Download Digital Sheet Music of DO JUST THAT

DO JUST THAT

Large Ensemble Voice - Level 4 - Digital Download SKU: A0.869309 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Pluto Ã¢â‚¬Â¦ The Lord of the Underworld. (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like ProkofievÃ¢â‚¬â„¢s Ã¢â‚¬Å“Peter and the Wolf.Ã¢â‚¬Â I said, Ã¢â‚¬Å“Yes. I would be delighted to do so.Ã¢â‚¬Â He. 90 pages. Thomas Oboe Lee #431371. Published by Thomas Oboe Lee (A0.869309). Program note. Maestro Charles Ansbacher has been a devoted supporter of my work for many years. In the past 6 years he has commissioned me to write two works for his ensemble, the Boston Landmarks Orchestra: 1) Mambo!!! (2003) 2) Pluto â€¦ The Lord of the Underworld (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofievâ€™s Peter and the Wolf. I said, Yes. I would be delighted to do so. He told me that the subject for this work would be Bostonâ€™s own landscape architect, Frederick Law Olmsted. Sure, I said, why not? Charles told me he had a poet in mind who would provide the text, Nancy Stevenson. I said, Great! The work is in four parts, following Ms. Stevensonâ€™s poetic design. I wrote a marching music in Part One depicting Mr. Olmsted when as a child he walked from his home to his aunts and uncles who lived far away. As a young man, Mr. Olmsted went through many jobs until he decided that as a landscape architect he could make cities a better place for children and adults alike. The mayor of Boston hired him to do just that, to make Boston more livable. In Part Two, I wrote presto music depicting the dredging of the Charles River and the planting of trees along its shores. In Part Three, the text describes the Boston Emerald Necklace â€“ the paths that lead from the Fens to the Arboretum to Franklin Park. For this section I chose music that is bucolic and pastoral, a setting that evokes the country side with a flock of sheep, complete with a shepherd and his dog. In the last section the text describes Mr. Olmstedâ€™s dream that in his parks there would be tranquility and rest to the mind â€¦ a place where the rich and the poor would play together. The music returns to the legato march that began the work.

Large Ensemble Voice - Digital Download SKU: A0.869339 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Pluto Ã¢â‚¬Â¦ The Lord of the Underworld. (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like ProkofievÃ¢â‚¬â„¢s Ã¢â‚¬Å“Peter and the Wolf.Ã¢â‚¬Â I said, Ã¢â‚¬Å“Yes. I would be delighted to do so.Ã¢â‚¬Â He. 90 pages. Thomas Oboe Lee #32449. Published by Thomas Oboe Lee (A0.869339). Program note. Maestro Charles Ansbacher has been a devoted supporter of my work for many years. In the past 6 years he has commissioned me to write two works for his ensemble, the Boston Landmarks Orchestra: 1) Mambo!!! (2003) 2) Pluto â€¦ The Lord of the Underworld (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofievâ€™s Peter and the Wolf. I said, Yes. I would be delighted to do so. He told me that the subject for this work would be Bostonâ€™s own landscape architect, Frederick Law Olmsted. Sure, I said, why not? Charles told me he had a poet in mind who would provide the text, Nancy Stevenson. I said, Great! The work is in four parts, following Ms. Stevensonâ€™s poetic design. I wrote a marching music in Part One depicting Mr. Olmsted when as a child he walked from his home to his aunts and uncles who lived far away. As a young man, Mr. Olmsted went through many jobs until he decided that as a landscape architect he could make cities a better place for children and adults alike. The mayor of Boston hired him to do just that, to make Boston more livable. In Part Two, I wrote presto music depicting the dredging of the Charles River and the planting of trees along its shores. In Part Three, the text describes the Boston Emerald Necklace â€“ the paths that lead from the Fens to the Arboretum to Franklin Park. For this section I chose music that is bucolic and pastoral, a setting that evokes the country side with a flock of sheep, complete with a shepherd and his dog. In the last section the text describes Mr. Olmstedâ€™s dream that in his parks there would be tranquility and rest to the mind â€¦ a place where the rich and the poor would play together. The music returns to the legato march that began the work.

An Entire Day of a Faun

Flute - Level 5 - Digital Download SKU: A0.1463870 Composed by Leonard E. Lopatin. …(+)

Flute - Level 5 - Digital Download SKU: A0.1463870 Composed by Leonard E. Lopatin. Chamber,Classical,Instructional. Educational Exercises. 84 pages. Leonard E. Lopatin #1042644. Published by Leonard E. Lopatin (A0.1463870). At one time, Claude Debussy’s approach to tonality and color was novel, even radical. Today, his Prélude à l’Après-Midi d’un Faune, is one of the most beloved works in the repertoire, certainly among flutists. That being the case, we’re likely to have a certain color and texture in mind when we play the flute part. So, what can we do to make our practice of this familiar piece more interesting? How about trying to achieve those desired qualities while playing it in different keys or in the extreme high and extreme low registers?You’re not likely to produce the usual languid, transparent sonority if you start the famous opening solo on high F sharp, but there is much to be learned by trying to do just that. Then, when you return to the original tonality, you may find that you have greater command of the passage’s tone color and quality than you’ve ever had before!
$20.00 18.21 € #Leonard E #An Entire Day of a Faun #Leonard E. Lopatin #SheetMusicPlus