,Traditional. Score and parts. 401 pages. Custom Chamber Music #4575883. Published by Custom Chamber Music (A0.722610). Volume 1 of our Patriotic collection contains four classic patriotic tunes and three complete Sousa marches. Altogether this has 15 minutes of music that both you and your audience are sure to love.This version is arranged for 3, 4, or 5 bass instruments as listed below. We also have a version for 3, 4, or 5 treble instruments, and another version with 3-7 mixed parts that can expand all the way to a full band.To demonstrate the flexibility of this collection, the audio clip has America the Beautiful performed as a bassoon quintet and a trombone trio.The songs included in Volume 1 are:The Star-Spangled Banner (US National Anthem), by John Stafford Smith.America the Beautiful, by Samuel Ward.Battle Hymn of the Republic (Mine Eyes Have Seen the Glory).My Country, 'Tis of Thee (America, known as God Save the King/Queen in England). Stars and Stripes Forever, by John Philip Sousa.Washington Post March, by John Philip Sousa.Semper Fidelis, by John Philip Sousa.Each song is in its original key, so it is easy to combine these with your own choir or piano/organ parts.This collection contains a full score, as well as individual parts in all the appropriate clef and transposition to support the following ensembles:Brass trio, quartet, and quintet.Woodwind trio, quartet, and quintet.String trio, quartet, and quintet.Mixed trio, quartet, and quintet.Clarinet trio, quartet, and quintet.Saxophone trio, quartet, and quintet.Bassoon trio, quartet, and quintet.Trombone trio, quartet, and quintet.Euphonium trio, quartet, and quintet.Cello trio, quartet, and quintet.The parts are described as follows (part ranges are given in concert pitch, where C4 is middle C):Part 1 [D3-Ab4] is the main melody. Bb Clarinet, Alto/Bass Clarinet, Tenor Saxophone, Bassoon, French Horn, Baritone, Trombone, C/Bb Euphonium, Viola, Cello.Part 2 [G2-Eb4] has some B-section melody and harmony. Alto/Bass Clarinet, Baritone Saxophone, Bassoon, French Horn, Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 3 [F2-C4] is the main bass line. Bass Clarinet, Baritone/Bass Saxophone, Bassoon, French Horn, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 4 [G2-Bb3] is additional harmony. Alto/Bass Clarinet, Baritone/Bass Saxophone, Bassoon, French Horn, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 5 [E2-C4] is other harmony. Bass Clarinet, Bass Saxophone, Bassoon, French Horn, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.We recommend the following combinations:Trio: Parts 1, 2, 3.Quartet: Parts 1, 2, 3, 4.Quintet: Parts 1, 2, 3, 4, 5.Be sure to also check out our three volumes of Christmas Carols for All!
$35.00
32.32 €
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Various
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American Patriotic Music for All, Volume 1
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Custom Chamber Music
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SheetMusicPlus
Adagio No 1, My Salvation from An Adagio Suite for Solo Medium (Baritone, Bass Clef) Voice and Piano
Large Ensemble Bassoon,Cello,Clarinet,English Horn,Flute,Medium Voice,Oboe,Tenor Saxophone…
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Large Ensemble Bassoon,Cello,Clarinet,English Horn,Flute,Medium Voice,Oboe,Tenor Saxophone,Trombone,Trumpet,Viola,Violin - Level 3 - Digital Download SKU: A0.730397 Composed by James Nathaniel Holland. Concert,Contemporary,Graduation. Score and parts. 17 pages. James Nathaniel Holland #3077739. Published by James Nathaniel Holland (A0.730397). New and original music by 21st century, American Costa Rican composer James Nathaniel Holland. This beautiful piece arranged for medium voice (Baritone (Key of G, Range: C to high G), piano (or harp or organ) and additional instrumental duets (Treble instruments in C (flute, oboe, viola or violin), Treble instruments in Bb (clarinet, trumpet, tenor saxophone), bass instruments in C (cello, bassoon, trombone) or in F (horn or English horn) is adapted from the ballet the Wind in the Willows. This piece is perfect for funerals, graduations, or any solemn occasions. Text is non-religious, but expresses universal sentiments of one's helping others and impermanence. The sample here is presented with voice, piano and solo trumpet.Text:Those roads I have trodd'nAnd the faces I have known,If I've left a bit of good,That is my salvation.Though naught to fame,or of great deeds reserved to claim,or that fortune's passed me by.
$5.50
5.08 €
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James Nathaniel Holland
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Adagio No 1, My Salvation from An Adagio Suite for Solo Medium
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James Nathaniel Holland
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SheetMusicPlus
Alle Jahre wieder (every year again) for family band
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Choir,Clarinet,…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Choir,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Harmonica,Oboe,Piano,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,Tuba,Viola,Violin,Voice - Level 1 - Digital Download SKU: A0.851141 Composed by Friedrich Silcher, Wilhelm Hey. Arranged by Sophia Transistor. Children,Christian,Christmas,World. Score and parts. 14 pages. Sophia Transistor #6624487. Published by Sophia Transistor (A0.851141). Year after year, the whole family comes together and eventually tries to perform Christmas songs on the fly.This arrangement of the german traditional Alle Jahre wieder kommt das Christuskind = Every Year Again, baby Jesus comes back offers several parts for many variable instruments in their specific notation forms. The voices can be combined ad libitum. The score also offers decent vocal scores with the original german lyrics and also english lyrics.The score includes the following parts:- Piano (easy piano, voicings, chord symbols and melody)- vocals (in english and in german); 5 verses for each language- solo instruments in C (violin, flute, etc.); quartet- solo instruments in alto key (viola, alto-trombone, etc.); quartet- solo instruments in Bb (trumpet, clarinet, tenor saxophone, etc.); quartet- solo instruments in bass clef (trombone, cello, bass, etc.); quartet- solo instruments in Eb (alto saxophone, Eb-clarinet, etc.); quartet- solo instruments in F (french horn, F-tuba, etc.); quartet- guitar (notation and TABs)- accordion / harmonica / squeeze box- drums / PercussionType and font sizes have been maximized to support older, elder and farsighted readers in soft candle light situations.So: easy to read even in poor visibility.This arrangement has been optimized for on the fly performances during Christmas time. The constitution of instruments (rhythm and solo instruments (also in transposing scores)) can be put together ad libitum. All parts are matching, can be combined or played alone.YouTube Playalong: https://youtu.be/6evAo392soo German description (Beschreibung auf Deutsch):Alle Jahre wieder wird mit der Familie zusammen Weihnachten gefeiert. Lasst uns doch was zusammen spielen! Na klar, hast du Noten? Ja hier, für Keyboard... hm, für mich passen die nicht...Dieses Arrangement des Weihnachtsklassikers Alle Jahre wieder kommt das CHristuskind beinhaltet Noten für die gängigsten Hausinstrumente. Alle Stimmen können miteinander kombiniert werden. Die Gesangsnoten sind vernünftig notiert und den Liedtext gibt es auf Englisch und auf Deutsch. Folgende Musikinstrumente werden durch diese Noten abgedeckt; die Partitur enthält folgende Auszüge:- Klavier (leichte, mittlere Begleitung, Intonationsvorschläge, Akkordsymbole und Melodie)- Gesang (auf Englisch und auf Deutsch); jeweils 5 Strophen- Soloinstrumente in C (Geige, Flöte, etc.); Quartett- Soloinstrumente in Altschlüssel (Bratsche, Altposaune, etc.); Quartett- Soloinstrumente in Bb (Trompete, Klarinette, Tenorsaxofon, etc.); Quartett- Soloinstrumente mit Bassschlüssel (Posaune, Cello, Bass, etc.); Quartett- Soloinstrumente in Eb (Altsaxofon, Eb-Klarinette, etc.); Quartett- Soloinstrumente in F (Waldhorn, F-Tuba, etc.); Quartett- Gitarre (Noten und TABS)- Akkordeon / Harmonika / Schifferklavier- Schlagzeug / PerkussionSchriftgrößen wurden maximiert, um ältere und weitsichtige Notentextleser in schlecht ausgeleuchteten Situationen mit sanftem Kerzenlicht zu unterstützen.Also: Gut lesbar auch bei schlechten Sichtverhältnissen.Dieses Arrangement wurde für On-the-Fly-Auftritte während der Weihnachtszeit optimiert.Die Besetzung der Instrumente (Rhythmus- und Soloinstrumente (auch in transponierenden Partituren)) kann nach Belieben zusammengestellt werden.Alle Teile sind aufeinander abgestimmt, können kombiniert oder alleine gespielt werden.Viel Spaß beim Ausprobieren!
$4.99
4.61 €
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Friedrich Silcher, Wilhelm Hey
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Alle Jahre wieder
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Sophia Transistor
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SheetMusicPlus
La cigale et la fourmi (The Grasshopper and the ant) French narrator, Clarinet, Bassoon and Piano
Bassoon,Clarinet,Piano,Voice - Level 4 - Digital Download SKU: A0.1370906 Composed …
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Bassoon,Clarinet,Piano,Voice - Level 4 - Digital Download SKU: A0.1370906 Composed by David Warin Solomons. 21st Century,Contemporary. 18 pages. David Warin Solomons #955248. Published by David Warin Solomons (A0.1370906). A setting of the La Fontaine poem La cigale et la fourmi with narrator (in French), clarinet, bassoon and pianoThe pdf file contains score and instrumental parts. The narrator should use the score.(A version with English narrator is also available on this site)La cigale, ayant chanté tout l’été,se trouva fort dépourvue Quand la bise fut venue.Pas un seul petit morceau De mouche ou de vermisseau.Elle alla crier famine Chez la fourmi sa voisine,La priant de lui prêter Quelque grain pour subsisterJusqu’à la saison nouvelle.“Je vous paierai,â€lui dit elle,“avant l’août,foi d’animal,Intérêt et principal.â€La fourmi n’est pas prêteuse;C’est là son moindre défaut.“Que faisiez vous au temps chaud?â€Dit elle à cette emprunteuse“Nuit et jour à tout venantJe chantais,ne vous déplaise.â€â€œVous chantiez?j’en suis fort aise.Eh bien!dansez maintenant.â€English translation by S N SolomonsThe Grasshopper in drowsy songHad spent the pleasant summer long,And found herself without a crumbWhen winter’s icy blast had come.Not one small morsel could she spyOf puny worm or measly fly.So off she went to cry her wantStraight to her neighbour Madame Ant,Merely asking for a loanOf bread or grain to eke her ownUntil the plenteous time came round.“I’ll pay you back, or I’ll be boundBy August, word of animal,Both interest and principal.â€The Ants are not a lending lotIndeed that is their slightest fault.“What were you doing when ’twas hot?â€She asked this impecunious sort.†To all who came, both day and nightI used to sing at every chance.â€â€œYou used to sing? That’s fine and right!Well now’s the very time – to dance!â€Â©S.N.Solomons.
$13.00
12.01 €
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August, word of animal,
Both interest and principal
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David Warin Solomons
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La cigale et la fourmi
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David Warin Solomons
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SheetMusicPlus
The Grasshopper and the ant (La cigale et la fourmi) English narrator, clarinet, bassoon and piano
Bassoon,Clarinet,Piano,Voice - Level 4 - Digital Download SKU: A0.1370910 Composed …
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Bassoon,Clarinet,Piano,Voice - Level 4 - Digital Download SKU: A0.1370910 Composed by David Warin Solomons. 21st Century,Contemporary. 17 pages. David Warin Solomons #955254. Published by David Warin Solomons (A0.1370910). A setting of the La Fontaine poem La cigale et la fourmi with narrator (in English), clarinet, bassoon and pianoThe pdf file contains score and instrumental parts. The narrator should use the score.(A version with French narrator is also available on this site.)The Grasshopper in drowsy songHad spent the pleasant summer long,And found herself without a crumbWhen winter’s icy blast had come.Not one small morsel could she spyOf puny worm or measly fly.So off she went to cry her wantStraight to her neighbour Madame Ant,Merely asking for a loanOf bread or grain to eke her ownUntil the plenteous time came round.“I’ll pay you back, or I’ll be boundBy August, word of animal,Both interest and principal.â€The Ants are not a lending lotIndeed that is their slightest fault.“What were you doing when ’twas hot?â€She asked this impecunious sort.†To all who came, both day and nightI used to sing at every chance.â€â€œYou used to sing? That’s fine and right!Well now’s the very time – to dance!â€Â©S.N.SolomonsOriginal French version:La cigale, ayant chanté tout l’été,se trouva fort dépourvue Quand la bise fut venue.Pas un seul petit morceau De mouche ou de vermisseau.Elle alla crier famine Chez la fourmi sa voisine,La priant de lui prêter Quelque grain pour subsisterJusqu’à la saison nouvelle.“Je vous paierai,â€lui dit elle,“avant l’août,foi d’animal,Intérêt et principal.â€La fourmi n’est pas prêteuse;C’est là son moindre défaut.“Que faisiez vous au temps chaud?â€Dit elle à cette emprunteuse“Nuit et jour à tout venantJe chantais,ne vous déplaise.â€â€œVous chantiez?j’en suis fort aise.Eh bien!dansez maintenant.â€.
$13.00
12.01 €
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August, word of animal,
Both interest and principal
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David Warin Solomons
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The Grasshopper and the ant
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David Warin Solomons
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SheetMusicPlus
Thailand Royal Anthem: Phleng Sansoen Phra Barami
Large Ensemble - Level 2 - Digital Download SKU: A0.522091 Composed by Pyotr Schuro…
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Large Ensemble - Level 2 - Digital Download SKU: A0.522091 Composed by Pyotr Schurovsky (1850-1908). Arranged by Colin Kirkpatrick. Patriotic. Score and parts. 34 pages. Colin Kirkpatrick Publications #3226137. Published by Colin Kirkpatrick Publications (A0.522091). Colin Kirkpatrick’s National Anthems Express THAILAND: Royal Anthem (Phleng Sansoen Phra Barami) This quick and easy national anthem flexible arrangement is essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play this arrangement with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything! This arrangement is in six independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. This arrangement consists of the three page score with seven instrumental staves and three percussion staves. The following 28 parts are printed on separate pages. The score and all the parts are contained in the same pdf file. Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (flute, piccolo, oboe, glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in brass band). Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (oboe, violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch) flute, oboe, violin); Part 2a in E flat (minor 3rd below concert for E flat alto clarinet). Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat    (tenor horn, alto sax); Part 3 in F (French horn);  Part 3a in B flat (8ve below concert for 3rd clarinets in band). Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium, bassoon, cello); Part 4 in E flat (tenor horn, alto sax); Part 4 in F (French horn). Part 5 in B flat (baritone); Part 5 in C (bass clef for trombone, euphonium, bassoon. Part 6 in B flat (B flat bass, bass clarinet); Part 6 in C (bass clef for bass trombone, bassoon, contrabassoon, tuba, double bass); Part 6 in E flat (E flat bass, baritone sax). There’s also a part for timpani, percussion (3 players) and a piano reduction. The music is presented in pdf files at 1,200 dpi which can produce professional-looking printed copies on US letter-size paper. The arranger, Colin Kirkpatrick studied at London’s Royal College of Music and followed a career in music education. He was a High School Music Director for about fifteen years and later became a Music Education Adviser, with the added responsibility for training teachers and directing the instrumental teaching service.  He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA.
$4.99
4.61 €
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Pyotr Schurovsky
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Thailand Royal Anthem: Phleng Sansoen Phra Barami
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Colin Kirkpatrick Publications
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SheetMusicPlus
Valentine Serenade (for Oboe, Bassoon and Piano)
Small Ensemble Bassoon,Double Bass,Oboe,Piano Accompaniment - Level 3 - Digital Download
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Small Ensemble Bassoon,Double Bass,Oboe,Piano Accompaniment - Level 3 - Digital Download SKU: A0.522200 Composed by Colin Kirkpatrick. Holiday,Instructional,Love,Standards,Wedding. Score and parts. 11 pages. Colin Kirkpatrick Publications #3408229. Published by Colin Kirkpatrick Publications (A0.522200). Valentine Serenade is a delightful pastoral piece which would be an effective encore or program item for any occasion. It would of course be especially appropriate for birthdays or any musical occasion around Valentine’s Day. Scored for oboe, bassoon and piano with an optional double bass part or bass guitar (including guitar chords), this 3/4 piece is in E flat major but ventures through many other keys as it wends its way along. The piano and bass parts have been purposely kept as simple as possible but the oboe and bassoon parts are for players who are comfortable with chromatic notes, especially in the short middle section. The oboe part has a range from D4 (one note above middle C) to Bb5 (just above the treble staff) and the bassoon part has a range of B2 (second line of the bass staff) to E4 (two notes above middle C). With a running time of just over two minutes this romantic piece with its rich harmonies is sure to charm audiences and give the woodwind excellent practice in developing a smooth singing tone quality. 
$5.99
5.53 €
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Colin Kirkpatrick
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Valentine Serenade
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Colin Kirkpatrick Publications
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SheetMusicPlus
Pitch and Rhythm - Bass Clef, Diatonic (Sight Reading Exercise Book)
Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsich…
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Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - Digital Download SKU: A0.931833 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269061. Published by Dots and Beams (A0.931833). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a bass staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second e.
$10.00
9.24 €
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Nathan Petitpas - Dots and Beams
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I encourage you to use both
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Pitch and Rhythm - Bass Clef, Diatonic
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Dots and Beams
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SheetMusicPlus
3 Pair of Pieces for 3 Bassoons by Mozart Brahms Reger
Small Ensemble Bassoon - Level 3 - Digital Download SKU: A0.824126 Composed by Joha…
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Small Ensemble Bassoon - Level 3 - Digital Download SKU: A0.824126 Composed by Johannes Brahms, Max Reger, and Wolfgang Amadeus Mozart. Arranged by Tim TK Murray. Classical,Concert,Romantic Period,Standards. Score and parts. 32 pages. TK (Tim) Murray #5853863. Published by TK (Tim) Murray (A0.824126). 3 Pairs of Pieces for 3 Bassoons ( Bassoon Trio, Bassoon Group ) consists of 2 short pieces by Mozart, 2 by Brahms and 2 by Reger.Mozart's beautiful Andantino K355 is paired with his brilliant 'Eine Kleine Gigue' K574. Brahm's famous lullaby waltz Op 39 No14 is followed by a livelier Waltz in G min from the same set. Thirdly, Reger's gentle Improvisation Op18 No1 is followed by a lively Scherzo-like Gigue. All satisfying and fun to play for your own pleasure but good for audiences in a concert too.Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times).Contact; tkmurraycomp@aol.com
$8.95
8.27 €
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Johannes Brahms, Max Reger, and Wolfgang Amadeus Mozart
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tkmurraycomp@aol.com
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3 Pair of Pieces for 3 Bassoons by Mozart Brahms Reger
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TK
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SheetMusicPlus
Nocturne No.20 in C Sharp minor - Bassoon Solo, Strings and Piano (Full Score and Parts)
Strings Bassoon,Cello,Double Bass,Piano,Viola,Violin - Level 3 - Digital Download SKU: …
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Strings Bassoon,Cello,Double Bass,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.1238816 Composed by Frederic Chopin. Arranged by César Madeira. 19th Century,Chamber,Classical,Romantic Period,Wedding. 24 pages. Sheet Music To Play Editions #834234. Published by Sheet Music To Play Editions (A0.1238816). Nocturne No.20 in C Sharp minor, Op. posth. B.49. Arrangement for Bassoon Solo, Strings - Violin 1, 2, Viola, Violoncello and Contrabass - and Piano. With Full Score and Individual Parts. Enjoy it!Frédéric François Chopin (1810 - 1849), was a Polish composer and virtuoso pianist of the Romantic era who wrote primarily for solo piano. He has maintained worldwide renown as a leading musician of his era, one whose poetic genius was based on a professional technique that was without equal in his generation.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$15.99
14.77 €
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Frederic Chopin
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Nocturne No.20 in C Sharp minor - Bassoon Solo, Strings and Piano
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Sheet Music To Play Editions
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SheetMusicPlus
Good Christians All Rejoice Key F Vocal with Pops Orchestra
Large Ensemble Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drums,Flute,Horn,Oboe,Percus…
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Large Ensemble Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drums,Flute,Horn,Oboe,Percussion,Piano,Trombone,Trumpet,Viola,Violin,Voice - Level 4 - Digital Download SKU: A0.717718 Composed by Traditional. Arranged by Daryl McKenzie. Christian,Christmas,Easter,Praise & Worship,Sacred. Score and parts. 58 pages. Daryl McKenzie #3486051. Published by Daryl McKenzie (A0.717718). Good Christians All Rejoice (In Dulci Jubilo) in the Key of F for Voice pops orchestra. Ideal for community singing. Voice, 2 Flutes, Oboe, 2 Clarinets, Bassoon, 4 Horns, 3 Trumpets, 3 Trombones, Piano, Guitar, Bass Guitar, Drums, Percussion, Violin 1, Violin 2, Viola, Cell, Contrabasses. Note: Big Band Version also available.
$59.99
55.4 €
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Traditional
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Good Christians All Rejoice Key F Vocal with Pops Orchestra
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Daryl McKenzie
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SheetMusicPlus
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