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Crossing the Bar
Sheetmusic to print
14 sheet music found
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1
Love Was My Lord and King!: 3. Crossing the Bar (Downloadable TTBB Chamber Orchestra Score)
Choir and various instruments - Digital Download SKU: MQ.6506-E Composed by Gwyneth…
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Choir and various instruments - Digital Download SKU: MQ.6506-E Composed by Gwyneth W. Walker. 19 pages. E. C. Schirmer Music Company - Digital #6506-E. Published by E. C. Schirmer Music Company - Digital (MQ.6506-E). Crossing the Bar creates images of the sea, with the final voyage leading us out across the water, to see our Pilot, face to face. The musical setting endeavors to express the growth from peaceful to ecstatic moods, the tolling of the bell, the meeting of the Pilot. May there be no moaning of the bar, when I put out to see.The poetry of Alfred, Lord Tennyson (1809-1892) is characterized by dark, yet transcendent imagery -- the depths of the ocean, the triumph of the spirit. These poems seem well-suited to musical settings for Men's Chorus. The deep tones. The sonority of male voices (perhaps speaking for the poet) rising in song.Throughout the varied imagery of this poetry -- the depth of the sea, the dark of the night, the tumult of passion and the acceptance of death -- there speaks one, central message. Love was my lord and king. *Sound recording provided by the High School Mens's Honor Choir, Robert Ward, conductor (Southwestern ACDA Conference 2014)
$13.15
11.78 €
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Gwyneth W
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Love Was My Lord and King!: 3. Crossing the Bar
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Crossing the Bar from Love Was My Lord and King! (Downloadable TTBB Choral Score)
TTBB choir, chamber orchestra (strings: 5-5-3-3-3) or piano - Medium - Digital Download
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TTBB choir, chamber orchestra (strings: 5-5-3-3-3) or piano - Medium - Digital Download SKU: MQ.6373-E Composed by Gwyneth W. Walker. 12 pages. E. C. Schirmer Music Company - Digital #6373-E. Published by E. C. Schirmer Music Company - Digital (MQ.6373-E). English.Crossing the Bar creates images of the sea, with the final voyage leading us out across the water, to see our Pilot, face to face. The musical setting endeavors to express the growth from peaceful to ecstatic moods, the tolling of the bell, the meeting of the Pilot. May there be no moaning of the bar, when I put out to see.The poetry of Alfred, Lord Tennyson (1809-1892) is characterized by dark, yet transcendent imagery -- the depths of the ocean, the triumph of the spirit. These poems seem well-suited to musical settings for Men's Chorus. The deep tones. The sonority of male voices (perhaps speaking for the poet) rising in song.Throughout the varied imagery of this poetry -- the depth of the sea, the dark of the night, the tumult of passion and the acceptance of death -- there speaks one, central message. Love was my lord and king..
$2.65
2.37 €
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Gwyneth W
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Crossing the Bar from Love Was My Lord and King!
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
King Of The Road
Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.747086 By Randy Tr…
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Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.747086 By Randy Travis. By Roger Miller. Arranged by Keith Terrett. Contemporary. 27 pages. Keith Terrett #6426723. Published by Keith Terrett (A0.747086). An arrangement of the classic King of the Road for Wind Dectet.King of the Road is a song written by country singer Roger Miller, who first recorded it in November 1964. The lyrics tell of the day-to-day life of a hobo who, despite being poor (a man of means by no means), revels in his freedom, describing himself humorously and cynically as the king of the road. It was Miller's fifth single for Smash Records. The popular crossover record hit No. 1 on the US Country chart, No. 4 on the Billboard Hot 100, and No. 1 on the Easy Listening surveys. It was also No. 1 in the UK Singles Chart, and in Norway. Miller recalled that the song was inspired when he was driving and saw a sign on the side of a barn that read, Trailers for sale or rent. This would become the opening line of the song.The song has been covered by many other artists, including George Jones, Dean Martin, Val Doonican, Jack Jones, James Booker, The Fabulous Echoes, Boney M., R.E.M., Johnny Paycheck, Glen Campbell, Alvin and the Chipmunks, Boxcar Willie, Randy Travis, Rangers, James Kilbane, John Stevens, the Statler Brothers, Rufus Wainwright & Teddy Thompson, Giant Sand, Peligro, John Williamson (singer) & Adam Harvey, The Proclaimers, Ray Conniff Singers, The Reverend Horton Heat, Jerry Lee Lewis, and Jim White. James The King Brown (an Elvis impersonator) performed the song for a 2001 Audi commercial on German TV. Of R.E.M.'s version, a shambolic, drunken, offhand rendering, guitarist Peter Buck would later comment, If there was any justice in the world, Roger Miller should be able to sue for what we did to this song.King of the Road was performed live by Merle Haggard, Willie Nelson, Marty Stuart, Dwight Yoakam and Dolly Parton during Miller's posthumous induction into the Country Music Hall of Fame at the 1995 CMA Awards ceremony.The song appears in Wim Wenders's 1976 film Im Lauf der Zeit (In the Course of Time; English title Kings of the Road). It is also played at the beginning of Talladega Nights: The Ballad of Ricky Bobby, Brokeback Mountain, Into the Wild (2007), Traveller (1997), and Swingers (1996). Miller performs it in the concert film The Big T.N.T. Show. The Proclaimers' version is included in the film The Crossing (1990). Near the end of their official music video, the pair are shown reading a newspaper whose headline is Roger Miller, King of Plugs.Miller's recording appears in an episode of the Super Dave TV show, where Super Dave Osborne (Bob Einstein) sings along while sitting at a piano mounted on top of his tour bus. The bus eventually goes into a low tunnel, slamming into the piano and Osborne and pushing them off the bus and onto the ground.A send-up version by English entertainer Billy Howard was a British chart hit in 1976.A German take by the band Wise Guys exists, the parody referring to speeding on the Autobahn.
$16.99
15.22 €
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Randy Travis
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English title 
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King Of The Road
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Keith Terrett
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SheetMusicPlus
Crossing the Bar
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1188889 Composed by W. F…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1188889 Composed by W. F. Schmidt. Classical,Contemporary,Contest,Festival,Religious,Sacred. 4 pages. Wilhelm Schmidt #788500. Published by Wilhelm Schmidt (A0.1188889). This setting of Tennyson's poem is available for high or medium voice. Perfect for recitals, concerts, or funerals.
$6.00
5.37 €
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W
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Crossing the Bar
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Wilhelm Schmidt
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SheetMusicPlus
Crossing the Bar
Medium Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1188900 Composed by W.…
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Medium Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1188900 Composed by W. F. Schmidt. Classical,Contemporary,Contest,Festival,Religious,Sacred. 4 pages. Wilhelm Schmidt #788510. Published by Wilhelm Schmidt (A0.1188900). A setting of this powerful Tennyson poem. Available for medium and high voice. Useful for recital, concert or funerals.
$6.00
5.37 €
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W
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Crossing the Bar
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Wilhelm Schmidt
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SheetMusicPlus
Love Was My Lord and King!: 3. Crossing the Bar (Downloadable Brass and Percussion Parts)
Choir and various instruments - Digital Download SKU: MQ.7527-E Composed by Gwyneth…
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Choir and various instruments - Digital Download SKU: MQ.7527-E Composed by Gwyneth W. Walker. 14 pages. E. C. Schirmer Music Company - Digital #7527-E. Published by E. C. Schirmer Music Company - Digital (MQ.7527-E).
$18.30
16.39 €
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Gwyneth W
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Love Was My Lord and King!: 3. Crossing the Bar
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Crossing the Bar from Love Was My Lord and King! (Downloadable SSAA Chamber Orchestra Score)
Choir and various instruments - Digital Download SKU: MQ.6374-E Composed by Gwyneth…
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Choir and various instruments - Digital Download SKU: MQ.6374-E Composed by Gwyneth W. Walker. 19 pages. E. C. Schirmer Music Company - Digital #6374-E. Published by E. C. Schirmer Music Company - Digital (MQ.6374-E).
$13.25
11.87 €
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Gwyneth W
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Crossing the Bar from Love Was My Lord and King!
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Crossing the Bar from Love Was My Lord and King! (Downloadable SATB Chamber Orchestra Score)
Choir and various instruments - Digital Download SKU: MQ.6375-E Composed by Gwyneth…
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Choir and various instruments - Digital Download SKU: MQ.6375-E Composed by Gwyneth W. Walker. 19 pages. E. C. Schirmer Music Company - Digital #6375-E. Published by E. C. Schirmer Music Company - Digital (MQ.6375-E).
$13.25
11.87 €
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Gwyneth W
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Crossing the Bar from Love Was My Lord and King!
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Piano Trio in E flat major, Op. 2
Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1488222 Composed…
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Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1488222 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 77 pages. Artaria Editions #1065108. Published by Artaria Editions (A0.1488222). The Piano Trio in E flat, Op.2 was published by Simrock in 1807 with a dedication to Monsieur le Comte de Browne, Brigadeur au Service de S.M.J. de toutes les Russies. It is a generously proportioned work in the usual three movements. The lengthy sonata-from first movement is prefaced by a slow introduction which begins on dominant seventh harmony (a nod perhaps to Beethoven's first symphony), slowly finding its way to the tonic by the start of the Allegro section. The brief development section modulates widely, including references to keys as distant as E minor and C major, while the substantially rewritten and varied recapitulation touches on both B and G majors. The slow movement, Andante un poco Allegretto , is cast in the key of C minor and features many solos and duets for the string instruments as well as further harmonic interest, especially in the central modulating episode from bar 46. The finale is a sonata-rondo design complete with all the usual tricks, including even a remote transposition of the refrain late in the movement to B major, a technique surely learned from Beethoven. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Simrock's edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The piano part is most successfully realised on an instrument extending as far as c4, although since such instruments were by no means standard in the first decade of the 19th century, Ries has notated the part carefully to cater for instruments without an extended treble compass. Any alternative readings have been incorporated into the current edition exactly as they appear in the Simrock print. In an instance such as bars 298-309 of the finale for example, instruments with the extended compass should follow the small print in bars 298 and 309, and in between read the notes an octave higher according to the composer's 8ve marking. Instruments with a limited compass should play the notes as written, without the octave transposition of bars 299-309. The cello part contains several passages written in the treble clef. Evidence that these should sound an octave lower than written is provided by bars 74-80 of the first movement and 85-89 of the finale. In the first instance, awkward octave displacements would result if this passage were played literally; in the second instance, some unacceptable part crossing between violin and cello would result from a literal rendition of these two bars. Accordingly then, all passages written in the treble clef should be transposed down an octave. The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.
$37.00
33.15 €
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Ferdinand Ries
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Piano Trio in E flat major, Op. 2
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Artaria Editions
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SheetMusicPlus
Hungarian Folksongs, - instruments in four parts
Small Ensemble,Strings - Level 3 - Digital Download SKU: A0.835891 Composed by Bela…
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Small Ensemble,Strings - Level 3 - Digital Download SKU: A0.835891 Composed by Bela Bartok. Arranged by Paul Burnell. 20th Century,Folk,World. Score and parts. 72 pages. Paul Burnell #6521857. Published by Paul Burnell (A0.835891). Hungarian Folksongs (1906) BB 42 (Sz. 33), Béla Bartók, arranged by Paul Burnell for instruments in four partsDownload comprises both score and parts.Duration 14:00Score in CThe arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows:Part 1: C, Eb (Flute, Oboe, Alto Recorder, Eb Clarinet, Violin 1)Part 2: C, Bb, G (Alto Flute, Oboe, Tenor Recorder, Bb Clarinet, Violin 2)Part 3: C, Bb, Eb, F (Bb Clarinet, Bass Recorder, Alto Saxophone, Horn in F, Violin 3, Viola)Part 4: C, Bb, F (Bassoon, Great bass Recorder, Tenor Saxophone, Horn in F, 'Cello) Part 4 may be played an octave lower than written - using the 'Bass Clef up 8' part.Any other appropriate instruments, even if not suggested above, may play.The keys of the original compositions are retained in these arrangements.Programme note:In 1906 the Hungarian composers Béla Bartók (1881 – 1945) and Zoltán Kodály (1882 – 1967) published a collection of twenty Hungarian Folksong arrangements for voice and piano ('Magyar népdalok énekhangra és zongorára'). The first ten arrangements are by Bartók. The first song: 'Elindultam szép hazámból' (I left my beautiful fatherland) came to be applied to Bartók himself after his self-imposed exile in the USA. The third and fourth movements are in two parts - the third movement presenting two versions of 'Fehér László', and the fourth movement containing two different songs - 'A gyulai kert alatt' and 'A kertmegi kert alatt'. In later editions, the fifth song - 'Ucca, ucca, ég az ucca' - was omitted, but is retained in these arrangements for instruments in four parts.The titles of the ten songs by Bartók are:1. Elindultam szép hazámbul / Far Behind I Left My Country2. Ãltal mennék én a Tiszán ladikon / Crossing the River3a. Fehér László / The Horse-thief3b. Fehér László / The Horse-thief4a. A gyulai kert alatt / In the Summer Fields4b. A kertmegi kert alatt / I Was in a Garden Green5. Ucca, ucca, ég az ucca6. Ablakomba, ablakomba / Deceived in Love7. Száraz ágtól messze virÃt a rózsa / Love’s a Burden8. Végigmentem a tárkányi / Walking Through the Town9. Nem messze van ide kis Margitta / The Horseman10. Szánt a babám / My Love Has Gone A-ploughing.
$4.99
4.47 €
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Bela Bartok
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Hungarian Folksongs, - instruments in four parts
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Paul Burnell
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SheetMusicPlus
Rondo Alla Turca
Acoustic Guitar,Instrumental Solo - Level 5 - Interactive Download SKU: A0.1224007 …
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Acoustic Guitar,Instrumental Solo - Level 5 - Interactive Download SKU: A0.1224007 Composed by Wolfgang Amadeus Mozart. Arranged by Robert Clarke. This edition: Interactive Download. Classical. Individual part. 5 pages. Duration 267. Robert Clarke #5zY7V63000ojIZD7j3AZp7. Published by Robert Clarke (A0.1224007). Key: C major.Turkish Rondo-3rd movement of Sonata No. 11 for Piano K 331. Arranged for classical guitar. This all time favorite is a great addition to your repetoire and well worth the effort. It is in the original key and utilizes standard guitar tuning. Left hand slurs are employed througout as an aid for smooth execution. In the same way I have used ami for runs to aid in making it fluid, string crossings not withstanding. FB means false bar, or fingering a single note like a bar chord to prepare the bar for the following notes. Fingering and other editorial items are added for your benefit. Use them if it helps. They are my notes as I learned the piece. Enjoy!
$4.99
4.47 €
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Wolfgang Amadeus Mozart
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Rondo Alla Turca
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Robert Clarke
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SheetMusicPlus
Walk Like An Egyptian
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1356043 By The Bangles. By Liam Sternberg. Arranged by Chris Gorman. Pop,Rock. Brass Band. 62 pages. Chris Gorman #940741. Published by Chris Gorman (A0.1356043). Walk Like an Egyptian is a song by American band the Bangles. It was released in September 1986 as the third single from their second studio album, Different Light (1986). It was the band's first number-one single, and was ranked Billboard's number-one song of 1987. Liam Sternberg said he was inspired to create the song while on a ferry crossing the English Channel. When the vessel hit choppy water, passengers stepped carefully and moved their arms awkwardly while struggling to maintain their balance, and that reminded Sternberg of the depiction of human figures in ancient Egyptian tomb paintings. He wrote the words Walk like an Egyptian in a notebook. Later, Sternberg looked back in the notebook, and composing the melody with a guitar, he put together an up-tempo song with lyrics about Egyptian hieroglyphs, the Nile River, crocodiles, desert sand, bazaars and hookah pipes and then segued into modern scenes of blonde waitresses, school kids and police officers. This arrangement shows off the Brass Band to be capable to play a wider variety of music.
$35.00
31.35 €
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The Bangles
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Walk Like An Egyptian
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Chris Gorman
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SheetMusicPlus
What About Us
Choral Alto Voice,Baritone Horn TC,Choral,SAB Chorus,Soprano voice - Level 3 - Interactive…
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Choral Alto Voice,Baritone Horn TC,Choral,SAB Chorus,Soprano voice - Level 3 - Interactive Download SKU: A0.1453160 By Pink. By Alecia Moore, Johnny McDaid, and Steve Mac. Arranged by Tanya West. This edition: Interactive Download. Pop. 27 pages. Duration 307. Tanya West #4PnKPwRh4Tpmxd79vP1zlP. Published by Tanya West (A0.1453160). Key: Ab major.An a cappella arrangement of the powerful song recorded by Pink. This version is written for soprano, alto, baritone voicing with a small section of two parts on the soprano line. Depending on group needs, the alto line as well as baritone can be accessible for tenor voices allowing flexibility for middle and/or transitioning voices. The melody is shared by all voices allowing every section to experience singing melody as well as harmony. The arrangement encourages the group to work on voice crossing, vocal range, blend and balance. An expressive piece with an impactful message.
$2.50
2.24 €
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Pink
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What About Us
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Tanya West
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SheetMusicPlus
J.S. Bach - INVENTION #6 - Arranged for Horn and Viola
Instrumental Duet Horn,Instrumental Duet,Viola - Level 2 - Digital Download SKU: A0.922…
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Instrumental Duet Horn,Instrumental Duet,Viola - Level 2 - Digital Download SKU: A0.922529 Composed by Johann Sebastian Bach. Arranged by Dirk Schneiderheinze. Baroque,Classical. Score and parts. 4 pages. Dirk Schneiderheinze #5770411. Published by Dirk Schneiderheinze (A0.922529). Invention #6 (BWV 777) from Johann Sebastian Bach's Two Part Inventions, arranged for Horn and Viola.Bach's Two Part Inventions were originally composed for keyboard as part of a set of 15 unique pieces. This particular invention lends itself well to the use of unique timbres for each voice, such as the combination of the horn and viola. The piece has been transposed up a semitone (from E for F Major) for better horn playability. Most of the viola part has been lowered by an octave to better fit it's expressive range, with little to no deleterious affect on it's musicality (in fact the subsequent crossing of the chromatic lines are now a unique feature). .
$4.99
4.47 €
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Johann Sebastian Bach
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J.S. Bach - INVENTION #6 - Arranged for Horn and Viola
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Dirk Schneiderheinze
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SheetMusicPlus
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