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Paul Wehage: To You for baritone, tenor saxophone and piano
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Downlo…
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
27.16 €
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Paul Wehage
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Paul Wehage: To You for baritone, tenor saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Mysterious Moment for oboe and string trio
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 …
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Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
7.25 €
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David Warin Solomons
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Mysterious Moment for oboe and string trio
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David Warin Solomons
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SheetMusicPlus
Allegories for Flute, Euphonium, and Piano
Euphonium,Flute,Piano - Level 5 - Digital Download SKU: A0.1141957 Composed by Sy B…
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Euphonium,Flute,Piano - Level 5 - Digital Download SKU: A0.1141957 Composed by Sy Brandon. 20th Century,Chamber,Children,Classical. 65 pages. Sy Brandon #742334. Published by Sy Brandon (A0.1141957). “Allegories†is a five-movement composition based upon Aesop’s Fables. It was commissioned by and dedicated to Frank Meredith. The first movement “The Trumpeter Taken Captive†is a fable about how one’s actions affect the outcome. The trumpeter, who incites others to do battle, is as guilty as those who slay the enemy. The euphonium represents the trumpeter by playing battle tunes. Then the ensemble plays capture music, begging music, fatal music representing the slaying of the trumpeter (euphonium), and finally music representing the moral of the story. “The Boy Who Cried Wolf†is the basis for the second movement. The allegory is that nobody believes a liar. The flute plays a shepherd’s tune to represent the bored shepherd boy. The ensemble plays excited music three times as the boy cries wolf, the first two times just to amuse himself. After the third time when nobody responds to his cries, the flute plays a lament to end the movement. The third movement reflects the story of “The Goose That Laid The Golden Egg.†A golden euphonium melody accompanied by rich harmony represents the golden eggs laid by the goose. The ensemble then plays greedy music that is followed by a minor key lament as the farmer has killed his rich source of income because of his greed. A sweet dancing flute solo begins movement four appropriately named “The Fisherman and His Flute.†This short fable has the allegory of “timing is everything.†The poor fisherman expected the fish to jump out of the sea in response to his flute playing to no avail. When the ensemble plays a similar tune, it represents his success when he uses his net. The fisherman says “you bloody fish, when I played the flute you wouldn’t dance, but as soon I stopped, you started up.†The race between the “Tortoise and the Hare†is the subject of the last movement. The plodding euphonium represents the tortoise and the fast and agile flute represents the hare. The flute takes a nap in the middle of the movement and by the time the flute wakes up, it is too late to catch up with the slow and steady tortoise. The race is not always to the swift.
$14.99
13.59 €
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Sy Brandon
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Allegories for Flute, Euphonium, and Piano
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Sy Brandon
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SheetMusicPlus
Allegories for Flute, Euphonium, and Percussion
Euphonium,Flute,Percussion - Level 5 - Digital Download SKU: A0.1141962 Composed by…
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Euphonium,Flute,Percussion - Level 5 - Digital Download SKU: A0.1141962 Composed by Sy Brandon. 20th Century,Chamber,Children,Classical. 63 pages. Sy Brandon #742339. Published by Sy Brandon (A0.1141962). “Allegories†is a five-movement composition based upon Aesop’s Fables. It was commissioned by and dedicated to Frank Meredith. The first movement “The Trumpeter Taken Captive†is a fable about how one’s actions affect the outcome. The trumpeter, who incites others to do battle, is as guilty as those who slay the enemy. The euphonium represents the trumpeter by playing battle tunes. Then the ensemble plays capture music, begging music, fatal music representing the slaying of the trumpeter (euphonium), and finally music representing the moral of the story. “The Boy Who Cried Wolf†is the basis for the second movement. The allegory is that nobody believes a liar. The flute plays a shepherd’s tune to represent the bored shepherd boy. The ensemble plays excited music three times as the boy cries wolf, the first two times just to amuse himself. After the third time when nobody responds to his cries, the flute plays a lament to end the movement. The third movement reflects the story of “The Goose That Laid The Golden Egg.†A golden euphonium melody accompanied by rich harmony represents the golden eggs laid by the goose. The ensemble then plays greedy music that is followed by a minor key lament as the farmer has killed his rich source of income because of his greed. A sweet dancing flute solo begins movement four appropriately named “The Fisherman and His Flute.†This short fable has the allegory of “timing is everything.†The poor fisherman expected the fish to jump out of the sea in response to his flute playing to no avail. When the ensemble plays a similar tune, it represents his success when he uses his net. The fisherman says “you bloody fish, when I played the flute you wouldn’t dance, but as soon I stopped, you started up.†The race between the “Tortoise and the Hare†is the subject of the last movement. The plodding euphonium represents the tortoise and the fast and agile flute represents the hare. The flute takes a nap in the middle of the movement and by the time the flute wakes up, it is too late to catch up with the slow and steady tortoise. The race is not always to the swift.
$14.99
13.59 €
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Sy Brandon
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Allegories for Flute, Euphonium, and Percussion
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Sy Brandon
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SheetMusicPlus
O Come, O Come, Immanuel (Emmanuel) - Low Brass Quintet
Baritone Horn TC,Euphonium,Low Brass Quintet,Trombone,Tuba - Level 3 - Digital Download
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Baritone Horn TC,Euphonium,Low Brass Quintet,Trombone,Tuba - Level 3 - Digital Download SKU: A0.1154556 Composed by Traditional. Arranged by Roger Wallace. Christmas,Sacred. 17 pages. Roger Wallace #754835. Published by Roger Wallace (A0.1154556). Trombone Quintet. Features all parts. The development section includes antiphonal lines accompanying the melody played by various voices. Can also be played by Baritone/Euphonium/Tuba or mixed Low Brass Quintet.Set includes Bass and Treble Clef parts as follows:Part 1: Trombone BC, Trombone TCPart 2: Trombone BC, Trombone TC, E-flat BassPart 3: Trombone BC, Trombone TC, E-flat BassPart 4: Trombone BC, Trombone TC, E-flat BassPart 5: Trombone BC, E-flat Bass, B-flat BassThis arrangement is also available for many other ensembles and soloists. Look for more arrangements by Roger Wallace.
$9.99
9.06 €
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Traditional
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O Come, O Come, Immanuel
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Roger Wallace
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SheetMusicPlus
O Come, O Come, Immanuel (Emmanuel) - Low Brass Quartet
Baritone Horn TC,Euphonium,Low Brass Quartet,Trombone,Tuba - Level 3 - Digital Download
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Baritone Horn TC,Euphonium,Low Brass Quartet,Trombone,Tuba - Level 3 - Digital Download SKU: A0.1154558 Composed by Traditional. Arranged by Roger Wallace. Christmas,Sacred. 14 pages. Roger Wallace #754837. Published by Roger Wallace (A0.1154558). Trombone Quartet. Features all parts. The development section includes antiphonal lines accompanying the melody played by various voices. Can also be played by Baritone/Euphonium/Tuba or mixed Low Brass Quartet.Set includes Bass and Treble Clef parts as follows:Part 1: Trombone BC, Trombone TCPart 2: Trombone BC, Trombone TC, E-flat BassPart 3: Trombone BC, Trombone TC, E-flat BassPart 4: Trombone BC, E-flat Bass, B-flat Bass Also playable by Bassoon Quartet.This arrangement is also available for many other ensembles and soloists. Look for more arrangements by Roger Wallace.
$9.99
9.06 €
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Traditional
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O Come, O Come, Immanuel
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Roger Wallace
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SheetMusicPlus
Alle Jahre wieder (every year again) for family band
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Choir,Clarinet,…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Choir,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Harmonica,Oboe,Piano,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,Tuba,Viola,Violin,Voice - Level 1 - Digital Download SKU: A0.851141 Composed by Friedrich Silcher, Wilhelm Hey. Arranged by Sophia Transistor. Children,Christian,Christmas,World. Score and parts. 14 pages. Sophia Transistor #6624487. Published by Sophia Transistor (A0.851141). Year after year, the whole family comes together and eventually tries to perform Christmas songs on the fly.This arrangement of the german traditional Alle Jahre wieder kommt das Christuskind = Every Year Again, baby Jesus comes back offers several parts for many variable instruments in their specific notation forms. The voices can be combined ad libitum. The score also offers decent vocal scores with the original german lyrics and also english lyrics.The score includes the following parts:- Piano (easy piano, voicings, chord symbols and melody)- vocals (in english and in german); 5 verses for each language- solo instruments in C (violin, flute, etc.); quartet- solo instruments in alto key (viola, alto-trombone, etc.); quartet- solo instruments in Bb (trumpet, clarinet, tenor saxophone, etc.); quartet- solo instruments in bass clef (trombone, cello, bass, etc.); quartet- solo instruments in Eb (alto saxophone, Eb-clarinet, etc.); quartet- solo instruments in F (french horn, F-tuba, etc.); quartet- guitar (notation and TABs)- accordion / harmonica / squeeze box- drums / PercussionType and font sizes have been maximized to support older, elder and farsighted readers in soft candle light situations.So: easy to read even in poor visibility.This arrangement has been optimized for on the fly performances during Christmas time. The constitution of instruments (rhythm and solo instruments (also in transposing scores)) can be put together ad libitum. All parts are matching, can be combined or played alone.YouTube Playalong: https://youtu.be/6evAo392soo German description (Beschreibung auf Deutsch):Alle Jahre wieder wird mit der Familie zusammen Weihnachten gefeiert. Lasst uns doch was zusammen spielen! Na klar, hast du Noten? Ja hier, für Keyboard... hm, für mich passen die nicht...Dieses Arrangement des Weihnachtsklassikers Alle Jahre wieder kommt das CHristuskind beinhaltet Noten für die gängigsten Hausinstrumente. Alle Stimmen können miteinander kombiniert werden. Die Gesangsnoten sind vernünftig notiert und den Liedtext gibt es auf Englisch und auf Deutsch. Folgende Musikinstrumente werden durch diese Noten abgedeckt; die Partitur enthält folgende Auszüge:- Klavier (leichte, mittlere Begleitung, Intonationsvorschläge, Akkordsymbole und Melodie)- Gesang (auf Englisch und auf Deutsch); jeweils 5 Strophen- Soloinstrumente in C (Geige, Flöte, etc.); Quartett- Soloinstrumente in Altschlüssel (Bratsche, Altposaune, etc.); Quartett- Soloinstrumente in Bb (Trompete, Klarinette, Tenorsaxofon, etc.); Quartett- Soloinstrumente mit Bassschlüssel (Posaune, Cello, Bass, etc.); Quartett- Soloinstrumente in Eb (Altsaxofon, Eb-Klarinette, etc.); Quartett- Soloinstrumente in F (Waldhorn, F-Tuba, etc.); Quartett- Gitarre (Noten und TABS)- Akkordeon / Harmonika / Schifferklavier- Schlagzeug / PerkussionSchriftgrößen wurden maximiert, um ältere und weitsichtige Notentextleser in schlecht ausgeleuchteten Situationen mit sanftem Kerzenlicht zu unterstützen.Also: Gut lesbar auch bei schlechten Sichtverhältnissen.Dieses Arrangement wurde für On-the-Fly-Auftritte während der Weihnachtszeit optimiert.Die Besetzung der Instrumente (Rhythmus- und Soloinstrumente (auch in transponierenden Partituren)) kann nach Belieben zusammengestellt werden.Alle Teile sind aufeinander abgestimmt, können kombiniert oder alleine gespielt werden.Viel Spaß beim Ausprobieren!
$4.99
4.52 €
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Friedrich Silcher, Wilhelm Hey
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Alle Jahre wieder
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Sophia Transistor
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SheetMusicPlus
5 Carols for 3 Trombones - Good King Wenceslas, Away in a manger, Joy to the World Hark the Herald,
Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.739531 Composed by Var…
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Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.739531 Composed by Various. Arranged by David Catherwood. Christmas. Score and parts. 36 pages. Opus 3 Music #6139847. Published by Opus 3 Music (A0.739531). 5 Carols in 3 Part arrangements for TrombonesGood King Wenceslas, Away in a manger, Joy to the World, Hark the Herald Angels Sing and O Come all ye FaithfulThese versions of Five Popular Christmas Carols are straightforward arrangements in 3 Parts for trombones and are suitable for both orchestral players (reading bass clef) and brass band players (reading Bb trombone parts.) Whilst the arrangements are suitable for school ensembles they will also work well with experienced players.The arrangements also allows for a great deal of flexibility in presentation and can be used to accompany singingThe download contains a score in C and a set of parts (with permission to copy to suit your own requirements) for the following instruments:Trombone 1 in Bass ClefTrombone 2 in Bass ClefBb Trombone 1 in treble clefBb Trombone 2 in treble clefBass Trombone in Bass Clef
$10.50
9.52 €
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Various
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5 Carols for 3 Trombones - Good King Wenceslas, Away in a manger, Joy to the World Hark the Herald,
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Opus 3 Music
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SheetMusicPlus
Come Together
Small Ensemble Baritone Saxophone,Tenor Saxophone,Trombone,Trumpet - Level 2 - Digital Dow…
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Small Ensemble Baritone Saxophone,Tenor Saxophone,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.782003 By The Beatles. By John Lennon and Paul McCartney. Arranged by Aaron Hettinga. Pop,Rock. Score and parts. 6 pages. Aaron Hettinga #6038837. Published by Aaron Hettinga (A0.782003). This arrangement of this Beatles classic gives a horn section a chance to fill up a performance of Come Together. This horn chart follows the key and form of the original track to bring some extra punch to the rhythm section. The Bari Sax part is Optional. Really lifts up a live performance!
$14.99
13.59 €
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The Beatles
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Come Together
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Aaron Hettinga
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SheetMusicPlus
Remembrance music for Brass Band - 1. Abide with Me, 2.Songs from World War One, 3. Postlude Ellers
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Digital Download SKU: A0.1111158 By David Catherwood. By David Catherwood. Arranged by David Catherwood. Patriotic. Brass Band. 108 pages. Opus 3 Music #713432. Published by Opus 3 Music (A0.1111158). 3 arrangements suitable for the Remembrance/Veterans Day period 1. Abide with Me, 2. Songs from World War One, 3. Postlude on Ellers Abide with Me arranged for Brass Ensemble/Brass Band This arrangement will be useful to accompany congregational or choral singing (as it is in suitable keys) or it can be used as a purely instrumental piece. After a short introduction the tune is presented simply - a key change before the final verse leads to a majestic presentation of the tune with an effective descant. A full set contains a score and a set of parts (with permission to copy to suit your own requirements) for the following instruments covering all orchestral brass and brass band instruments and transpositions Part 1 in Bb (Trumpet 1/Cornet) Part 2 in Bb (Trumpet 2 /Cornet) Part 2 in Eb (Eb Horn 1) Part 3 in C (Trombone) Part 3 in Eb (Eb Horn 2) Part 3 in F (Horn in F) Part 3 in Bb (Baritone/Bb Trombone (treble clef) Part for Bb Euphonium Part 4 in C (Tuba/Bass Trombone) Part 4 in Eb (Eb Bass Tuba (treble clef) Part 4 in Bb (Bb Bass Tuba (treble clef) Part for Bb Euphonium Percussion Score in C Keep the Home Fires Burning - Songs from World War One arranged for Brass BandContains a selection of songs including - Pack up your troubles, Long way to Tipperary, Keep the Home Fires burning, Roses of Picardy and more... Full Score and parts for standard brass band Soprano Cornet Eb 1st Cornet Bb 2nd Cornet Bb Flugel Horn Bb 1st Horn Eb 2nd Horn Eb Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion Postlude on Ellers arranged for Brass Band The noble hymn tune 'Ellers' (How wonderful it is to walk with God) is here combined with distant evocative bugle calls - this plus a majestic 'last verse' provides a new arrangement that will provide a fitting end to any gathering (especially suitable for Memorial/Veterans/Remembrance Services) Short (condensed) score only but the full band parts come as follows (Sop, Solo, 1st & 2nd Cornets Flugel, Solo 1st & 2nd Horns, 1st & 2nd Baritone, 1st, 2nd & Bass Trombone, Euphonium, Eb & Bb Basses and Percussion).
$40.00
36.27 €
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David Catherwood
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Remembrance music for Brass Band - 1. Abide with Me, 2.Songs from World War One, 3. Postlude Ellers
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Opus 3 Music
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SheetMusicPlus
Come and Praise the Lord for 8-note Bells and Boomwhackers® (with Black and White Notes)
Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,…
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Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 1 - Digital Download SKU: A0.565156 By Sharon Wilson. By Traditional Spiritual. Arranged by Sharon Wilson. Children,Folk,Instructional,Sacred,Spiritual. Score and parts. 8 pages. Sharon Wilson #3499895. Published by Sharon Wilson (A0.565156). The title and corresponding lyrics for this song may not sound familiar, but the tune is probably very familiar. The tune’s name is MICHAEL’S BOAT and is best known for the lyrics beginning with Michael, row your boat ashore, Alleluia….This sheet music is notated for handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate 1-staff score for each instrument. This set of scores uses black and white noteheads. This same set of scores is available (sold separately) with color coded noteheads which may make it easier for beginning players if you have access to a color printer.Notes used for each instrument are as follows: Bells – C D E F G A Boomwhackers® – C D E F G A BThough this sheet music is notated for Handbells and Boomwhackers®, this arrangement is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel.Only filled noteheads (quarter and eighth notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of this song. The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one note to each person. Instrument assignment suggestions are provided on the last page for 5 to 13 players.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®* form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Permission is granted to make up to 10 copies of each score. For more than 10 copies, please purchase additional sets.This arrangement is one of the 10 songs included in the collection Ten Traditional Spirituals for 8-Note Bells and Boomwhackers®.Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
5.43 €
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Sharon Wilson
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Come and Praise the Lord for 8-note Bells and Boomwhackers®
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Sharon Wilson
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SheetMusicPlus
Come and Praise the Lord for 8-note Bells and Boomwhackers® (with Color Coded Notes)
Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,…
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Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 1 - Digital Download SKU: A0.565157 By Sharon Wilson. By Traditional Spiritual. Arranged by Sharon Wilson. Children,Folk,Instructional,Sacred,Spiritual. Score and parts. 8 pages. Sharon Wilson #3499897. Published by Sharon Wilson (A0.565157). The title and corresponding lyrics for this song may not sound familiar, but the tune is probably very familiar. The tune’s name is MICHAEL’S BOAT and is best known for the lyrics beginning with Michael, row your boat ashore, Alleluia….This sheet music is notated for handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate 1-staff score for each instrument. This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. Handbells sold by Rhythm Band or KidsPlay also use this same color scheme (other brands may use different color schemes). Using color coded notes helps beginning musicians learn to read standard sheet music notation. This set of scores is also available (separate purchase) in black and white which will print clearer if you do not have access to a color printer.Notes used for each instrument are as follows: Bells – C D E F G A Boomwhackers® – C D E F G A BThough this sheet music is notated for Handbells and Boomwhackers®, this arrangement is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel (though the color coding may not match).Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of this song. The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one note to each person. Instrument assignment suggestions are provided on the last page for 5 to 13 players.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®* form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Permission is granted to make up to 10 copies of each score. For more than 10 copies, please purchase additional sets.This arrangement is one of the 10 songs included in the collection Ten Traditional Spirituals for 8-Note Bells and Boomwhackers®.Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
5.43 €
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Sharon Wilson
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Come and Praise the Lord for 8-note Bells and Boomwhackers®
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Sharon Wilson
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SheetMusicPlus
O Come, O Come, Immanuel (Emmanuel) - Low Brass Trio
Baritone Horn TC,Euphonium,Trombone,Tuba - Level 3 - Digital Download SKU: A0.1154565
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Baritone Horn TC,Euphonium,Trombone,Tuba - Level 3 - Digital Download SKU: A0.1154565 Composed by Traditional. Arranged by Roger Wallace. Christmas,Sacred. 12 pages. Roger Wallace #754844. Published by Roger Wallace (A0.1154565). Trombone Trio. The beautiful melody of this hymn is shared by each part in the opening verse. The development section includes antiphonal lines accompanying the melody. Can also be played by Baritone/Euphonium/Tuba or mixed Low Brass Trio.Set includes Bass and Treble Clef parts as follows:Part 1: Trombone BC, Trombone TCPart 2: Trombone BC, Trombone TC, E-flat BassPart 3: Trombone BC, E-flat Bass, B-flat Bass Also playable by Bassoon Trio.This arrangement is also available for many other ensembles and soloists. Look for more arrangements by Roger Wallace.
$9.99
9.06 €
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Traditional
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O Come, O Come, Immanuel
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Roger Wallace
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SheetMusicPlus
O Come, O Come, Immanuel (Emmanuel) - Trombone Trio
Trombone - Level 3 - Digital Download SKU: A0.512945 Composed by Traditional. Arran…
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Trombone - Level 3 - Digital Download SKU: A0.512945 Composed by Traditional. Arranged by Roger Wallace. Christmas,Sacred. 12 pages. Roger Wallace #6029315. Published by Roger Wallace (A0.512945). Trombone Trio. The beautiful melody of this hymn is shared by each part in the opening verse. The development section includes antiphonal lines accompanying the melody. Can also be played by Baritone/Euphonium/Tuba or mixed Low Brass Trio.Set includes Bass and Treble Clef parts as follows:Part 1: Trombone BC, Trombone TCPart 2: Trombone BC, Trombone TC, E-flat BassPart 3: Trombone BC, E-flat Bass, B-flat Bass Also playable by Bassoon Trio.This arrangement is also available for many other ensembles and soloists. Look for more arrangements by Roger Wallace.
$9.99
9.06 €
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Traditional
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O Come, O Come, Immanuel
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Roger Wallace
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SheetMusicPlus
Come Together
Small Ensemble Baritone Saxophone,Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Dow…
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Small Ensemble Baritone Saxophone,Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1036461 By The Beatles. By John Lennon and Paul McCartney. Arranged by Aaron Hettinga. 20th Century,Pop,Rock. Score and parts. 6 pages. Aaron Hettinga #641485. Published by Aaron Hettinga (A0.1036461). This arrangement of this Beatles classic gives a horn section a chance to fill up a performance of “Come Together. While transposed to the key of E minor, this horn chart otherwise follows the form of the original track to bring some extra punch to the rhythm section. The Bari Sax part is Optional. Really lifts up a live performance! None of the parts should pose much of a challenge for even young players.
$14.99
13.59 €
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The Beatles
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Come Together
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Aaron Hettinga
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SheetMusicPlus
Schnoodles 32 Easy Flex Duets for Band (Eb Sax Alto/Baritone)
Woodwind Ensemble - Level 2 - Digital Download SKU: A0.799953 Composed by Brad Carm…
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Woodwind Ensemble - Level 2 - Digital Download SKU: A0.799953 Composed by Brad Carman. Contemporary,Folk,Standards. 54 pages. Brad Carman #5988517. Published by Brad Carman (A0.799953). Schnoodles Flex Duet Repertoire for Band is a collection of 32 easy duets that can be played by any two wind or keyboard players or group of players; including full band! Following in the footsteps of Schnibbles for Two, these duets offer variety, fun, and encourage creative expression and musical experimentation. This duet book asks the student to consider multiple interpretations, and making connections to other art forms, such as visual art, creative writing, and dance. Used as a compliment to any band method, this collection helps to bridge the gap between unison playing and the more ambitious ensemble repertoire that requires both independence and sometimes extreme patience, especially for those that do not carry the melody. With Schnoodles, each part takes turns carrying and supporting the melody giving each player the opportunity to experience both roles simultaneously. While Schnoodles give each player a lot to play, they also give players some creative choices. None come with a prescribed tempo, and most allow students to determine the appropriate articulations and dynamics for the piece based on their abilities, preferences, and interpretations - and hopefully - guidance from a teacher! Players are encouraged to consult teachers and more experienced musicians as they ponder the possibilities of each petit little piece.
$8.99
8.15 €
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Brad Carman
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Schnoodles 32 Easy Flex Duets for Band
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Brad Carman
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SheetMusicPlus
Come Thou Fount of Every Blessing (for Voice and 8-note Boomwhackers®)
Boomwhackers,Piano Accompaniment,Voice - Level 1 - Digital Download SKU: A0.565093 …
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Boomwhackers,Piano Accompaniment,Voice - Level 1 - Digital Download SKU: A0.565093 By Sharon Wilson. By Robert Robinson. Arranged by Sharon Wilson. Children,Folk,Holiday,Instructional,Sacred. 10 pages. Sharon Wilson #3408941. Published by Sharon Wilson (A0.565093). This arrangement is for voice (either solo or unison group singing) with chord accompaniment using 8-note (C major diatonic scale) Boomwhackers® and an optional easy Piano accompaniment. The following pages provide several options for learning, teaching, and enjoying this timeless hymn. This packet includes the following pages: * chord chart using colored noteheads corresponding to the Boomwhackers® color system* 2-page combined score with the melody (for voice with the lyrics for one verse) on the top staff and Boomwhackers® 3-note chords on the bottom staff* 1-page melody staff with lyrics and chord names (referring to the chord chart, follow the chord names above the staff to whack out the 3 beats in each measure using the corresponding Boomwhackers®* 1-page with lyrics and chords for 3 verses divided into beats (referring to the chord chart, whack out the beat using the corresponding chord indicated above each syllable, word, or phrase); this page is most useful once the melody and rhythm have been learned* 1-page piano accompaniment score (the right hand plays the melody, especially helpful if the melody is unfamiliar)This arrangement is one of the hymns in a series of Timeless Hymns for Voice and Boomwhackers®. These hymn arrangements provide an excellent teaching tool for families, schools, churches, and other children's ministries. Children will enjoy learning the lyrics and tunes of these classic hymns while accompanying themselves by whacking out chords with the Boomwhackers®. Frequent use of these songs will store the hymns' messages in their memory which they will cherish throughout their lifetime. Other suggestions and uses: * have the melody played by other 8-note instruments such as handbells, xylophones, glockenspiels, or recorders; alternate singing one verse with playing an instrument on the melody for a second verse* use multiple sets of Boomwhackers® to amplify the sound and allow more people to enjoy whacking the tubes* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Permission is granted to make as many copies as needed for one family, church, or other group. Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission. Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
5.43 €
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Sharon Wilson
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Come Thou Fount of Every Blessing
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Sharon Wilson
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SheetMusicPlus
Five French Masters
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1475437 Composed by Chris North. Contest,Festival,Historic,Multicultural,World. Brass Band. 189 pages. Danetre Music #1052989. Published by Danetre Music (A0.1475437). A Suite for British Style Brass Band. Each movement is based on a famous French Impressionist painting as follows:1. Boulevard Montmarte (Pissarro – 1897) The Boulevard Montmartre is one of the four grand boulevards of Paris. This painting gave me the idea of writing a piece to portray a journey in a pony and trap through this busy street scene, starting out serenely in the suburbs, travelling through all the hustle and bustle, before trailing off into the distance. An all pervasive Poulenc mouvement perpetual accompaniment style is present throughout this movement. 2. Lac d'Annecy (Cézanne - 1896) Although marked Waltz triste (sad waltz), the mood of the music is rather reflective in nature. This movement is the longest of the five and I would not recommend it being played too slow. Stylistically, it is a characteristic accordion piece, so touches of rubato here and there wouldn’t be out of keeping. 3. La Cathédrale de Rouen (Monet - 1894) This is the most difficult movement to play in respect of intonation, with lots of unisons, octaves and parallel intervals. The opening should be a true piano in order to allow the piece grow. The plainsong statements should be played smoothly and with plenty of air. 4. Les Parapluies (Renoir - 1884) A jaunty, playful theme leading in to a little fugue. A little low in places for the euphoniums and baritones. The music should skip along comfortably without rushing to allow the finer detail to come through. 5. Au Moulin Rouge (Toulouse-Lautrec - 1895) A lively tempo, always chasing forward without slackening. As in the previous movement, good dynamic contrast, swells and tight precise articulation. Lots of work for everyone, especially the baritones and euphoniums. Take care that the mf dynamic of the 'bass solo' is not overdone. If needs must, the siren whistle could be substituted with a referee's whistle, but I would like my duck call! The champagne cork 'pops' are really more visual than audible, however, it would be advisable for more of the band to join in, as required. A super work to add to your repertoire as a concert or contest item. This title has already been played by a number of bands in various competitions, and was chosen as the 4th Section Test Piece for the Butlins Mineworkers Brass Band Championships 2015 in Skegness, UK.
$59.99
54.39 €
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Chris North
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Five French Masters
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Danetre Music
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SheetMusicPlus
Five French Masters
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1467794 Composed by Chris North. Contemporary,Contest,Festival,Historic,Multicultural,World. Brass Band. 189 pages. Danetre Music #1046092. Published by Danetre Music (A0.1467794). A Suite for British Style Brass Band which was chosen as the 4th Section Test Piece for the Butlins Mineworkers Brass Band Championships 2015 in Skegness, UK. Each movement is based on a famous French Impressionist painting as follows:1. Boulevard Montmarte (Pissarro – 1897) The Boulevard Montmartre is one of the four grand boulevards of Paris. This painting gave me the idea of writing a piece to portray a journey in a pony and trap through this busy street scene, starting out serenely in the suburbs, travelling through all the hustle and bustle, before trailing off into the distance. An all pervasive Poulenc mouvement perpetual accompaniment style is present throughout this movement. 2. Lac d'Annecy (Cézanne - 1896) Although marked Waltz triste (sad waltz), the mood of the music is rather reflective in nature. This movement is the longest of the five and I would not recommend it being played too slow. Stylistically, it is a characteristic accordion piece, so touches of rubato here and there wouldn’t be out of keeping. 3. La Cathédrale de Rouen (Monet - 1894) This is the most difficult movement to play in respect of intonation, with lots of unisons, octaves and parallel intervals. The opening should be a true piano in order to allow the piece grow. The plainsong statements should be played smoothly and with plenty of air. 4. Les Parapluies (Renoir - 1884) A jaunty, playful theme leading in to a little fugue. A little low in places for the euphoniums and baritones. The music should skip along comfortably without rushing to allow the finer detail to come through. 5. Au Moulin Rouge (Toulouse-Lautrec - 1895) A lively tempo, always chasing forward without slackening. As in the previous movement, good dynamic contrast, swells and tight precise articulation. Lots of work for everyone, especially the baritones and euphoniums. Take care that the mf dynamic of the 'bass solo' is not overdone. If needs must, the siren whistle could be substituted with a referee's whistle, but I would like my duck call! The champagne cork 'pops' are really more visual than audible, however, it would be advisable for more of the band to join in, as required.
$59.99
54.39 €
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Chris North
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Five French Masters
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Danetre Music
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SheetMusicPlus
Lord of All Our Days (Funeral Hymn) Backup Track (Full harmonies and choral parts)
Piano Accompaniment - Level 2 - Digital Download SKU: A0.1477616 By Stacey Plays Hy…
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Piano Accompaniment - Level 2 - Digital Download SKU: A0.1477616 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred. Accompaniment. Duration 235. Anastace #1054996. Published by Anastace (A0.1477616). As of this publishing, over 140,000 people have found my one video collection of funeral hymns on YouTube, not including separate postings of each individual song. Because of this it's been on my mind for a long time to write a funeral song, but it was somehow just never the right time until just a few weeks ago when this one came pouring out in 5 minutes flat [which does not happen often, I can assure you!]. The culmination of years of playing for funerals, a bachelor degree in theology and sacred music, and many more years of writing and playing music through good times and also times full of grief, Lord of All Our Days is my very best and heartfelt attempt to serve those who are also dealing with the absolute heartache of loss, be it the acute, fresh grieving of just losing someone or the flashbacks that come time and time again, years and even decades later.This song carefully and tenderly handles the true earth-shaking grief that it is to lose someone you love, while holding out a strong hope of the life to come for those who trust God. I had a very difficult time recording it without being moved to tears over and over, and I pray it will reach many in need of comfort, being of service to anyone who is looking for a Christian, Biblical funeral hymn for a memorial service or a celebration of life service. Also available, by searching Stacey Plays Hymns and the song title on this site, is an accompaniment track with only piano (instead of this one with the full choral backup vocals) as well as the following sheet music options:Piano Vocal in Bb Minor to match the original recording [vocal range: Bb3-Bb4]Piano Vocal in C Major for easier playing and a better congregational vocal rangeLead Sheet for piano or guitar in C Major - best key for singing without a capoLead Sheet in G minor for piano or guitar [play capo 3 or more to match the original key] For other formats including large print, a different key to match a soloist's preferred range, or piano solo for a matching prelude or postlude, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one funeral or memorial service with under 1000 people, with proper attribution and credit in all printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$3.00
2.72 €
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Stacey Plays Hymns
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Lord of All Our Days
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Anastace
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SheetMusicPlus
She's Like The Swallow (Newfoundland/Canadian Traditional) - Lead sheet (key of Am)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guit…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - Digital Download SKU: A0.858998 Composed by Canadian Traditional. Arranged by Stephen Bulat. Celtic,Classical,Folk,Holiday,Spiritual. Score and parts. 2 pages. Stephen Bulat Publishing #6286397. Published by Stephen Bulat Publishing (A0.858998). She's Like The Swallow, also known as She's Like A Swallow is a traditional folk song which originated from Newfoundland in Canada and has been adopted by many Irish singers due to its strong Celtic flavour. The song tells of a young girl who enters into a relationship, falls in love and becomes pregnant. Her lover leaves her and devastated and heartbroken she takes her own life. A beautiful and haunting song which has been performed by many throughout the years.This arrangement has been gig-tested and has a very easy to follow roadmap with all essential cues and rehearsal markings throughout.The perfect addition to the working musician's gig book. Please click on the publisher to view this song in other keys as well as to purchase it in the Celtic Fiddle Fake Book.SMPPress publisher page: https://www.sheetmusicplus.com/publishers/stephen-bulat-sheet-music/3007289Online: http://stephenbulat.com
$2.99
2.71 €
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Canadian Traditional
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She's Like The Swallow
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Stephen Bulat Publishing
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SheetMusicPlus
She's Like The Swallow (Newfoundland/Canadian Traditional) - Lead sheet (key of Em)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guit…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - Digital Download SKU: A0.858999 Composed by Canadian Traditional. Arranged by Stephen Bulat. Celtic,Classical,Folk,Holiday,Spiritual. Score and parts. 2 pages. Stephen Bulat Publishing #6286409. Published by Stephen Bulat Publishing (A0.858999). She's Like The Swallow, also known as She's Like A Swallow is a traditional folk song which originated from Newfoundland in Canada and has been adopted by many Irish singers due to its strong Celtic flavour. The song tells of a young girl who enters into a relationship, falls in love and becomes pregnant. Her lover leaves her and devastated and heartbroken she takes her own life. A beautiful and haunting song which has been performed by many throughout the years.This arrangement has been gig-tested and has a very easy to follow roadmap with all essential cues and rehearsal markings throughout.The perfect addition to the working musician's gig book. Please click on the publisher to view this song in other keys as well as to purchase it in the Celtic Fiddle Fake Book.SMPPress publisher page: https://www.sheetmusicplus.com/publishers/stephen-bulat-sheet-music/3007289Online: http://stephenbulat.com
$2.99
2.71 €
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Canadian Traditional
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She's Like The Swallow
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Stephen Bulat Publishing
#
SheetMusicPlus
She's Like The Swallow (Newfoundland/Canadian Traditional) - Lead sheet (key of Gm)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guit…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - Digital Download SKU: A0.859000 Composed by Canadian Traditional. Arranged by Stephen Bulat. Celtic,Classical,Folk,Holiday,Spiritual. Score and parts. 2 pages. Stephen Bulat Publishing #6286417. Published by Stephen Bulat Publishing (A0.859000). She's Like The Swallow, also known as She's Like A Swallow is a traditional folk song which originated from Newfoundland in Canada and has been adopted by many Irish singers due to its strong Celtic flavour. The song tells of a young girl who enters into a relationship, falls in love and becomes pregnant. Her lover leaves her and devastated and heartbroken she takes her own life. A beautiful and haunting song which has been performed by many throughout the years.This arrangement has been gig-tested and has a very easy to follow roadmap with all essential cues and rehearsal markings throughout.The perfect addition to the working musician's gig book. Please click on the publisher to view this song in other keys as well as to purchase it in the Celtic Fiddle Fake Book.SMPPress publisher page: https://www.sheetmusicplus.com/publishers/stephen-bulat-sheet-music/3007289Online: http://stephenbulat.com
$2.99
2.71 €
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Canadian Traditional
#
She's Like The Swallow
#
Stephen Bulat Publishing
#
SheetMusicPlus
She's Like The Swallow (Newfoundland/Canadian Traditional) - Lead sheet (key of Dm)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guit…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - Digital Download SKU: A0.858997 Composed by Canadian Traditional. Arranged by Stephen Bulat. Celtic,Classical,Folk,Holiday,Spiritual. Score and parts. 2 pages. Stephen Bulat Publishing #6286403. Published by Stephen Bulat Publishing (A0.858997). She's Like The Swallow, also known as She's Like A Swallow is a traditional folk song which originated from Newfoundland in Canada and has been adopted by many Irish singers due to its strong Celtic flavour. The song tells of a young girl who enters into a relationship, falls in love and becomes pregnant. Her lover leaves her and devastated and heartbroken she takes her own life. A beautiful and haunting song which has been performed by many throughout the years.This arrangement has been gig-tested and has a very easy to follow roadmap with all essential cues and rehearsal markings throughout.The perfect addition to the working musician's gig book. Please click on the publisher to view this song in other keys as well as to purchase it in the Celtic Fiddle Fake Book.SMPPress publisher page: https://www.sheetmusicplus.com/publishers/stephen-bulat-sheet-music/3007289Online: http://stephenbulat.com
$2.99
2.71 €
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Canadian Traditional
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She's Like The Swallow
#
Stephen Bulat Publishing
#
SheetMusicPlus
Lord of All Our Days (Funeral Hymn) Backup Track (No Vocals)
Piano Accompaniment - Level 2 - Digital Download SKU: A0.1477614 By Stacey Plays Hy…
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Piano Accompaniment - Level 2 - Digital Download SKU: A0.1477614 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred. Accompaniment. Duration 235. Anastace #1054994. Published by Anastace (A0.1477614). As of this publishing, over 140,000 people have found my one video collection of funeral hymns on YouTube, not including separate postings of each individual song. Because of this it's been on my mind for a long time to write a funeral song, but it was somehow just never the right time until just a few weeks ago when this one came pouring out in 5 minutes flat [which does not happen often, I can assure you!]. The culmination of years of playing for funerals, a bachelor degree in theology and sacred music, and many more years of writing and playing music through good times and also times full of grief, Lord of All Our Days is my very best and heartfelt attempt to serve those who are also dealing with the absolute heartache of loss, be it the acute, fresh grieving of just losing someone or the flashbacks that come time and time again, years and even decades later.This song carefully and tenderly handles the true earth-shaking grief that it is to lose someone you love, while holding out a strong hope of the life to come for those who trust God. I had a very difficult time recording it without being moved to tears over and over, and I pray it will reach many in need of comfort, being of service to anyone who is looking for a Christian, Biblical funeral hymn for a memorial service or a celebration of life service. Also available, by searching Stacey Plays Hymns and the song title on this site, is an accompaniment track with the full backup vocals as well as the following sheet music versions:Piano Vocal in Bb Minor to match the original recording [vocal range: Bb3-Bb4]Piano Vocal in C Major for easier playing and a better congregational vocal rangeLead Sheet for piano or guitar in C Major - best key for singing without a capoLead Sheet in G minor for piano or guitar [play capo 3 or more to match the original key]For other formats including large print, a different key to match a soloist's preferred range, or piano solo for a matching prelude or postlude, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one funeral or memorial service with under 1000 people, with proper attribution and credit in all printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$3.00
2.72 €
#
Stacey Plays Hymns
#
Lord of All Our Days
#
Anastace
#
SheetMusicPlus
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