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Dance In The Game
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Dance In The Game
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39 sheet music found
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1
26
Dances of Peril (for clarinet, violin, cello)
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Gilad Cohen
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Dances of Peril
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Gilad Cohen
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SheetMusicPlus
B-Flat Clarinet,Cello,Violin - Digital Download SKU: A0.1205114 Composed by Gilad Cohen. Chamber,Classical,Contemporary. 73 pages. Gilad Cohen #803301. P...
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B-Flat Clarinet,Cello,Violin - Digital Download SKU: A0.1205114 Composed by Gilad Cohen. Chamber,Classical,Contemporary. 73 pages. Gilad Cohen #803301. Published by Gilad Cohen (A0.1205114). Dances of Peril is comprised of three movements. While they differ in their melodic, harmonic and rhythm languages, they are all fast, energetic, and unsettling. I imagine them as three peculiar dances in a small, mysterious party. While dance is often an act of joy and love, these dances are not. Scored for clarinet, violin, and cello, these dances involve three dancers; the relationships among them are unclear. Their motions are fast, sharp; at times, aggressive. The looks on their eyes convey suspicion. Each of them knows that something bad is about to happen, but they have to play the game. Like a good “whodunit†thriller, it is unclear who the source of danger is. And this uncertainly enhances the fear and pushes each dancer to move faster, to seize control, to deceive. Who knows how this will end.
$15.00
March from the Nutcracker for Flute or Oboe or Violin & Flute or Oboe or Violin Duet - Music for Two
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Classical
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Peter Ilyich Tchaikovsky
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Daniel Kelley
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Flute, Violin &
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March from the Nutcracker for
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Last Resort Music Publishing
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SheetMusicPlus
Small Ensemble,Strings Flute,Oboe,Violin - Level 4 - Digital Download SKU: A0.530416 Composed by Peter Ilyich Tchaikovsky. Arranged by Daniel Kelley. Chi...
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Small Ensemble,Strings Flute,Oboe,Violin - Level 4 - Digital Download SKU: A0.530416 Composed by Peter Ilyich Tchaikovsky. Arranged by Daniel Kelley. Children,Christmas,Romantic Period,Standards. Score and parts. 4 pages. Last Resort Music Publishing #3583013. Published by Last Resort Music Publishing (A0.530416). The March from the Nutcracker is one of the most well-known and recognized melodies of Tchaikovsky's famous ballet. The song appears early in the Act I of the ballet is part of the music that plays during a lively party scene, which includes dancing, games, and merriment and is part of Tschaikovky’s original suite. Playable by Two Violins, Two Flutes, Two Oboes, Violin & Flute, Violin & Oboe, Flute & Oboe, Violin Duet, Oboe Duet, Flute Duet Each duet book is published in score form (both parts on the same page) so that the players can play from the same part. Don't miss our other Nutcracker arrangements including Mother Ginger, Chocolate, Clara & the Nutcracker, Pas De Deux, Final Waltz, Apotheosis, Waltz of the Flowers, March, Tarantella, Children's Galop, Dance of the Reed Flutes, Chinese Dance, Dance of the Sugar Plum Fairy, March, Overture & Trepak! All available on SheetMusicPlus and www.lastresortmusic.com Published by Last Resort Music Publishing www.lastresortmusic.com
$5.95
March from The Nutcracker for Violin & Cello Duet Music for Two (or Flute or Oboe & Bassoon)
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Classical
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Peter Ilyich Tchaikovsky
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Daniel Kelley
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Cello Duet, Oboe &
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March from The Nutcracker for
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Last Resort Music Publishing
#
SheetMusicPlus
Small Ensemble,Strings Bassoon,Cello,Flute,Oboe,Violin - Level 4 - Digital Download SKU: A0.530411 Composed by Peter Ilyich Tchaikovsky. Arranged by Dani...
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Small Ensemble,Strings Bassoon,Cello,Flute,Oboe,Violin - Level 4 - Digital Download SKU: A0.530411 Composed by Peter Ilyich Tchaikovsky. Arranged by Daniel Kelley. Children,Christmas,Concert,Romantic Period,Standards. Score and parts. 6 pages. Last Resort Music Publishing #3583001. Published by Last Resort Music Publishing (A0.530411). The March from the Nutcracker is one of the most well-known and recognized melodies of Tchaikovsky's famous ballet. The song appears early in the Act I of the ballet is part of the music that plays during a lively party scene, which includes dancing, games, and merriment and is part of Tschaikovky’s original suite. Playable by Flute & Cello Duet, Oboe & Cello Duet, Violin & Cello Duet, Flute & Bassoon Duet, Oboe & Bassoon Duet, Violin & Bassoon Duet Each duet book is published in score form (both parts on the same page) so that the players can play from the same part. Don't miss our other Nutcracker arrangements including Mother Ginger, Chocolate, Clara & the Nutcracker, Pas De Deux, Final Waltz, Apotheosis, Waltz of the Flowers, March, Tarantella, Children's Galop, Dance of the Reed Flutes, Chinese Dance, Dance of the Sugar Plum Fairy, March, Overture & Trepak! All available on SheetMusicPlus and www.lastresortmusic.com Published by Last Resort Music Publishing www.lastresortmusic.com
$5.95
March from The Nutcracker for Flute or Oboe or Violin & Clarinet Duet - Music for Two
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Classical
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Peter Ilyich Tchaikovsky
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Daniel Kelley
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Clarinet Duet, Oboe &
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March from The Nutcracker for
#
Last Resort Music Publishing
#
SheetMusicPlus
Instrumental Duet Clarinet,Flute,Instrumental Duet,Oboe,Violin - Level 4 - Digital Download SKU: A0.530413 Composed by Peter Ilyich Tchaikovsky. Arranged...
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Instrumental Duet Clarinet,Flute,Instrumental Duet,Oboe,Violin - Level 4 - Digital Download SKU: A0.530413 Composed by Peter Ilyich Tchaikovsky. Arranged by Daniel Kelley. Children,Christmas,Concert,Romantic Period,Standards. Score and parts. 4 pages. Last Resort Music Publishing #3583005. Published by Last Resort Music Publishing (A0.530413). The March from the Nutcracker is one of the most well-known and recognized melodies of Tchaikovsky's famous ballet. The song appears early in the Act I of the ballet is part of the music that plays during a lively party scene, which includes dancing, games, and merriment and is part of Tschaikovky’s original suite. Playable by Playable by Flute & Clarinet Duet, Oboe & Clarinet Duet, Violin & Clarinet Duet Each duet book is published in score form (both parts on the same page) so that the players can play from the same part. Don't miss our other Nutcracker arrangements including Mother Ginger, Chocolate, Clara & the Nutcracker, Pas De Deux, Final Waltz, Apotheosis, Waltz of the Flowers, March, Tarantella, Children's Galop, Dance of the Reed Flutes, Chinese Dance, Dance of the Sugar Plum Fairy, March, Overture & Trepak! All available on SheetMusicPlus and www.lastresortmusic.com Published by Last Resort Music Publishing www.lastresortmusic.com
$5.95
March from the Nutcracker for Two Flutes (or Two Oboes) - Flute or Oboe Duet - Music for Two
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Classical
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Peter Ilyich Tchaikovsky
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Daniel Kelley
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Flute, Violin &
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March from the Nutcracker for
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Last Resort Music Publishing
#
SheetMusicPlus
Small Ensemble,Strings Flute,Oboe,Violin - Level 4 - Digital Download SKU: A0.530418 Composed by Peter Ilyich Tchaikovsky. Arranged by Daniel Kelley. Chi...
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Small Ensemble,Strings Flute,Oboe,Violin - Level 4 - Digital Download SKU: A0.530418 Composed by Peter Ilyich Tchaikovsky. Arranged by Daniel Kelley. Children,Christmas,Concert,Romantic Period,Standards. Score and parts. 4 pages. Last Resort Music Publishing #3583017. Published by Last Resort Music Publishing (A0.530418). The March from the Nutcracker is one of the most well-known and recognized melodies of Tchaikovsky's famous ballet. The song appears early in the Act I of the ballet is part of the music that plays during a lively party scene, which includes dancing, games, and merriment and is part of Tschaikovky’s original suite.Playable by Two Violins, Two Flutes, Two Oboes, Violin & Flute, Violin & Oboe, Flute & Oboe, Violin Duet, Oboe Duet, Flute Duet Each duet book is published in score form (both parts on the same page) so that the players can play from the same part. Don't miss our other Nutcracker arrangements including Mother Ginger, Chocolate, Clara & the Nutcracker, Pas De Deux, Final Waltz, Apotheosis, Waltz of the Flowers, March, Tarantella, Children's Galop, Dance of the Reed Flutes, Chinese Dance, Dance of the Sugar Plum Fairy, March, Overture & Trepak! All available on SheetMusicPlus and www.lastresortmusic.comPublished by Last Resort Music Publishing www.lastresortmusic.com*recording is done by 2 English Horns!
$5.95
March from the Nutcracker - Duet - for Viola & Cello (or Bassoon) - Music for Two
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Classical
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Peter Ilyich Tchaikovsky
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Daniel Kelley
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Cello Duet, Viola &
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March from the Nutcracker - Du
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Last Resort Music Publishing
#
SheetMusicPlus
Small Ensemble,Strings Bassoon,Cello,Viola - Level 4 - Digital Download SKU: A0.530414 Composed by Peter Ilyich Tchaikovsky. Arranged by Daniel Kelley. C...
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Small Ensemble,Strings Bassoon,Cello,Viola - Level 4 - Digital Download SKU: A0.530414 Composed by Peter Ilyich Tchaikovsky. Arranged by Daniel Kelley. Children,Christmas,Concert,Romantic Period,Standards. Score and parts. 4 pages. Last Resort Music Publishing #3583009. Published by Last Resort Music Publishing (A0.530414). The March from the Nutcracker is one of the most well-known and recognized melodies of Tchaikovsky's famous ballet. The song appears early in the Act I of the ballet is part of the music that plays during a lively party scene, which includes dancing, games, and merriment and is part of Tschaikovky’s original suite. Playable by Viola & Cello Duet, Viola & Bassoon Duet Each duet book is published in score form (both parts on the same page) so that the players can play from the same part. Don't miss our other Nutcracker arrangements including Mother Ginger, Chocolate, Clara & the Nutcracker, Pas De Deux, Final Waltz, Apotheosis, Waltz of the Flowers, March, Tarantella, Children's Galop, Dance of the Reed Flutes, Chinese Dance, Dance of the Sugar Plum Fairy, March, Overture & Trepak! All available on SheetMusicPlus and www.lastresortmusic.com Published by Last Resort Music Publishing www.lastresortmusic.com
$5.95
Games People Play
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Contemporary
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Joe South
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Tommy Johansson, Hjo
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Games People Play
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Tommy Johansson, Hjo
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SheetMusicPlus
Small Ensemble Bass Guitar,Drums,Piano,Tenor Saxophone,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.949951 By Joe South. By Joe South. Arranged ...
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Small Ensemble Bass Guitar,Drums,Piano,Tenor Saxophone,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.949951 By Joe South. By Joe South. Arranged by Tommy Johansson, Hjo. Contemporary. Score and parts. 26 pages. Tommy Johansson, Hjo #6244577. Published by Tommy Johansson, Hjo (A0.949951). Games People Play Arranged for Band (gtr, pi,b,dr) + 3 horns (t-sax, trp, trb) by Tommy Johansson, Hjo –Sweden Score + parts; 26 pages, Key: Ab, Duration: 3.30 Games People Play is a song written, composed, and performed by American singer-songwriter Joe South, released in August 1968. The song won a Grammy Award. This arrangement is based on the cover by Inner Circle, on their 1994 album, Reggae Dancer. About the arranger: Tommy Johansson, Hjo (Sweden) Music teacher, arranger and composer. After a Master degree in Fine Arts of Music at the Gothenburg Academy of Music, advanced training in arrangement and composition. Frequently hired arranger and music instructor. Many more arrangements by this arranger are to be found at sheetmusicplus.com
$12.99
Intermediate Music for Three, Volume 1, Part 1 Alto Sax in Eb 52115DD
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Various
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Daniel Kelley
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(Beethoven)
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Intermediate Music for Three,
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Last Resort Music Publishing
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SheetMusicPlus
Small Ensemble - Level 3 - Digital Download SKU: A0.530268 Composed by Various. Arranged by Daniel Kelley. 20th Century,Classical,Instructional,Romantic ...
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Small Ensemble - Level 3 - Digital Download SKU: A0.530268 Composed by Various. Arranged by Daniel Kelley. 20th Century,Classical,Instructional,Romantic Period,Standards. Score and parts. 44 pages. Last Resort Music Publishing #3221033. Published by Last Resort Music Publishing (A0.530268). Part 1 for Eb Alto Saxophone ~ An incredible collection of 35 arrangements for strings, woodwinds, saxophones and piano - these mix and match trios allow the performer to pick the instrumentation. Includes works by Beethoven, Chopin, Saint-Saens, Tchaikovsky and more! A versatile must-have for any musician, Intermediate Music for Three is perfect for the blossoming musician and is appropriate for recitals, concerts, and any chamber music gatherings. Intermediate Music for Three progresses to the same difficulty level as the Music for Three Series. Parts are available separately or may be purchased as sets. The keyboard/guitar part encompasses both parts 2 and 3. Therefore, the arrangements could be played as a piano trio, or an entire trio could play with a pianist - as long as Part 1 is being played. 3 Volumes are available. Table of ContentsAllegro (Bach) Lento Affettuoso (Bach) Bagatelle from Bagatelles, Op. 119 #4 (Beethoven) Ecossaise from Ecossaise in G (Beethoven) Ecossaise in Eb from Six Ecossaises, #1 (Beethoven) Symphony #7 in A Major, Theme from Second Movement (Beethoven) Etude from Etude in E Major, Op. 10 #3 (Chopin) School Days When We Were A Couple Of Kids (Edwards, Gus & Will Cobb) Norwegian Dance Op. 35 #2 (Grieg) Fughette in C (Handel) Fugue in D (Handel) The Water Music Suite in G, 4 movements (Handel) Toy Symphony, 3 Movements (Haydn)Andantino from Andantino in Eb, K 236 (Mozart) Der Vogelfanger Bin Ich Ja - Papageno's Aria from The Magic Flute (Mozart) Hopak from The Fair at Sorochinsk (Mussorgsky) Shine On, Harvest Moon (Norworth & Bayes-Norworth) Take Me Out To The Ball Game (Norworth & Von Tilzer) Minuet in G from Op. 14 #1 (Paderewski) Fossils from Carnival of the AnimalsI (Saint-Saens) Soldier's March from Album for the Young, Op. 39 #2 (Schumann) Song of Spring from Album for the Young, Op. 68 #15 (Schumann) Valse Allemande from Carnaval, Op. 9 #16 (Schumann) Annie Laurie (Scottish Folk Song) Polka Marianka, komm und tanz from Die Fledermaus (Strauss) Radetzky March, Op. 228 (Strauss) Fantasie from Fantasias from Harpsichord, #14 (Telemann) Italian Song from Album for the Young, Op. 39 #15 (Tschaikovsky) Polka from Album for the Young, Op. 39 #2 (Tschaikovsky) Russian Song from Album for the Young, Op. 39 #11 (Tschaikovsky)www.lastresortmusic.com Visit our website for more information!
$20.00
Intermediate Music for Three, Volume 1, Part 2 Tenor Sax in Bb 52125DD
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Various
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Daniel Kelley
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Intermediate Music for Three,
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Last Resort Music Publishing
#
SheetMusicPlus
Level 3 - Digital Download SKU: A0.530269 Composed by Various. Arranged by Daniel Kelley. 20th Century,Classical,Instructional,Romantic Period,Standards....
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Level 3 - Digital Download SKU: A0.530269 Composed by Various. Arranged by Daniel Kelley. 20th Century,Classical,Instructional,Romantic Period,Standards. 44 pages. Last Resort Music Publishing #3221035. Published by Last Resort Music Publishing (A0.530269). Part 2 for Bb Tenor Sax An incredible collection of 35 arrangements for strings, woodwinds, saxophones and piano - these mix and match trios allow the performer to pick the instrumentation. Includes works by Beethoven, Chopin, Saint-Saens, Tchaikovsky and more! A versatile must-have for any musician, Intermediate Music for Three is perfect for the blossoming musician and is appropriate for recitals, concerts, and any chamber music gatherings. Intermediate Music for Three progresses to the same difficulty level as the Music for Three Series. Parts are available separately or may be purchased as sets. The keyboard/guitar part encompasses both parts 2 and 3. Therefore, the arrangements could be played as a piano trio, or an entire trio could play with a pianist - as long as Part 1 is being played. 3 Volumes are available. Table of ContentsAllegro (Bach) Lento Affettuoso (Bach) Bagatelle from Bagatelles, Op. 119 #4 (Beethoven) Ecossaise from Ecossaise in G (Beethoven) Ecossaise in Eb from Six Ecossaises, #1 (Beethoven) Symphony #7 in A Major, Theme from Second Movement (Beethoven) Etude from Etude in E Major, Op. 10 #3 (Chopin) School Days When We Were A Couple Of Kids (Edwards, Gus & Will Cobb) Norwegian Dance Op. 35 #2 (Grieg) Fughette in C (Handel) Fugue in D (Handel)  The Water Music Suite in G, 4 movements (Handel) Toy Symphony, 3 Movements (Haydn)Andantino from Andantino in Eb, K 236 (Mozart) Der Vogelfanger Bin Ich Ja - Papageno's Aria from The Magic Flute (Mozart) Hopak from The Fair at Sorochinsk (Mussorgsky) Shine On, Harvest Moon (Norworth & Bayes-Norworth) Take Me Out To The Ball Game (Norworth & Von Tilzer) Minuet in G from Op. 14 #1 (Paderewski) Fossils from Carnival of the AnimalsI  (Saint-Saens) Soldier's March from Album for the Young, Op. 39 #2 (Schumann) Song of Spring from Album for the Young, Op. 68 #15 (Schumann) Valse Allemande from Carnaval, Op. 9 #16 (Schumann) Annie Laurie (Scottish Folk Song) Polka Marianka, komm und tanz from Die Fledermaus (Strauss) Radetzky March, Op. 228 (Strauss) Fantasie from Fantasias from Harpsichord, #14 (Telemann) Italian Song from Album for the Young, Op. 39 #15 (Tschaikovsky) Polka from Album for the Young, Op. 39 #2 (Tschaikovsky) Russian Song from Album for the Young, Op. 39 #11 (Tschaikovsky)www.lastresortmusic.com Visit our website for more information!
$20.00
FINGERDANCE for Piano Fourhands
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Jean Ahn
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FINGERDANCE for Piano Fourhand
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Jean Ahn
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.949300 Composed by Jean Ahn. 20th Century,Contemporary,Folk. Score and par...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.949300 Composed by Jean Ahn. 20th Century,Contemporary,Folk. Score and parts. 29 pages. Jean Ahn #4717361. Published by Jean Ahn (A0.949300). Jean Ahn carefully choreographed the twenty fingers in Fingerdance (2012) to dance a new version of Korean traditional dance ‘Ganggangsulrea’. Using the form of this circular dance, the fingers communicate by playing games, singing, crying, and sharing hope throughout the piece.This piece is also recorded by Kashma Duo (Switchback).
$10.00
The Maccabiah Fanfare
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Ofer Ben-Amots
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The Maccabiah Fanfare
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The Composer's Own Press
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SheetMusicPlus
Large Ensemble Bass Trombone,Cymbals,Drum Set,Timpani,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.944037 Composed by Ofer Ben-Amots. Contemporary,J...
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Large Ensemble Bass Trombone,Cymbals,Drum Set,Timpani,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.944037 Composed by Ofer Ben-Amots. Contemporary,Jewish. Score and parts. 32 pages. The Composer's Own Press #4633237. Published by The Composer's Own Press (A0.944037). The festive Maccabiah Fanfare was written for the opening ceremony of the 2010 Maccabiah Games in Denver. It short fanfare blends together a marching fanfare sound with a joyful klezmer dance. Duration: 4'30 For any questions, or additional information, please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$7.20
"Anitra's Dance" Grieg Peer Gynt Suite Flute Choir 3 Flutes 2 Alto Flutes Bass Flute. Optional Piano
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James Galway
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Glenn Martin
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"Anitra's Dance" Grieg Peer Gy
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Cornelius edition
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SheetMusicPlus
Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.809170 By James Galway. By Grieg Edvard. Arranged by Glenn Martin. Contest,F...
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Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.809170 By James Galway. By Grieg Edvard. Arranged by Glenn Martin. Contest,Festival,Film/TV,Instructional,Romantic Period,Video Game. 16 pages. Cornelius edition #4290057. Published by Cornelius edition (A0.809170). Anitra's Dance from Edvard Grieg's Peer Gynt Suite No. 1 Op. 46 for Flute Choir. This arrangement is for three concert C flutes, two alto flutes and a bass flute plus an optional piano part for rehearsal or performance. The arrangement has a full conductors score and set of parts plus the optional piano part. First and second flute parts are for intermediate standard flutists. Other flute parts could be performed by early intermediate players. Anitra'a Dance for flute choir is a very popular choice for inclusion in any concert program or competition. Performance duration approximately two minutes.
$7.49
Sharktooth Frenzy
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Christine Southworth
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Sharktooth Frenzy
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Airplane Ears Music
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SheetMusicPlus
Instrumental Duet Drums,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1013054 Composed by Christine Southworth. 20th Century,Contemporary,...
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Instrumental Duet Drums,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1013054 Composed by Christine Southworth. 20th Century,Contemporary,Jazz. Score and parts. 7 pages. Airplane Ears Music #5802089. Published by Airplane Ears Music (A0.1013054). Sharktooth Frenzy (2014, 4') solo pianist with snare drum and bass drum. For Danny Holt. Composed at The Hermitage Artist Retreat. I wrote Sharktooth Frenzy for Danny Holt in January 2014, while in residence at The Hermitage Artist Retreat in Manasota Key, Florida, a special place, paleotologically, because fossilized shark teeth from up to 50 million years ago wash up on the beach here every day. Around 50 million years ago, Florida was completely under the ocean, and layers of limestone accumulated to create the bed rock of Florida. Starting around 30 million years ago, as the Earth cooled, sea levels dropped and Orange Island emerged in what is now north central Florida. 10 million years later, in the Miocene period, tectonic activity forced uplift around Orange Island and Florida began to resemble the land mass it is today. The coastal area was still covered by a shallow sea, but land animals lived inland. Further north the Appalachian Mountains were forming and sediment was flowing into Florida making very nutrient rich waters, which sank to the bottom of these shallow seas entombing dead marine animals and teeth from sharks (sharks loose teeth frequently, going through up to 30,000 in their lives). This continued until around 5 million years ago. There is an abundance of these fossilized teeth and other bones in the Peace River Formation and Myakka River, which washes out into the gulf each day, and then subsequently the fossils wash up onto the beaches of Manasota Key and Venice Beach. So while I was composing this piece for Danny, I was also obsessively collecting shark teeth. I’d go out each day as the tide was retracting and collect hundreds, actually thousands, of teeth. And it was a bit of a frenzy. So I decided this piece had to be about this process, collecting as many teeth as I could find and coming back to write music!About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$5.00
Argraffiad Cymraeg
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Carl Orff and Gunild Keetman
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Argraffiad Cymraeg
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Schott Music - Digital
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SheetMusicPlus
Voice, recorder and percussion - Digital Download SKU: S9.Q23985 Pentatonig. Composed by Carl Orff and Gunild Keetman. This edition: score for voi...
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Voice, recorder and percussion - Digital Download SKU: S9.Q23985 Pentatonig. Composed by Carl Orff and Gunild Keetman. This edition: score for voice and/or instruments. Orff-Schulwerk. Downloadable, Vocal and performing score. Op. 1. Schott Music - Digital #Q23985. Published by Schott Music - Digital (S9.Q23985). Welsh.Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of Music for Children by Carl Orff and Gunild Keetman were published between 1950 and 1954. Edition have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared, an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of invovling their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Welsh Edition This volume closely follows the English Volume 1, substituting Welsh for English wherever words are used in speech or song. It should be used in conjunction with the English version, since only the sung and spoken parts are provided.
$10.99
Music for Children
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Margaret Murray
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Music for Children
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Schott Music - Digital
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SheetMusicPlus
Voice, recorder and percussion - Digital Download SKU: S9.Q53825 Major: Dominant and Subdominant Triads. Arranged by Margaret Murray. This edition...
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Voice, recorder and percussion - Digital Download SKU: S9.Q53825 Major: Dominant and Subdominant Triads. Arranged by Margaret Murray. This edition: score for voice and/or instruments. Orchestration - Orff Schulwerk - keys. Orff-Schulwerk. Downloadable, Vocal and performing score. Op. 3. Schott Music - Digital #Q53825. Published by Schott Music - Digital (S9.Q53825). English.Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of Music for Children by Carl Orff and Gunild Keetman were published between 1950 and 1954. Editions have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of involving their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Murray Edition English adaption, with additional material, by Margaret Murray. Besed on, and containing all the rhythmic and instrumental material from the main five volumes of the original German edition. Contents of this third volume: The instrumentation and range of keys are inceased. The settings include the chords on the fourth and fifth notes of the major scale.
$21.99
Music for Children
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Margaret Murray
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Music for Children
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Schott Music - Digital
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SheetMusicPlus
Voice, recorder and percussion - Digital Download SKU: S9.Q47192 Minor: Drone Bass-Triads. Arranged by Margaret Murray. This edition: score for vo...
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Voice, recorder and percussion - Digital Download SKU: S9.Q47192 Minor: Drone Bass-Triads. Arranged by Margaret Murray. This edition: score for voice and/or instruments. Songs - Orff Schulwerk - pieces. Orff-Schulwerk. Downloadable, Vocal and performing score. Op. 4. Schott Music - Digital #Q47192. Published by Schott Music - Digital (S9.Q47192). English.Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of Music for Children by Carl Orff and Gunild Keetman were published between 1950 and 1954. Editions have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of involving their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Murray Edition English adaption, with additional material, by Margaret Murray. Besed on, and containing all the rhythmic and instrumental material from the main five volumes of the original German edition. Contents of this fourth volume: Songs and pieces using the full range of the aeolian, dorian and phrygian modes. Accompaniements are founded on drone bass with the later addition of simple chords.
$21.99
Music for Children
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Margaret Murray
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Music for Children
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Schott Music - Digital
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SheetMusicPlus
Voice, recorder and percussion - Digital Download SKU: S9.Q47388 Major: Drone Bass-Triads. Arranged by Margaret Murray. This edition: score for vo...
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Voice, recorder and percussion - Digital Download SKU: S9.Q47388 Major: Drone Bass-Triads. Arranged by Margaret Murray. This edition: score for voice and/or instruments. Songs - Orff Schulwerk - pieces. Orff-Schulwerk. Downloadable, Vocal and performing score. Op. 2. Schott Music - Digital #Q47388. Published by Schott Music - Digital (S9.Q47388). English.Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of Music for Children by Carl Orff and Gunild Keetman were published between 1950 and 1954. Editions have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of involving their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Murray Edition English adaption, with additional material, by Margaret Murray. Besed on, and containing all the rhythmic and instrumental material from the main five volumes of the original German edition. Contents of this second volume: Songs and pieces using the full major scale. Accompaniments are founded on drone bass with the later addition of simple chords.
$21.99
Music for Children
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Margaret Murray
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Music for Children
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Schott Music - Digital
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SheetMusicPlus
Voice, recorder and percussion - Digital Download SKU: S9.Q42466 Pentatonic. Arranged by Margaret Murray. This edition: score for voice and/or ins...
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Voice, recorder and percussion - Digital Download SKU: S9.Q42466 Pentatonic. Arranged by Margaret Murray. This edition: score for voice and/or instruments. Orff-Schulwerk - Rhythmusübungen - Kinderreime. Orff-Schulwerk. Downloadable, Vocal and performing score. Op. 1. Schott Music - Digital #Q42466. Published by Schott Music - Digital (S9.Q42466). English.Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of Music for Children by Carl Orff and Gunild Keetman were published between 1950 and 1954. Editions have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of involving their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Murray Edition English adaption, with additional material, by Margaret Murray. Besed on, and containing all the rhythmic and instrumental material from the main five volumes of the original German edition. Contents of this first volume: speech and rhythmic exercises, nursery rhymes, songs, instrumental pieces and melodic exercises using only the five note scale, with instructions and notes. Illustrated.
$21.99
Music for Children
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Carl Orff and Gunild Keetman
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Arnold Walter and Doreen Hall
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Music for Children
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Schott Music - Digital
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SheetMusicPlus
Voice, recorder and percussion - Digital Download SKU: S9.Q25928 Pentatonic. Composed by Carl Orff and Gunild Keetman. Arranged by Arnold Walter a...
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Voice, recorder and percussion - Digital Download SKU: S9.Q25928 Pentatonic. Composed by Carl Orff and Gunild Keetman. Arranged by Arnold Walter and Doreen Hall. This edition: score for voice and/or instruments. Orff-Schulwerk. Downloadable, Vocal and performing score. Op. 1. Schott Music - Digital #Q25928. Published by Schott Music - Digital (S9.Q25928). English.Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of Music for Children by Carl Orff and Gunild Keetman were published between 1950 and 1954. Edition have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared, an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of invovling their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Hall/Walter Edition Based on Volumes 1, 2 and 4 of the original German Edition musik für Kinder, english adaption with additional material by Doreen Hall and Arnold Walter.
$10.99
Music for Children
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Carl Orff and Gunild Keetman
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Arnold Walter and Doreen Hall
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Music for Children
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Schott Music - Digital
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SheetMusicPlus
Voice, recorder and percussion - Digital Download SKU: S9.Q2433 Minor: Bordun. Composed by Carl Orff and Gunild Keetman. Arranged by Arnold Walter...
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Voice, recorder and percussion - Digital Download SKU: S9.Q2433 Minor: Bordun. Composed by Carl Orff and Gunild Keetman. Arranged by Arnold Walter and Doreen Hall. This edition: score for voice and/or instruments. Orff-Schulwerk. Downloadable, Vocal and performing score. Op. 4. Schott Music - Digital #Q2433. Published by Schott Music - Digital (S9.Q2433). English.Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of Music for Children by Carl Orff and Gunild Keetman were published between 1950 and 1954. Edition have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared, an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of invovling their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Hall/Walter Edition Based on Volumes 1, 2 and 4 of the original German Edition musik für Kinder, english adaption with additional material by Doreen Hall and Arnold Walter.
$11.99
Anything You Can Do . . . for violin and vibraphone
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Robert M
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Anything You Can Do . . . for
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Robert M. Greenberg
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Vibraphone,Violin - Level 5 - Digital Download SKU: A0.987848 Composed by Robert M. Greenberg. 20th Century,Contempor...
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Instrumental Duet Instrumental Duet,Vibraphone,Violin - Level 5 - Digital Download SKU: A0.987848 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 54 pages. Robert M. Greenberg #90285. Published by Robert M. Greenberg (A0.987848). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 12 minutes Year of composition: 2006 Program Note: The mind searches for the oddest of couples. Felix Unger and Oscar Madison. Julia Roberts and Lyle Lovett. The violin and the vibraphone. Aside from the letter V, the two instruments have almost nothing in common. We consider: the violin is the most aristocratic instrument in the Western musical tradition, the prima donna of the instrumental world, an instrument that has had, lavished upon it, more extraordinary music than any other since its invention roughly 475 years ago. And then there’s the vibraphone, a percussion instrument with pitched metal bars and motor-driven resonators that produce a vibrato. Invented around 1925, it’s an instrument created for dance bands and popular music. Anything You Can Do . . . is a confrontation between these two musical opposites. A sense of contest characterizes the entire piece, as the vibraphone seeks to establish its bona fides side by side with the violin, which in turn attempts to keep the vibraphone in its place by beating it at its own game. The first movement is conceived as a race, in which each instrument acts like the other – the violin explosively and percussively, and the vibraphone with lengthy bowed passages – while seeking to shake off the other. The movement concludes with the violin paying a series of huge, chords and a long, sustained triple-stop that, much to its fury, the vibraphone manages to match with a sustained double-stop of its own. The movement ends in a draw. The second movement begins with the violin doing its best to match the vibrato patterns of the vibraphone’s variable motor. Ultimately, the violin breaks free and plays a broad, arioso-styled melody. The vibraphone tries to match it, but cannot; try as it might, its fixed range cannot reach the stratospheric heights of the violin. Advantage violin. The third movement is constructed in three sections. In the outer sections, rapidly rising and falling lines and counter rhythms pervade as each instrument seeks to gain an advantage over the other. In the middle section, alternating, hocket-like phrases give way to bent notes and glissandi in the vibraphone, which infuriates the violin (how dare this upstart percussion instrument do something ordinarily associated with me?). The movement concludes with the violin once again attempting to lord its greater range over the vibraphone by playing a long sustained F# - the same pitch that conquered the vibraphone at the end of the second movement – only to have the vibraphone top it by playing a harmonic a full seven notes above the F#. Game, set, match: vibraphone. Some respect, please, for the new kid on the block. Anything You Can Do . . . is dedicated, with a thousand-and-one thanks, to Victor Romasevich and Jack van Geem.
$28.00
Savage
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Contemporary
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Megan Thee Stallion
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Matt Farmer
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Savage
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Matthew Thomas Farmer
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Euphonium,Flute,Horn,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.976...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Euphonium,Flute,Horn,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.976901 By Megan Thee Stallion. By Anthony White, Bobby D. Session Jr., Bobby Session, Bobby Sessions, and Megan Pete. Arranged by Matt Farmer. Contemporary. Score and parts. 6 pages. Matthew Thomas Farmer #6049049. Published by Matthew Thomas Farmer (A0.976901). I'm a savage...This new hit has gained millions of streams within the last month thanks to TikTok. This is the first arrangement of the song for any marching or instrumental ensemble. Short and sweet, this arrangement is meant to be played in the stands, featuring the tenor drums on the main melody. Yes, you read that right: the marching tenor drums have the melody. Whether it's a football game, basketball game, pep rally, or anything else, I am positive that your audience will pick up and sing and dance to this widely recognizable tune.
$12.99
It's Been A Long, Long Time
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Contemporary
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
E-Flat Tenor Horn,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.592537 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Sc...
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E-Flat Tenor Horn,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.592537 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and individual part. 6 pages. David McKeown #6366345. Published by David McKeown (A0.592537). It’s Been a Long Long Time is arranged as a solo for one Tenor Horn in E Flat with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
It's Been A Long, Long Time
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Contemporary
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
Alto Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.592534 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and...
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Alto Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.592534 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and individual part. 6 pages. David McKeown #6366337. Published by David McKeown (A0.592534). It’s Been a Long Long Time is arranged as a solo for one Alto Flute with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
It's Been A Long, Long Time
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Contemporary
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
Instrumental Duet,Piano Alto Recorder,Recorder Solo - Level 3 - Digital Download SKU: A0.592539 Composed by Jule Styne. Arranged by David McKeown. Contem...
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Instrumental Duet,Piano Alto Recorder,Recorder Solo - Level 3 - Digital Download SKU: A0.592539 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Individual part. 6 pages. David McKeown #6366351. Published by David McKeown (A0.592539). It’s Been a Long Long Time is arranged as a solo for one Alto Recorder with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
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