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You've selected:
Don't Play Around
Sheetmusic to print
34 sheet music found
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1
26
Don't Get Around Much Anymore
String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.1499411 Composed b…
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String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.1499411 Composed by Bob Russell and Duke Ellington. Arranged by Daryl McKenzie. Jazz,Standards. 18 pages. Daryl McKenzie #1075472. Published by Daryl McKenzie (A0.1499411). String Trio Arrangement of Don't Get Around Much AnymoreAdd a touch of swing to your string ensemble with this delightful arrangement of the jazz standard Don't Get Around Much Anymore, originally popularized by Duke Ellington. This arrangement is crafted for a string trio, featuring Violin, Viola, and Cello, with an optional 2nd Violin part to cover the Viola, making it versatile and adaptable for different group configurations.Instrumentation: Violin Viola (or optional 2nd Violin) Cello This swing arrangement captures the playful and sophisticated essence of the original tune, offering a fresh and elegant sound for string players. Perfect for jazz concerts, wedding receptions, or any event where you want to bring a classic jazz vibe, this arrangement is sure to be a crowd-pleaser.Key Features: Classic jazz standard with a swinging feel Flexible instrumentation for trio Perfect for live performances, rehearsals, or casual playing Whether you're performing in an intimate setting or adding a jazzy flair to your repertoire, this string trio arrangement of Don't Get Around Much Anymore will swing your audience right into the mood!Full audio demo (Sibelius Sounds): click hereAlso available as a String Quartet arrangement:
$19.99
18.4 €
#
Bob Russell and Duke Ellington
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Don't Get Around Much Anymore
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Daryl McKenzie
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SheetMusicPlus
Don't Come Around Here No More - Score Only
Woodwind Ensemble,Woodwind Trio - Level 3 - Digital Download SKU: A0.1092855 By Tom…
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Woodwind Ensemble,Woodwind Trio - Level 3 - Digital Download SKU: A0.1092855 By Tom Petty. By David Stewart and Tom Petty. Arranged by Barbara Anderson-Jones. Pop,Rock. 8 pages. Barbara Anderson-Jones #696957. Published by Barbara Anderson-Jones (A0.1092855). This is an abridged version of this song and is arranged as a flute trio. This is for intermediate to advanced players. Measures 38-45 can be played as a bass solo or as written. If you like this score check out my other arrangements at http://www.sheetmusicplus.com/publishers/barbara-anderson-jones/4070.
$12.99
11.95 €
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Tom Petty
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Don't Come Around Here No More - Score Only
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Barbara Anderson-Jones
#
SheetMusicPlus
Playing with Scales
Guitar - Level 2 - Digital Download SKU: A0.1314698 Composed by Richard Hirsch. Ins…
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Guitar - Level 2 - Digital Download SKU: A0.1314698 Composed by Richard Hirsch. Instructional. Educational Exercises. 8 pages. Richard Hirsch #903442. Published by Richard Hirsch (A0.1314698). Many amateur guitarists and beginning students of guitar are ‘stuck in the first position’. The rest of the fretboard is ‘terra incognita’. They don’t know where the notes are and they don’t know how to get to them and use them in playing melodies. To help remedy this situation, I offer a collection of scales and exercises I have developed over the years that have helped me master the fretboard of the guitar and that I have used to warm up my left and right hands before practicing or playing proper pieces. Guitarists afraid to move up the fretboard miss out on all the tonal nuances that the guitar has to offer. They also often have undeveloped left hand technique with a little finger that flies around helplessly and uselessly. These scales and exercises will, if played regularly, put the little finger to good use and guide the left hand to orient to the fretboard properly, staying close to the fretboard with fingers that move as little and as efficiently as possible. They are also relaxing and fun to play around with. I read somewhere a while back that medical science had found that pianists were less likely to develop brain diseases. The scientists attributed this to the many hours pianists spend playing scales, as this is like a gentle brain massage. So scales are not only good warm up exercises for the fingers but also good warm-ups for the brain.The scale exercises written here in the keys of G and C should be played in different keys in higher positions on the fretboard. Students can try to see just how far up the neck they can go to reach the highest notes. After a while, what seemed challenging and strange will start to feel comfortable and familiar. Don’t hesitate to develop new variants of the scales when you grow tired of playing them as I propose here. Have fun playing and playing with the scales!The exercises often start in one position and move toward other higher or lower positions on the fretboard. When moving from one position to another, follow the suggested fingerings to utilise what is called a lead finger to move the hand to the next position. This will make the movement smooth and not interrupt the flow of the scale. In the end all movement should look and feel seamless and effortless.I have chosen scales in major keys I think are particularly good to play on the guitar. To practice a scale in a minor key, start the exercise in the related major key from the fundamental of the minor key, for example, to play an E minor scale start the G major exercise on an E and play from there. This is one way of creating new variants of these scales. Another way to vary the exercises is to play the scales in different time signatures or rhythms.I believe these exercises are particularly helpful for amateur guitarists who play in ensembles of different kinds, duos, trios, quartets, where the guitarist often only has one melodic line to play. Such melodies often sound much better played in higher positions where the guitar can be made to sing, rather than in the first position where the same tones, especially on open strings, often sound rather dull. From my own experience, I find that when I play a melody in a higher position using all the fingers of the left hand, the melody not only sounds better, the fingers remember the melody better.Â
$4.99
4.59 €
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Richard Hirsch
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Playing with Scales
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Richard Hirsch
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SheetMusicPlus
Waltz Me Around Again, Please
About Digital …
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About Digital Downloads Digital Downloads are downloadable sheet music files that can be viewed directly on your computer, tablet or mobile device. Once you download your digital sheet music, you can view and print it at home, school, or anywhere you want to make music, and you don’t have to be connected to the internet. Just purchase, download and play! PLEASE NOTE: Your Digital Download will have a watermark at the bottom of each page that will include your name, purchase date and number of copies purchased. You are only authorized to print the number of copies that you have purchased. You may not digitally distribute or print more copies than purchased for use (i.e., you may not print or digitally distribute individual copies to friends or students)
Song List
: Sidewalks of NY Daisy Bell Meet Me in St. Louis Good Old Summertime After the Ball Band Played On Sweet Rosie O'Grady Merry Oldsmobile Streets of NY Bowery Shade of Old Apple Tree Waltz Me Again Willie
$17.00
15.65 €
#
Waltz Me Around Again, Please
#
SheetMusicPlus
Waltz Me Around Again, Please
About Digital …
(+)
About Digital Downloads Digital Downloads are downloadable sheet music files that can be viewed directly on your computer, tablet or mobile device. Once you download your digital sheet music, you can view and print it at home, school, or anywhere you want to make music, and you don’t have to be connected to the internet. Just purchase, download and play! PLEASE NOTE: Your Digital Download will have a watermark at the bottom of each page that will include your name, purchase date and number of copies purchased. You are only authorized to print the number of copies that you have purchased. You may not digitally distribute or print more copies than purchased for use (i.e., you may not print or digitally distribute individual copies to friends or students)
Song List
: Sidewalks of NY Daisy Bell Meet Me in St. Louis Good Old Summertime After the Ball Band Played On Sweet Rosie O'Grady Merry Oldsmobile Streets of NY Bowery Shade of Old Apple Tree Waltz Me Again Willie
$20.00
18.41 €
#
Waltz Me Around Again, Please
#
SheetMusicPlus
Don't Get Around Much Anymore
Brass Ensemble,Trombone Quintet Trombone - Level 4 - Digital Download SKU: A0.512841
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Brass Ensemble,Trombone Quintet Trombone - Level 4 - Digital Download SKU: A0.512841 Composed by Bob Russell and Duke Ellington. Arranged by Roger Wallace. Jazz. Score and parts. 21 pages. Roger Wallace #4793853. Published by Roger Wallace (A0.512841). Trombone Quintet. Swing. Features bass trombone, with Trombone 1 or 2 solo ad lib. Can also be played by Baritone/Euphonium/Tuba or mixed Low Brass Quintet. This arrangement was written to aid students in a trombone section to learn to work together. It is designed to teach as well as entertain. Each part is featured at various times, thus promoting strength throughout the section. A full length audio version can be heard in the YouTube video. Also available for Trombone Quartet and Brass Quintet.Look for more arrangements by Roger Wallace.
$12.99
11.95 €
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Bob Russell and Duke Ellington
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Don't Get Around Much Anymore
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Roger Wallace
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SheetMusicPlus
Don't You Worry Child
Percussion Ensemble Bass Marimba,Drums,Glockenspiel,Shaker,Snare Drum,Suspended Cymbal,Tam…
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Percussion Ensemble Bass Marimba,Drums,Glockenspiel,Shaker,Snare Drum,Suspended Cymbal,Tambourine,Vibraphone,Xylophone - Level 3 - Digital Download SKU: A0.1472270 By Swedish House Mafia Featuring John Martin. By Axel Hedfors, Martin Lindstrom, Michel Zitron, Sebastian Ingrosso, and Steve Angello. Arranged by Iona Crosby. 21st Century,Disco,Pop,Singer/Songwriter. 32 pages. Iona Crosby #1049969. Published by Iona Crosby (A0.1472270). This percussion ensemble arrangement of Swedish House Mafia's hit dance track Don't You Worry Child is designed to be performed by intermediate percussion players.Don't You Worry Child capured audiences around the world, debuting at number 1 in the UK's Music Chart. This was to be the band's last single before their disbandment in 2013. Since then, this dance floor filler is recognised worldwide as a huge hit single!The main vocal line is split between marima and xylophone, giving different players their chance to shine. With the driving kit groove and huge riffs played by the tuned percussion, this arrangement is guaranteed to get your audience clapping and dancing along!
$39.99
36.8 €
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Swedish House Mafia Featuring John Martin
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Don't You Worry Child
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Iona Crosby
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SheetMusicPlus
It Don't Mean A Thing (if It Ain't Got That Swing)
Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.925569
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Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.925569 By Duke Ellington. By Duke Ellington and Irving Mills. Arranged by Watarai Mio. Jazz. Score and parts. 13 pages. Watarai Studio #6493235. Published by Watarai Studio (A0.925569). My arrangement of Duke Ellington's It don't mean a thing (if it ain't got a swing) for 2 players - it's intended to be possible to play this piece while sharing a piano. It has some decently tricky parts to it and it's for around an intermediate/advanced skill level.I hope you will enjoy this piece as much as I had fun creating it!
$6.99
6.43 €
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Duke Ellington
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It Don't Mean A Thing
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Watarai Studio
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SheetMusicPlus
Don't Look Back In Anger
Baritone Horn TC,Cornet,Euphonium,Trombone,Trumpet,Tuba - Level 3 - Digital Download SK…
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Baritone Horn TC,Cornet,Euphonium,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1486884 By Oasis. By Noel Gallagher. Arranged by Hannah Hawken. 20th Century,Pop,Singer/Songwriter. 22 pages. Hannah Hawken #1063954. Published by Hannah Hawken (A0.1486884). This Oasis classic will have your audience singing along, maybe even waving their phone torches in the air!The iconic vocal melody and guitar solos are passed around the ensemble, starting with a trombone solo in the first verse and a trumpet/cornet solo in the second verse. It's as enjoyable to play as it is to sing along to.This arrangement will work with a quintet of brass band or orchestral brass players. Parts included:Part 1 - Trumpet/Cornet in BbPart 2 - Trumpet/Cornet in BbPart 3 - Eb Tenor Horn & Horn in FPart 4 - Trombone (or Baritone/Euphonium) in Bass Clef & Bb Treble ClefPart 5 - Tuba (Bass Clef) & Eb Bass (Treble Clef) & Bb Bass (Treble Clef).
$14.99
13.8 €
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Oasis
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Don't Look Back In Anger
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Hannah Hawken
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SheetMusicPlus
Don't Stop Me Now
Small Ensemble Electronic Keyboard - Level 2 - Digital Download SKU: A0.896528 By Q…
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Small Ensemble Electronic Keyboard - Level 2 - Digital Download SKU: A0.896528 By Queen. By Freddie Mercury and Frederick Mercury. Arranged by Adam Kempshall. Rock. Score and parts. 16 pages. Adam Kempshall #4408368. Published by Adam Kempshall (A0.896528). Don't Stop Me Now is a song by the British rock band Queen, featured on their 1978 album Jazz that was released as a single in 1979. Written by lead singer Freddie Mercury, it was recorded in August 1978 at Super Bear Studios in Berre-les-Alpes, France, and is the twelfth track on the album.This arrangement is aimed at student keyboard ensembles with keyboardists or pianists at around grade 1 and grade 2 level. There are 4 student parts (Trumpet, Strings, Bass Guitar and Piano 2) all written in treble clef; some octave transposition may be appropriate depending on keyboard model. Piano 1 is more difficult and can either be played by the teacher or a more advanced student. A drum part is also included, this can either be pre-recorded or replaced by one of the standard keyboard styles. Runtime is about 2m30s
$12.99
11.95 €
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Queen
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Don't Stop Me Now
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Adam Kempshall
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SheetMusicPlus
VALS FRÅN DREFVIKEN
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068894 Composed by Lars Ek…
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068894 Composed by Lars Ek. Folk,World. Full Performance. Duration 225. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921499. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068894). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
1.83 €
#
Lars Ek
#
VALS FRÅN DREFVIKEN
#
Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
#
SheetMusicPlus
LÄTTA FINGRAR
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068893 Composed by Lars Ek…
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068893 Composed by Lars Ek. Folk,World. Full Performance. Duration 154. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921497. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068893). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
1.83 €
#
Lars Ek
#
LÄTTA FINGRAR
#
Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
#
SheetMusicPlus
FORNUDDSVALSEN
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068890 Composed by Lars Ek…
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068890 Composed by Lars Ek. Folk,World. Full Performance. Duration 259. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921479. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068890). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
1.83 €
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Lars Ek
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FORNUDDSVALSEN
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
LOVELY THOUGHTS
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068892 Composed by Lars Ek…
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068892 Composed by Lars Ek. Folk,World. Full Performance. Duration 233. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921495. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068892). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
1.83 €
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Lars Ek
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LOVELY THOUGHTS
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
SNÖKÄNGAN
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068889 Composed by Lars Ek…
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068889 Composed by Lars Ek. Folk,World. Full Performance. Duration 206. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921477. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068889). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
1.83 €
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Lars Ek
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SNÖKÄNGAN
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Blue Moon
Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.955729 By Elvis Presle…
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Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.955729 By Elvis Presley. By Richard Rodgers. Arranged by Phil Thrift. Contemporary. Score and parts. 15 pages. Phil Thrift #5769067. Published by Phil Thrift (A0.955729). Blue Moon is best performed by not telling your audience what is coming! Many listeners will be unfamiliar with the almost recitative-style opening that follows the four-measure intro. So when the well-known tune is finally heard at measure 23, some at least will be pleasantly surprised. But don’t decorate the melody too much here; just enjoy it as it is, let that warm trombone sound shine through! The 2nd trombone can decorate the melody a little more from measure 31 onward, but don’t let any swing feeling creep in before measure 38. You may wish to speed up a bit more than I have indicated at measures 47 and 62, but don’t play the swing sections too fast – this is not an up-tempo version. Just strengthen the swing feeling a little each time. This piece will test your quartet’s ability to play an easy swing really tight – especially when the melody is being pulled around, the lead player is playing a little behind the beat. As is usual with my arrangements, every player has the lead at some point, and maybe the chance to introduce a few of their own ideas. This arrangement gives you plenty of opportunity to exploit those all-important trombone characteristics: slide vibrato, bends, and smears, but above all, a warm sound!Listen to a full-length licensed recording on SoundCloud:
$14.99
13.8 €
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Elvis Presley
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Blue Moon
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Phil Thrift
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SheetMusicPlus
Better Days
Small Ensemble,Strings Bass Guitar,Cello,Drum Set,Viola,Violin - Level 5 - Digital Downloa…
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Small Ensemble,Strings Bass Guitar,Cello,Drum Set,Viola,Violin - Level 5 - Digital Download SKU: A0.845978 By OneRepublic. By Brent Kutzle, John Nathaniel, and Ryan Tedder. Arranged by Kyle Pudenz. Contemporary,Pop,Rock. Score and parts. 56 pages. ViolinVagabond Music #5739325. Published by ViolinVagabond Music (A0.845978). Whether you are a tried and true OneRepublic fan looking to add to your ensemble's catalog, a struggling musician hoping for Better Days, or simply want to create a little social media buzz by playing that song that you saw in a commercial about a Jeep, or ESPN, or NBC... THIS is the chart you are looking for!Check out Dallas String Quartet performing this arrangement in their latest music video: https://youtu.be/BBEdsXRELywWhat you have here, ladies & gentlemen, is no half-baked attempt at a transcription that you might find illegally floating around the internet for a few bucks. This meticulously-arranged instrumental reimagining of OneRepublic's new smash is much, MUCH more. Your journey through the pop-string realm starts out with a silky, cinematic intro that will filter out the commotion of your futile existence, opening the curtains to reveal a plane of pure musical ecstasy. When the groove finally drops, and OH, does it DROP... you will not be able to stop yourself from foot-tapping, head-banging, or otherwise moving one or more body parts in a definitively rhythmic fashion. Hip rhythmic chopping grooves, fingerboard slaps, and a healthy dose of syncopation will take this sick beat to another level! And if that isn't enough to pique your interest, be on the lookout for some sexy reharminizations throughout the tune that will make you honestly wonder why those chords weren't in the song to begin with...Just when you thought this couldn't get any better: THERE IS A SOLO SECTION!! I've included some written solos, but if you prefer to improvise your own, that is allowed and encouraged. You can also vamp it if you need to kill a little time, or just want to show off for a few more bars.This version of the score includes optional RHYTHM SECTION PARTS for guitar, bass, & drum set in addition to the standard string quartet. To be clear, you do not have to perform this chart with bass and drums. I have gone to great pains to ensure that, with proper preparation, a string quartet performance will sound every bit as groovy as a full 7-piece band. So if you try to play this without a drummer and it doesn't go well, I don't want to hear about it. Go practice.Having a great ensemble may be the first step to successfully landing the big gigs, but having repertoire that gives your musicians the chance to shine will make you stand out from the rest. So don't settle for reading off of a piano score or hacking through questionably-obtained transcriptions when you can have the real deal. Fresh tunes, arranged by a real string player who has been in your shoes and knows how to wow the crowd!Thanks for visiting, and I hope this chart brings us all to some Better DaysPerformance time - 4:00 as written, longer if you vamp the solo, shorter if you cut the intro. Because I get it; we all need flexibility when wedding parties and/or emcee's are involved.Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond
$24.99
23 €
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OneRepublic
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Better Days
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ViolinVagabond Music
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SheetMusicPlus
2 Madrigals, Vol. 7
About Digital …
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About Digital Downloads Digital Downloads are downloadable sheet music files that can be viewed directly on your computer, tablet or mobile device. Once you download your digital sheet music, you can view and print it at home, school, or anywhere you want to make music, and you don’t have to be connected to the internet. Just purchase, download and play! PLEASE NOTE: Your Digital Download will have a watermark at the bottom of each page that will include your name, purchase date and number of copies purchased. You are only authorized to print the number of copies that you have purchased. You may not digitally distribute or print more copies than purchased for use (i.e., you may not print or digitally distribute individual copies to friends or students)
Song List
: 1. Round around about a wood 2. I will no more come to thee
$15.00
13.8 €
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2 Madrigals, Vol. 7
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SheetMusicPlus
Ta Maman for alto, cello and guitar
Small Ensemble Cello,Guitar,Voice - Level 3 - Digital Download SKU: A0.576653 Compo…
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Small Ensemble Cello,Guitar,Voice - Level 3 - Digital Download SKU: A0.576653 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 10 pages. David Warin Solomons #51133. Published by David Warin Solomons (A0.576653). Very sad poem by Paul Maertens about a child he came to know from his medical practice. The mother was unmarried and ashamed and tried to ignore the child as if it were a reproach to her, the child became autistic and unable to react to others. This setting for alto voice, cello and guitar reflect the mood of the poem in all its sadness. The sound sample is a performance by the composer, with Chris Benson on cello. (The guitar's 6th string is tuned to D - much use is made of 12th and 19th (or 7th if preferred) fret harmonics) The pdf file contains score and parts. An instrumental version of the the music, entitled Promenade d'hiver (viola, cello and guitar), is also available on this site. It is sung in French, but for convenience I am providing an English translation below (not for performance purposes). Ta Maman, p'tit gars, ne te désirait pas.Maintenant tu ouvres les robinets, et vois l'eau couler sans vouloir la saisir.Ta Maman a nié son attente. Ton Papa n'est pas tien, et ta Maman, de honte, t'a caché dans ses seins. Tu naissais sans qu'on te donne la vie. Tu étais dorloté, car il ne fallait pas qu'on t'entende, mon gars. Ta Maman ne te regardait pas dans les yeux; tes sourires n'ont pas eu de réponse. On ne t'a pas aimé.On t'a interdit la vie. Ta Maman ne pouvait soutenir ce reproche que tes yeux lui lançait; et pour mieux te fuir elle fit de toi cet objet cet oubli, un chien propre et fidèle qu'on lave, qu'on nourrit. Maintenant tu te promènes une auto à la main, sans jouer sans sourire sans parler. Ta Maman est partie, et tu n'as pas pleuré; tu as laissé ton auto quelque part, et tu ranges les cubes étalés devant toi: toujours dans le même ordre, simplement, sans angoisse, sans bonheur. Tu ne vis pas, p'tit. Réveille-toi, mon gars! Your mummy, little chap, did not want you. Now you turn on the taps and watch the water flow, but you don't want to grab it. Your mummy didn't admit she was expecting. Your daddy isn't yours and your mummy, out of shame, hid you in her breasts. You were born but you weren't given a life. You were rocked to sleep because you weren't supposed to be heard. Your mummy didn't look into your eyes, your smiles got no response. You weren't loved. You were forbidden to live. Your mummy could not bear the reproach your eyes shot at her, and in order to flee you all the more she made you into this object, this forgotten thing, a clean and faithful dog that you wash and feed. Now you roll your toy car around, without playing or smiling or speaking. Your mummy has gone and you didn't cry. You've left your car somewhere and you arrange the cubes in front of you, always in the same order, simply, without anguish, without happiness. You are not living , little one. Wake up little chap!
$10.00
9.2 €
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David Warin Solomons
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Ta Maman for alto, cello and guitar
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David Warin Solomons
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SheetMusicPlus
Another Brick In The Wall
Guitar Ensemble - Level 3 - Digital Download SKU: A0.1464400 By Pink Floyd. By Roge…
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Guitar Ensemble - Level 3 - Digital Download SKU: A0.1464400 By Pink Floyd. By Roger Waters. Arranged by Harry O'Brien. 20th Century,Pop,Rock. Score and Parts. 14 pages. Harry O'Brien #1043124. Published by Harry O'Brien (A0.1464400). An Intermediate 4 piece guitar ensemble arrangement of Pink Floyd's hit song, Another Brick In The Wall (Part II). A fun way to engage a group of guitarists under the belief they don't need no education.The arrangement for 3 guitars and 1 bass creatively arranges the rock song into a small guitar ensemble, and can be played by either a quartet, or an ensemble with multiple players per part. It would suit a high school guitar ensemble or similar. Includes space for improvised soloing over a simple chord progression.Comes with Full Score and parts for the following instruments:Guitar IGuitar IIGuitar IIIElectric Bass (can be substituted by a fourth guitar)About the arranger:Harry O'Brien is an emerging composer, arranger, guitarist and music educator in Sydney, Australia. His rock/jazz performance background, orchestral and film composition studies at Sydney Conservatorium, along with being an experienced conductor/director of school-level concert bands and guitar ensembles, give him a highly versatile and distinct arranging sound, one which understands the role every instrument can play in a school band. Arrangements for professional orchestras have been performed in venues around Australia including the State Theatre and Her Majesty's Theatre Adelaide. Website: https://obrienharry08.wixsite.com/music
$40.00
36.81 €
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Pink Floyd
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Another Brick In The Wall
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Harry O'Brien
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SheetMusicPlus
California Dreamin'
Small Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Drums,Piano,Tenor Saxophone,T…
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Small Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Drums,Piano,Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.781935 By The Mamas And The Papas. By John Phillips and Michelle Phillips. Arranged by Aaron Hettinga. Folk,Pop. Score and parts. 26 pages. Aaron Hettinga #5884153. Published by Aaron Hettinga (A0.781935). This classic hit from the Mamas and the Papas is presented here in an all-instrumental arrangement for 7 Horns and Rhythm section. The tune gets passed around the horn section so everybody gets the melody at some point, and most players are featured to some degree. The flute solo from the original recording is rendered here as a sax soli that begins in unison and splits into dazzling harmony.Difficulty: the horn parts are not excessively range taxing. This would make for a fun instrumental feature on a program with anywhere from young players to community groups who don’t have the complement of a full big band. A fun piece to play, and fun for audiences to hear again! More of Aaron's charts can additionally be found for purchase online at ​http://aaronhettinga.com
$26.99
24.84 €
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The Mamas And The Papas
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California Dreamin'
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Aaron Hettinga
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SheetMusicPlus
California Dreamin'
Small Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Drums,Piano,Tenor Saxophone,T…
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Small Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Drums,Piano,Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.781936 By The Mamas And The Papas. By John Phillips and Michelle Phillips. Arranged by Aaron Hettinga. Folk,Pop. Score and parts. 22 pages. Aaron Hettinga #5884157. Published by Aaron Hettinga (A0.781936). This classic hit from the Mamas and the Papas is presented here in an all-instrumental arrangement for 5 Horns and Rhythm section. The tune gets passed around the horn section so everybody gets the melody at some point, and most players are featured to some degree. The flute solo from the original recording is rendered here as a sax soli that begins in unison and splits into dazzling harmony.Difficulty: the horn parts are not excessively range taxing. This would make for a fun instrumental feature on a program with anywhere from young players to community groups who don’t have the complement of a full big band. A fun piece to play, and fun for audiences to hear again!More of Aaron's charts can additionally be found for purchase online at ​http://aaronhettinga.com
$24.99
23 €
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The Mamas And The Papas
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California Dreamin'
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Aaron Hettinga
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SheetMusicPlus
Never Cry Wolf - Production Kit
Small Ensemble - Level 3 - Digital Download SKU: A0.746004 Composed by Betsy Lee Ba…
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Small Ensemble - Level 3 - Digital Download SKU: A0.746004 Composed by Betsy Lee Bailey. Broadway,Children,Contemporary,Musical/Show. Score and parts. 27 pages. Betsy Lee Bailey #2897217. Published by Betsy Lee Bailey (A0.746004). Never Cry Wolf – a Children’s Musical for ages 5-14.  Itis a retelling of the Aesop Fable The Boy Who Cried Wolf.  Set in Ancient Greece, the story revolves around Alec, the boy who would just rather goof off all the time.  The people around him would like him to learn to work and always be sincere.  They show him that everybody works.  This play has many opportunities for study of the culture of ancient Greece -- from learning about the political origins of democracy to women's work of spinning and weaving.  And don't forget the cute factor of having some little children portray the sheep.  The Production Kit (27 pages) contains a reproducible Booklet script and Song Sheets, a coloring activity page, and Performance License for one series of shows.Additional: The Director's Script (44 pages) contains suggestions for staging, costuming, choreography, set designs, and Acting Games and the Piano/VocalScore downloadable in two groups: Part 1 (46 pages) and Part 2 (45 pages) are valuable production guides and should be purchased and downloaded separately.  Individual accompaniment MP3 files of the songs may be purchased separately from SMP Press.  See song lists, guide vocal recordings, photos, video of past productions and other helps at BaileyKidsMusicals.com
$59.99
55.21 €
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Betsy Lee Bailey
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Never Cry Wolf - Production Kit
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Betsy Lee Bailey
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SheetMusicPlus
The Wooded Blur
Flute Solo - Level 4 - Digital Download SKU: A0.1515510 Composed by Jose Luis Arell…
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Flute Solo - Level 4 - Digital Download SKU: A0.1515510 Composed by Jose Luis Arellano Jr. Arranged by Jose Luis Arellano Jr. 21st Century,Contemporary. Individual part. 4 pages. Arellano, Jose Luis Jr #1089863. Published by Arellano, Jose Luis Jr (A0.1515510). Wooded Blur was based on the ideas of an impressionist style painting that if you take a closer look at a piece art you could only see blurriness.However, if you took a step back you could see the whole context. The main idea that you hear in the piece is the “closer look” that is so blurred that you don’tunderstand the context until you see the big picture. You hear this repeating pattern (the main idea) becoming home and the root of this atonal piece. The variation around thismain idea becomes the context and helps create the bigger picture. It allows youas the listener to see the character of the piece. The piece is the forest itself who isplayful, a trickster, and a guardian of his own home. The sections that take you on this strangejourney will give you glimpses of imagery that you can picture that gets you involved.Building you a perception of this Wooded Blur.
$7.99
7.35 €
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Jose Luis Arellano Jr
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The Wooded Blur
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Arellano, Jose Luis Jr
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SheetMusicPlus
Super Gift from Heaven - Listening CD
Children's Choir, Choral (Listening CD) SKU: HL.8738495 A Children's Musical…
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Children's Choir, Choral (Listening CD) SKU: HL.8738495 A Children's Musical. Fred Bock Publications. Christmas, Sacred and Children's. Performance CD. Fred Bock Music Company #BG7516. Published by Fred Bock Music Company (HL.8738495). UPC: 073999384956. 2.8x4.3 inches. Betty Hager & Fred Bock.Shh. Don't make a sound. It's closing time at the toy shop and soon those silent shelves will come alive with dolls and clowns and wooden soldiers as they sing and play around the store. But in the midst of their fun, the dolls begin to ask themselves what a gift really is. This is the story of what they learn and of their special discovery- and SUPER GIFT from heaven, God's greatest gift of all!Familiar carols, as well as new Christmas songs are used to share the message of God's ultimate gift: His Son, the Super Gift from Heaven.Also Available: Director's Edition (8738004), Singer's Edition (8738003), ChoirTrax CD (8738030) and Promo Pak (Singer's Edition and Listening CD) (8738522).
$14.95
13.76 €
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Super Gift from Heaven - Listening CD
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Fred Bock Music Company
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SheetMusicPlus
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