Version française
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home
Instrumentations
Composers
New additions
Top 100
Metronome
Staff paper
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free
Sheet Music
0
Digital
Sheet Music
504
Sheet Music
Books
2,569
Music
Equipment
255
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Not classified
504
PIANO & KEYBOARDS
Piano solo
65
Piano, Voice
3
Easy Piano
3
1 Piano, 4 hands
2
Piano Accompaniment
1
2 Pianos, 4 hands
1
Accordion
1
Instrumentations suivantes
Retracter
GUITARS
Guitar
8
Bass guitar
3
Piano, Guitar (duet)
1
Banjo
1
Dulcimer
1
Guitar notes and tablatures
1
Instrumentations suivantes
Retracter
VOICE
Choral SATB
8
Choral Unison
3
Choral 3-part
1
Choral 2-part
1
Soli, Mixted choir and accompaniment
1
WOODWIND
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
275
Saxophone Quartet: 4 saxophones
173
Flute, Oboe, Clarinet, Bassoon
121
Clarinet Quartet: 4 clarinets
115
Saxophone Quintet: 5 Saxophones
87
Flute Quartet: 4 flutes
61
Clarinet Ensemble
55
Saxophone ensemble
35
3 Saxophones (trio)
23
3 Clarinets (trio)
20
Flute ensemble
20
Flute Trio: 3 flutes
15
Clarinet Quintet: 5 clarinets
15
Flute, Clarinet and Bassoon.
11
Flute, Oboe, Clarinet (trio)
9
Oboe, Clarinet, Bassoon (trio)
9
Flute Quintet : 5 flutes
9
2 Flutes (duet)
8
Flute and Piano
7
Flute, Oboe, Bassoon
5
Clarinet
4
Clarinet and Piano
4
2 Clarinets (duet)
4
Clarinet (band part)
3
2 Clarinets, Bassoon
3
Oboe (band part)
3
Alto Saxophone
3
Oboe, Piano (duet)
3
Flute
2
Recorder Quartet
2
Clarinet, Bassoon (duet)
2
2 Saxophones (duet)
2
Alto Saxophone and Piano
2
Flute, Clarinet (duet)
2
Flute (band part)
1
English Horn
1
Bass Clarinet, Piano
1
Saxophone (band part)
1
Pennywhistle
1
Harmonica
1
Descant (Soprano) Recorder
1
Oboe, Flute
1
Instrumentations suivantes
Retracter
WOODBRASS
Brass Quintet: 2 trumpets, horn, trombone, tuba
6
Brass quartet : 2 trumpets, trombone, tuba
2
Trumpet (band part)
2
Trumpet
2
Trombone (band part)
2
Trombone and Piano
2
French horn (band part)
1
Trumpet, Piano
1
English Horn
1
Euphonium, Piano (duet)
1
French Horn and Piano
1
Tuba (band part)
1
Brass Quartet: 4 trombones
1
French horn
1
Brass Quartet: 2 trumpets, horn, trombone
1
2 Trombones (duet)
1
Trombone
1
Horn Ensemble
1
Instrumentations suivantes
Retracter
STRINGS
String Quartet: 2 violins, viola, cello
10
Violin, Guitar (duet)
9
Cello, Piano
4
Violin
3
Violin and Piano
3
Violin (band part)
3
String Trio: violin, viola, cello
2
Viola, Piano
2
Violin, Cello (duet)
1
Cello (band part)
1
Violin, Viola (duet)
1
Viola
1
Viola (band part)
1
Cello
1
Doublebass (band part)
1
Cello, String Bass (duet)
1
2 Violins (duet)
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Concert band
230
Orchestra
30
Marching band
21
Chamber Orchestra
9
Handbells
9
Brass ensemble
8
String Orchestra
7
Woodwind Quintet
5
Percussion Ensemble
5
Jazz Ensemble
5
Percussion (band part)
4
Marimba
2
Drums
1
Instrumentations suivantes
Retracter
OTHERS
You've selected:
Dance of the Wind
Sheetmusic to print
504 sheet music found
<
1
26
51
....
501
Miscellaneous: Mother's Day Collection, sweet and amusing compositions (COMPLETE) instantly for wind trio
This is an exclusive arrangements for wind trio of MEDIUM skill level from the original co…
(+)
This is an exclusive arrangements for wind trio of MEDIUM skill level from the original composition by Miscellaneous. This title is available as instant sheet music download. Contents: The Happy Farmer, lullaby, op.49 no.4, song without words, op.67 no. 6, sarabande, op.40 no.2, waltz, ballade, op.38, the merry peasant, album for the youth, op.68, romance, romanza, eine kleine nachtmusik, toccata, berceuse, op.57, dance of the mirlitons, nutcracker, mothers day, mother's day,lullaby, op.49 no.4, song without words, op.67 no. 6, sarabande, op.40 no.2, waltz, ballade, op.38, the merry peasant, album for the youth, op.68, romance, romanza, eine kleine nachtmusik, toccata, berceuse, op.57, dance of the mirlitons, nutcracker, mothers day, mother's dayThe Happy Farmer, / classical
$14.99
13.83 €
#
Miscellaneous
#
Virtualsheetmusic
Conflusion - Suite - Woodwind Ensemble - Score Only
Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1115994 By Thomas Graf. By T…
(+)
Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1115994 By Thomas Graf. By Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. 27 pages. Thomas Graf - the-hit-factory.com #717714. Published by Thomas Graf - the-hit-factory.com (A0.1115994). Fantasy in 3 movements for large wind ensemble, double bass and percussion 1. Deux Caracteres 2. Dialogues 3. Dance de Confusion Confluence is the name of a place in Lyon where 2 rivers flow together: The Saône flows into the - at least in German - female Rhone. In French, however, it flows into DEN Rhone - Le Rhône. This confuses the composer: How do rivers get their gender, are they sometimes male, sometimes female? Is it because of their character, because of the landscape that they flow through? By their water, even by their fish? On the people on their shores? A real confusion ensues. In the subsequent thoughts about music, the composer discovers certain analogies and asks himself the question: does gender-typical music actually exist? Or instruments? Typically male harmonies or rhythms? Or clearly female melodies and the way to interpret? The 3-movement composition is dedicated to this question and meanders like a dance in the bed of the converging streams. Colorful modal harmonies form the bed for wide arcs of melody. A varied, recurring theme sets the direction and creates a bubbling, dancing pull in the direction of the mouth: dancing finale! 1st movement: Deux Characters In the first movement (Andante) the roles are distributed - the Sâone and the Rhône get their performers. A first glance at the ensemble reveals a tendency: woodwinds take on the female lead, the male brass the counterpart. The two drummers each support one of the two poles in solidarity. The assignment may be obvious, but strong doubts remain in the final chord of the first movement. 2. Dialogues: In smaller and larger dialogues, there is a lively exchange and the properties are worked out and further developed. But it is also increasingly being copied and imitated, even maliciously agitated and aped. You try to convince each other, interrupt each other, both sides increasingly flare up, it gets louder and more hectic, louder and louder, too loud, until communication stops: in the end, you just yell at each other! 3. Dance de Confusion The resulting confusion finds a conciliatory end in the third movement of the composition: Let's dance! In the end, the initial confusion turns into a confusion: what belongs together flows and dances together. Composed by: Thomas H. Graf Arranged by: Thomas H. Graf for Woodwind Ensemble Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum, Chimes) Perc 2 (Triangle, Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987  E-Mail: info@the-hit-factory.com.  www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic
$10.00
9.23 €
#
Thomas Graf
#
Conflusion - Suite - Woodwind Ensemble - Score Only
#
Thomas Graf - the-hit-factory.com
#
SheetMusicPlus
Satie: Parade - Final & Suite au Prélude de rideau rouge - wind dectet
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.13350…
(+)
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1335055 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 22 pages. RayThompsonMusic #920917. Published by RayThompsonMusic (A0.1335055). Satie: Parade - Final & Suite au Prélude de rideau rougeArranged wind dectet/bass (double wind quintet)The concluding music for Erik Satie's Ballet Parade.Other movements from Parade are available.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of milk bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showI have omitted the  percussion in my arrangement of the finale.The premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Arranged wind dectet/bass (double wind quintet).
$14.95
13.8 €
#
Erik Satie
#
Satie: Parade - Final & Suite au Prélude de rideau rouge - wind dectet
#
RayThompsonMusic
#
SheetMusicPlus
Miscellaneous: Mother's Day Collection, sweet and amusing compositions (parts) instantly for wind trio
This is an exclusive arrangements for wind trio of MEDIUM skill level from the original co…
(+)
This is an exclusive arrangements for wind trio of MEDIUM skill level from the original composition by Miscellaneous. This title is available as instant sheet music download. Contents: lullaby, op.49 no.4, song without words, op.67 no. 6, sarabande, op.40 no.2, waltz, ballade, op.38, the merry peasant, album for the youth, op.68, romance, romanza, eine kleine nachtmusik, toccata, berceuse, op.57, dance of the mirlitons, nutcracker, mothers day, mother's dayThe Happy Farmer, / classical
$14.99
13.83 €
#
Miscellaneous
#
Virtualsheetmusic
Satie: Parade - Choral & Prélude de rideau rouge - wind dectet
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.12937…
(+)
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1293743 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 16 pages. RayThompsonMusic #884220. Published by RayThompsonMusic (A0.1293743). Arranged wind dectet/bass (double wind quintet)A taster of the opening music for Erik Satie's Ballet Parade.Choral and Prelude of the red curtainOther scores to follow.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of milk bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.
$4.99
4.61 €
#
Erik Satie
#
Satie: Parade - Choral & Prélude de rideau rouge - wind dectet
#
RayThompsonMusic
#
SheetMusicPlus
Colores (Let the Children Teach Us)
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.12…
(+)
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1256884 Composed by Lon W. Chaffin. 21st Century,Chamber. 71 pages. LCS Productions #850272. Published by LCS Productions (A0.1256884). Imagine a place where cultures are blended and people of all races can laugh, play, sing, dance, and even pray together.  Colores is a musical tale in which children show us how to create such a place.A child walks on to a deserted playground, looking for others.  Another child joins.  They introduce themselves and begin to talk to each other.  A third joins the conversation, then another, and another, until there is a large group of children, creating a colorful, contrapuntal cacophony of vocal chatter.  After the introductions and lively conversations, they pause to decide what to do next.  As would be expected, they decide to just play.  They run races, play chase and tag, catch and kickball, and laugh and giggle until their energy is gone.  Settling down, and wondering what to do next, one child begins singing a tune that is familiar.  …but not to all of them.  So, it’s time to teach the song to everyone.The tune is shared, bit by bit, and one by one every child learns it and joins in.  Before it’s over, their full-voiced singing creates a choral tapestry in which every child adds his or her own color to the musical palette.After a brief conversation, they add their renewed energy to the song they just learned, pick up the pace, and dance.  They twist and spin, jump and swing, making up their moves as they go along.  But, as before, their energy wanes.  This time, as they settle down, one child feels so comfortable with these new friends, he chooses to share his faith in the form of a chant — a prayer.Some join his prayer, as others add a familiar religious tune.  They pray and sing, and their separate experiences combine to produce a stirring, blended chorale.  As they finish, the day ends and they quickly reminisce about the blended experiences that are now behind them.  Before they go their separate ways, they share a moment of gratitude for the place where they can be free to be who they are, together.On a musical note, Colores combines multiple scale structures and varying types of vertical harmonies to give the piece its color palette.  Each of the five voices is set in a different mode, with different tonal centers and sets of accidentals.  The harmony combines both traditional tertian chords with secondal, quartal, and quintal structures.The colors within the music are intended to represent the racial diversity of the borderland from which the composer drew his inspiration.  It is hoped that we can learn from the example of children who talk, laugh, play, sing, dance, and pray together.  …who are grateful for the time and experiences they share.
$35.00
32.3 €
#
Lon W
#
Colores
#
LCS Productions
#
SheetMusicPlus
Miscellaneous: Mother's Day Collection, sweet and amusing compositions (f.score) instantly for wind trio
This is an exclusive arrangements for wind trio of MEDIUM skill level from the original co…
(+)
This is an exclusive arrangements for wind trio of MEDIUM skill level from the original composition by Miscellaneous. This title is available as instant sheet music download. Contents: The Happy Farmer, lullaby, op.49 no.4, song without words, op.67 no. 6, sarabande, op.40 no.2, waltz, ballade, op.38, the merry peasant, album for the youth, op.68, romance, romanza, eine kleine nachtmusik, toccata, berceuse, op.57, dance of the mirlitons, nutcracker, mothers day, mother's day / classical
$7.99
7.37 €
#
Miscellaneous
#
Virtualsheetmusic
Satie: Parade - II. Petite Fille Americaine - wind dectet
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Percussion - Level 4 - Digital Download SK…
(+)
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Percussion - Level 4 - Digital Download SKU: A0.1353773 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century. 27 pages. RayThompsonMusic #938540. Published by RayThompsonMusic (A0.1353773). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche. Petite Fille Americaine  (Young American Girl) is no 2 in the ballet, and includes some of the odd percussion : typewriter and gunshots, in addition to normal orchestral perc.It also includes the Ragtime Dance which became very popular in it's own right.The piece can be performed without percussion....but the percussion gives it an extra something!!
$14.95
13.8 €
#
Erik Satie
#
Satie: Parade - II. Petite Fille Americaine - wind dectet
#
RayThompsonMusic
#
SheetMusicPlus
Holst: Japanese Suite Op.33 I.Ceremonial Dance - wind dectet
A Clarinet,Bassoon,Double Bass,English Horn,Flute,Oboe - Level 3 - Digital Download SKU…
(+)
A Clarinet,Bassoon,Double Bass,English Horn,Flute,Oboe - Level 3 - Digital Download SKU: A0.1347202 Composed by Gustav Holst. Arranged by Ray Thompson. 20th Century. 16 pages. RayThompsonMusic #932001. Published by RayThompsonMusic (A0.1347202). Gustav Holst: Japanese Suite Op.33Mvt.I Ceremonial DanceArranged wind dectet/bass (double wind quintet)2nd oboe plays cor anglaisClarinet parts are in AThe Japanese Suite was written at the request of the dancer Michio Ito, who was working in London in 1915.Most of the principal themes are traditional Japanese tunes, which Ito provided to Holst by whistling them.The lone exception is the “Dance of the Marionette,†which is original to Holst.Despite its origins, there is little that is “Japanese-sounding†about the resulting suite. Rather, Holst set these tunes in the same kinds of harmonies and textures that he was using in his other works, also taking the opportunity to experiment with other influences that were in the air at this time, an openness few of his British contemporaries shared. It is not known if the suite was ever used for Ito’s dance performances, but in September 1919 it did become the first of Holst’s works to be performed at a Promenade Concert, after which it received a handful of performances in the British provinces.The suite consists of six parts including a prelude and an interlude:Prelude: Song of the fishermanCeremonial dance (This arrangement)Dance of the marionettesInterlude: Song of the fishermanDance under the cherry treeFinale: Dance of the wolvesIt is unknown whether Ito did indeed use the music. The first concert performance  was during the Proms of September 1, 1919 under the direction of Holst himself.
$7.99
7.37 €
#
Gustav Holst
#
Holst: Japanese Suite Op.33 I.Ceremonial Dance - wind dectet
#
RayThompsonMusic
#
SheetMusicPlus
Satie: Parade I. Prestidigitateur chinois - wind dectet/bass (with optional percussion)
A Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn,Percussion,Timpani,Tuba - Level 4 -…
(+)
A Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn,Percussion,Timpani,Tuba - Level 4 - Digital Download SKU: A0.1300657 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 27 pages. RayThompsonMusic #890400. Published by RayThompsonMusic (A0.1300657). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Prestidigitateur chinois (Chinese Conjuror) is no 1 in the ballet, and includes some of the odd percussion : sirens in addition to normal orchestral perc.The piece can be performed without percussion....but the percussion gives it an extra something!!
$19.95
18.41 €
#
Erik Satie
#
Satie: Parade I. Prestidigitateur chinois - wind dectet/bass
#
RayThompsonMusic
#
SheetMusicPlus
Satie: Parade III.Acrobates (Acrobats) - wind dectet/bass (with optional percussion)
Bassoon,Clarinet,Double Bass,Flute,Mallet Percussion,Multi-Percussion,Oboe/English Horn - …
(+)
Bassoon,Clarinet,Double Bass,Flute,Mallet Percussion,Multi-Percussion,Oboe/English Horn - Level 4 - Digital Download SKU: A0.1296860 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber,Comedy. 40 pages. RayThompsonMusic #887010. Published by RayThompsonMusic (A0.1296860). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Acrobates (Acrobats) is no 3 in the ballet, and includes some of the odd percussion : sirens and a bottle phone, in addition to normal orchestral perc.The piece can be performed without percussion....but the percussion gives it an extra something!!
$19.95
18.41 €
#
Erik Satie
#
Satie: Parade III.Acrobates
#
RayThompsonMusic
#
SheetMusicPlus
By Various LA BOURRÉE- Dance XXXII (32) from Terpsichore (Praetorius) for Wind Instruments by Various
Composed by Various. Arranged by Colin Kirkpatrick. Renaissance, Repertoire. Score, …
(+)
Composed by Various. Arranged by Colin Kirkpatrick. Renaissance, Repertoire. Score, Set of Parts. 25 pages. Published by Colin Kirkpatrick Publications
By the time MichaelPraetorius published his extensive dance collection entitled Terpsichore (terp-SIH-cory)in 1612, he was one of the most famous musicians in Germany. This Bouréeis a well-known and lively dance and sure to add some sparkle to any concertevent. This piece is arranged for virtually any combination of conventionalwind instruments and percussion, with optional keyboard part.<br> <br> In this series, Renaissance Hits for Wind Instruments, someof the most well-known dances from Terpsichore are included. They are allattractive pieces and are sure to be popular at any concerts or end-of-semesterevents. They are fairly easy to play too. The flexible arrangement makes themplayable by all sorts of non-standard ensembles.The keyboard part allows you to use them as solos or duets for mixed instruments.<br> <br> This publication consists of a score showing the four-partensemble, keyboard and percussion parts. There are separate parts in varioustranspositions. The optional keyboard part is intended as a guide and whenpossible the keyboard player should improvise around the part and chords shown.A piano sounds distinctly out of place in this music and a digital or acousticharpsichord sounds more authentic. Most electronic keyboards have a harpsichordoption.<br> <br> The percussion instruments used are similar to those foundin elementary school music rooms and usually include a small bass drum orhand-held drum, clave or small headless tambourine. Two players are usuallyrequired and the parts can be interpreted quite freely. Dance music is intendedto be fun, and we hope that this arrangement brings you just that.
$11.99
11.07 €
#
Various
#
By Various LA BOURRÉE- Dance XXXII
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
The Midsummer Marriage
2 (2pic).2.2.2-4.2.3.0-timp.2perc (s.d., b.d., cym., tri., gng, tub.bells)-hp.cel-str - Di…
(+)
2 (2pic).2.2.2-4.2.3.0-timp.2perc (s.d., b.d., cym., tri., gng, tub.bells)-hp.cel-str - Digital Download SKU: S9.Q40439 Opera in 3 acts. Composed by Sir Michael Tippett. This edition: vocal/piano score. Downloadable, Piano reduction. Duration 150 minutes. Schott Music - Digital #Q40439. Published by Schott Music - Digital (S9.Q40439). English.Like few other theatre works—The Magic Flute, A Midsummer Night’s Dream—Tippett’s first opera creates a wholly other place, one where human actions can be seen as in a tilted mirror. Since this is indeed an opera, the place, or dreamspace, is conjured by music: by luminescent music that, in its flowing abundance, radiant harmonies and evocative wind colourings, represents the natural world within which the characters have to integrate themselves. The central couple, those whose marriage is at first subverted and then gloriously celebrated, are Mark and Jenifer: he a young man of the earth and the senses, she a young woman of lofty spirituality. Each is only half a person, and before they can be united they have to be made whole, have to find within themselves an understanding of the other. Overseeing their mythic initiation and psychic healing are two Ancients, votaries of a temple on a wooded hilltop.As in the Mozart precedent, which the composer certainly had in mind, there is also a more workaday couple, Jack and Bella. The other principals are Jenifer’s businessman father King Fisher, who wants to stop the wedding for reasons of his own, and an Erda-like seer. There is also a dancer, Strephon, leading the exuberant ballet in which the orchestra completes the story of enlightenment and passion. It is ultimately a victory of love and, before love, self-knowledge.(Paul Griffiths).
$75.99
70.13 €
#
Sir Michael Tippett
#
The Midsummer Marriage
#
Schott Music - Digital
#
SheetMusicPlus
Holst: Japanese Suite Op.33 - wind dectet
A Clarinet,Bassoon,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.134…
(+)
A Clarinet,Bassoon,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1348703 Composed by Gustav Holst. Arranged by Ray Thompson. 20th Century. 62 pages. RayThompsonMusic #933485. Published by RayThompsonMusic (A0.1348703). Arranged wind dectet/bassFlute 1 has some optional piccolo2nd oboe plays cor anglaisClarinets are in A/BbThe Japanese Suite was written by Gustav HOLST at the request of the dancer Michio Ito, who was working in London in 1915.Most of the principal themes are traditional Japanese tunes, which Ito provided to Holst by whistling them.The lone exception is the “Dance of the Marionette,†which is original to Holst.Despite its origins, there is little that is “Japanese-sounding†about the resulting suite. Rather, Holst set these tunes in the same kinds of harmonies and textures that he was using in his other works, also taking the opportunity to experiment with other influences that were in the air at this time, an openness few of his British contemporaries shared. It is not known if the suite was ever used for Ito’s dance performances, but in September 1919 it did become the first of Holst’s works to be performed at a Promenade Concert, after which it received a handful of performances in the British provinces.The suite consists of six parts including a prelude and an interlude:My arrangement is of the complete suitePrelude: Song of the fisherman Ceremonial dance Dance of the marionettesInterlude: Song of the fishermanDance under the cherry treeFinale: Dance of the wolves
$19.95
18.41 €
#
Gustav Holst
#
Holst: Japanese Suite Op.33 - wind dectet
#
RayThompsonMusic
#
SheetMusicPlus
Jupiter (Andante Maestoso from "Jupiter, the Bringer of Jollity" from The Planets) (Bb) (Oboe Quinte
Woodwind Ensemble,Woodwind Quintet Oboe - Level 3 - Digital Download SKU: A0.813712…
(+)
Woodwind Ensemble,Woodwind Quintet Oboe - Level 3 - Digital Download SKU: A0.813712 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Concert,Contemporary,Standards,Wedding. 9 pages. Regis Bookshar #6474545. Published by Regis Bookshar (A0.813712). Jupiter (Andante Maestoso from Jupiter, the Bringer of Jollity from The Planets) (Oboe Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for concerts and recitals but if you are considering using this selection for church services in which a congregation may sing along, I would suggest that you look for the arrangements of either I Vow to Thee, My Country, O God, Beyond All Praising, O Spirit All Embracing or Thaxted, also by Regis Bookshar. They are all based on the same excerpt from Jupiter, the Bringer of Jollity from The Planets. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, Jupiter, the Bringer of Jollity, Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked Andante Maestoso, perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem I Vow to Thee, My Country by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named Thaxted, named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn I Vow to Thee, My Country, other settings of this hymn tune also include O God, Beyond All Praising, by Michael Perry in 1982, O Spirit All Embracing by Delores Dufner in 1995 and We Praise You and Acknowledge You, O God, a paraphrase of the Te Deum Laudemus by Stephen P. Starke in 1999.Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for an Oboe Quintet, he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement of Jupiter based on the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst.
$12.00
11.08 €
#
Gustav Holst
#
Jupiter
#
Regis Bookshar
#
SheetMusicPlus
Jupiter (Andante Maestoso from "Jupiter, the Bringer of Jollity" from The Planets) (Bb) (Flute Quint
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.813710 Composed by Gus…
(+)
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.813710 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Standards,Wedding. 9 pages. Regis Bookshar #6474541. Published by Regis Bookshar (A0.813710). Jupiter (Andante Maestoso from Jupiter, the Bringer of Jollity from The Planets) (Flute Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for concerts and recitals but if you are considering using this selection for church services in which a congregation may sing along, I would suggest that you look for the arrangements of either I Vow to Thee, My Country, O God, Beyond All Praising, O Spirit All Embracing or Thaxted, also by Regis Bookshar. They are all based on the same excerpt from Jupiter, the Bringer of Jollity from The Planets. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, Jupiter, the Bringer of Jollity, Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked Andante Maestoso, perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem I Vow to Thee, My Country by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named Thaxted, named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn I Vow to Thee, My Country, other settings of this hymn tune also include O God, Beyond All Praising, by Michael Perry in 1982, O Spirit All Embracing by Delores Dufner in 1995 and We Praise You and Acknowledge You, O God, a paraphrase of the Te Deum Laudemus by Stephen P. Starke in 1999.Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for a Flute Quintet, he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement of Jupiter based on the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Hols.
$12.00
11.08 €
#
Gustav Holst
#
Jupiter
#
Regis Bookshar
#
SheetMusicPlus
Chording to the Dance Masters 44 Renaissance Dance Consort pieces Omnibus Full Score version
Level 2 - Digital Download SKU: A0.1411172 Composed by Anonymous, Claude Gervaise, …
(+)
Level 2 - Digital Download SKU: A0.1411172 Composed by Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, John Dowland, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, Thoinot Arbeau, and Tielman Susato. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 93 pages. Wold Meridian #993504. Published by Wold Meridian (A0.1411172). A selection of 44 Dance Consort pieces from publications dating from 1500 to 1620 in three, four or five part scores and fully chorded with lyricsRenaissance Dance music provides some of the most simple yet satisfying pieces to play in ensemble on a wide range of instruments.  They are suitable for recorders, modern strings, woodwinds or brass, or where available, reproductions of 16th century instruments, such as crumhorns, viols or shawms to name but a few.The 44 pieces that first  appeared in the publication Chording to the Dance Masters, are  presented in full score and with separate parts for each of the lines.  What is more, a number of the pieces have been re-edited to include their lyrics, should you wish to perform them vocally.  They represent some of the best known secular pieces of the Renaissance repertoire.What makes this Wold Meridian edition of these pieces different  from others is that they have been created to make performing them as accessible as possible.  Chords have been provided so that the piece can be played with just the melody line and a simple accompaniment.  It also means that keyboard players or fretted strings can join in with ensembles, giving extra sparkle to performances.Each piece can be heard in a video on YouTube with illustrations and historical background information.  Even more helpful for players who are less experienced in reading harmony lines, there is a YouTube video link featuring each part, where it is heard initially on its own with the chords, on repeats with the melody line added and finally together with all the parts in the whole ensemble.  If you have not had the pleasure of playing in consort with other people, you could not do better than start with these Wold Meridian editions.
$18.00
16.61 €
#
Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, John Dowland, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, Thoinot Arbeau, and Tielman Susato
#
Chording to the Dance Masters 44 Renaissance Dance Consort pieces Omnibus Full Score version
#
Wold Meridian
#
SheetMusicPlus
<
1
26
51
....
501
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version
