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Concert Overture for Chamber Orchestra
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Concert Overture for Chamber Orchestra
Bassoon,Cello,Clarinet,Double Bass,Flute,Hand Percussion,Horn,Oboe,Timpani,Trumpet,Viola,V…
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Bassoon,Cello,Clarinet,Double Bass,Flute,Hand Percussion,Horn,Oboe,Timpani,Trumpet,Viola,Violin - Digital Download SKU: A0.1057060 Composed by Jordan Grigg. 20th Century,Concert,Instructional,Standards. Full Performance. Duration 139. Jordan Grigg #3460813. Published by Jordan Grigg (A0.1057060).
$1.99
1.83 €
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Jordan Grigg
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Concert Overture for Chamber Orchestra
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Jordan Grigg
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SheetMusicPlus
Mendelssohn: Wedding March for Viola & Piano
Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.549885 Composed by Fel…
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Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.549885 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. 23 pages. Jmsgu3 #3602675. Published by jmsgu3 (A0.549885). Score: 12 pages, piano part: 6 pages, viola part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz.
$32.95
30.38 €
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Felix Bartholdy Mendelssohn
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Mendelssohn: Wedding March for Viola & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Wedding March for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549891 Co…
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549891 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and individual part. 23 pages. Jmsgu3 #3602937. Published by jmsgu3 (A0.549891). Score: 12 pages, piano part: 6 pages, oboe d'amore part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's vir.
$24.95
23 €
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Felix Bartholdy Mendelssohn
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Mendelssohn: Wedding March for Oboe d'Amore & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549494 Comp…
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Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549494 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 20 pages. Jmsgu3 #3500875. Published by jmsgu3 (A0.549494). BASS FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.38 €
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Felix Mendelssohn
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Mendelssohn: Song Without Words Op. 109 for Bass Flute & Piano
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jmsgu3
#
SheetMusicPlus
Händel's Opera pieces for string trio formations - Voice 3 for Cello
String Ensemble,String Trio - Level 2 - Digital Download SKU: A0.998998 Composed by…
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String Ensemble,String Trio - Level 2 - Digital Download SKU: A0.998998 Composed by G.F.Händel / Georg Friedrich Haendel. Arranged by Antonio TudurÃ. Baroque,Instructional,Standards. Score and parts. 16 pages. Antonio Tuduri #5310905. Published by Antonio Tuduri (A0.998998). Händel's Opera pieces - Voice 3 for CelloFirst of all, I apologize for my english language mistakes !!The repertoire included in Händel's Opera pieces is the culmination of a process of searching for musical material in Händel's opera repertoire, which can be used at the same time, outside of its original compositional context, exclusively exalting its beauty as well as the genius of the its composer Georg Friedrich Handel.The conditions that all the pieces of the volume had to fulfill were the following:- To have a short duration to be used as teaching material in subjects of baroque technique and chamber music, collective subjects or even chamber orchestra subjects.- They can be interpreted in trio chamber formations in the following combinations:Voice 1 Violin, flute, oboe or clarinet.Voice 2 Violin, viola, flute, oboe or clarinet.Voice3 Violin, viola, cello, bassoon, flute, oboe or clarinet. They are of limited technical complexity in order to allow the performers to participate and at the same time enjoy listening the polyphony and counterpoint of Handel's compositional style.This collection of 27 pieces have been mostly selected from Handel's vast opera production (44 operas or so depending on the criteria to be considered as operas or oratories) and the most beautiful (but not famous), adapted to three-voice trio formations.The pieces included are the following1. L’ultimo ballo (Alceste)2. Menuet (Almira )3. Final Gavotte of act I (Arianna in Creta)4. Overture Mussette (Alcina)5. Overture Andante (Berenice)6. Gavotte7. Symphony of act III (Xerxes)8. Il primo ballo (Alceste )9. 3d movement of overtura (Arianna in Creta)10. 3d movement overture (Ottone Re di Germania)11. Menuet I of organ concerto HWV 308 .12. Menuet II of òrgan concerto HWV 30813. Final Chorus (Lucio Cornelio Silla)14. Final Chorus ( Siroe Re di Persia)15. Overture menuet (Alcina)16. Menuet I of organ concerto HWV 310 17. Duetto Il vostro maggio (Rinaldo)18. Overture menuet of acte I (Arminio)19. Act II Symphony (Arminio)20. Act III Symphony (Deidamia)21. Act I Symphony (Giustino).22. Passacaglia.23. Menuet from Tamerlano24. Scene 3 prelude (Agrippina)25. Act I Symphony (Xerxes)26. Overture 3d movement (Faramondo).27. Scene 3 act II (Teseo - Arianna in Creta)
$2.99
2.76 €
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G
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Händel's Opera pieces for string trio formations - Voice 3 for Cello
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Antonio Tuduri
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SheetMusicPlus
Händel's Opera pieces for string trio formations - Full Score - Director/teacher
String Ensemble,String Trio - Level 2 - Digital Download SKU: A0.998991 Composed by…
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String Ensemble,String Trio - Level 2 - Digital Download SKU: A0.998991 Composed by G.F.Händel / G.F.Haendel. Arranged by Antonio TudurÃ. Baroque,Instructional,Standards. Score and parts. 44 pages. Antonio Tuduri #5310839. Published by Antonio Tuduri (A0.998991). Händel's Opera pieces - Director teacher scoreThis score include the full score with the five parts grouped in 3 voicesFirst of all, I apologize for my english language mistakes !!The repertoire included in Händel's Opera pieces is the culmination of a process of searching for musical material in Händel's opera repertoire, which can be used at the same time, outside of its original compositional context, exclusively exalting its beauty as well as the genius of the its composer Georg Friedrich Handel.The conditions that all the pieces of the volume had to fulfill were the following:- To have a short duration to be used as teaching material in subjects of baroque technique and chamber music, collective subjects or even chamber orchestra subjects.- They can be interpreted in trio chamber formations in the following combinations:Voice 1 Violin, flute, oboe or clarinet.Voice 2 Violin, viola, flute, oboe or clarinet.Voice3 Violin, viola, cello, bassoon, flute, oboe or clarinet. They are of limited technical complexity in order to allow the performers to participate and at the same time enjoy listening the polyphony and counterpoint of Handel's compositional style.This collection of 27 pieces have been mostly selected from Handel's vast opera production (44 operas or so depending on the criteria to be considered as operas or oratories) and the most beautiful (but not famous), adapted to three-voice trio formations.The pieces included are the following1. L’ultimo ballo (Alceste)2. Menuet (Almira )3. Final Gavotte of act I (Arianna in Creta)4. Overture Mussette (Alcina)5. Overture Andante (Berenice)6. Gavotte7. Symphony of act III (Xerxes)8. Il primo ballo (Alceste )9. 3d movement of overtura (Arianna in Creta)10. 3d movement overture (Ottone Re di Germania)11. Menuet I of organ concerto HWV 308 .12. Menuet II of òrgan concerto HWV 30813. Final Chorus (Lucio Cornelio Silla)14. Final Chorus ( Siroe Re di Persia)15. Overture menuet (Alcina)16. Menuet I of organ concerto HWV 310 17. Duetto Il vostro maggio (Rinaldo)18. Overture menuet of acte I (Arminio)19. Act II Symphony (Arminio)20. Act III Symphony (Deidamia)21. Act I Symphony (Giustino).22. Passacaglia.23. Menuet from Tamerlano24. Scene 3 prelude (Agrippina)25. Act I Symphony (Xerxes)26. Overture 3d movement (Faramondo).27. Scene 3 act II (Teseo - Arianna in Creta)
$9.99
9.21 €
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Händel's Opera pieces for string trio formations - Full Score - Director/teacher
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Antonio Tuduri
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SheetMusicPlus
Richard Mudge Concerto in D for Trumpet, Strings and Continuo
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1515703 Composed by Richard …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1515703 Composed by Richard Mudge. Arranged by John Fleming. Baroque. 56 pages. Flemingmusic #1090054. Published by flemingmusic (A0.1515703). Concerto in D for Trumpet, Strings and Continuo by English composer Richard Mudge (1718 - 1763) This concerto is more closely related to a concerto grosso than a solo concerto. The form of the piece is more a French overture in two parts with a following movement then an Italian concerto. It is scored for Trumpet in D, Violin one and two, Viola, Cello, Double Bass and Harpsichord with figured bass. The speed of the first movement is open to interpretation. It is marked Vivace, but as you can hear in the youtube video featuring Maurice Andre, he plays the first movement quiet slow. I have written metronome marks for the first 2 movements, but please feel free to change these.I have included Trumpet parts for Trumpet in D, C & Bb as well as Piccolo Trumpet in A.
$49.99
46.09 €
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Richard Mudge
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Richard Mudge Concerto in D for Trumpet, Strings and Continuo
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flemingmusic
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SheetMusicPlus
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