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1
Paul Wehage: To You for baritone, tenor saxophone and piano
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Downlo…
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
27.13 €
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Paul Wehage
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Paul Wehage: To You for baritone, tenor saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Lovely
Large Ensemble Choir,Flute,Orff Instrument,Voice - Level 3 - Digital Download SKU: A0.8…
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Large Ensemble Choir,Flute,Orff Instrument,Voice - Level 3 - Digital Download SKU: A0.874274 By Billie Eilish. By Billie Eilish, Billie Eilish O'Connell, Finneas O'Connell, and Khalid Robinson. Arranged by a do Ray me flute studio production, Ray-Michael Kauffman. Pop. Score and parts. 41 pages. As do Ray meflute studio production #6865945. Published by as do Ray meflute studio production (A0.874274). LOVELYLovely by Billie Eilish, Khalid and Finneas O'Connell , from the tv show series 13 reasons Why arranged for flute choir by me, Ray-Michael Kauffman. This arrangement was written and dedicated to Professor Morgann E. Davis Parrish , Flute Professor at Millersville University, PA , and also dedicated to the Millersville University First Flute Day. This arrangement is also a special one in the fact that this is a Composition that Cares, meaning all money made from this goes to charity, for treatment of mental illness and trauma victims. To purchase and support this cause , please go to https://www.sheetmusicplus.com/publis... and check my website out at www.doRaymeflute.com ******* About the instrumental part scoring, this arrangement was created and intended for flutists of all ages and abilities, and levels , backgrounds and experience to be able to play this.Because of this musical arrangement being created and premiered for and at Millersville University’s First Flute Day on 4/2/2022 ( hosted and created by the incredible Flute Professor at Millersville U. Morgann E. Davis Parrish ), I knew I could enable and create parts for the instrumental scoring that could add more depth and texture, and interest to both the players and audience ( no matter what the flutist’s ability is – because every one should and can play in a flute ensemble and make great music with others and HAVE FUN!! =0)) The two added / extra special parts are Flute E-M and Flute H-C. Flute E-M or C flute part 6 stands for elementary or more beginner player. I have easy rhythms/ notes, key signature and note values and wanted them to experience some melody as reflected in the part. If there is something still tricky for the player, please modify their part so they can enjoy in performing. Flute H-C stands for high school and more advanced playing . High schoolers want more of a challenge, so I wanted to create something both with more complexity and interest, but with in their means of ability as hopefully I reflected here. https://youtu.be/dEz-6bZtzKk
$18.99
17.2 €
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Billie Eilish
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Lovely
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as do Ray meflute studio production
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SheetMusicPlus
Impressions of Yellowstone
Piano and Double Reeds - Digital Download SKU: IZ.CMW211 Composed by Daniel Baldwin…
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Piano and Double Reeds - Digital Download SKU: IZ.CMW211 Composed by Daniel Baldwin. Score and Parts. 86 pages. Imagine Music - Digital #CMW211. Published by Imagine Music - Digital (IZ.CMW211). 9 x 12 inches.My wife and I love to travel together. We are always looking for places to go together, as well as excuses to include each other in our own individual travels. One of my personal favorite travel opportunities is the International Double Reed Society conference. It is an opportunity to catch up with friends, make new friends and contacts, and make beautiful music. A number of years ago, I started the All Star Double Reed Band that has now premiered over a dozen new pieces for large double reed ensemble, and has recorded an album of those works. As a combined labor of love, I wrote Impressions of Yellowstone for my wife, a concert pianist, to perform with this group.The first movement, “Little Grand Canyon opens with a chorale in the piano illustrating the simple majesty of the great and wondrous park that my wife and I visit annually with her parents. From there, the music exemplifies my impression of this wondrous landscape; beautiful, powerful. A deep valley with a waterfall on one end, it is one of the more beautiful sites to see in Yellowstone.The second movement, Grand Prismatic, is a musical impression of the different perspectives of this very famous Yellowstone landmark. From the overlook, you see a stunning pond with steam emanating from it and surrounded by color. However, if you are to go down and stand next to the hotspot, your perspective changes greatly. Sulfur smells, danger from the soft crust (with boiling sulfuric liquid just below the surface), and a hot, steamy fog of mist permeate the area.In the finale, Old Faithful, tone painting is brought out in full force as the opening piano solo material brings about the image of the geyser bubbling and building below the surface. Then, at the point of explosion, you hear the water falling and the delight of all of the dozens of onlookers who visit this most famous site at Yellowstone every day.The original version, for double reeds, is dedicated the All Star Double Reed Band and my wife, Tammy Miller, who recorded it on the Co-Op Press label.The version for piano and string orchestra is dedicated to Tammy and the National Composers Orchestra who recorded it on the Baldwin Records label.
$60.00
54.35 €
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Daniel Baldwin
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beautiful, powerful
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Impressions of Yellowstone
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Imagine Music - Digital
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SheetMusicPlus
A Fathers Love
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1192811 Composed by Neil Samuel. Children,Classical,Contemporary. Brass Band. 59 pages. Neil Samuel Music #792263. Published by Neil Samuel Music (A0.1192811). Dedicated to my own children, 'A Fathers Love' was written during the covid lockdown in 2021.I needed a way other than words to tell them how proud I am of them each day.Once the piece was finished I called on a few 'Dad's' to ask for their assistance in creating a distance recording.Below is the link to the video on youtube.
$34.00
30.8 €
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Neil Samuel
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A Fathers Love
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Neil Samuel Music
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SheetMusicPlus
Baritone Horn Solo - Black Eyed Susan
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.767559 Composed by Mike Lyons. 20th Century. Brass Band. 36 pages. Lyons Music Services #5989231. Published by Lyons Music Services (A0.767559). This original solo for baritone horn was written for and dedicated to the lovely Susan Sudworth next to whom I have sat for many years - on and off. Susan is a wonderful caring person and an absolutely wonderful baritone player and she inspired me to write this lyrical, gentle, melodic solo with brass band accompaniment.
$25.00
22.65 €
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Mike Lyons
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Baritone Horn Solo - Black Eyed Susan
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Lyons Music Services
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SheetMusicPlus
Seven Steps To Heaven (2002) for string septet or string orchestra
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 4 - Digital Download …
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.869690 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz. Score and parts. 40 pages. Thomas Oboe Lee #5982647. Published by Thomas Oboe Lee (A0.869690). Seven Steps To Heaven was composed for the Terezin Chamber Music Foundation/Project STEP Summer Education Collaborative in the Berkshires. The work, scored for seven string instruments †2 violins, 2 violas, 2 cellos & contrabass, is in seven sections: four movements with three interludes in between.Moderato, Humble Vale Interlude IFunk ScherzoInterlude IIBossa nova Interlude III Perpetuo motoWhen Mark Ludwig, Director of the Terezin Chamber Music Foundation, told me that Seven Steps would be premiered at the Hancock Shaker Village, I thought it would be most appropriate to use a Shaker tune as a source for this work.The work begins with Humble Vale. Humble Vale is part of the Hancock Hymnal: 1850 compiled by Deborah Rentz Moore.The most obvious element in this beautiful melody is the predominance of the pentatonic mode. The Funk Scherzo movement is a dissertation on pentatonic subsets: major seconds, minor thirds and perfect fourths. The Bossa nova movement, although not pentatonic melodically, is full of chords derived pentatonically: chords stacked in fourths, for example. The last movement, Perpetuo moto, is most definitely pentatonic in its theme: an incessant repeating figure with explosive pentatonic flurries of major seconds, minor thirds and perfect fourths.In between the four movements I have inserted three interludes. Interlude I is an interlocking pair of waltzing pentatonic melodies for two violins. Interlude II is a solemn march on an Fâ€sharp pedal. Interlude III is a quasiâ€canonic descending scale that resolves into a big Gâ€flat major chord. It is my intention that these interludes provide a smooth and slithery connection from one movement into the next. Enjoy!!!The work is dedicated to Miles Davis. His 1963 LP/CD Seven Steps To Heaven is a seminal recording for all music lovers. It made a huge impression on me when I was a teenager in São Paulo, Brazil. I must have listened to it a thousand times. I know every solo by heart. Heaven is Miles’ domain.
$9.99
9.05 €
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Thomas Oboe Lee
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Seven Steps To Heaven
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Thomas Oboe Lee
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SheetMusicPlus
Suite No. 1
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Sco…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95
9.92 €
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Tears from My Eyes: Reflection and Contemplation (For Flute Choir)
Alto Flute,Bass Flute - Digital Download SKU: A0.1070239 Composed by Tito Abeleda. …
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Alto Flute,Bass Flute - Digital Download SKU: A0.1070239 Composed by Tito Abeleda. Concert,Contemporary,New Age. Full Performance. Duration 486. Visionary Quest Records #4718101. Published by Visionary Quest Records (A0.1070239). FLUTE CHOIR: Piccolo, E Flat Flute Solo, E Flat Flute 1-2, Flute 1-3, Alto Flute 1-2, Bass Flute 1-2 Compose by Tito Abeleda (1964 - ) Music score plus parts = 72 pages digital download. Duration: 8:26In 2019 I composed a three-movement piece titled Tear from My Eyes. Tears from My Eyes: Reflection and Contemplation is the second movement to this piece. The first movement is Tears from My Eyes: Remember Your Feelings for full orchestra. The third movement is Tears from My Eyes: Mourning in the Rain for clarinet choir. The entire piece is dedicated to my father and mother. This movement was written for flute choir comprised of piccolo, E flat flutes, flutes, alto flutes, and bass flutes. It is tranquil and meditative to allow one to reflect and contemplate. For me this piece meant reflecting and contemplating in a positive way what my parents have meant to me and all that they have done to support my dreams throughout my life. I wrote these songs to express musically the depth of my gratitude and love for them.
$2.99
2.71 €
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Tito Abeleda
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Tears from My Eyes: Reflection and Contemplation
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Visionary Quest Records
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SheetMusicPlus
Stereograms - Rhythmic Etudes for Bass Clef Instruments, Volume 1
Bassoon,Cello,Double Bass,Trombone - Level 3 - Digital Download SKU: A0.792356 Comp…
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Bassoon,Cello,Double Bass,Trombone - Level 3 - Digital Download SKU: A0.792356 Composed by David Brubeck. Blues,Jazz. 16 pages. Gordon Cherry #4806783. Published by Gordon Cherry (A0.792356). A visual stereogram represents a 3-D image while looking though a pair of 2-D images. There are special viewers that are used to give this effect where two images viewed through the special device can give a 3-D or stereographic effect. Brubeck's Stereograms for Bass Clef Instruments are musical versions of the graphic form. Brubeck uses familiar folk melodies to create his Stereograms and adds jazzy twists to many of them. The musical version may contain two or three individual parts within a single melodic line, thus the musical 3-D Stereogram is created. Bach’s unaccompanied works have underlying multiple parts in them and Brubeck has been inspired by the Master to create a similar texture in these works. They are suitable encore pieces or performance pieces, alone or grouped into ad hoc suites. Brubeck’s music requires rhythmic accuracy and multiple tonal colors, and are especially useful as sight reading tools to keep the performer sharp and on his/her toes. He has also added octave suggestions to allow them to be playable by the widest array of bass clef instruments Each Stereogram is dedicated to a special musical hero in Brubeck’s life. Excellent as study etudes or sight-reading pieces, Stereograms can be performed/practiced by Trombonists, Bass Trombonists, Tubists and Euphoniumists. The 13 melodies used in Volume I are: You Are My Sunshine, This Little Light of Mine, The Itsy Bitsy Spider, When the Saints Go Marching In, Just a Closer Walk With Thee, Frère Jacques, On Top of Old Smokey, If You're Happy and You Know It, London Bridge is Falling Down, Twinkle Twinkle Little Star, Jesus Loves Me, Have You Ever Seen a Lassie, Go Tell Aunt Rhody.
$25.00
22.65 €
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David Brubeck
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Stereograms - Rhythmic Etudes for Bass Clef Instruments, Volume 1
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Gordon Cherry
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SheetMusicPlus
Song For A New Beginning
Guitar - Level 2 - Digital Download SKU: A0.1195957 By Secret Garden. By Rolf Loevl…
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Guitar - Level 2 - Digital Download SKU: A0.1195957 By Secret Garden. By Rolf Loevland. Arranged by Derek Hasted. New Age,Pop. 13 pages. Derek Hasted #795132. Published by Derek Hasted (A0.1195957). SONG FOR A NEW BEGINNING - 3 GUITARS/LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This lovely music is dedicated to my Guitar Workshop - an informal ensemble for adult novice and intermediate guitars that I have had the privilege to found and then run for 35 years. It’s time to hand on the baton to a younger guitarist to lead the Workshop for perhaps another 35 years.This piece was composed by Rolf Løvland (Secret Garden).My arrangement suits an early intermediate trio - indeed the bass line is even suitable for a beginner who can understand 6=D tuning. My arrangement is in a key that helps fit the music to the sweet spot of the guitar’s compass and sound. There’s no fingering - please take the notes where you find them most reliable.Guitar 2 has the tune in the middle section - the dynamics reflect how to balance the sound to best effect.I hope you enjoy this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99
4.52 €
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Secret Garden
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Song For A New Beginning
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Derek Hasted
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SheetMusicPlus
Cello Duet Queluz
String Ensemble - Level 2 - Digital Download SKU: A0.889393 Composed by Luis Artur …
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String Ensemble - Level 2 - Digital Download SKU: A0.889393 Composed by Luis Artur dos Anjos Teixeira. Children,Concert,Contemporary,Instructional,Standards. Score and parts. 1 pages. Luis Anjos Teixeira #2924269. Published by Luis Anjos Teixeira (A0.889393). Queluz is my first Duet written in 1984. Here is a digital version token from the original manuscript, played by Garritan Cellos on the Finale. The name of the piece comes from the place where I was living Queluz, a very poor suburb from Lisbon, with the highest rate of suicide in Portugal back in those times.So I did Music to fly away and it saved my soul from being exposed to such an environment. I hope this tune will help Your soul to reach the 7 skies too.It is an easy piece to play, it can be easily performed by beginners. It is a flexible piece that can be played in many different ways. The bowing can be adjusted to the intention or taste of the players. P.S. - I am doing this Files for my beloved Minimi - She says - RAW MEAT EVERY DAY TAKES THE VETERINARIAN AWAY - This is the message from Minimi, the Stray Queen Cat. Check out uncorrupted sites (pages) like cat nutrition or Dr. Jones or Dr. Karen BeckerorDr. Mercola.This is also dedicated to my lost Father Pedro Anjos Teixeira and to my unknown Opa Luis Silveira, both great Artists and the magical source of my Life and inspiration.It was a pleasure to write it and I hope You have fun listening. Thanks a lot for taking Your time, I hope You enjoyed it too.My Love to You all, my dear Brothers and SistersSláinte !!!
$7.99
7.24 €
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Luis Artur dos Anjos Teixeira
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Cello Duet Queluz
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Luis Anjos Teixeira
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SheetMusicPlus
September Fifteenth
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - Digital Download SKU: A0.1111368 By Pat Metheny. By Lyle Mays and Pat Metheny. Arranged by Colin G Dance. 20th Century,Pop,Rock. Brass Band. 22 pages. Dance is With Music #713655. Published by Dance is With Music (A0.1111368). This is the slow and very peaceful song from the Pat Metheny and Lyle Mays album 'As Falls Wichita So Falls Wichita Falls'. I've always loved the song after my brother Kevin introduced me to it many years ago, and it's only fitting that this arrangement is dedicated to two friends who are sadly no longer with us - Del Wilton, and Harry Rossiter.
$50.00
45.29 €
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Pat Metheny
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September Fifteenth
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Dance is With Music
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SheetMusicPlus
Volare
Small Ensemble Drum Set,Guitar,Piano Accompaniment - Level 4 - Digital Download SKU: A0…
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Small Ensemble Drum Set,Guitar,Piano Accompaniment - Level 4 - Digital Download SKU: A0.882910 By Domenico Modugno. By Domenico Modugno. Arranged by Arranged by Caleb Murray. Contemporary. Score and parts. 95 pages. Caleb Murray #5988883. Published by Caleb Murray (A0.882910). Hello folks! I arranged a cha cha version of Volare, dedicated to my wife, Gina. This is a trombone feature, which I think is the perfect symbol for Latin passion! The trombones are so vocal and macho, plus my wife loves them. It's a Latin Love Affair that I think any audience would really enjoy, especially for the Cha Cha dancers. Solo goes to the first trombone. The highest note for the first trumpet is a high F (Concert Eb).
$50.00
45.29 €
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Domenico Modugno
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Volare
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Caleb Murray
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SheetMusicPlus
A Life in Brass and Christmas Memories
Percussion Ensemble Hand Percussion,Timpani - Digital Download SKU: A0.883793 Compo…
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Percussion Ensemble Hand Percussion,Timpani - Digital Download SKU: A0.883793 Composed by Phil Lawrence. 20th Century,Christmas,Contemporary. Score and parts. 33 pages. Phillip Lawrence #6612425. Published by Phillip Lawrence (A0.883793). Christmas comes but once a year, but when it does for many it inspires memories and thoughts of loved one’s past and present and your own memories too of this time of year when you were young spending Christmas with your family and friends. It is hopelessly nostalgic and at Christmas I revel in it’s nostalgia for me. So I’ve composed a work for brass firstly dedicated to a great man of the brass band from Liverpool Bob Dean (Sailors Chapel, ex Fodens, Camel Lairds and great pal of Jim Scott) and I studied under his baton at BR Edge Hill and with his help I moved on to the famous Manchester CWS Band. Us bander’s love a good tune and a tune that moves us too, I’ve been told by many who have played this that it ticks those boxes. So, however you celebrate this Christmas, I hope this will inspire memories?
$25.99
23.54 €
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Phil Lawrence
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A Life in Brass and Christmas Memories
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Phillip Lawrence
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SheetMusicPlus
Crying
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - Digital Download SKU: A0.1122821 By Roy Orbison. By Joe Melson and Roy Orbison. Arranged by Louis Davies. Pop. Brass Band. 20 pages. LouD Music #723780. Published by LouD Music (A0.1122821). A Small Brass Group Arrangement of 'Crying', originally by Roy Orbison. This version is very respectfully dedicated to my late Father, who loved the BBC Sitcom 'Only Fools and Horses'. This is arranged in the style of Raquel Turner and Tony Angelino, the characters who sung it during the episode 'Stage Freight' and the song was voted 9th in the top 100 'Only Fools and Horses' comedy moments. This was Dad's favourite moment, so I've made it just for him.
$30.00
27.18 €
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Roy Orbison
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Crying
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LouD Music
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SheetMusicPlus
Three Movements for Soprano Sax, Trumpet and Horn
Small Ensemble Horn,Soprano Saxophone,Trumpet - Digital Download SKU: A0.981219 Com…
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Small Ensemble Horn,Soprano Saxophone,Trumpet - Digital Download SKU: A0.981219 Composed by Judith Cloud. Contemporary. Score and parts. 40 pages. Judith Cloud #6690309. Published by Judith Cloud (A0.981219). Three Movements for Soprano Sax, Trumpet and Horn (by Judith Cloud)1. SlaneBe thou my vision was a hymn familiar to me and one that I loved as a child. The origin of the hymn tune SLANE is an Irish folk song called The Banks of the Bann. It first appeared in the old Irish Church Hymnal of 1919.2. Aunt Nancy’s DanceI wanted to include something whimsical for friends and colleagues, Wildy Zumwalt, Cindy Gould and Nancy Sullivan. The result was this second movement, dedicated to Aunt Nancy.3. Fantasy on an Old Negro SpiritualI found this tune in a book of spirituals, many of which were completely unknown to me. The melody is very simple, as are the words. A recording of the spiritual can be found in the Smithsonian archives.
$15.00
13.59 €
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Judith Cloud
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Three Movements for Soprano Sax, Trumpet and Horn
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Judith Cloud
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SheetMusicPlus
Symphony No. 4 ... War and Peace (2001) for soprano and orchestra
Large Ensemble Voice - Level 4 - Digital Download SKU: A0.869357 Composed by Thomas…
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Large Ensemble Voice - Level 4 - Digital Download SKU: A0.869357 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 95 pages. Thomas Oboe Lee #15877. Published by Thomas Oboe Lee (A0.869357). Instrumentation: 2222-4231-timp-2perc-hp-pf-strings. Program note: First of all, a huge embrace for Max Hobart who has been so very supportive by promoting and premiering new works for the orchestra. Since 1991, I have written three works for Max and the Civic Symphony Orchestra of Boston. Symphony No. 4 ... War and Peace is my fourth contribution and this work is dedicated to Max. A year ago, John Finney and the University Chorale of Boston College premiered my Mass for the Holy Year 2000. It was a millennial commission by the Jesuit Institution for the community of Boston College. For that occasion I had originally planned to write a Mass whose texts would include both the Latin from the Ordinary of the Mass - Kyrie, Gloria, Credo, Sanctus & Agnus Dei - and poems concerning the atrocities and senseless killing in warfare during the last century.However, as it turned out, the poems I chose ended up reflecting the Latin text, which is all about faith and redemption. But I still wanted to write an anti-war symphony. When I approached Max with this idea, he was very excited. Initially he was a little concerned that I might want to use the Tolstoy novel as my inspiration. I assured him that it would not be a four-hour symphony. In order to convey a political message through a symphonic work, texts set as songs are the most direct way. For this symphony, I have narrowed my focus to poems written by veterans of the First World War - some euphemistically call it the Great War. The first poem by Rupert Brooke, The Soldier, has an uneasy, patriotic cheerfulness to its message. The second poem by Wilfred Owen, Dulce et decorum est, is a more realistic view of warfare. Dying for one's own country is not so cool when the dead and the dying are staring at your face!!! The third and last poem by Ivor Gurney, To his love, reflects on the aftermath of war: peace, but at what cost!!! Rupert Brooke (1887 - 1915) died on a naval expedition near the Greek island of Gallipoli. He died of blood poisoning. Wilfred Owen (1893 - 1918) was wounded three times in France in the spring of 1917 and was sent back to England to recuperate. He returned to the Front, and was killed on November 4, 1918, just a few days before the Armistice was signed. Ivor Gurney (1890 - 1937), a composer as well, was acutely sensitive to the horrors of the war and, after being wounded and gassed in 1917, he was sent back home to a mental hospital. He died twenty years later without ever recovering from the traumas of war.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-4-war-and-peace-2001
$9.99
9.05 €
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Thomas Oboe Lee
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Symphony No. 4 ... War and Peace
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Thomas Oboe Lee
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SheetMusicPlus
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