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24 sheet music found
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1
Christ Came to Live Here Among Us
Choral (Choral) - Digital Download SKU: H1.MA502DP Composed by Hal H. Hopson. Piano…
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Choral (Choral) - Digital Download SKU: H1.MA502DP Composed by Hal H. Hopson. Piano Accompaniment. Global Songs. Christmas, Sacred. Octavo. 12 pages. Hope Publishing - Digital #MA502DP. Published by Hope Publishing - Digital (H1.MA502DP). Original anthem Here is another popular multicultural song, this one from the Cameroons of west central Africa. The delightful text and tune have again been expanded and enhanced with the addition of original material by Hal H. Hopson. The text makes it appropriate for either general or Christmas use, and the optional percussion accompaniment adds just the right African flavor.
$3.25
2.99 €
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Hal H
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Christ Came to Live Here Among Us
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Hope Publishing - Digital
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SheetMusicPlus
Purinjiti for didgeridoo, flute, euphonium, strings and sticks - Live performance (mp3)
Cello,Double Bass,Euphonium,Flute,Viola,Violin - Digital Download SKU: A0.1059394 C…
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Cello,Double Bass,Euphonium,Flute,Viola,Violin - Digital Download SKU: A0.1059394 Composed by David Warin Solomons. 20th Century,World. Full Performance. Duration 349. David Warin Solomons #3239587. Published by David Warin Solomons (A0.1059394). The word purinjiti means message stick in the Tiwi language (Aboriginal Australian) - I have adopted this word as a title for this atmospheric piece inspired by ideas of the hot arid outback of central Australia.
$4.00
3.68 €
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David Warin Solomons
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Purinjiti for didgeridoo, flute, euphonium, strings and sticks - Live performance
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David Warin Solomons
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SheetMusicPlus
Christchurch Alive!
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1308595 Composed by Dale Vail. Classical,Contest,Festival,Jazz. Brass Band. 107 pages. Dale Vail #897836. Published by Dale Vail (A0.1308595). Christchurch Alive! - Brass Band Major WorkPlaying level : Suitable for bands of all levelsParts for British Brass Band, and transposed options for Bass clef Trombone/Euphonium/Baritones/Tubas and Horns in F.Christchurch Alive! was written for the Nor'west Brass Band in 2017 by Dale Vail as the own choice work for their first New Zealand National Brass Band Contest in 2018.Christchurch Alive! is a testimony to the spirit of the Christchurch Community, and their resilience to the life changing earthquakes of 2010 and 2011. The piece is built around the harmonic circle of fifths. The circle of fifths is famous for being a common harmonic pattern in both baroque and classical music, and jazz and modern music. Most influentially used by Arcangelo Corelli, the pattern appears commonly in the Johann Sebastian Bach's music, and the works of Antonio Lucio Vivaldi.In the modern age, it is most famously heard in Joseph Kosma's Autumn Leaves. Dale's piece takes the two sides of this famous progression, and links them into one seamless piece of music, symbolising the union of two eras making something new, much like pre-earthquake culture, and new post-earthquake culture, joining together to create a new community.The work opens with a traditional style melody, utilising a modern minor 7th tonality. Tubular bells sound 5 times, a clock tower striking 5am marking the first hour after the first earthquake. The band explodes into a New Orleans style street band theme, showing the nightlife and central city vibrancy that still exists amongst the repairs. This swaps to a Vivaldi inspired melody, using the same circle of 5ths progression, a blend of two different times, old and new buildings forming one city. A solo voice from offstage begins a cadenza, echos of a busker in the old arts centre markets, which brings one intoA nostalgic melody from the flugel. A reflection on what used to be. The circle of fifths becomes a I - V progression, stuck on a continuous loop, illustrating a longing to remember, and to restore what was. The circle begins to move forward again with a solo trombone taking the stage, a reflection on the late night jam sessions from the Christchurch Jazz School on Poplar lane. A Sibelius inspired melody reminds that whilst the past is remembered, it cannot be revisited. The flugel melody is re-harmonized, remembering what made the old Christchurch great, and taking that with us to the new Christchurch. All the themes are revisited and brought together in a vibrant ending, a hybrid of different communities, restored and new landmarks, and a resolve to make the future their own.The city is thriving and more alive than ever.
$100.00
92.03 €
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Dale Vail
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Christchurch Alive!
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Dale Vail
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SheetMusicPlus
God Is Here
Choir Sacred Chamber InstruPax - Digital Download SKU: JX.00-36826 Composed by Shel…
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Choir Sacred Chamber InstruPax - Digital Download SKU: JX.00-36826 Composed by Sheldon Curry. Arranged by Sheldon Curry. This edition: Chamber InstruPax. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. H. W. Gray. Sacred. Part(s). 41 pages. H. W. Gray #00-36826. Published by H. W. Gray (JX.00-36826). English. Words by Fred Pratt Green.Here is an anthem that helps us celebrate what it means to be a church: to offer praise and prayer, to preach the Word, participate in the sacraments, to foster faith and service, and to live lives for church and kingdom that bring glory to God. The text presents a catalog of the central tenants of the church and emphasizes the relationship between Sunday worship and daily living; the music is memorable and emotional and in its final verse, simply thrilling. Related scripture: 1st Corinthians 12:27-31; 2nd Corinthians 4:5; 2nd Thessalonians 2:15; Titus 2:14.
$30.00
27.61 €
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Sheldon Curry
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Choral Octavo
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God Is Here
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H. W. Gray
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SheetMusicPlus
God Is Here
Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-36827 Composed by …
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Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-36827 Composed by Sheldon Curry. Arranged by Sheldon Curry. This edition: InstruPax. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. H. W. Gray. Sacred. Part(s). 69 pages. H. W. Gray #00-36827. Published by H. W. Gray (JX.00-36827). English. Words by Fred Pratt Green.Here is an anthem that helps us celebrate what it means to be a church: to offer praise and prayer, to preach the Word, participate in the sacraments, to foster faith and service, and to live lives for church and kingdom that bring glory to God. The text presents a catalog of the central tenants of the church and emphasizes the relationship between Sunday worship and daily living; the music is memorable and emotional and in its final verse, simply thrilling. Related scripture: 1st Corinthians 12:27-31; 2nd Corinthians 4:5; 2nd Thessalonians 2:15; Titus 2:14.
$60.00
55.22 €
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Sheldon Curry
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Choral Octavo
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God Is Here
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H. W. Gray
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SheetMusicPlus
A First Book of Inventions
Pic(fl).1.2.2.1.cbsn-2.2.0.0-str(12-14.10-12.8-10.6-8.4-6) orchestra - Digital Download
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Pic(fl).1.2.2.1.cbsn-2.2.0.0-str(12-14.10-12.8-10.6-8.4-6) orchestra - Digital Download SKU: S9.Q45427 For orchestra. Composed by Ryan Wigglesworth. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 9 minutes. Schott Music - Digital #Q45427. Published by Schott Music - Digital (S9.Q45427). Written in 2010 for the Royal Liverpool Philharmonic, Wigglesworth's nine-minute work explores the idea of perpetuum mobile (continuous movement) in seven connected, miniature inventions. A regular pulse forms the work’s core, with elaborations of the central musical idea shifting constantly around it in jagged rhythms and sumptuous orchestration. The composer writes, The seven sections can very briefly be described thus: 1) an active, miniature 'theme and variations'; 2) the juxtaposition of various fragmentary two-part inventions; 3) a tremolo string ostinato with woodwind interjections, building towards the first climax; 4) an ostinato passing between horns and muted trumpets together with a dialogue for high woodwind and low strings; 5) a very slow canon for string harmonics and pizzicato double basses; 6) a fast, one-part invention beginning with solo piccolo, and gradually leading to the second climax; 7) chorale. This is a lively orchestral miniature which gives the impression of a kaleidoscope, with short musical ideas cutting across each other in quick succession.
$25.99
23.92 €
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Ryan Wigglesworth
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A First Book of Inventions
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Schott Music - Digital
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SheetMusicPlus
Sharktooth Frenzy
Instrumental Duet Drums,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.10…
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Instrumental Duet Drums,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1013054 Composed by Christine Southworth. 20th Century,Contemporary,Jazz. Score and parts. 7 pages. Airplane Ears Music #5802089. Published by Airplane Ears Music (A0.1013054). Sharktooth Frenzy (2014, 4') solo pianist with snare drum and bass drum. For Danny Holt. Composed at The Hermitage Artist Retreat. I wrote Sharktooth Frenzy for Danny Holt in January 2014, while in residence at The Hermitage Artist Retreat in Manasota Key, Florida, a special place, paleotologically, because fossilized shark teeth from up to 50 million years ago wash up on the beach here every day. Around 50 million years ago, Florida was completely under the ocean, and layers of limestone accumulated to create the bed rock of Florida. Starting around 30 million years ago, as the Earth cooled, sea levels dropped and Orange Island emerged in what is now north central Florida. 10 million years later, in the Miocene period, tectonic activity forced uplift around Orange Island and Florida began to resemble the land mass it is today. The coastal area was still covered by a shallow sea, but land animals lived inland. Further north the Appalachian Mountains were forming and sediment was flowing into Florida making very nutrient rich waters, which sank to the bottom of these shallow seas entombing dead marine animals and teeth from sharks (sharks loose teeth frequently, going through up to 30,000 in their lives). This continued until around 5 million years ago. There is an abundance of these fossilized teeth and other bones in the Peace River Formation and Myakka River, which washes out into the gulf each day, and then subsequently the fossils wash up onto the beaches of Manasota Key and Venice Beach. So while I was composing this piece for Danny, I was also obsessively collecting shark teeth. I’d go out each day as the tide was retracting and collect hundreds, actually thousands, of teeth. And it was a bit of a frenzy. So I decided this piece had to be about this process, collecting as many teeth as I could find and coming back to write music!About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$5.00
4.6 €
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Christine Southworth
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Sharktooth Frenzy
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Airplane Ears Music
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SheetMusicPlus
Ipa Op.17
Soprano voice - Digital Download SKU: A0.1068453 Composed by Alexander Klein. 20th …
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Soprano voice - Digital Download SKU: A0.1068453 Composed by Alexander Klein. 20th Century,Contemporary,World. Full Performance. Duration 214. Alexander Klein #2079949. Published by Alexander Klein (A0.1068453). Ipa is a poem written by Vito Apshana, a native Colombian and a member of the Wayuu people, an aborigine civilization from northern Colombia. The poem's central subject is the rock, not merely as an object (as we tend to perceive it in the industrialized world) but as a live witness of our ancestors in planet Earth. Ipa, just like all the poems and prayers that come from Amerindian cultures, is an ode to Nature and, thus, an ode to God. When I set this beautiful poem to music, I decided to convey the Amerindian world using the modal and pentatonic scales that are so prevalent in their music. However, since I am in no way truly connected to Amerindian culture, this piece is still a reflection of a western man's perspective of the aborigines. Argentinian composer Alberto Ginastera would have called this work an experiment in Subjective Nationalism, that is, music that reflects foreign cultures using Western imagination and, thus, a primarily Western musical language. Ipa, then, is my personal homage to a rich, indigenous culture that still today breathes nature and magic in its own unique conception of the world. - Alexander Klein.
$2.00
1.84 €
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Alexander Klein
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Ipa Op.17
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Alexander Klein
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SheetMusicPlus
Desert Miniatures: Insects
Bassoon trio - Digital Download SKU: IZ.BCMW162 Composed by Robert McClure. BCMCC (…
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Bassoon trio - Digital Download SKU: IZ.BCMW162 Composed by Robert McClure. BCMCC (Bassoon Chamber Music Composition Competition). Score and Parts. 44 pages. Imagine Music - Digital #BCMW162. Published by Imagine Music - Digital (IZ.BCMW162). 9 x 12 in inches.Desert Miniatures: Insects was commissioned by Trio Sonora: Robert BeDont, Travis Jones, and Martin VonKlompenberg. The piece reflects on my time living in Tucson, AZ and all of the different types of insects that thrive in the Sonoran Desert. Each miniature selects a particular behavior or quality each insect possesses and explores it musically. Separate from the musical depiction of the insects was the central concept quasi-unison and the hyper-instrument. Instead of treating the three parts as individual important and mutually exclusive, the parts work together to form an imaginary instrument capable of polyphonic sound production. Through micro-polyphony and rhythmic irregularity, this hyper-instrument performs quasiunison gestures that resemble columns of sound rather than melodic lines.I. Many Hued GrasshopperI encountered many of these grasshoppers while hiking in the late summer and early fall months. They are brightly colored with purple and red accents against green wings and powerful light-green legs. As I would walk through tall grasses in the mountains, the path would explode with many grasshoppers leaping all around me. These bursts as well as the grasshopper's signature buzzing sound are the focal point of the miniature.II. Cactus BeeThese bees are solitary and live underground. They collect the nectar of cactus flowers. The bassoons combine to create a flurry of activity representing a particular bee going about her daily business of collecting nectar and returning to her subterranean nest.III.Arizona Red Spotted PurpleThese butterflies employ an ingenious evolutionary tactic for survival: mimicry. They look very similar to the Pipevine Swallowtail, a blueish-black butterfly that is noxious for birds to eat. Even more, the caterpillar of the Arizona Red Spotted Purple employs mimicry through resembling bird droppings or other objectionable material. Mimicry is the primary musical device employed in this miniature.IV. Fire AntAnyone who has ever accidentally stepped on a Fire Ant hill knows how painful the stings are. This unfortunately happened to me on my first day as anArizona resident. While each ant is an individual, the workers carry out simple and direct tasks. It was this quasi-unison behavior plus the martial and driving force of survival that informed the musical treatment of this miniature.
$18.00
16.57 €
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Robert McClure
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Desert Miniatures: Insects
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Imagine Music - Digital
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SheetMusicPlus
Downstream
Small Ensemble Oboe,Piano Accompaniment,Tuba - Level 5 - Digital Download SKU: A0.69964…
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Small Ensemble Oboe,Piano Accompaniment,Tuba - Level 5 - Digital Download SKU: A0.699640 Composed by Kenneth D. Friedrich. Concert,Contemporary. Score and parts. 32 pages. KFS Publishing #3013979. Published by KFS Publishing (A0.699640). Original music for oboe, tuba, and piano. Hear the live premiere here: https://soundcloud.com/knuxie35/7-downstream-south-central-regional-austin-tx
$15.00
13.8 €
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Kenneth D
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Downstream
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KFS Publishing
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SheetMusicPlus
Incandescence for flute and guitar
Acoustic Guitar,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.1275287
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Acoustic Guitar,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.1275287 Composed by Adrienne Inglis (ASCAP) and Walter Torres (BMI). 21st Century,Classical,Latin,Wedding. 8 pages. Adrienne Inglis (ASCAP) #867191. Published by Adrienne Inglis (ASCAP) (A0.1275287). Perfect for a wedding ceremony, recital, or romantic dinner, this gorgeous flute and guitar duet brings exotic harmonies and soaring melodies to any special occasion!Composed as a wedding celebration gift for Nick and Michelle, this duet weaves rich harmonies with expressive melodic lines to inspire poetic, incandescent love.Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas.A native of Austin, Texas, Walter Torres learned to play the guitar as a child and then became interested in electronic music. As a member of the alt-rock band Siberian Front, he honed his guitar and songwriting skills. From Stanford University he received a Bachelor of Science degree in Earth Systems (Oceans), a Masters in Civil and Environmental Engineering (Environmental Fluid Mechanics and Hydrology) and a PhD from the Duke Marine Lab studying coastal physical oceanography. Now a post-doctoral oceanography scholar at the University of Washington’s Applied Physics Laboratory, he continues to perform and collaborate on guitar and electronic music endeavors.https://adrienneinglis.com/.
$4.99
4.59 €
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Adrienne Inglis
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Incandescence for flute and guitar
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Adrienne Inglis
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SheetMusicPlus
If Not Now, When?
Large Ensemble Cello,Clarinet,Flute,Piano,Piccolo,Viola,Violin - Level 3 - Digital Downloa…
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Large Ensemble Cello,Clarinet,Flute,Piano,Piccolo,Viola,Violin - Level 3 - Digital Download SKU: A0.841258 Composed by Chris Gordon. 20th Century. Score and parts. 39 pages. Cool Wind Music Digital #3056419. Published by Cool Wind Music Digital (A0.841258). Full set of parts: Please contact Chris Gordon at the email address on the first page of music for details.IF NOT NOW, WHEN? If Not Now, When? gets its title from the novel by Primo Levi, the Italian author who both survived life in Auschwitz and fought the continued German military presence in Italy with the Resistance after the Italian surrender to the Allies in September 1943. Levi meant that revolution and the overthrow of tyranny should never be 'put off until tomorrow'. If you believe you are on the side of right, then 'seize the day'- tomorrow may be too late. The inspiration for INNW? grew from research I was doing into an early song by Alban Berg called An Leukon which Berg wrote in 1907 while a student of Arnold Schoenberg. In delving into the kind of world which Berg inhabited in the Vienna of 100 years ago, I was fascinated by the café culture* which played a pivotal role in the lives of most artists: not only composers, but also writers, painters, architects and journalists. They swirled around the fashionable 'watering holes' sucking up current thoughts and ideas, high on Viennese coffee, cigar smoke and idealism! I envisaged a play which tried to encapsulate all this and wrote a few scenes with characters such as Schoenberg, Berg, Webern, Steuermann, Pisk, Kraus, Gropius and Altenberg heatedly discussing music, art and poetry over large cups of milky coffee. This grew into the framework for INNW? which, to paraphrase Pirandello's play about characters seeking an author, is a 'play without words in several scenes'. The piece is organised into 8 short movements or 'scenes' showing the 'Schoenberg cirle' sharing their radical and daring ideas and the shock or delight (or both simultaneously) with which those ideas are greeted. The first, which happens to be the longest, is rooted in conventional tonality. It begins with a fanfare in D flat major ('aux armes, citoyens!'), then seeks a 'freer' tonality by means of the 'emancipation of the semitone' only to capitulate in the central section and, finally, to 'fall back to earth' by winding down in G sharp minor. These 'scenes' are not meant to represent particular composers. They are, however, meant to represent the kinds of directions in which music could progress, given the 'breakdown' or 'stretching to its limits' of traditional harmony which had occurred in the previous 10 to 20 years. So many ways forward were promulgated, with one after another extraordinary, and often unexpected, futuristic musical panoramas glimpsed momentarily. My aim is to demonstrate which directions they decided they could head in having cleared the 'overgrown' path before them. * I even discovered that, around this time, in the Café Central, a certain Leon (Lev) Bronstein, otherwise known as Leon Trotsky, banished by the Okhrana (Imperial secrect police) from his native Russia, would spend all day in a back room playing chess. How delicious, I thought, if Schoenberg had ever brushed passed Trotsky or, indeed, had ever spoken to him: the one planning political and the other musical revolution!
$25.00
23.01 €
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Chris Gordon
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If Not Now, When?
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Cool Wind Music Digital
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SheetMusicPlus
Concerto No. 161 QV5:174
Solo Fl. 2fl. Afl. Bfl. - Intermediate-Advanced - Digital Download SKU: F2.FM608 Co…
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Solo Fl. 2fl. Afl. Bfl. - Intermediate-Advanced - Digital Download SKU: F2.FM608 Composed by Johann Joachin Quantz. Arranged by Robert Rainford. Arranged for solo flute with flute quartet accompaniment. Score and parts. 69 pages. Forton Music - Digital #FM608. Published by Forton Music - Digital (F2.FM608). ISBN 9790570485079.This Baroque concerto follows the standard movement pattern of the time - a lively first and last movement with a central slow movement. The first and last movements are in broad ritornello form. Entries of the original theme are interspersed with showy passages for the soloist. The central movement is titled 'Arioso', and is more through composed, featuring a singing melodic line that passes through a wide range of moods before coming to a peaceful close. The solo line has been left broadly unchanged in this arrangement, the accompanying flute parts are relatively straight forward but require conviction and neat articulation.
$22.95
21.12 €
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Johann Joachin Quantz
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Concerto No. 161 QV5:174
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Forton Music - Digital
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SheetMusicPlus
Songs of Spring
SSSAA chorus a cappella - Digital Download SKU: OX.9780193574298 Composed by Sarah …
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SSSAA chorus a cappella - Digital Download SKU: OX.9780193574298 Composed by Sarah Quartel. Octavo. 18 pages. Oxford University Press Digital #9780193574298. Published by Oxford University Press Digital (OX.9780193574298). ISBN 9780193574298.For SSSAA unaccompanied . This three-movement work combines a number of themes through the poetry of Sara Teasdale. The first movement, 'Sister of the Sky', focuses on the morning in early spring. The central movement, 'Fearless Heart', is alive with movement, while the final movement, 'Sing before Night', calmly flows into evening.
$4.50
4.14 €
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Sarah Quartel
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Songs of Spring
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Oxford University Press Digital
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SheetMusicPlus
It Is Not Death to Die - Orchestration
Small Ensemble - Digital Download SKU: A0.976717 Composed by Robert Myers. Contempo…
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Small Ensemble - Digital Download SKU: A0.976717 Composed by Robert Myers. Contemporary,Easter,Sacred. Score and parts. 67 pages. WheatMyer Music #4794639. Published by WheatMyer Music (A0.976717). It Is Not Death to Die is a new setting of French poet Henri Abraham César Malan's Non, ce n'est pas mourir as translated by George Washington Bethune and adapted for this work. Why this text? It first came to my notice shortly after the passing of Billy Graham, who was known to paraphrase D. L. Moody, Someday you will read or hear that Billy Graham is dead. Don’t you believe a word of it. I shall be more alive than I am now. I will just have changed my address. I will have gone into the presence of God.Graham's bold proclamation and Malan's poetry motivated me to focus anew on the resurrection, re-remembering it as the pivotal element of the Christian faith. For if there is no resurrection, Paul says in 1 Cor 15, our faith is useless. But Christ has indeed been raised from the dead! Unfortunately, singing about heaven has, perhaps, been neglected of recent decades. We seem to have focused more on the already to the detriment of the not yet. But it is important to remember that this life is not all there is! Quoting Paul again, the sufferings of this present time are not worth comparing with the glory that is to be revealed to us (Rom 8:18). Yet, if Christ delays, the grim inevitability of our transition into eternity is a certain experience we all face. Malan's poetry so poignantly and eloquently captures this tension that it compelled me to compose a fresh musical setting that attempts to captures the mixture of dread and hope borne out in the acclamation that death is swallowed up in victory! I pray that this setting aids the Church to remember the great hope and promise Christ has granted us: O Death, where is your victory? O Death, where is your sting?_______________________________________________________________________________________________The music opens with a C# diminished chord in a very still and somber texture reflective of grief. The text is introduced with the first of two main motives, a rising 4-note outline of B minor in a triple repetition of It Is Not Death. As each stanza proceeds the music concludes on the second motive, a 5-note descending span of a minor 7th in Bb Lydian. The energy and mood of the music gradually shift over the five stanzas, as the focus moves from this life to the next; the texture thickens, the harmony expands, and the dynamic grows into the music’s pinnacle on reign with You on high! The music closes on a reprise of the opening section, simultaneously mindful of our mortality and our eternity.Available with orchestral (this version) or piano accompaniment, It Is Not Death to Die is a fitting close to the Easter season, or is suitable for Ascension Sunday, a funeral or memorial service, or any time in the church year to remind Christians of the central hope of our faith, eternal life in Christ.Robert MyersS.D.G.Orchestration 2 1 1 1 1 2 2 2 1 1 Timp Glock Perc Mark Tree, Sus Cym, Crash Cym, Snare, Bass Drum, Mid Tom, Triangle, Tam Tam Piano Strings
$75.00
69.02 €
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Robert Myers
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It Is Not Death to Die - Orchestration
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WheatMyer Music
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SheetMusicPlus
A Mechanical Mule from Starbird (Downloadable)
Solo voices, piano - Moderately Difficult - Digital Download SKU: MQ.8448-E Compose…
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Solo voices, piano - Moderately Difficult - Digital Download SKU: MQ.8448-E Composed by Henry Mollicone. Instrument part. 18 pages. E. C. Schirmer Music Company - Digital #8448-E. Published by E. C. Schirmer Music Company - Digital (MQ.8448-E). English.Libretto:Written by Nicholas Giardini after the short story by O. Henry.Synopsis:As Dog, Cat, and Donkey sleep in Central Park, a spaceship appears. The animals wake and investigate. They encounter the Starbird and are dazzled by her beauty and her tales of the shining celestial city, Arcturus. Ignoring the warnings of the Starbird to stay away, the three companions enter the spaceship in hopes of discovering new lives.Duration: 5:00The purchase of this scene includes permission to reproduce a maximum number of 6 copies: 1 for each of the vocalists, 1 for the accompanist, and 1 for the conductor. If this will be performed in a concert setting without dramatic elements, it is covered by your organization's ASCAP or BMI license. Please report the concert accordingly. If this will be performed in a staged setting with dramatic elements such as costumes, lighting, etc., please contact the ECS Publishing Copyright Department for a grand rights license. A dramatic production is not covered by ASCAP or BMI.
$50.00
46.02 €
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Henry Mollicone
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A Mechanical Mule from Starbird
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Seven Songs from A Little Music for the Morning Woodwind Quintet Flute, Clarinet, 2 Horns, Bassoon
Bassoon,Clarinet,Flute,Horn - Level 3 - Digital Download SKU: A0.730272 Composed by…
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Bassoon,Clarinet,Flute,Horn - Level 3 - Digital Download SKU: A0.730272 Composed by James Nathaniel Holland. Contemporary,Sacred. 96 pages. James Nathaniel Holland #1919721. Published by James Nathaniel Holland (A0.730272). Arranged for Flute, Clarinet A/Bb, Horn 1, Horn 2, and Bassoon. Full Score (Transposed) and Individual Parts included. Duration: 24' 05 Seven songs taken from the fourteen song collection A Little Music for the Morning by living American composer James Nathaniel Holland. Play as a set or individually for concerts or general worship services. These light musical pieces range from happy to sad to humorous. Titles include the beautiful Song No. 2, For Roy, Toad Escapes, and Romanze. James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles. From 2005 he moved to Costa Rica where he organized concerts with visiting guest artists to present his chamber music to the public. Presently he lives in a castle in the central mountains of Costa Rica. YouTube Channel: https://www.youtube.com/user/composerjnholland.
$15.95
14.68 €
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James Nathaniel Holland
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Seven Songs from A Little Music for the Morning Woodwind Quintet Flute, Clarinet, 2 Horns, Bassoon
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James Nathaniel Holland
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SheetMusicPlus
Stephansdom for Solo Bass Trombone & Trombone Choir
Small Ensemble Bass Trombone - Level 5 - Digital Download SKU: A0.792274 Composed b…
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Small Ensemble Bass Trombone - Level 5 - Digital Download SKU: A0.792274 Composed by Diefendorfer, Ryan. Arranged by Diefendorfer, Ryan. 20th Century,Contemporary. Score and parts. 60 pages. Gordon Cherry #4803763. Published by Gordon Cherry (A0.792274). Stephansdom is a new composition, descriptive of the iconic St. Stephan's Cathedral in central Vienna. Ryan Diefendorfer wrote this work for the Indiana University Trombone Ensemble for Bass Trombone solo and Trombone Choir (6-part) to be performed by Carl Lenthe at the 2012 Eastern Music Festival. Ryan's work was awarded the winner of the 2012 Eastern Trombone Workshop National Composition Competition. St. Stephen’s Cathedral, also known as Stephansdom, is one of Vienna’s most remarkable city icons. Dating back to 1137, Stephandsom towers above the rest of Vienna’s skyline and has been a constant presence in the lives of the Viennese for nearly one thousand years. Among the buildings that the Viennese find closest to their hearts, Stephansdom is certainly one of them I. Groundbreaking The first movement depicts the troubles that St. Stephen’s Cathedral had in getting its groundbreaking as a church. The opening of the piece marks the celebration of the Viennese when St. Stephen’s was first constructed in 1137, during the Romanesque era. However, the church faced many issues-from being destroyed by the Babenberg Empire to being decimated by a fire-before the church began its construction in the Gothic style in 1307. The first movement depicts these struggles before resolving to an open chord. II. Steffl Steffl, the nickname for Stephansdom’s soaring north tower, is one of the characteristics of the cathedral that the Viennese find so endearing. This movement is very upbeat and is meant to portray the excitement shared by the Viennese for this beautiful addition to Stephansdom, which was completed in 1433. Stephansdom’s north tower is the tallest structure in Vienna, and distinctly stands out within Vienna’s skyline. III. 1945 As World War II was coming to a close in 1945, Stephansdom’s roof caught fire from a neighboring building, destroying large portions of the church. One climax occurs at m.30, which depicts Stephansdom’s great bell, the Pummerin, crashing down to the ground. This movement depicts the chaotic nature of the raging fire of 1945. IV. Anton Pilgrim Anton Pilgrim was the last, and perhaps most beloved, architect who worked on St. Stephen’s Cathedral in the Gothic style. One of his most famous projects was the St. Stephen’s organ loft, which is depicted by an opening organ-like canon. The final movement to the piece ends in a chorale-like fashion, demonstrating the Viennese’s love for Anton Pilgrim, as well as Stephansdom, one of Vienna’s most iconic sights. This work of 12 minutes in length is appropriate for advanced performers.
$27.50
25.31 €
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Diefendorfer, Ryan
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Stephansdom for Solo Bass Trombone & Trombone Choir
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Gordon Cherry
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SheetMusicPlus
Gloria! Alleluia!
Digital Download SKU: OX.9780193573017 Composed by Darius Lim. New Horizons. Score.…
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Digital Download SKU: OX.9780193573017 Composed by Darius Lim. New Horizons. Score. 12 pages. Oxford University Press Digital #9780193573017. Published by Oxford University Press Digital (OX.9780193573017). ISBN 9780193573017.For SSAATTBB unaccompanied . This exciting concert piece sets Latin words from the mass orders of the Catholic Church and the Book of Isaiah to form a versatile text that is suitable for both Christmas and use throughout the year. The choral divisi gives a richness to the sound in the sustained passages, which contrast with a lively central section.
$3.65
3.36 €
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Darius Lim
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Gloria! Alleluia!
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Oxford University Press Digital
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SheetMusicPlus
Frith - SONS OF THUNDER for Bass Trombone and Piano
Bass Trombone,Instrumental Solo - Level 5 - Digital Download SKU: A0.810720 Compose…
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Bass Trombone,Instrumental Solo - Level 5 - Digital Download SKU: A0.810720 Composed by John Frith. Contemporary. Individual part. 13 pages. Gordon Cherry #1942817. Published by Gordon Cherry (A0.810720). Composer John Frith has written a new solo virtuosic work for Bass Trombone with Piano accompaniment of about 3 minutes in length. Read below to see what his thoughts are about his composition for Jonathan Warburton. I have written a number of pieces (over many years) for Jonathan Warburton who also commissioned ‘Sons of Thunder’ in 2015. Jon’s gift for musical ‘acrobatics’ gave me the idea of creating a short, high-energy work that would give vent to his exceptional range and flexibility. The central section is muted and relatively calm but it is not long before the music builds and the opening material returns. A solo cadenza creates a welcome calm interlude before the storm gathers once again as the piece builds to a momentous fortissimo before grinding to a thunderous halt! ‘Sons of Thunder’ is the nickname given by Jesus to the apostles James and John, possibly reflecting their lively characters……I’m guessing that theirs were not too unlike Jonathan’s ebullient personality!.
$17.50
16.11 €
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John Frith
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Frith - SONS OF THUNDER for Bass Trombone and Piano
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Gordon Cherry
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SheetMusicPlus
Suite no 1
Flute Ens - Intermediate-Advanced - Digital Download SKU: F2.FM170 Composed by Phil…
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Flute Ens - Intermediate-Advanced - Digital Download SKU: F2.FM170 Composed by Phillip Rawle. Score and parts. 57 pages. Forton Music - Digital #FM170. Published by Forton Music - Digital (F2.FM170). ISBN 9790570480692.A four movement suite for large flute choir. Scored for PIccolo, optional G treble, 4 flutes, alto flute, bass flute, optional contr'alto, optional contrabass, optional subcontrabass. The first movement is a lively Presto, with passages reminiscent of English folk music, impressive fanfares and baroque style passage work. This is followed by a slower more wistful movement with rich chromatic harmonies. The third movement is slower again, with a florid piccolo solo in the central section accompanied by flowing semiquavers in all parts. The final movement is marked 'Dolente' and features rich jazz harmonies in slow tempo. This is a great piece for large flute choirs to include in their repertoire; the inclusion of the largest members of the flute family gives a depth and richness to the chords that is in credible. Suitable for players of Grade 4 upwards.
$19.95
18.36 €
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Phillip Rawle
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Suite no 1
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Forton Music - Digital
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SheetMusicPlus
Forever We Shall Sing - Reproducible Instrumental Parts
Fl,Small Perc - Digital Download SKU: C7.CGRP18 Composed by John R Paradowski. Ck,g…
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Fl,Small Perc - Digital Download SKU: C7.CGRP18 Composed by John R Paradowski. Ck,g. We Sing the World Round. Set of parts. 8 pages. Chorister's Guild - Digital #CGRP18. Published by Chorister's Guild - Digital (C7.CGRP18). UPC: 749193012246.Based on the lively Central American tune Enviado, this flexible anthem provides a number of options for use with unison or two-part children's choir or adult choir. The anthem's creative design also works well with choir and congregation or cantor and congregation. Perfect for use on Christ the King Sunday or any time of year, the text recounts the birth, miracles, death, and resurrection of Christ. A vivacious accompaniment scored for piano, optional flute and optional percussion surrounds this anthem with life and exuberance. (Opt. instruments: Flute, Shaker, Wood Block (or Castanets), Cowbell, Guiro).
$15.95
14.68 €
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John R Paradowski
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Forever We Shall Sing - Reproducible Instrumental Parts
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Chorister's Guild - Digital
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SheetMusicPlus
Impromptu for 4 (by Derick Kane) - Euphonium Quartet
Brass Ensemble Euphonium - Level 5 - Digital Download SKU: A0.1008541 Composed by D…
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Brass Ensemble Euphonium - Level 5 - Digital Download SKU: A0.1008541 Composed by Derick Kane. Contemporary. Score and parts. 30 pages. Derick Kane #4887717. Published by Derick Kane (A0.1008541). This quartet will be a useful 'concert' item for 4 euphoniums. With technical demands for all players it captures various moods, including lively episodes and a central melodic original theme.The piece is approx 3.11. Appropriate for higher grade players / students.
$10.99
10.11 €
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Derick Kane
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Impromptu for 4
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Derick Kane
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SheetMusicPlus
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