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Paul Wehage: To You for baritone, tenor saxophone and piano
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Downlo…
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
27.47 €
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Paul Wehage
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Paul Wehage: To You for baritone, tenor saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
What You Won't Do For Love
B-Flat Trumpet,Tenor Saxophone,Tenor Trombone - Level 3 - Digital Download SKU: A0.1260…
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B-Flat Trumpet,Tenor Saxophone,Tenor Trombone - Level 3 - Digital Download SKU: A0.1260019 Composed by Alfons Kettner and Bobby Caldwell. Arranged by Ryan Gabbart. Disco,Hip-Hop,Pop,R & B,Soul. 10 pages. Ryan Gabbart #853257. Published by Ryan Gabbart (A0.1260019). Transcribed faithfully from the original recording by Bobby Caldwell in F minor. Written for 3 horns (trumpet, tenor, trombone). Includes PDF score format and individual parts. Visit RyanGabbart.com for more!
$12.99
11.91 €
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Alfons Kettner and Bobby Caldwell
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What You Won't Do For Love
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Ryan Gabbart
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SheetMusicPlus
What You Won't Do For Love
Interactive Download SKU: HX.422634 By Bobby Caldwell. This edition: Interactive Do…
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Interactive Download SKU: HX.422634 By Bobby Caldwell. This edition: Interactive Download. Love,Pop. EPF. 5 pages. Published by Hal Leonard - Digital (HX.422634).
$3.99
3.66 €
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Bobby Caldwell
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What You Won't Do For Love
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Hal Leonard - Digital
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SheetMusicPlus
Parting, a love song for vocal duet
Voice Duet Soprano voice,Tenor Voice - Level 4 - Digital Download SKU: A0.1518584 C…
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Voice Duet Soprano voice,Tenor Voice - Level 4 - Digital Download SKU: A0.1518584 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Celtic,Contemporary,Irish,New Age,Pop,Romantic Period. 13 pages. Kevin G. Pace #1092685. Published by Kevin G. Pace (A0.1518584). A lovely, heart-felt vocal duet for soprano and tenor. Music by Kevin G. Pace. Text by Mark R. Fotheringham.Text:BOTHGoodbye love, we sigh at parting.Goodbye love, we hold back the tears.Though our love may tide all weather, ohIt cannot hide our fears.HEI will not be gone forever.No, I’ll not be gone so long.Hold my heart with yours forever, Love,Then our love will ne'er go wrong. SHEYou will not be gone forever.No, you’ll not be gone so long.Hold my heart with yours forever, Love,Then our love will ne'er go wrong.BOTHGoodbye love, we sigh at parting.Goodbye love, we hold back the tears.Though our love may tide all weather, ohIt may not dispel our fears.HEThough my love is far away, her love is a constant.I see her face in ev'ry flower I see.I hear her voice, in ev'ry stream; It flows to my yearning sea.I carry on because she waits for me.SHEWhat would I do without his loveThe shadows would be too deepHis love is like the starry nightThat bids me sle-ep.HEThen in my dreams, when ev'rything seemsSo bright at her ev'ry touch, oh ma-y INe-ver awake to see the morn. In- dreams never can I miss her.SHEThough my love is gone away,His love is ever in my heart.So, I wait for him to come homeWith arms wide open for me.Kisses to assure me of his love.BOTHGoodbye love, we sighed at parting.Goodbye love, we held back the tears.Now our love has weathered ev'ry storm,And conquered all our fears.SHEOh, you were not gone forever.No, you were not gone so long.Hold my heart with yours forever, Love,Then our love will ne'er go wrong. SHEYes, I was not gone forever.No, I was not gone so long.Hold my heart with yours forever, Love,Then our love will ne'er go wrong.BOTHGoodbye love, we sighed at parting.Goodbye love, we held back the tears.Now as love has weathered ev'ry storm,Love will last through all our years.
$5.99
5.49 €
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Kevin G
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It flows to my yearning sea
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Parting, a love song for vocal duet
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Kevin G. Pace
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SheetMusicPlus
What can we poor females do for 2 baroque flutes (mp3)
Flute - Level 3 - Digital Download SKU: A0.1163102 By Robert Billington and Emma Me…
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Flute - Level 3 - Digital Download SKU: A0.1163102 By Robert Billington and Emma Mellinger. By Henry Purcell. Arranged by David Warin Solomons. Baroque,Classical. Full Performance. Duration 89. David Warin Solomons #763456. Published by David Warin Solomons (A0.1163102). Arrangement of Purcell's duet from Orpheus Britannicus.What can we poor females doWhen pressing, teasing lovers sue?What can we poor females do?Fate affords no other way,But denying or complying,And relenting, or consenting,Does alike our hopes betray.The pdf file contains score and partsThe ornamentations and this performance are by Dr Robert David Billington with Emma Mellinger on 2nd flute.
$4.50
4.13 €
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Robert Billington and Emma Mellinger
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What can we poor females do for 2 baroque flutes
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David Warin Solomons
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SheetMusicPlus
Do You Love Me Not by Oliver Johnson
Baritone Horn TC,Bass Guitar,Drum Set,Hand Percussion,Piano,Trombone,Trumpet,Voice - Digit…
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Baritone Horn TC,Bass Guitar,Drum Set,Hand Percussion,Piano,Trombone,Trumpet,Voice - Digital Download SKU: A0.1072571 Composed by Dwight Leroy Quinn. Blues,Jazz,R & B. Full Performance. Duration 268. D.L. Quinn Music Publishing Company #4580379. Published by D.L. Quinn Music Publishing Company (A0.1072571). QR061202-1:(CD) Oliver Johnson introducing again,to the world of Blues/Soul music, his signature of soul, the trumpet, charging into the realm of Blues and Soul music-lover's hearts with his new sound and his new way of rocking the Blues and Soul music world.
$1.99
1.83 €
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Dwight Leroy Quinn
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Do You Love Me Not by Oliver Johnson
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D.L. Quinn Music Publishing Company
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SheetMusicPlus
Anything You Can Do . . . for violin and vibraphone
Instrumental Duet Instrumental Duet,Vibraphone,Violin - Level 5 - Digital Download SKU:…
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Instrumental Duet Instrumental Duet,Vibraphone,Violin - Level 5 - Digital Download SKU: A0.987848 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 54 pages. Robert M. Greenberg #90285. Published by Robert M. Greenberg (A0.987848). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 12 minutes Year of composition: 2006 Program Note: The mind searches for the oddest of couples. Felix Unger and Oscar Madison. Julia Roberts and Lyle Lovett. The violin and the vibraphone. Aside from the letter V, the two instruments have almost nothing in common. We consider: the violin is the most aristocratic instrument in the Western musical tradition, the prima donna of the instrumental world, an instrument that has had, lavished upon it, more extraordinary music than any other since its invention roughly 475 years ago. And then there’s the vibraphone, a percussion instrument with pitched metal bars and motor-driven resonators that produce a vibrato. Invented around 1925, it’s an instrument created for dance bands and popular music. Anything You Can Do . . . is a confrontation between these two musical opposites. A sense of contest characterizes the entire piece, as the vibraphone seeks to establish its bona fides side by side with the violin, which in turn attempts to keep the vibraphone in its place by beating it at its own game. The first movement is conceived as a race, in which each instrument acts like the other – the violin explosively and percussively, and the vibraphone with lengthy bowed passages – while seeking to shake off the other. The movement concludes with the violin paying a series of huge, chords and a long, sustained triple-stop that, much to its fury, the vibraphone manages to match with a sustained double-stop of its own. The movement ends in a draw. The second movement begins with the violin doing its best to match the vibrato patterns of the vibraphone’s variable motor. Ultimately, the violin breaks free and plays a broad, arioso-styled melody. The vibraphone tries to match it, but cannot; try as it might, its fixed range cannot reach the stratospheric heights of the violin. Advantage violin. The third movement is constructed in three sections. In the outer sections, rapidly rising and falling lines and counter rhythms pervade as each instrument seeks to gain an advantage over the other. In the middle section, alternating, hocket-like phrases give way to bent notes and glissandi in the vibraphone, which infuriates the violin (how dare this upstart percussion instrument do something ordinarily associated with me?). The movement concludes with the violin once again attempting to lord its greater range over the vibraphone by playing a long sustained F# - the same pitch that conquered the vibraphone at the end of the second movement – only to have the vibraphone top it by playing a harmonic a full seven notes above the F#. Game, set, match: vibraphone. Some respect, please, for the new kid on the block. Anything You Can Do . . . is dedicated, with a thousand-and-one thanks, to Victor Romasevich and Jack van Geem.
$28.00
25.68 €
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Robert M
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Anything You Can Do . . . for violin and vibraphone
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Robert M. Greenberg
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SheetMusicPlus
Why Do I Love You?
Small Ensemble - Digital Download SKU: A0.995563 Composed by Jerome Kern. Arranged …
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Small Ensemble - Digital Download SKU: A0.995563 Composed by Jerome Kern. Arranged by Mark Hale. Contemporary. Score and parts. 3 pages. Mike Lofthouse #5008243. Published by Mike Lofthouse (A0.995563). A fantastic song arranged in the Barbershop style by one of the foremost arrangers.
$1.99
1.83 €
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Jerome Kern
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Why Do I Love You?
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Mike Lofthouse
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SheetMusicPlus
LOVELY THOUGHTS
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068892 Composed by Lars Ek…
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068892 Composed by Lars Ek. Folk,World. Full Performance. Duration 233. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921495. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068892). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
1.83 €
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Lars Ek
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LOVELY THOUGHTS
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
FORNUDDSVALSEN
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068890 Composed by Lars Ek…
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068890 Composed by Lars Ek. Folk,World. Full Performance. Duration 259. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921479. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068890). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
1.83 €
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Lars Ek
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FORNUDDSVALSEN
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel
Large Ensemble Cello,Clarinet,Double Bass,Flute,Horn,Viola,Violin - Level 4 - Digital Down…
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Large Ensemble Cello,Clarinet,Double Bass,Flute,Horn,Viola,Violin - Level 4 - Digital Download SKU: A0.869298 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Classical,Contemporary,Latin,Romantic Period. Score and parts. With Grateful Chanting: Featuring the B-flat clarinet in a pentatonic chant setting. III. 46 pages. Thomas Oboe Lee #431091. Published by Thomas Oboe Lee (A0.869298). Instrumentation: Flute, Bb clarinet, Horn in F, Violin, Viola, Cello, Double Bass Program note: Septet, opus 77 ... Variations on a Shaker Tune was commissioned by Mark Ludwig for his educational series in the Berkshires of Massachusetts. When he approached me about writing a theme and variations work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from nearby Hancock Shaker Village. As it turns out Deborah Leath Rentz, a mezzo-soprano who is Mark's assistant at the Terezin Music Foundation, has been researching and transcribing a Shaker Hymnal, ca. 1850, created and compiled at the Hancock Shaker Village. (Deborah's project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.) So I asked her to put on DAT tape a number of these hymns for me. I immediately fell in love with the very first one on the tape: Grateful Remembrance. It had a soulful, melancholic core; an almost bluesy feeling to it. In this performance, Deborah will sing the hymn a cappella in the beginning. Then, seven variations will follow. I. Grateful Remembrance: An instrumental version of the hymn. II. Grateful Chanting: Featuring the B-flat clarinet in a pentatonic chant setting. III. Grateful Funk: The bluesiness of the hymn is transformed into a funk riff. IV. Tango Remembered: A four-note fragment from the hymn is transformed into a sultry tango. V. Sambinha agradecida: The yearning flat 6th in the hymn is transformed into a samba Carmen Miranda would've loved. VI. Canonized Remembrance: The hymn is treated to a canonic transfiguration. VII. Grateful Groove: The pentatonic nature of the hymn is spun out in an Afro-cuban razzle dazzle finale!!! Enjoy!!!
$9.99
9.16 €
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Thomas Oboe Lee
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Septet, opus 77 ... Variations on a Shaker Tune
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Thomas Oboe Lee
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SheetMusicPlus
Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel
Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Viola,Violin - Level 4 - Digi…
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Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.869348 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 46 pages. Thomas Oboe Lee #6073. Published by Thomas Oboe Lee (A0.869348). Septet, opus 77 ... Variations on a Shaker Tune was commissioned by Mark Ludwig for his educational series in the Berkshires of Massachusetts. When he approached me about writing a theme and variations work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from nearby Hancock Shaker Village. As it turns out Deborah Leath Rentz, a mezzo-soprano who is Mark's assistant at the Terezin Music Foundation, has been researching and transcribing a Shaker Hymnal, ca. 1850, created and compiled at the Hancock Shaker Village. (Deborah's project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.) So I asked her to put on DAT tape a number of these hymns for me. I immediately fell in love with the very first one on the tape: Grateful Remembrance. It had a soulful, melancholic core; an almost bluesy feeling to it. In this performance, Deborah will sing the hymn a cappella in the beginning. Then, seven variations will follow. I. Grateful Remembrance An instrumental version of the hymn. II. Grateful Chanting Featuring the B-flat clarinet in a pentatonic chant setting. III. Grateful Funk The bluesiness of the hymn is transformed into a funk riff. IV. Tango Remembered A four-note fragment from the hymn is transformed into a sultry tango. V. Sambinha agradecida The yearning flat 6th in the hymn is transformed into a samba Carmen Miranda would've loved. VI. Canonized Remembrance The hymn is treated to a canonic transfiguration. VII. Grateful Groove The pentatonic nature of the hymn is spun out in an Afro-cuban razzle dazzle finale!!! Enjoy!!!
$9.99
9.16 €
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Thomas Oboe Lee
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Septet, opus 77 ... Variations on a Shaker Tune
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Thomas Oboe Lee
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SheetMusicPlus
I Do Not Love Thee Three Ways
Small Ensemble Cello,Flute,High Voice,Low Voice,Piano - Level 4 - Digital Download SKU:…
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Small Ensemble Cello,Flute,High Voice,Low Voice,Piano - Level 4 - Digital Download SKU: A0.889852 Composed by Gary Friedman. Baroque,Contemporary,Jazz. Score and parts. 36 pages. Gary Friedman #5933. Published by Gary Friedman (A0.889852). A musical setting of the poem, I Do Not Love Thee, by Caroline Elizabeth Sarah Norton. The music attempts to express the speaker's denial of the obvious. There are three musical settings, each about 4 to 5 minutes long. The first version is spare, with only flute accompaniment. The second is in baroque style with flute and cello accompaniment. The third is a blues-style version with piano added. Instead of a sound clip please listen to a beautiful professional performance of the three settings on my music website, www.garyfriedmanmusic.net.
$10.00
9.17 €
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Gary Friedman
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I Do Not Love Thee Three Ways
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Gary Friedman
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SheetMusicPlus
That's What You Do For A Friend
Mixed Percussion,Strings Bass Voice,Clarinet,Clavinova,Digital Keyboard,Double Bass,Drum S…
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Mixed Percussion,Strings Bass Voice,Clarinet,Clavinova,Digital Keyboard,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electronic Keyboard,English Horn,Flute,Harp,Medium Voice,Medium-High Voice,Medium-Low Voice,Oboe,Percussion,Piano,String Synthesizer,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1161186 Composed by Clive Romney and Lex De Azevedo. Arranged by Amphibia Cultural Legacy. Broadway,Comedy,Disco,Film/TV,Musical/Show,New Age. 9 pages. Amphibia Cultural Legacy #761516. Published by Amphibia Cultural Legacy (A0.1161186). The Swan Princess II: Escape From Castle Mountain is a beloved animated movie whose soundtrack has been equally adored. One of the standout tracks from the film is That's What You Do For A Friend, which was originally performed by Michelle Nicastro. However, the track has recently been remixed with additional instruments that take it to another level.The new version of That's What You Do For A Friend adds depth and complexity to a beautiful song. The added instruments give the track a fuller sound that perfectly captures the emotion behind the lyrics. Care was taken to craft this remix; every note feels deliberate and purposeful.The Swan Princess fans will undoubtedly appreciate this updated version of That's What You Do For A Friend.An epic fantasy cover from The Swan Princess II: Escape From Castle Mountain, remixed in warm pad and orchestra in an amazing wonderful perfect arrangement. Very famous, amazingly powerful, and more enhanced than the original. This is the greatest powerful magnificent musical melodic masterpiece of all time in the world!Originally released on October 8, 2022.
$40.00
36.69 €
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Clive Romney and Lex De Azevedo
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That's What You Do For A Friend
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Amphibia Cultural Legacy
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SheetMusicPlus
Who Do You Love
Choral Alto Saxophone,Bass Clarinet,Choral,Harmonica,Soprano Saxophone - Level 3 - Interac…
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Choral Alto Saxophone,Bass Clarinet,Choral,Harmonica,Soprano Saxophone - Level 3 - Interactive Download SKU: A0.1372592 By Marianas Trench. By Josh Ramsay. Arranged by Megan Easton. This edition: Interactive Download. Pop. 17 pages. Duration 224. Megan Easton #6WDtRCQU78c4ns8NRaQhDV. Published by Megan Easton (A0.1372592). Key: D major.SMATB divisi + solo and harmony arrangement of Who Do You Love originally performed by Marianas Trench.
$1.99
1.83 €
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Marianas Trench
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Who Do You Love
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Megan Easton
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SheetMusicPlus
Do You Love Me
Alto Saxophone,Bass Guitar,Drums,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet - Le…
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Alto Saxophone,Bass Guitar,Drums,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet - Level 1 - Digital Download SKU: A0.1319595 By The Dave Clark Five. By Berry Gordy Jr. Arranged by Jim Farley. Pop,Rock. 33 pages. Jim Farley arrangementsone.com #908154. Published by Jim Farley arrangementsone.com (A0.1319595). Arranged for 7-8 piece horn band, including: Directors score, Piano/Vocal/Guitar, Leadsheet, Guitar (rythm and chords only), Bass Guitar, Drums, Alto Sax, Tenor Sax (identical to Alto), Trumpets 1 & 2 (not identical) and Trombone.This is a very easy, basic arrangement that can be learned very quickly and is a definite crowd pleaser!ABOUT THE ARRANGER: Jim Farley has been a professional musician, arranger, composer and transcriptionist since the mid 1970's and has thousands of works, spanning various genres, in his catalogue: Musical Theater, College and High School Pep Band, Orchestra and Show Choir, Cruise Ship, Broadway and Las Vegas performers as well as dozens of classic rock horn bands throughout the U.S., Canada & Europe. If you have any additional arranging needs, please contact Jim at farleyjc@gmail.com and visit his website at ARRANGEMENTS ON E!
$29.99
27.51 €
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The Dave Clark Five
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Do You Love Me
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Jim Farley arrangementsone.com
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SheetMusicPlus
I'd Do Anything For Love (But I Won't Do That)
Keyboard Transcription,Piano and Keyboard - Digital Download SKU: HX.345328 By Meat…
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Keyboard Transcription,Piano and Keyboard - Digital Download SKU: HX.345328 By Meat Loaf. This edition: scorch. Love,Pop,Rock. Score. 11 pages. Hal Leonard - Digital #176. Published by Hal Leonard - Digital (HX.345328).
$5.99
5.49 €
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Meat Loaf
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I'd Do Anything For Love
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Hal Leonard - Digital
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SheetMusicPlus
How Do I Love Thee?
(Full Performance) - Digital Download SKU: HX.156887 Composed by Evan Copley. Conce…
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(Full Performance) - Digital Download SKU: HX.156887 Composed by Evan Copley. Concert,Contest,Festival. Choral. Duration 111. Published by Hal Leonard - Digital (HX.156887).
$0.99
0.91 €
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Evan Copley
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How Do I Love Thee?
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Hal Leonard - Digital
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SheetMusicPlus
Do You Love Me?
(Full Performance) - Digital Download SKU: HX.373587 Composed by Dave and Jean Perr…
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(Full Performance) - Digital Download SKU: HX.373587 Composed by Dave and Jean Perry. Concert,Festival. Choral. Duration 141. Published by Hal Leonard - Digital (HX.373587).
$1.99
1.83 €
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Dave and Jean Perry
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Do You Love Me?
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Hal Leonard - Digital
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SheetMusicPlus
Do I Love You (indeed I Do)
Small Ensemble Bass Guitar,Drums,Electric Guitar,Keyboard - Level 3 - Digital Download …
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Small Ensemble Bass Guitar,Drums,Electric Guitar,Keyboard - Level 3 - Digital Download SKU: A0.1157679 Composed by Frank Edwards Wilson. Arranged by P Welsh. Rock. Score and parts. 15 pages. Accubass #758024. Published by Accubass (A0.1157679). Full Set of accurate parts for the Springsteen Version.
$19.99
18.33 €
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Frank Edwards Wilson
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Do I Love You
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Accubass
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SheetMusicPlus
Do I Love You (indeed I Do)
Mixed Percussion,Small Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Downloa…
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Mixed Percussion,Small Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.1094634 Composed by Frank Edwards Wilson. Arranged by Stephen Street. Pop. Score and parts. 20 pages. Www.stephenstreet.com #698704. Published by www.stephenstreet.com (A0.1094634). A northern soul and motown classic arranged for string quintet and percussion/kit. Violin 1+2, Viola, Cello, Double Bass and drums or percussion.
$20.00
18.34 €
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Frank Edwards Wilson
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Do I Love You
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www.stephenstreet.com
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SheetMusicPlus
Do I Love You Because You're Beautiful?
Instrumental Duet B-Flat Clarinet,Flute,Instrumental Duet - Digital Download SKU: A0.55…
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Instrumental Duet B-Flat Clarinet,Flute,Instrumental Duet - Digital Download SKU: A0.555770 By Tony Martin. By Oscar Hammerstein and Richard Rodgers. Arranged by Cindy Blevins. Broadway,Film/TV,Musical/Show. Score and parts. 9 pages. Cindy Blevins #165323. Published by Cindy Blevins (A0.555770). This is a beautiful, playable arrangement for flute and clarinet duet, from Cinderella. You receive the score and the separate parts. Please check out the music sample for play-ability for your ensemble.Please note: you may see blank pages among the sample pages. They are included so that only a score sample is shown.
$4.99
4.58 €
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Tony Martin
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Do I Love You Because You're Beautiful?
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Cindy Blevins
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SheetMusicPlus
How Do I Love You, Lord?
Instrumental Duet Guitar,Instrumental Duet,Voice - Digital Download SKU: A0.980777 …
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Instrumental Duet Guitar,Instrumental Duet,Voice - Digital Download SKU: A0.980777 Composed by Mark Greer. Children,Christian,Praise & Worship,Sacred. Score and parts. 1 pages. The CHOSEN Company, LLC #4601889. Published by The CHOSEN Company, LLC (A0.980777). Pretty, lilting song - good for children.
$3.99
3.66 €
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Mark Greer
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How Do I Love You, Lord?
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The CHOSEN Company, LLC
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SheetMusicPlus
Who Do You Love
Small Ensemble - Level 5 - Digital Download SKU: A0.748048 By Chicago. By Bill Cham…
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Small Ensemble - Level 5 - Digital Download SKU: A0.748048 By Chicago. By Bill Champlin and Dennis Matkosky. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 75 pages. Patrick Sheehan #5214081. Published by Patrick Sheehan (A0.748048). INSTRUMENTATION: Lead Vocal, Background Vocal I, Background Vocal II, Background Vocal III, Tenor Saxophone (Bb), Trumpet (Bb), Trombone, Tenor Saxophone (Bb) (overdub), Baritone Saxophone (Eb), Trumpet (Bb) (overdub), Trombone (overdub), Keyboard I (Hammond B-3 Organ), Keyboard II (Synth. Pipe Organ), Electric Guitar I, Electric Guitar II, Bass, Drumset. All parts transcribed by ear from the original recording from CHICAGO TWENTY-1, released in 1991. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$25.00
22.93 €
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Chicago
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Who Do You Love
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Patrick Sheehan
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SheetMusicPlus
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