Download Digital Sheet Music of Don't Look Back

Don't Look Back

Don't Look Back In Anger

Don't Look Back In Anger

Guitar - Level 1 - Digital Download SKU: A0.1294368 By Oasis. By Noel Gallagher. Ar…(+)

Guitar - Level 1 - Digital Download SKU: A0.1294368 By Oasis. By Noel Gallagher. Arranged by Alex Davis. Pop,Rock. Chords/Lyrics. 2 pages. Alex Davis Music #884752. Published by Alex Davis Music (A0.1294368). Guitar chords and lyrics for Don't Look Back In Anger by Oasis.
$1.99 1.79 € #Oasis #Don't Look Back In Anger #Alex Davis Music #SheetMusicPlus

#Don't Look Back In Anger

Small Ensemble - Level 2 - Digital Download SKU: A0.809415 By Oasis. By Noel Gallagher. Arranged by Academia Unimusica. Rock. Score and parts. 3 pages. Unimusic Academy (Academia Unimusica) #6252141. Published by Unimusic Academy (Academia Unimusica) (A0.809415). Don't Look Back in Anger is a song by the English rock band Oasis. It was written by the band's guitarist and main songwriter Noel Gallagher. The song was produced by Gallagher and Owen Morris. Released on 19 February 1996 as the fourth single from their second studio album, (What's the Story) Morning Glory? (1995), it became Oasis's second single to reach No. 1 on the UK Singles Chart, where it also went platinum.[1] It was the first Oasis single with lead vocals by Noel, who had previously only sung lead on B-sides, instead of his brother Liam. Noel would later sing lead vocals on six more singles. The song is in the key of C, but pitched slightly sharp of the standard concert tuning of A 440 at 451. It is one of the band's signature songs, and was played at almost every single live show from its release to the dissolution of the band in 2009. In 2012, it was ranked No. 1 on a list of the 50 Most Explosive Choruses by NME,[2] and the same year it was voted the fourth-most-popular No. 1 single of the last 60 years in the UK by the public in conjunction with the Official Charts Company's 60th anniversary.[3] In 2015, Rolling Stone readers voted it the second-greatest Britpop song after Common People by Pulp.[4] On 29 May 2017, Absolute Radio 90s broadcast a programme counting down the top 50 songs written by Noel Gallagher to mark his 50th birthday, with the song being voted No. 1. In August 2020, the song was voted as the greatest song of the '90s by listeners of Absolute Radio 90s as part of celebrations for the station's tenth anniversary.

Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068894 Composed by Lars Ek. Folk,World. Full Performance. Duration 225. Lars Ek Cosmos Music c/o Musik & UnderhÃ¥llningsskrÃ¤dderiet AB #1921499. Published by Lars Ek Cosmos Music c/o Musik & UnderhÃ¥llningsskrÃ¤dderiet AB (A0.1068894). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, weÂ´ve got a new idol. ItÂ´s astonishing in two different ways: for us who know the accordion world itÂ´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has itÂ´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30Â´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. ItÂ´s a type of music which is historical but not belonging to the museums, not dead, itÂ´s a typical of music filled with life. Very much so thanks to Lars Ek. ItÂ´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30Â´s and the 40Â´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who donÂ´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. ThatÂ´s not mania. The style asks for such instruments. ItÂ´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say heÂ´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, donÂ´t think itÂ´s only those old ones who were around in the 30Â´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasnÂ´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But youÂ´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, itÂ´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. ItÂ´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But itÂ´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.

Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068893 Composed by Lars Ek. Folk,World. Full Performance. Duration 154. Lars Ek Cosmos Music c/o Musik & UnderhÃ¥llningsskrÃ¤dderiet AB #1921497. Published by Lars Ek Cosmos Music c/o Musik & UnderhÃ¥llningsskrÃ¤dderiet AB (A0.1068893). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, weÂ´ve got a new idol. ItÂ´s astonishing in two different ways: for us who know the accordion world itÂ´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has itÂ´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30Â´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. ItÂ´s a type of music which is historical but not belonging to the museums, not dead, itÂ´s a typical of music filled with life. Very much so thanks to Lars Ek. ItÂ´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30Â´s and the 40Â´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who donÂ´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. ThatÂ´s not mania. The style asks for such instruments. ItÂ´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say heÂ´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, donÂ´t think itÂ´s only those old ones who were around in the 30Â´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasnÂ´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But youÂ´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, itÂ´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. ItÂ´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But itÂ´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.

Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068890 Composed by Lars Ek. Folk,World. Full Performance. Duration 259. Lars Ek Cosmos Music c/o Musik & UnderhÃ¥llningsskrÃ¤dderiet AB #1921479. Published by Lars Ek Cosmos Music c/o Musik & UnderhÃ¥llningsskrÃ¤dderiet AB (A0.1068890). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, weÂ´ve got a new idol. ItÂ´s astonishing in two different ways: for us who know the accordion world itÂ´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has itÂ´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30Â´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. ItÂ´s a type of music which is historical but not belonging to the museums, not dead, itÂ´s a typical of music filled with life. Very much so thanks to Lars Ek. ItÂ´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30Â´s and the 40Â´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who donÂ´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. ThatÂ´s not mania. The style asks for such instruments. ItÂ´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say heÂ´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, donÂ´t think itÂ´s only those old ones who were around in the 30Â´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasnÂ´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But youÂ´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, itÂ´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. ItÂ´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But itÂ´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.

Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068892 Composed by Lars Ek. Folk,World. Full Performance. Duration 233. Lars Ek Cosmos Music c/o Musik & UnderhÃ¥llningsskrÃ¤dderiet AB #1921495. Published by Lars Ek Cosmos Music c/o Musik & UnderhÃ¥llningsskrÃ¤dderiet AB (A0.1068892). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, weÂ´ve got a new idol. ItÂ´s astonishing in two different ways: for us who know the accordion world itÂ´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has itÂ´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30Â´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. ItÂ´s a type of music which is historical but not belonging to the museums, not dead, itÂ´s a typical of music filled with life. Very much so thanks to Lars Ek. ItÂ´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30Â´s and the 40Â´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who donÂ´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. ThatÂ´s not mania. The style asks for such instruments. ItÂ´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say heÂ´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, donÂ´t think itÂ´s only those old ones who were around in the 30Â´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasnÂ´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But youÂ´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, itÂ´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. ItÂ´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But itÂ´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.

Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068889 Composed by Lars Ek. Folk,World. Full Performance. Duration 206. Lars Ek Cosmos Music c/o Musik & UnderhÃ¥llningsskrÃ¤dderiet AB #1921477. Published by Lars Ek Cosmos Music c/o Musik & UnderhÃ¥llningsskrÃ¤dderiet AB (A0.1068889). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, weÂ´ve got a new idol. ItÂ´s astonishing in two different ways: for us who know the accordion world itÂ´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has itÂ´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30Â´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. ItÂ´s a type of music which is historical but not belonging to the museums, not dead, itÂ´s a typical of music filled with life. Very much so thanks to Lars Ek. ItÂ´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30Â´s and the 40Â´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who donÂ´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. ThatÂ´s not mania. The style asks for such instruments. ItÂ´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say heÂ´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, donÂ´t think itÂ´s only those old ones who were around in the 30Â´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasnÂ´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But youÂ´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, itÂ´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. ItÂ´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But itÂ´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.

Joyride-Clarinet and Alto Sax Version

Alto Saxophone,B-Flat Clarinet,Instrumental Duet - Level 5 - Digital Download SKU: A0.1…(+)

Alto Saxophone,B-Flat Clarinet,Instrumental Duet - Level 5 - Digital Download SKU: A0.1246358 Composed by Kyle Vanderburg. 21st Century,Chamber. 32 pages. NoteForge #841109. Published by NoteForge (A0.1246358). Joyride is a clarinet and alto saxophone duet that oscillates from being loud and raucous when it thinks you're not looking to well-behaved and almost polite when it catches you watching. The back-and-forth motive suggests either a lack of control by either player or a complete abdication of any responsibility. Sure, there are some nice chorale-sounding moments, but even those get a little out of hand when in the hands of these two. Seriously, don't trust them. Years later, they'll look back on this and say It seemed like a good idea at the time..
$11.00 9.89 € #Kyle Vanderburg #Joyride-Clarinet and Alto Sax Version #NoteForge #SheetMusicPlus

Brass Ensemble Trumpet - Level 1 - Digital Download SKU: A0.1079739 Composed by Eddie Lewis. Classical,Instructional,Sacred. Score and parts. 6 pages. Tiger Music #683926. Published by Tiger Music (A0.1079739). I have said this in the description for other pieces, but itâ€™s worth mentioning again. I believe that trumpet students should begin performing from the start of their careers. The problem with this belief is that there isnâ€™t much good music written for the beginners to perform. Most of what is published is â€œdumbed downâ€ and doesnâ€™t sound like real music. I have been trying to fill that cap by composing pieces for the beginners that I would be proud to perform in public. My objective with these compositions is to write music that sounds like real music, but functions within the limitations of the beginnersâ€™ trumpet skills. My first compositions of this nature were the three bird solos, Bird March, Feathered Friends and The Purple Parrot (which I let my then current students name). One of those students performed the Bird March solo at a school assembly only three or four months after she started playing the trumpet. That student eventually quit trumpet to pursue a busy performance career in theater (she was an elementary school student) but performing the Bird March for her fellow students is a memory she will always fondly look back on. That is part of why performing early in the learning process is so important. You donâ€™t know when students will continue, and which ones will not. For those students whose trumpet careers end up being no longer than a year, the one or two performances they have in that year are all they will have to look back on. Unfortunately, those who do not perform at all will only ever remember the drudgery of pointless practice and rehearsals. But thereâ€™s more to my early performance philosophy than just that. For those students who do continue their trumpet careers for many years, the earlier performances have a mental benefit that cannot be replaced in any other way. Their future progress on the trumpet is greatly enhanced by each performance they present in the first two years of their trumpet careers.

Guitar - Level 2 - Digital Download SKU: A0.1314698 Composed by Richard Hirsch. Instructional. Educational Exercises. 8 pages. Richard Hirsch #903442. Published by Richard Hirsch (A0.1314698). Many amateur guitarists and beginning students of guitar are â€˜stuck in the first positionâ€™. The rest of the fretboard is â€˜terra incognitaâ€™. They donâ€™t know where the notes are and they donâ€™t know how to get to them and use them in playing melodies. To help remedy this situation, I offer a collection of scales and exercises I have developed over the years that have helped me master the fretboard of the guitar and that I have used to warm up my left and right hands before practicing or playing proper pieces.Â Guitarists afraid to move up the fretboard miss out on all the tonal nuances that the guitar has to offer. They also often have undeveloped left hand technique with a little finger that flies around helplessly and uselessly. These scales and exercises will, if played regularly, put the little finger to good use and guide the left hand to orient to the fretboard properly, staying close to the fretboard with fingers that move as little and as efficiently as possible. They are also relaxing and fun to play around with. I read somewhere a while back that medical science had found that pianists were less likely to develop brain diseases. The scientists attributed this to the many hours pianists spend playing scales, as this is like a gentle brain massage. So scales are not only good warm up exercises for the fingers but also good warm-ups for the brain.The scale exercises written here in the keys of G and C should be played in different keys in higher positions on the fretboard. Students can try to see just how far up the neck they can go to reach the highest notes. After a while, what seemed challenging and strange will start to feel comfortable and familiar. Donâ€™t hesitate to develop new variants of the scales when you grow tired of playing them as I propose here. Have fun playing and playing with the scales!The exercises often start in one position and move toward other higher or lower positions on the fretboard. When moving from one position to another, follow the suggested fingerings to utilise what is called a lead finger to move the hand to the next position. This will make the movement smooth and not interrupt the flow of the scale. In the end all movement should look and feel seamless and effortless.I have chosen scales in major keys I think are particularly good to play on the guitar. To practice a scale in a minor key, start the exercise in the related major key from the fundamental of the minor key, for example, to play an E minor scale start the G major exercise on an E and play from there. This is one way of creating new variants of these scales. Another way to vary the exercises is to play the scales in different time signatures or rhythms.I believe these exercises are particularly helpful for amateur guitarists who play in ensembles of different kinds, duos, trios, quartets, where the guitarist often only has one melodic line to play. Such melodies often sound much better played in higher positions where the guitar can be made to sing, rather than in the first position where the same tones, especially on open strings, often sound rather dull. From my own experience, I find that when I play a melody in a higher position using all the fingers of the left hand, the melody not only sounds better, the fingers remember the melody better.Â

Shindig - Horn Choir

Brass Ensemble Horn - Level 4 - Digital Download SKU: A0.1002841 Composed by Kyle V…(+)

Brass Ensemble Horn - Level 4 - Digital Download SKU: A0.1002841 Composed by Kyle Vanderburg. Contemporary. Score and parts. 43 pages. NoteForge #6478773. Published by NoteForge (A0.1002841). Shindig was written in the beginning months of 2021, as the coronavirus pandemic neared its anniversary and the promise of a vaccine was just on the horizon. It's a forward-looking piece, in search of a time where we can safely gather in celebration. The piece begins like a party would--guests trickle in (we don't hear all eight parts until a third of the piece is over), the musical lines are written as dialogue with plenty of back-and-forth, and there are often multiple conversations happening at the same time. Everyone's invited. Tell your friends.
$9.99 8.98 € #Kyle Vanderburg #Shindig - Horn Choir #NoteForge #SheetMusicPlus

Believe There Is Good

Choral Choir,Choral,SAT Chorus - Level 2 - Digital Download SKU: A0.1488763 Compose…(+)

Choral Choir,Choral,SAT Chorus - Level 2 - Digital Download SKU: A0.1488763 Composed by Teresa O'Connell (BMI). Arranged by Teresa OConnell (BMI). Contemporary,Contest,Festival,Instructional. 18 pages. Teresa O'Connell (BMI) #1065612. Published by Teresa O'Connell (BMI) (A0.1488763). Believe There Is Good (3-pt mixed). Also available for SSA. A beautifully orchestrated backing track is also available separately.Your singers will love this piece! These inspirational, optimistic lyrics encourage your singers and audience to Believe There Is Good in everyone. Looking for the positive in others, rather than their flaws and showing empathy to people who may be struggling...this is the message of Believe There Is Good. This piece is in a jazzy 3/4 and is very fun to sing for all voice parts. Don't miss this one, and be sure to use the spectacular backing track (sold separately).Believe there is good, in the midst of the darkness. There is good, beneath the hate and the pain. See the light, see the spark, see the good in every heart. Believe there is good in everyone.Part One range C4-E5. Part Two range is B3-Bb4. Part Three (bass clef) is F3-D4.
$2.99 2.69 € #Teresa O'Connell #Believe There Is Good #Teresa O'Connell #SheetMusicPlus

Bagpipe music - instrumental improvisation based on the poem by Louis MacNeice (mp3)

Sampler - Level 4 - Digital Download SKU: A0.1354408 By David Warin Solomons. By David Warin Solomons. Contemporary. Full Performance. Duration 261. David Warin Solomons #939127. Published by David Warin Solomons (A0.1354408). Instrumental version of my improvisation on Louis MacNeiceis Bagpipe MusicThe original poem is:Â It's no go the merry-go-round, it's no go the rickshaw,All we want is a limousine and a ticket for the peepshow.Their knickers are made of crÃªpe-de-chine, their shoes are made of python,Their halls are lined with tiger rugs and their walls with heads of bison.John MacDonald found a corpse, put it under the sofa,Waited till it came to life and hit it with a poker,Sold its eyes for souvenirs, sold its blood for whiskey,Kept its bones for dumb-bells to use when he was fifty.It's no go the Yogi-Man, it's no go Blavatsky,All we want is a bank balance and a bit of skirt in a taxi.Annie MacDougall went to milk, caught her foot in the heather,Woke to hear a dance record playing of Old Vienna.It's no go your maidenheads, it's no go your culture,All we want is a Dunlop tyre and the devil mend the puncture.The Laird o' Phelps spent Hogmanay declaring he was sober,Counted his feet to prove the fact and found he had one foot over.Mrs Carmichael had her fifth, looked at the job with repulsion,Said to the midwife 'Take it away; I'm through with overproduction'.It's no go the gossip column, it's no go the Ceilidh,All we want is a mother's help and a sugar-stick for the baby.Willie Murray cut his thumb, couldn't count the damage,Took the hide of an Ayrshire cow and used it for a bandage.His brother caught three hundred cran when the seas were lavish,Threw the bleeders back in the sea and went upon the parish.It's no go the Herring Board, it's no go the Bible,All we want is a packet of fags when our hands are idle.It's no go the picture palace, it's no go the stadium,It's no go the country cot with a pot of pink geraniums,It's no go the Government grants, it's no go the elections,Sit on your arse for fifty years and hang your hat on a pension.It's no go my honey love, it's no go my poppet;Work your hands from day to day, the winds will blow the profit.The glass is falling hour by hour, the glass will fall for ever,But if you break the bloody glass you won't hold up the weather.

#Bagpipe music - instrumental improvisation based on the poem by Louis MacNeice