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Chapter Two
Sheetmusic to print
21 sheet music found
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1
Maestro Guitar Method - Chapter Two
Guitar Ensemble Guitar - Level 1 - Digital Download SKU: A0.1351540 By Daniel Charl…
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Guitar Ensemble Guitar - Level 1 - Digital Download SKU: A0.1351540 By Daniel Charles Kotval. By Daniel Charles Kotval. Arranged by Daniel Charles Kotval. Blues,Classical,Folk,Rock,Traditional. Educational Method. 14 pages. Daniel Charles Kotval #936393. Published by Daniel Charles Kotval (A0.1351540). Maestro Guitar Method Chapter Two of six chapters. Learn to play guitar and read music with this effective and innovative approach that uses step-by-step instruction in a smooth and thorough progression. A journey from the beginning for all ages and levels suitable for students and teachers. This second chapter covers lessons for notes on the second string along with a review of the previously introduced notes. The complete method (208 pages) is available, but cannot be previewed due to the large file size. 14 pages.
$10.00
9.02 €
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Daniel Charles Kotval
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Maestro Guitar Method - Chapter Two
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Daniel Charles Kotval
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SheetMusicPlus
Frederick Frahm: Indian Earth for two violins, cello and organ
Small Ensemble Cello,Organ,Violin - Level 5 - Digital Download SKU: A0.534000 Compo…
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Small Ensemble Cello,Organ,Violin - Level 5 - Digital Download SKU: A0.534000 Composed by Frederick Frahm. Contemporary,Folk,Standards,World. Score and parts. 34 pages. Musik Fabrik Music Publishing #3094575. Published by Musik Fabrik Music Publishing (A0.534000). I. INTROIT II. INTERLUDE III. ALLELUIAS Commissioned by the American Guild of Organists,Albuquerque Chapter,For the Region VII AGO Convention, 2009Performance notes:Indian Earth, after a book of poetry by Santa Fe poet Witter Bynner, explores the mystical cultures and resplendent terrain of the AmericanSouthwest. An underlying tenor ofthis collection is the complex relationship between the earth and humanity, and metaphorically the discordbetween native and colonial peoples. Bynner captures the essence of these relationships in this way:It is the earth itself that hems you round against intruders alien to the earth, that brings you heaven under a shadowy tree, curves heaven toyour arm and lets you lie close to its living thorn. The crown is yours, not theirs. You know the one divinity, the only death, the offering ofthe heart to the cruel earth, the love, the consummation.The three movements of the work progress from a quiet melancholy to exuberance, from darkness to light. Frahm makes use of an architecturalapproach to music composition in this piece, as in the building of an adobe wall brick by brick. Self-contained musical structures, often in four barunits, are symmetrically arranged as a technique of musical development. The final movement, 'Alleluias', is based in part on plainchant tone 6 fromthe Graduale Romanum.
$19.95
18 €
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Frederick Frahm
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Frederick Frahm: Indian Earth for two violins, cello and organ
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Musik Fabrik Music Publishing
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SheetMusicPlus
Coventry Carol - Traditional (Voice & Ukulele)
Instrumental Duet Instrumental Duet,Ukulele,Voice - Level 1 - Digital Download SKU: A0.…
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Instrumental Duet Instrumental Duet,Ukulele,Voice - Level 1 - Digital Download SKU: A0.908385 Composed by Traditional. Arranged by John M. Licari. Christmas,Instructional,Sacred,Standards. Score and parts. 4 pages. Music Preparation Services #4987589. Published by Music Preparation Services (A0.908385). Coventry CarolTraditional; Arranged by John M. Licari (Voice & Ukulele)Music Preparation Services www.musicprepsevices.com See my other arrangements here: https://www.sheetmusicplus.com/publishers/music-preparation-services-sheet-music/3005054The Coventry Carol is an English Christmas carol dating from the 16th century. The carol was traditionally performed in Coventry in England as part of a mystery play called The Pageant of the Shearmen and Tailors. The play depicts the Christmas story from chapter two in the Gospel of Matthew: the carol itself refers to the Massacre of the Innocents, in which Herod ordered all male infants under the age of two in Bethlehem to be killed, and takes the form of a lullaby sung by mothers of the doomed children. The music contains a well-known example of a Picardy third (G major cadence in the key of G minor). The author is unknown; the oldest known text was written down by Robert Croo in 1534, and the oldest known setting of the melody dates from 1591.[1] There is an alternative, modern setting of the carol by Kenneth Leighton, and another by Philip Stopford. (Taken from the Wikipedia Entry).This arrangement is for voice and ukulele (melody and chords).
$1.99
1.8 €
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Traditional
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Arranged by John M
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Coventry Carol - Traditional
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Music Preparation Services
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SheetMusicPlus
Coventry Carol - Traditional (Voice & Guitar) - Arranged by John M. Licari
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 2 - Digital Download SKU: A0.9…
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 2 - Digital Download SKU: A0.908412 Composed by Traditional. Arranged by John M. Licari. Christmas,Concert,Instructional,Renaissance,Standards. Score and parts. 4 pages. Music Preparation Services #6129687. Published by Music Preparation Services (A0.908412). Coventry CarolTraditional; Arranged by John M. Licari (Voice & Ukulele)Music Preparation Services www.musicprepsevices.com See my other arrangements here: https://www.sheetmusicplus.com/publishers/music-preparation-services-sheet-music/3005054The Coventry Carol is an English Christmas carol dating from the 16th century. The carol was traditionally performed in Coventry in England as part of a mystery play called The Pageant of the Shearmen and Tailors. The play depicts the Christmas story from chapter two in the Gospel of Matthew: the carol itself refers to the Massacre of the Innocents, in which Herod ordered all male infants under the age of two in Bethlehem to be killed, and takes the form of a lullaby sung by mothers of the doomed children.
$1.99
1.8 €
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Traditional
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Arranged by John M
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Coventry Carol - Traditional
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Music Preparation Services
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SheetMusicPlus
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,…
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Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone,Treble Clef Instrument,Trumpet,Ukulele,Vibraphone,Violin,Xylophone - Level 4 - Digital Download SKU: A0.931832 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269045. Published by Dots and Beams (A0.931832). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a treble staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4. Be creative with this one, the possib.
$10.00
9.02 €
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Nathan Petitpas - Dots and Beams
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I encourage you to use both
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Pitch and Rhythm - Treble Clef, Diatonic
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Dots and Beams
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SheetMusicPlus
Pitch and Rhythm - Bass Clef, Diatonic (Sight Reading Exercise Book)
Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsich…
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Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - Digital Download SKU: A0.931833 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269061. Published by Dots and Beams (A0.931833). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a bass staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second e.
$10.00
9.02 €
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Nathan Petitpas - Dots and Beams
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I encourage you to use both
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Pitch and Rhythm - Bass Clef, Diatonic
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Dots and Beams
#
SheetMusicPlus
Essential Jazz Lines: In the Style of Clifford Brown-E Flat
Saxophone (alto) - Intermediate - Digital Download SKU: M0.20020BCDEB Composed by C…
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Saxophone (alto) - Intermediate - Digital Download SKU: M0.20020BCDEB Composed by Corey Christiansen. Technique, Theory and Reference. Essential Jazz Lines. Jazz. E-book and online audio. Mel Bay Publications - Digital Sheet Music #20020BCDEB. Published by Mel Bay Publications - Digital Sheet Music (M0.20020BCDEB). ISBN 9781610651042. 8.75x11.75 inches.Clifford Brown was one of the most influential jazz trumpeters and was a true master of jazz. His fantastic tone, time, feel and command of the jazz language have been inspiring jazz musicians on all instruments for decades. This book breaks down many of the one and two-bar phrases played by Clifford and helps students apply them to their own playing. Lines played over minor, dominant, and major chords as well as short, long and minor ii-V material can be mastered by practicing with the accompanying play-along audio. Chapters on Guide Tones, Bebop Scales, Targeting, and Playing the Upper-Structure will help students analyze and memorize the lines presented in the book. There is also a chapter with further insight in Clifford's style which discusses his phrasing as well as other musical devices he used to get his sound. A must have for aspiring students wanting the master the jazz language.
$14.99
13.52 €
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Corey Christiansen
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Essential Jazz Lines: In the Style of Clifford Brown-E Flat
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
The Poohratorio (Winnie the Pooh - the Expotition to the North Pole) (mp3)
Guitar,Medium Voice - Level 3 - Digital Download SKU: A0.1271084 By David Warin Sol…
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Guitar,Medium Voice - Level 3 - Digital Download SKU: A0.1271084 By David Warin Solomons. By David Warin Solomons. 20th Century,Children,Contemporary. Full Performance. Duration 1608. David Warin Solomons #863477. Published by David Warin Solomons (A0.1271084). Here is my 1976 Oratorio on Winnie the Pooh (Poohratorio) for alto voice, spoken parts, guitar and various optional other instrumentsGreat fun for young and old. It uses the whole of Chapter 8 of A A Milne's Now we are six -The expotition to the North Pole, which is now in the public domain in the USA.CHAPTER 8 ...IN WHICH CHRISTOPHER ROBIN LEADS AN EXPOTITION TO THE NORTH POLEONE fine day Pooh had stumped to the top of the Forest to see if his friend Christopher Robin was interested in Bears at all. At breakfast that morning (a simple meal of marmalade spread lightly over a honeycomb or two) he had suddenly thought of a new song. It began like this:Sing Ho! For the life of a Bear.When he had got as far as this, he scratched his head, and thought to himself That's a very good start for a song, but what about the second line? He tried singing Ho, two or three times, but it didn't seem to help. Perhaps it would be better, he thought, if I sang Hi for the life of a Bear. So he sang it . . . but it wasn't. Very well, then, he said, I shall sing that first line twice, and perhaps if I sing it very quickly, I shall find myself singing the third and fourth lines before I have time to think of them, and that will be a Good Song. Now then:Sing Ho! for the life of a Bear! Sing Ho! for the life of a Bear! I don't much mind if it rains or snows, 'Cos I've got a lot of honey on my nice new nose! I don't much care if it snows or thaws, 'Cos I've got a lot of honey on my nice clean paws! Sing Ho! for a Bear! Sing Ho! for a Pooh! And I'll have a little something in an hour or two! He was so pleased with this song that he sang it all the way to the top of the Forest, ... etc.
$10.50
9.47 €
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David Warin Solomons
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The Poohratorio
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David Warin Solomons
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SheetMusicPlus
Shenandoah
String Ensemble Cello - Level 4 - Digital Download SKU: A0.954472 Composed by Jonat…
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String Ensemble Cello - Level 4 - Digital Download SKU: A0.954472 Composed by Jonathan Chapter. 20th Century. Score and parts. 14 pages. Jonathan Chapter #3228295. Published by Jonathan Chapter (A0.954472). An arranged version of the traditional sea shanty. The first two cellists need to be able to read the tenor clef.
$5.00
4.51 €
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Jonathan Chapter
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Shenandoah
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Jonathan Chapter
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SheetMusicPlus
BLAINVILLE – SUITE TURQUE
Small Ensemble Cello,Double Bass,Flute,Harpsichord,Viola,Violin - Level 2 - Digital Downlo…
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Small Ensemble Cello,Double Bass,Flute,Harpsichord,Viola,Violin - Level 2 - Digital Download SKU: A0.890773 Composed by Charles Henri de Blainville. Arranged by Sneakwood Editions. Baroque. Score and parts. 17 pages. Sneakwood Editions #5321913. Published by Sneakwood Editions (A0.890773). Blainville – Suite TurqueChanson TurqueMarche des JannissairesGuideyorumDanse de chypre The PDF includes:IntroductionFacsimileArrangement for Traverso, two violins, viola, violoncello & percussion ad libitum by Javier Lupiáñez as performed by Les Esprits Animaux (Watch video!)ScorePartsBlainville – Suite Turque, performed by Les Esprits AnimauxBlainville was born in 1711 in Tours and died in Paris in 1769. In the spirit of the time Blainville was a practical musician, composer, theorist, historian and, in some way, an encyclopedist. As practical musician and composer he was cellist and it is known that he played his own compositions at the Concert Spirituel in Paris, but neither his performances nor his compositions met with outstanding success.As theorist Blainville claimed the discovery of a third mode (mode mixte) between major and minor, unfortunately his harmonic theories did not have the expected success.As historian and encyclopedist we found his work Historie générale et philologique de la musique, published in Paris in 1767. The work is in consonance with other contemporaries works such as Rousseau’s Dictonaire de Musique (1768) or the Essai sur la musique ancienne et moderne, published around 1780 by M. de Laborde and Pierre Joseph Roussier. As in these works, the work of Blainville broadly covers the musical knowledge, including theoretical-musical, stylistic, historical and ethnographic aspects. Framed in this last aspect we find a chapterdedicated to the music of the Turks. And it is in this chapter we find the musical pieces used in this arrangement.
$16.00
14.43 €
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Charles Henri de Blainville
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BLAINVILLE – SUITE TURQUE
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Sneakwood Editions
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SheetMusicPlus
And Then We See (Arranged for Flugelhorn)
Flugelhorn,Piano,Violin - Level 4 - Digital Download SKU: A0.1284795 Composed by Ho…
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Flugelhorn,Piano,Violin - Level 4 - Digital Download SKU: A0.1284795 Composed by Ho Fong Leong. Classical,Contemporary,New Age. 17 pages. Marco leong #875974. Published by Marco leong (A0.1284795). Alternate arrangement for Violin, Flugelhorn and Piano, Aug 2023.Dedicated to Simon, Leo and Wellington School as a parting gift. Scored for Violin, Horn and Piano. Premiered in St George's Bristol, September 2019. “And then we see†is dedicated to the wonderful people I have met throughout my journey in Wellington School, especially to two of my very good friends – Simon, a euphonist; and Leo, a ‘cellist. Originally planned to be written for Piano, ‘Cello and Euphonium, and to be finished and performed in our last school concert as a goodbye gift, I had however not managed to complete the work before graduation. I have therefore taken this opportunity to express my emotions and sentiments from the time with this newly written piece. One can therefore very easily sense the nostalgia pouring right from the very beginning of the music, as I reminisce our years together. It is based loosely on a ternary structure (ABA) – the A section depicts the moment of farewell. One can hear the violin plays a very simple, bell-like melody, representing the bell-strikes which signify that it is the end of a long journey – time to say goodbye. The B section, based on the very same melody, transforms itself into a 6/8 dance. This dance depicts the pang and melancholia as we bid farewell, leading to a passionate climax. The A section then returns with the melody in its original form, announced by the horn. The coda concludes the piece, trying to move away from the tonic, representing the start of a new chapter in our journey and our optimistic feelings about it. Throughout the piece there are also quotes from the famous Westminster chimes, and variants of it, enforcing the bell imagery.
$6.99
6.31 €
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Ho Fong Leong
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and Leo, a ‘cellist
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And Then We See
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Marco leong
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SheetMusicPlus
Thanks to God Whose Word Was Spoken TRUMPET solo
Small Ensemble Piano,Trumpet,Voice - Level 4 - Digital Download SKU: A0.848558 Comp…
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Small Ensemble Piano,Trumpet,Voice - Level 4 - Digital Download SKU: A0.848558 Composed by Sicilian Mariners. Arranged by Gene Roberson. Christmas,Classical,Sacred. Score and parts. 6 pages. Gene Roberson #3494243. Published by Gene Roberson (A0.848558). Here is a song for Trumpet solo with piano, organ, chord playing ensemble. The tune is familiar as a Christmas Carol (O Santissima) The theme is Creation. So when your sermon topics is Genesis Chapter One, this is a perfect song to sing or play. Chords included. Played in two keys. Trumpet in C and Bb parts included.
$3.99
3.6 €
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Sicilian Mariners
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Thanks to God Whose Word Was Spoken TRUMPET solo
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Gene Roberson
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SheetMusicPlus
And Then We See
Small Ensemble Horn,Piano,Violin - Digital Download SKU: A0.506269 Composed by Ho F…
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Small Ensemble Horn,Piano,Violin - Digital Download SKU: A0.506269 Composed by Ho Fong Leong. Classical,Contemporary,New Age. Score and parts. 18 pages. Published by Marco leong (A0.506269). Dedicated to Simon, Leo and Wellington School as a parting gift. Scored for Violin, Horn and Piano. Premiered in St George's Bristol, September 2019. “And then we see†is dedicated to the wonderful people I have met throughout my journey in Wellington School, especially to two of my very good friends – Simon, a euphonist; and Leo, a ‘cellist. Originally planned to be written for Piano, ‘Cello and Euphonium, and to be finished and performed in our last school concert as a goodbye gift, I had however not managed to complete the work before graduation. I have therefore taken this opportunity to express my emotions and sentiments from the time with this newly written piece. One can therefore very easily sense the nostalgia pouring right from the very beginning of the music, as I reminisce our years together. It is based loosely on a ternary structure (ABA) – the A section depicts the moment of farewell. One can hear the violin plays a very simple, bell-like melody, representing the bell-strikes which signify that it is the end of a long journey – time to say goodbye. The B section, based on the very same melody, transforms itself into a 6/8 dance. This dance depicts the pang and melancholia as we bid farewell, leading to a passionate climax. The A section then returns with the melody in its original form, announced by the horn. The coda concludes the piece, trying to move away from the tonic, representing the start of a new chapter in our journey and our optimistic feelings about it. Throughout the piece there are also quotes from the famous Westminster chimes, and variants of it, enforcing the bell imagery.
$6.99
6.31 €
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Ho Fong Leong
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and Leo, a ‘cellist
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And Then We See
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Marco leong
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SheetMusicPlus
"Spring Calls" - for Soprano, Flute, Viola, Cello and Harp [Study Score]
Small Ensemble Cello,Flute,Harp,High Voice,Viola - Level 5 - Digital Download SKU: A0.9…
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Small Ensemble Cello,Flute,Harp,High Voice,Viola - Level 5 - Digital Download SKU: A0.976036 Composed by Lior Navok. 20th Century,Contemporary,Jewish,World. Score and parts. 44 pages. Lior Navok Music #4719303. Published by Lior Navok Music (A0.976036). SPRING CALLS - for Soprano, Flute, Viola, Cello and Harp (2006) DURATION: 10:30 Minutes TEXT: Canticles 2; 1-13 (also known as The Songs of Songs or Shir Hashirim LANGUAGE: Hebrew TEXT CHARACTERS: Latin PROGRAM NOTES: The composer writes about his work: Spring Calls for soprano, flute, viola, cello and harp is a setting of texts from the second chapter of Canticles (Shir Hashirim) book, known also as The Song of Songs. It is one of the five Megilot - sacred scrolls that are part of the Hebrew Bible. Canticles is mainly being read in Passover, the holiday of spring. Its theme is love and rebirth of love, symbolized by the spring. Usually, only one or two lines of Canticles texts are being set to music. However, I had an interest to create a sort of journey as well as a psychological journey of a woman who searches, awaits and discovers her love. The text parallels the awakening of love with the awakening of spring in a most vivid and colorful way. While choosing instrumentation and musical language to with work, the modal, archaic sound mixed with the new was in my vision. Therefore, one can hear colors of certain exotic and primeval instruments such as the sistrum - an ancient Egyptian percussion instrument, dated from 2500 B.C. used mostly for religious ceremonies. Spring Calls was written for Close Encounters With Music, Yehuda Hanani - artistic director. It was generously commissioned by Lola and Edwin Jaffe with deep appreciation to their support. INFO:Item: Full Study Score Edition: 2nd Edition Copyright: Lior NavokPublisher: Lior Navok Music Pages: 44 BindingInk: Black & White Paper Size: DIN A4 / Letter.
$12.00
10.82 €
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Lior Navok
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"Spring Calls" - for Soprano, Flute, Viola, Cello and Harp [Study Score]
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Lior Navok Music
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SheetMusicPlus
Daily Routine and Warm-ups for Bass Trombone - Extended Slurs and Major Scales
Bass Trombone,Instrumental Solo - Level 5 - Digital Download SKU: A0.1230258 Compos…
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Bass Trombone,Instrumental Solo - Level 5 - Digital Download SKU: A0.1230258 Composed by Jorg Richter. Classical,Instructional. Individual part. 84 pages. Gordon Cherry #825979. Published by Gordon Cherry (A0.1230258). Here is what Jörg Richter, Bass Trombonist of the Elbland Philharmonic Orchestra says about his special Daily Routine and Warm-ups.The Daily Routine and Warm-ups for Bass Trombone: Extended Slurs and Major Scales is part of my complete personal daily routine and reflects some of the most important areas that I need to practice for my own technique. The Extended Slurs and Major Scales are some of the necessary basics every brass player must practice, and it can really help to improve the skills for playing in the low (and high) register. These two areas are only part of my overall routine and warm-up. I would be happy if other bass trombonists could benefit from what I have gathered and written down over the years. At the moment this book is only a snapshot and I plan to continue writing new chapters.This method book is one part of a series of his complete method for Bass Trombone and is appropriate for advanced performers and can even be used by Tenor Trombonists wishing to increase their proficiency in the low register.
$32.50
29.32 €
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Jorg Richter
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Daily Routine and Warm-ups for Bass Trombone - Extended Slurs and Major Scales
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Gordon Cherry
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SheetMusicPlus
Listen! (Piano Accompaniment Track)
Choir,Piano - Digital Download SKU: A0.1065368 Composed by Carol Troutman Wiggins. …
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Choir,Piano - Digital Download SKU: A0.1065368 Composed by Carol Troutman Wiggins. Instructional,Spiritual,Standards. Accompaniment. Duration 182. Carol Troutman Wiggins #3011347. Published by Carol Troutman Wiggins (A0.1065368). Listen! (Piano Accompaniment Track)for Unison/2-Part arrangementThis song is a jazzy, syncopated version of the story of Ezekiel and the dry, rattling bones found in the Book of Ezekiel, Chapters 1-3. Can be sung in unison or two parts and is great for beginning choirs just learning to sing in parts. Great for beginning choirs from upper elementary to adult choirs. The boys and men will like this one, too!
$7.99
7.21 €
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Carol Troutman Wiggins
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Listen!
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Carol Troutman Wiggins
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SheetMusicPlus
Revelation Song
Choral, Guitar, Percussion, Rhythm - Digital Download SKU: H1.C5831RDP Composed by …
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Choral, Guitar, Percussion, Rhythm - Digital Download SKU: H1.C5831RDP Composed by Jennie Lee Riddle. Arranged by Lloyd Larson. Piano with Optional Rhythm Parts: Guitar, Bass, Synth & Drums. General Worship. Rhythm parts. 9 pages. Hope Publishing - Digital #C5831RDP. Published by Hope Publishing - Digital (H1.C5831RDP). By Jennie Lee Riddle. Revelation 4:8 - Revelation 4:11 - Revelation 5.Popular praise song by Jennie Lee Riddle The theme of God's Holiness is captured in this Lloyd Larson setting of Jennie Lee Riddle's popular praise song which blends two texts based on chapters 4 and 5 from the Book of Revelation. This contemporary ballad builds to a worshipful proclamation of honor and glory to God. A contemplative coda follows creating a devotional ending and a breath-taking moment of reflection.
$22.95
20.7 €
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Jennie Lee Riddle
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Jennie Lee Riddle
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Revelation Song
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Hope Publishing - Digital
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SheetMusicPlus
Revelation Song
Choral Choral, Guitar, Percussion, Rhythm - Digital Download SKU: H1.C5831DP Compos…
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Choral Choral, Guitar, Percussion, Rhythm - Digital Download SKU: H1.C5831DP Composed by Jennie Lee Riddle. Arranged by Lloyd Larson. Piano with Optional Rhythm Parts: Guitar, Bass, Synth & Drums. General Worship. Octavo. 11 pages. Hope Publishing - Digital #C5831DP. Published by Hope Publishing - Digital (H1.C5831DP). By Jennie Lee Riddle. Revelation 4:8 - Revelation 4:11 - Revelation 5.Popular praise song by Jennie Lee Riddle The theme of God's Holiness is captured in this Lloyd Larson setting of Jennie Lee Riddle's popular praise song which blends two texts based on chapters 4 and 5 from the Book of Revelation. This contemporary ballad builds to a worshipful proclamation of honor and glory to God. A contemplative coda follows creating a devotional ending and a breath-taking moment of reflection.
$3.25
2.93 €
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Jennie Lee Riddle
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Jennie Lee Riddle
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Revelation Song
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Hope Publishing - Digital
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SheetMusicPlus
Grace and Peace
Flute,Medium Voice,Piano Accompaniment - Level 5 - Digital Download SKU: A0.871108 …
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Flute,Medium Voice,Piano Accompaniment - Level 5 - Digital Download SKU: A0.871108 Composed by Paul Jones. Christmas,Contemporary,Sacred. 7 pages. Paul S. Jones #3560885. Published by Paul S. Jones (A0.871108). This is an original vocal solo for Baritone with piano accompaniment and flute obbligato using a freely adapted text from Revelation chapters 1 and 22. Because the piece looks forward to the second advent of Christ, it is fitting for any service of Christian worship but especially during the Advent season. Lyrical and sweeping, with an important flute part, it is sure to engage the listener. Performer should purchase two copies. Length: 3.5 minutesDemo recording is Branch Fields, bass and Meghan Emigh, flute from his 2021 CD, Be Thou My Vision (a Paul Jones Music release).
$4.50
4.06 €
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Paul Jones
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Grace and Peace
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Paul S. Jones
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SheetMusicPlus
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