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You've selected:
Buxtehude
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Sheetmusic to print
45 sheet music found
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BUXTEHUDE TRIO SONATA IN F MAJOR OPUS 1 BuxWV252 for flute, oboe & bassoon or cello
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Dietrich Buxtehude
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arranged by Pat Spence
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continuo composed in 1694
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BUXTEHUDE TRIO SONATA IN F MAJ
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Piper Publications
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SheetMusicPlus
Small Ensemble Bassoon,Cello,Flute,Oboe - Level 3 - Digital Download SKU: A0.811770 Composed by Dietrich Buxtehude (1637 - 1707). Arranged by arranged by...
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Small Ensemble Bassoon,Cello,Flute,Oboe - Level 3 - Digital Download SKU: A0.811770 Composed by Dietrich Buxtehude (1637 - 1707). Arranged by arranged by Pat Spence. Baroque,Concert,Graduation,Standards. Score and parts. 22 pages. Piper Publications #6113219. Published by Piper Publications (A0.811770). This Trio Sonata is an arrangement of the first of the seven opus 1 sonatas for violin, viola da gamba & continuo composed in 1694. When most composers at this time would compose a trio sonata with all the movements in the same key, Buxtehude composed the movements of this sonata alternately in F major and D minor. The movements are: Vivace - Lento, Allegro, Adagio, Andante, Grave and Presto. Written for players of equal ability and of intermediate standard and above, the sonata has been carefully edited, additions are shown in parentheses ( ) or dashed lines.Buxtehude was famous during his lifetime for his skill as an organist and composer. Both Handel and J.S. Bach travelled to hear him play (at different times). Bach stayed to study with him for three months. Handel departed after one night when he learned that Buxtehude (who wanted to retire) was looking for an organist to succeed him, a condition of taking the post being the necessity to marry Buxtehude's eldest daughter who was some years older than Handel.
$12.00
BUXTEHUDE TRIO SONATA IN E MINOR OPUS 1 No. 7 for flute, oboe & bassoon or cello
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Dietrich Buxtehude
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arranged by Pat Spence
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continuo composed in 1694
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BUXTEHUDE TRIO SONATA IN E MIN
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Piper Publications
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SheetMusicPlus
Small Ensemble Bassoon,Cello,Flute,Oboe - Level 3 - Digital Download SKU: A0.811769 Composed by Dietrich Buxtehude (1637 - 1707). Arranged by arranged by...
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Small Ensemble Bassoon,Cello,Flute,Oboe - Level 3 - Digital Download SKU: A0.811769 Composed by Dietrich Buxtehude (1637 - 1707). Arranged by arranged by Pat Spence. Baroque,Concert,Graduation,Standards. Score and parts. 32 pages. Piper Publications #6113773. Published by Piper Publications (A0.811769). This Trio Sonata is an arrangement of the last of the seven opus 1 sonatas for violin, viola da gamba & continuo composed in 1694. The movements are: Allegro, Largo, Presto, Adagio, Poco presto, Lento & Prestissimo. Written for players of equal ability and of intermediate standard and above, the sonata has been carefully edited, additions are shown in parentheses ( ) or dashed lines.Buxtehude was famous during his lifetime for his skill as an organist and composer. Both Handel and J.S. Bach travelled to hear him play (at different times). Bach stayed to study with him for three months. Handel departed after one night when he learned that Buxtehude (who wanted to retire) was looking for an organist to succeed him, a condition of taking the post being the necessity to marry Buxtehude's eldest daughter who was some years older than Handel.
$12.00
Chorale Prelude 178 by D. Buxtehude for Brass/Wind Quartet
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Classical
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Dietrich Buxtehude
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R
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Chorale Prelude 178 by D. Buxt
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R. Nhomi
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SheetMusicPlus
Bass Trombone,Clarinet,Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1013455 Composed by Dietrich Buxtehude. Arranged by R. Nhomi. Baroque. 9 pa...
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Bass Trombone,Clarinet,Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1013455 Composed by Dietrich Buxtehude. Arranged by R. Nhomi. Baroque. 9 pages. R. Nhomi #6691731. Published by R. Nhomi (A0.1013455). Ach Herr, mich armen Sünder (Oh Lord, I am a poor sinner), Chorale Prelude BuxWV178 by Dietrich Buxtehude, arranged for Brass/Wind Quartet. (Bb Trumpet, F Horn ,Trombone, Tuba). Bb Clarinet may be used for Bb Trumpet (Voice 1), Bass Trombone may be used in place of Tuba (Voice 4). In original key ( E Phrygian).
$11.75
Chorale Prelude 179 by D. Buxtehude for Brass/Wind Quartet
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Classical
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Dietrich Buxtehude
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R
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Chorale Prelude 179 by D. Buxt
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R. Nhomi
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SheetMusicPlus
Clarinet,Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1013458 Composed by Dietrich Buxtehude. Arranged by R. Nhomi. Baroque. 15 pages. R. N...
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Clarinet,Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1013458 Composed by Dietrich Buxtehude. Arranged by R. Nhomi. Baroque. 15 pages. R. Nhomi #6695439. Published by R. Nhomi (A0.1013458). Auf meinen liben Gott (In God, My Faithful God), Chorale Prelude (BuxWV179) by Dietrich Buxtehude arranged for Mixed Wind Quartet (Bb Clarinet, Bb Trumpet, F Horn, Trombone). In F Minor (from E Minor)
$11.75
BUXTEHUDE - Domine salvum fac regem; Buxwv 18
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Dietrich Buxtehude
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Renato Tagliabue
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BUXTEHUDE - Domine salvum fac
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Renato Tagliabue
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SheetMusicPlus
Choral Choir - Level 3 - Digital Download SKU: A0.1074185 Composed by Dietrich Buxtehude (1637 - 1707). Arranged by Renato Tagliabue. Baroque,Sacred. Oct...
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Choral Choir - Level 3 - Digital Download SKU: A0.1074185 Composed by Dietrich Buxtehude (1637 - 1707). Arranged by Renato Tagliabue. Baroque,Sacred. Octavo. 13 pages. Renato Tagliabue #678465. Published by Renato Tagliabue (A0.1074185). Arr. for SSATB Choir and Organ 3 staff.
$2.99
Wie soll ich dich empfangen
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Dietrich Buxtehude
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Wie soll ich dich empfangen
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Möseler Verlag
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SheetMusicPlus
Soloists (SB), mixed choir (SSATB), strings and basso continuo SKU: M2.MOS-68023-60 Adventskantate. Composed by Dietrich Buxtehude. Set of string ...
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Soloists (SB), mixed choir (SSATB), strings and basso continuo SKU: M2.MOS-68023-60 Adventskantate. Composed by Dietrich Buxtehude. Set of string parts. Möseler Verlag #MOS 68023-60. Published by Möseler Verlag (M2.MOS-68023-60). ISBN 9790203772071.Die vorliegende kleine Kantate Dietrich Buxtehudes ist original fur zwei Soprane, Bass, zwei Violinen, Fagott und Bc komponiert. Die vorliegende Ausgabe wurde vom Kirchenmusiker Gerhard Trubel um Alt, Tenor und Viola erweitert, die dem Werk eine grossere Klangfulle verleiht ohne dabei die musikalische Substanz anzutasten. Das der Vorlage entsprechende Fagott kann ebenso gut von einem Violoncello ausgefuhrt werden. Die einstimmigen Strophen 2, 3 (Sopran) und 4 (Bass) konnen wahlweise von Solisten, Favoritstimmen oder dem Chor ausguhrt werden.
$8.95
Wie soll ich dich empfangen
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Dietrich Buxtehude
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Wie soll ich dich empfangen
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Möseler Verlag
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SheetMusicPlus
Soloists (SB), mixed choir (SSATB), strings and basso continuo SKU: M2.MOS-68023 Adventskantate. Composed by Dietrich Buxtehude. Score. Möseler...
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Soloists (SB), mixed choir (SSATB), strings and basso continuo SKU: M2.MOS-68023 Adventskantate. Composed by Dietrich Buxtehude. Score. Möseler Verlag #MOS 68023. Published by Möseler Verlag (M2.MOS-68023). ISBN 9790203770664.Die vorliegende kleine Kantate Dietrich Buxtehudes ist original fur zwei Soprane, Bass, zwei Violinen, Fagott und Bc komponiert. Die vorliegende Ausgabe wurde vom Kirchenmusiker Gerhard Trubel um Alt, Tenor und Viola erweitert, die dem Werk eine grossere Klangfulle verleiht ohne dabei die musikalische Substanz anzutasten. Das der Vorlage entsprechende Fagott kann ebenso gut von einem Violoncello ausgefuhrt werden. Die einstimmigen Strophen 2, 3 (Sopran) und 4 (Bass) konnen wahlweise von Solisten, Favoritstimmen oder dem Chor ausguhrt werden.
$14.95
Wie soll ich dich empfangen
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Dietrich Buxtehude
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Wie soll ich dich empfangen
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Möseler Verlag
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SheetMusicPlus
Soloists (SB), mixed choir (SSATB), strings and basso continuo SKU: M2.MOS-68023-11 Adventskantate. Composed by Dietrich Buxtehude. Separate part....
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Soloists (SB), mixed choir (SSATB), strings and basso continuo SKU: M2.MOS-68023-11 Adventskantate. Composed by Dietrich Buxtehude. Separate part. Möseler Verlag #MOS 68023-11. Published by Möseler Verlag (M2.MOS-68023-11). ISBN 9790203772064.Die vorliegende kleine Kantate Dietrich Buxtehudes ist original fur zwei Soprane, Bass, zwei Violinen, Fagott und Bc komponiert. Die vorliegende Ausgabe wurde vom Kirchenmusiker Gerhard Trubel um Alt, Tenor und Viola erweitert, die dem Werk eine grossere Klangfulle verleiht ohne dabei die musikalische Substanz anzutasten. Das der Vorlage entsprechende Fagott kann ebenso gut von einem Violoncello ausgefuhrt werden. Die einstimmigen Strophen 2, 3 (Sopran) und 4 (Bass) konnen wahlweise von Solisten, Favoritstimmen oder dem Chor ausguhrt werden.
$3.95
Wie soll ich dich empfangen
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Dietrich Buxtehude
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Wie soll ich dich empfangen
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Möseler Verlag
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SheetMusicPlus
Soloists (SB), mixed choir (SSATB), strings and basso continuo SKU: M2.MOS-68023-01 Adventskantate. Composed by Dietrich Buxtehude. Choral score. ...
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Soloists (SB), mixed choir (SSATB), strings and basso continuo SKU: M2.MOS-68023-01 Adventskantate. Composed by Dietrich Buxtehude. Choral score. Möseler Verlag #MOS 68023-01. Published by Möseler Verlag (M2.MOS-68023-01). ISBN 9790203772057.Die vorliegende kleine Kantate Dietrich Buxtehudes ist original fur zwei Soprane, Bass, zwei Violinen, Fagott und Bc komponiert. Die vorliegende Ausgabe wurde vom Kirchenmusiker Gerhard Trubel um Alt, Tenor und Viola erweitert, die dem Werk eine grossere Klangfulle verleiht ohne dabei die musikalische Substanz anzutasten. Das der Vorlage entsprechende Fagott kann ebenso gut von einem Violoncello ausgefuhrt werden. Die einstimmigen Strophen 2, 3 (Sopran) und 4 (Bass) konnen wahlweise von Solisten, Favoritstimmen oder dem Chor ausguhrt werden.
$2.95
Suite No. 1
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Le...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95
Arisen! Christ Is Comforter for SAB Choir with Flexible Quartet and Basso Continuo
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Dietrich Buxtehude
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William J
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Arisen! Christ Is Comforter fo
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Sigma Squared Music
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SheetMusicPlus
Alto Voice,B-Flat instrument,Bass Clef Instrument,Bass Voice,Basso Continuo,C Instrument,E-Flat Instrument,Soprano voice - Level 4 - Digital Download SKU: A0...
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Alto Voice,B-Flat instrument,Bass Clef Instrument,Bass Voice,Basso Continuo,C Instrument,E-Flat Instrument,Soprano voice - Level 4 - Digital Download SKU: A0.1397789 Composed by Dietrich Buxtehude. Arranged by William J. Bullock. Baroque,Christian,Easter,Praise & Worship,Spiritual. 89 pages. Sigma Squared Music #981057. Published by Sigma Squared Music (A0.1397789). This lively cantata is one of comparatively few Easter works from the Baroque era, relative to the many Passion and Christmas works from that era. This edition provides Buxtehude’s Latin text and in places alternative Latin phrases from the source material. The prosodic English translation preserves the stress patterns and rhymes of the original text.This arrangement provides the option of performing the instrumental quartet parts and bass continuo on a variety of instruments, thus making the piece available to many different ensembles, including string quartet, woodwind quartet, double reed quartet, clarinet quartet, and many other combinations of string and/or woodwind instruments. Each part (except the basso continuo) is provided in various transpositions, permitting performance by ensembles of instruments selected from the following (instruments listed in order of historical appropriateness):Part 1 C: vln, fl, obB-flat: cl, sop saxPart 2 C: vln, fl, obB-flat: cl, sop saxPart 3 C: vln, vla (treble clef)F: English hornB-flat: clE-flat: alto cl, alto saxPart 4 C: bsn, celloB-flat: bass clE-flat: bari sax Continuo Bass InstrumentC: cello, double bass, bsnContinuo KeyboardC: organ, harpsichord, piano.
$34.99
Missa Brevis
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Dietrich Buxtehude
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Scott Zeplin
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Missa Brevis
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Scott Zeplin
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.984378 Composed by Dietrich Buxtehude. Arranged by Scott Zeplin. Baroque,Sacred. 49 pages. S...
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.984378 Composed by Dietrich Buxtehude. Arranged by Scott Zeplin. Baroque,Sacred. 49 pages. Scott Zeplin #4275533. Published by Scott Zeplin (A0.984378). This is a flute choir arrangement of Dietrich Buxtehude's Missa Brevis which consists of two movements - Kyrie and Gloria. It is scored for Piccolo, 2 Flutes, Alto Flute, and Bass Flute.
$10.00
Wir danken dir, Herr Jesu Christ
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Dietrich Buxtehude
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John Benoit
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Wir danken dir, Herr Jesu Chri
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John Benoit Music
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SheetMusicPlus
Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.482328 Composed by Dietrich Buxtehude. Arranged by John Benoit. Baroque,Classical,Sacred. Sc...
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Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.482328 Composed by Dietrich Buxtehude. Arranged by John Benoit. Baroque,Classical,Sacred. Score and parts. 9 pages. John Benoit Music #102073. Published by John Benoit Music (A0.482328). “Wir danken dir, Herr Jesu Christ“, BuxWV 224 is a short chorale prelude composed for organ by the Danish composer Dieterich Buxtehude (c. 1637-1707). This transcription shows off the singing quality of the trombone as well as the rich sonorities of the trombone quartet. The first and second parts are provided in both tenor and bass clefs. Instrumentation: 4 trombones (3 tenors, 1 bass). Duration: c. 1:30â€. Grade 4. Search “johnbenoitmusic†for additional listings.
$5.00
Pachelbel: Canon for Solo Contrabass
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Classical
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Johann Pachelbel
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James M
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Pachelbel: Canon for Solo Cont
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jmsgu3
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SheetMusicPlus
Double Bass,Instrumental Solo - Level 5 - Digital Download SKU: A0.552085 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instruction...
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Double Bass,Instrumental Solo - Level 5 - Digital Download SKU: A0.552085 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Individual part. 2 pages. Jmsgu3 #6116385. Published by jmsgu3 (A0.552085). The famous wedding classic arranged for Solo Contrabass.Duration: 2:12Score: 2 pages.The famous Pachelbel Canon arranged for Solo Contrabass. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$34.95
Pachelbel: Canon in D for Alto Clarinet & Harp
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Classical
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Alto
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jmsgu3
#
SheetMusicPlus
Instrumental Duet E-Flat Clarinet,Harp,Instrumental Duet - Level 2 - Digital Download SKU: A0.1098858 Composed by Johann Pachelbel. Arranged by James M. ...
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Instrumental Duet E-Flat Clarinet,Harp,Instrumental Duet - Level 2 - Digital Download SKU: A0.1098858 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Classical,Standards,Traditional,Wedding. Score and parts. 11 pages. Jmsgu3 #702700. Published by jmsgu3 (A0.1098858). Score: 6 pages. Duration: ca. 2:30 The famous Pachelbel Canon arranged for Alto Clarinet & Harp. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$32.95
Pachelbel: Canon in D for Tenor Sax & Harp
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Classical
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Teno
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jmsgu3
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SheetMusicPlus
Instrumental Duet Harp,Instrumental Duet,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1098484 Composed by Johann Pachelbel. Arranged by James M. ...
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Instrumental Duet Harp,Instrumental Duet,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1098484 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Classical,Standards,Traditional,Wedding. Score and parts. 11 pages. Jmsgu3 #702340. Published by jmsgu3 (A0.1098484). Score: 6 pages. Duration: ca. 2:30. The famous Pachelbel Canon arranged for Tenor Sax & Harp. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$32.95
Pachelbel: Canon in D for Baritone Sax & Harp
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Classical
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Bari
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jmsgu3
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SheetMusicPlus
Instrumental Duet Baritone Saxophone,Harp,Instrumental Duet - Level 2 - Digital Download SKU: A0.1098118 Composed by Johann Pachelbel. Arranged by James ...
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Instrumental Duet Baritone Saxophone,Harp,Instrumental Duet - Level 2 - Digital Download SKU: A0.1098118 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Classical,Standards,Traditional,Wedding. Score and parts. 11 pages. Jmsgu3 #701987. Published by jmsgu3 (A0.1098118). Score: 6 pages. Duration: ca. 2:28. The famous Pachelbel Canon arranged for Baritone Sax & Harp. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$32.95
Pachelbel: Canon in D for Soprano Sax & Harp
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Classical
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Sopr
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jmsgu3
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SheetMusicPlus
Instrumental Duet Harp,Instrumental Duet,Soprano Saxophone - Level 2 - Digital Download SKU: A0.1098478 Composed by Johann Pachelbel. Arranged by James M...
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Instrumental Duet Harp,Instrumental Duet,Soprano Saxophone - Level 2 - Digital Download SKU: A0.1098478 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Classical,Standards,Traditional,Wedding. Score and parts. 11 pages. Jmsgu3 #702335. Published by jmsgu3 (A0.1098478). Score: 6 pages. Duration: ca. 2:30. The famous Pachelbel Canon arranged for Soprano Sax & Harp. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$32.95
Pachelbel: Canon in D for Oboe d'Amore & Harp
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Classical
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Oboe
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jmsgu3
#
SheetMusicPlus
Instrumental Duet Harp,Instrumental Duet,Oboe d'Amore - Level 2 - Digital Download SKU: A0.1098840 Composed by Johann Pachelbel. Arranged by James M. Gut...
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Instrumental Duet Harp,Instrumental Duet,Oboe d'Amore - Level 2 - Digital Download SKU: A0.1098840 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Classical,Standards,Traditional,Wedding. Score and parts. 11 pages. Jmsgu3 #702688. Published by jmsgu3 (A0.1098840). Score: 6 pages. Duration: ca. 2:30 The famous Pachelbel Canon arranged for Oboe d'Amore & Harp. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$34.95
Pachelbel: Canon in D for Piano Quintet
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Classical
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Pian
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jmsgu3
#
SheetMusicPlus
Piano Quintet,String Ensemble - Level 3 - Digital Download SKU: A0.552061 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instruction...
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Piano Quintet,String Ensemble - Level 3 - Digital Download SKU: A0.552061 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 17 pages. Jmsgu3 #6104307. Published by jmsgu3 (A0.552061). Score: 9 pagesDuration: 2:45. The famous Pachelbel Canon arranged for Piano Quintet. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$52.95
Jesu, meine Freude
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Dietrich Buxtehude
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Jesu, meine Freude
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Möseler Verlag
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SheetMusicPlus
Soloists (SB), mixed choir (SSATB), strings and basso continuo SKU: M2.MOS-68025 Kantate. Composed by Dietrich Buxtehude. Score. Möseler Verlag...
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Soloists (SB), mixed choir (SSATB), strings and basso continuo SKU: M2.MOS-68025 Kantate. Composed by Dietrich Buxtehude. Score. Möseler Verlag #MOS 68025. Published by Möseler Verlag (M2.MOS-68025). ISBN 9790203770398.Statt des Violoncellos in den Tuttstreichern sollte ein Fagott - wie von Dietrich Buxtehude vorgesehen - verwendet werden; die Ausfuhrung allein mit Streichern ist auch moglich.
$21.95
Jesu, meine Freude
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Dietrich Buxtehude
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Jesu, meine Freude
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Möseler Verlag
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SheetMusicPlus
Soloists (SB), mixed choir (SSATB), strings and basso continuo SKU: M2.MOS-68025-11 Kantate. Composed by Dietrich Buxtehude. Separate part. Mös...
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Soloists (SB), mixed choir (SSATB), strings and basso continuo SKU: M2.MOS-68025-11 Kantate. Composed by Dietrich Buxtehude. Separate part. Möseler Verlag #MOS 68025-11. Published by Möseler Verlag (M2.MOS-68025-11). ISBN 9790203772095.Statt des Violoncellos in den Tuttstreichern sollte ein Fagott - wie von Dietrich Buxtehude vorgesehen - verwendet werden; die Ausfuhrung allein mit Streichern ist auch moglich.
$4.95
Jesu, meine Freude
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Dietrich Buxtehude
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Jesu, meine Freude
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Möseler Verlag
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SheetMusicPlus
Soloists (SB), mixed choir (SSATB), strings and basso continuo SKU: M2.MOS-68025-01 Kantate. Composed by Dietrich Buxtehude. Choral score. Möse...
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Soloists (SB), mixed choir (SSATB), strings and basso continuo SKU: M2.MOS-68025-01 Kantate. Composed by Dietrich Buxtehude. Choral score. Möseler Verlag #MOS 68025-01. Published by Möseler Verlag (M2.MOS-68025-01). ISBN 9790203772088.Statt des Violoncellos in den Tuttstreichern sollte ein Fagott - wie von Dietrich Buxtehude vorgesehen - verwendet werden; die Ausfuhrung allein mit Streichern ist auch moglich.
$2.95
Jesu, meine Freude
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Dietrich Buxtehude
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Jesu, meine Freude
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Möseler Verlag
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SheetMusicPlus
Soloists (SB), mixed choir (SSATB), strings and basso continuo SKU: M2.MOS-68025-60 Kantate. Composed by Dietrich Buxtehude. Set of string parts. ...
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Soloists (SB), mixed choir (SSATB), strings and basso continuo SKU: M2.MOS-68025-60 Kantate. Composed by Dietrich Buxtehude. Set of string parts. Möseler Verlag #MOS 68025-60. Published by Möseler Verlag (M2.MOS-68025-60). ISBN 9790203772101.Statt des Violoncellos in den Tuttstreichern sollte ein Fagott - wie von Dietrich Buxtehude vorgesehen - verwendet werden; die Ausfuhrung allein mit Streichern ist auch moglich.
$29.95
Luther: Out of the Depths for Bass Flute & Piano
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.548712 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Ins...
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Bass Flute,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.548712 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and individual part. 4 pages. Jmsgu3 #3411731. Published by jmsgu3 (A0.548712). Out of the Depths I Cry to You by Martin Luther arranged for bass flute & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
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