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E minor No 1
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You've selected:
E minor No 1
Sheetmusic to print
79 sheet music found
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76
BUXTEHUDE TRIO SONATA IN E MINOR OPUS 1 No. 7 for flute, oboe & bassoon or cello
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Dietrich Buxtehude
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arranged by Pat Spence
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continuo composed in 1694
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BUXTEHUDE TRIO SONATA IN E MIN
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Piper Publications
#
SheetMusicPlus
Small Ensemble Bassoon,Cello,Flute,Oboe - Level 3 - Digital Download SKU: A0.811769 Composed by Dietrich Buxtehude (1637 - 1707). Arranged by arranged by...
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Small Ensemble Bassoon,Cello,Flute,Oboe - Level 3 - Digital Download SKU: A0.811769 Composed by Dietrich Buxtehude (1637 - 1707). Arranged by arranged by Pat Spence. Baroque,Concert,Graduation,Standards. Score and parts. 32 pages. Piper Publications #6113773. Published by Piper Publications (A0.811769). This Trio Sonata is an arrangement of the last of the seven opus 1 sonatas for violin, viola da gamba & continuo composed in 1694. The movements are: Allegro, Largo, Presto, Adagio, Poco presto, Lento & Prestissimo. Written for players of equal ability and of intermediate standard and above, the sonata has been carefully edited, additions are shown in parentheses ( ) or dashed lines.Buxtehude was famous during his lifetime for his skill as an organist and composer. Both Handel and J.S. Bach travelled to hear him play (at different times). Bach stayed to study with him for three months. Handel departed after one night when he learned that Buxtehude (who wanted to retire) was looking for an organist to succeed him, a condition of taking the post being the necessity to marry Buxtehude's eldest daughter who was some years older than Handel.
$12.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Quintet - 2 Violins, 1 Viola, 1 Ce
#
Classical
#
Sacred music
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813833 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,F...
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String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813833 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533931. Published by Regis Bookshar (A0.813833). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a String Quintet, consisting of 2 Violins, 1 Viola, 1 Violoncello and 1 Double Bass, he has made quite a few other arrangements of this sel.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Quintet - 3 Violins, 1 Cello, 1 Ba
#
Classical
#
Sacred music
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813834 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,F...
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String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813834 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533937. Published by Regis Bookshar (A0.813834). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a String Quintet, consisting of 3 Violins, 1 Violoncello and 1 Double Bass, he has made quite a few other arrangements of this selection which a.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Quintet - 3 Violins, 1 Viola, 1 Ce
#
Classical
#
Sacred music
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813835 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,F...
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String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813835 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533939. Published by Regis Bookshar (A0.813835). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a String Quintet, consisting of 3 Violins, 1 Viola and 1 Violoncello, he has made quite a few other arrangements of this selection which ar.
$15.00
Handel - Flute Sonata No.1 in E minor Op.1 HWV379 for Flute and Cembalo or Piano
Flute, Harpsichord
Intermediate/advanced level
#
Classical
#
Handel George Frideric
#
Santino Cara
#
Handel - Flute Sonata No.1 in
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Santino Cara
#
SheetMusicPlus
Instrumental Duet Flute,Harpsichord,Instrumental Duet - Level 4 - Digital Download SKU: A0.517110 Composed by Handel George Frideric. Arranged by Santino...
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Instrumental Duet Flute,Harpsichord,Instrumental Duet - Level 4 - Digital Download SKU: A0.517110 Composed by Handel George Frideric. Arranged by Santino Cara. Baroque. Score and parts. 15 pages. Santino Cara #3450289. Published by Santino Cara (A0.517110). Complete score and part, of the Flute Sonata No.1 in E minor Op.1 HWV 379 for Flute and Cembalo. Reconstructed and elaborated by Santino Cara from 20 Sonatas Op.1 by George Frideric Handel.
$16.40
Suite No. 1
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Giorgio Mirto
#
Suite No. 1
#
Les Productions d'OZ - Digital
#
SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Le...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95
Vivaldi - L'Estro Armonico Op.3 Book 1 - 6 Concertos for Violins, Cello, Strings and Harpsichord
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Classical
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Antonio Vivaldi
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Santino Cara
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Vivaldi - L'Estro Armonico Op.
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Santino Cara
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SheetMusicPlus
Small Ensemble Cello,Harpsichord,Violin - Level 4 - Digital Download SKU: A0.516992 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score...
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Small Ensemble Cello,Harpsichord,Violin - Level 4 - Digital Download SKU: A0.516992 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 401 pages. Santino Cara #3106203. Published by Santino Cara (A0.516992). Full scores and separate parts, Book 1 of L'Estro armonico Op.3 for Violins concertanti, Cello concertante, Strings and Continuo realized for harpsichord. Concertos: 1. RV 549 – Violin Concerto No.1 in D major, 2. RV 578 – Violin Concerto No.2 in G minor, 3. RV 310 – Violin Concerto No.3 in G major, 4. RV 550 – Violin Concerto No.4 in E minor, 5. RV 519 – Violin Concerto No.5 in A major, 6. RV 356 – Violin Concerto No.6 in A minor
$32.40
Meditative Etude, No. 1 in E Minor - Alto Flute & Piano
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James Michael Stevens
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James Michael Stevens
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Meditative Etude, No. 1 in E M
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James M Stevens Music ASCAP
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SheetMusicPlus
Alto Flute - Digital Download SKU: A0.1062177 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,Sacred,Wedding. F...
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Alto Flute - Digital Download SKU: A0.1062177 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,Sacred,Wedding. Full Performance. Duration 132. James M Stevens Music ASCAP #5453515. Published by James M Stevens Music ASCAP (A0.1062177). This is the Alto Flute and Piano performance of Stevens' Meditative Etude, No. 1 in E Minor.
$1.99
Bach-Bourree from Lute Suite No. 1 in e minor
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Classical
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Johann Sebastian Bach
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William Giannone
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Bach-Bourree from Lute Suite N
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Rosebud Music Publishing Co.
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SheetMusicPlus
Cello,Piano Accompaniment - Level 2 - Digital Download SKU: A0.1370015 Composed by Johann Sebastian Bach. Arranged by William Giannone. Baroque,Chamber,W...
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Cello,Piano Accompaniment - Level 2 - Digital Download SKU: A0.1370015 Composed by Johann Sebastian Bach. Arranged by William Giannone. Baroque,Chamber,Wedding. Accompaniment. Duration 119. Rosebud Music Publishing Co. #954390. Published by Rosebud Music Publishing Co. (A0.1370015). Bach's Bourree from Lute Suite No. 1 in e minor (BWV996) has been arranged for flute with piano and cell accompaniment.This mp3 is the piano/cello accompaniment audio.
$3.95
Prélude in E Minor, - instruments in four parts
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Classical
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Frederic Chopin
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Paul Burnell
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Prélude in E Minor, - instrum
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Paul Burnell
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SheetMusicPlus
Small Ensemble - Level 3 - Digital Download SKU: A0.835890 Composed by Frederic Chopin. Arranged by Paul Burnell. Contemporary,Romantic Period. Score and...
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Small Ensemble - Level 3 - Digital Download SKU: A0.835890 Composed by Frederic Chopin. Arranged by Paul Burnell. Contemporary,Romantic Period. Score and parts. 19 pages. Paul Burnell #6570875. Published by Paul Burnell (A0.835890). Prélude in E Minor, Frédéric Chopin, arranged by Paul Burnell for instruments in four parts(24 Préludes, Op. 28: No.4 in E Minor)Duration 1:55Score in CThe arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows:Part 1: C, Eb (Flute, Oboe, Alto Recorder, Eb Clarinet, Violin 1)Part 2: C, Bb, G (Alto Flute, Oboe, Tenor Recorder, Bb Clarinet, Violin 2)Part 3: C, Bb, Eb, F (Bb Clarinet, Bass Recorder, Alto Saxophone, Horn in F, Violin 3, Viola)Part 4: C, Bb, F (Bassoon, Great bass Recorder, Tenor Saxophone, Horn in F, 'Cello)Part 4 may be played an octave lower than written - using the 'Bass Clef up 8' part.Any other appropriate instruments, even if not suggested above, may play.Play notes in brackets if the main notes are out of range.Programme note:The Prélude E minor by Polish composer Frédéric Chopin (1810 – 1849) is the fourth of the 24 Chopin Préludes, Op. 28, first published in 1839. The piece has featured in many movies, including being played by Jack Nicholson's character in 'Five Easy Pieces' (1970).
$3.99
Prelude In E Minor, Op. 28, No. 4
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Frederic Chopin
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Jhavilah
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Prelude In E Minor, Op. 28, No
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Jhavilah
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 1 - Digital Download SKU: A0.1436125 Composed by Frederic Chopin. Arranged by Jhavilah. 19...
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 1 - Digital Download SKU: A0.1436125 Composed by Frederic Chopin. Arranged by Jhavilah. 19th Century,Classical,Lent,Romantic Period,Soul. 4 pages. Jhavilah #1016277. Published by Jhavilah (A0.1436125). Frédéric Chopin's Prelude Op. 28, No. 4, is a masterpiece of brevity and emotional depth. Often referred to as the Suffocation Prelude, it is a short yet intensely expressive piece, reflecting Chopin's unparalleled ability to convey profound emotions in a compact form.Composed in 1839, this prelude is written in E minor and features a slow, mournful melody over a repetitive left-hand accompaniment. The piece begins with a simple, descending chromatic pattern in the right hand, which is then echoed by the left hand. This pattern repeats throughout the piece, creating a sense of relentless, suffocating despair.Despite its brevity, Chopin's Prelude Op. 28, No. 4, is rich in emotion and musical depth. The melancholic melody, combined with the hypnotic accompaniment, creates a hauntingly beautiful piece that leaves a lasting impression on the listener. It is a testament to Chopin's genius that he was able to evoke such intense emotion in just over two minutes of music.The piece is often interpreted as a reflection of Chopin's own struggles with illness and mortality, as well as his experiences of exile from his native Poland. Whatever the inspiration behind it, Prelude Op. 28, No. 4, remains one of Chopin's most beloved and enduring works, continuing to captivate and move audiences more than 180 years after it was written.
$5.99
Concerto for Oboe d’amore in E Minor, Op. 9 No. 8
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Classical
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Tomaso Albinoni
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Don Werdick (1946 - )
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Concerto for Oboe d’amore in
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Chamber Ensemble of Minnesota, Inc.
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore - Level 5 - Digital Download SKU: A0.955163 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Ba...
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Instrumental Solo,Oboe d'Amore - Level 5 - Digital Download SKU: A0.955163 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Individual part. 39 pages. Chamber Ensemble of Minnesota, Inc. #5884093. Published by Chamber Ensemble of Minnesota, Inc. (A0.955163). Oboe d’amore solo part and full score of the Concerto for Oboe in G Minor, Op. 9, No. 8 and String Orchestra, composed in 1722 by T. Albinoni, arranged in E minor for Oboe d’amore and string orchestra by D Werdick. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 10 minutes, 12 seconds During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance. This arrangement for Oboe d’amore offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2020 Chamber Ensemble of Minnesota, Inc.
$9.00
Ravel: Le Tombeau de Couperin No.II Forlane - symphonic wind
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Contemporary
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Maurice Ravel
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Ray Thompson
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Ravel: Le Tombeau de Couperin
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble A Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn - Level 4 - Digital Download SKU: A0.1496456 Composed by Maurice Ravel. Arranged by...
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Large Ensemble A Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn - Level 4 - Digital Download SKU: A0.1496456 Composed by Maurice Ravel. Arranged by Ray Thompson. 20th Century. 38 pages. RayThompsonMusic #1072981. Published by RayThompsonMusic (A0.1496456). Le Tombeau de Couperin is a suite for solo piano by Maurice Ravel, composed between 1914 and 1917. The piece is in six movements, based on those of a traditional Baroque suite. Each movement is dedicated to the memory of a friend of the composer (or in one case, two brothers) who had died fighting in World War I.The six movements are:Prélude. Vif (E minor)Fugue. Allegro moderato (E minor)Forlane. Allegretto (E minor)Rigaudon. Assez vif (C major)Menuet. Allegro moderato (G major)Toccata. Vif (E minor) Ravel also produced an orchestral version of the work in 1919, although this omitted two of the original movements.The movements used were Nos.1, 3, 5 and 4 in that order.The word tombeau in the title is a musical term popular from the 17th century, meaning a piece written as a memorial. The specific Couperin, among a family noted as musicians for about two centuries, that Ravel intended to evoke is thought to be François Couperin the Great (1668–1733).Ravel stated that his intention was to pay homage more generally to the sensibilities of the Baroque French keyboard suite, not necessarily to imitate or pay tribute to Couperin himself in particular. This is reflected in the piece's structure, which imitates a Baroque dance suite.Arranged double wind quintet/bass:Oboe 2 is mostly cor anglais, some bars of oboe.Clarinet parts are for Clarinet in A.
$14.95
Prelude in E Minor Op. 28, No. 4
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Classical
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Frederic Chopin
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Jakson Kreuz
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Prelude in E Minor Op. 28, No.
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Jakson Kreuz
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SheetMusicPlus
String Ensemble Cello,Double Bass,Viola,Violin - Level 1 - Digital Download SKU: A0.1217865 By Frederic Chopin. By Frederic Chopin. Arranged by Jakson Kr...
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String Ensemble Cello,Double Bass,Viola,Violin - Level 1 - Digital Download SKU: A0.1217865 By Frederic Chopin. By Frederic Chopin. Arranged by Jakson Kreuz. 19th Century,Chamber,Children,Classical,Romantic Period. 7 pages. Jakson Kreuz #814381. Published by Jakson Kreuz (A0.1217865). PRELUDE IN E MINOR Op. 28, No. 4F. CHOPINSTRING ENSEMBLE - Score and partsViolin I, Violin II, Viola, Cello and Bass.
$2.99
Overture No. 1 In E Minor
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Classical
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GMG
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Overture No. 1 In E Minor
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GMG
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SheetMusicPlus
Cello,Clarinet,Double Bass,Drum Set,Percussion,Trumpet,Viola,Violin,Xylophone - Level 5 - Interactive Download SKU: A0.1392236 Composed by GMG. This edit...
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Cello,Clarinet,Double Bass,Drum Set,Percussion,Trumpet,Viola,Violin,Xylophone - Level 5 - Interactive Download SKU: A0.1392236 Composed by GMG. This edition: Interactive Download. Classical. 37 pages. Duration 293. GMG #5COj5VxUABzRz69mdWa3CI. Published by GMG (A0.1392236). Key: E minor.Conductor Notes. Solo for all woodwind EXCEPT for Bassoon and Contrabassoon from measures 21-26. Solo for Bassoon, Contrabassoon, Bass Trombone, Euphonium and Tuba from measures 50-55. Alternate between half of each group for triplets in the common time half of the piece. Holds CAN be shortened to the conductors liking.
$12.99
Overture No. 1 In E Minor
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Classical
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GMG
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Overture No. 1 In E Minor
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GMG
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SheetMusicPlus
Cello,Clarinet,Double Bass,Drum Set,Percussion,Trumpet,Viola,Violin,Xylophone - Level 5 - Interactive Download SKU: A0.1392235 Composed by GMG. This edit...
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Cello,Clarinet,Double Bass,Drum Set,Percussion,Trumpet,Viola,Violin,Xylophone - Level 5 - Interactive Download SKU: A0.1392235 Composed by GMG. This edition: Interactive Download. Classical. 37 pages. Duration 297. GMG #1tdBRNHH8x2iqYwjJ3LvpJ. Published by GMG (A0.1392235). Key: E minor.Conductor Notes. Solo for all woodwind EXCEPT for Bassoon and Contrabassoon from measures 21-26. Solo for Bassoon, Contrabassoon, Bass Trombone, Euphonium and Tuba from measures 50-55. Alternate between half of each group for triplets in the common time half of the piece. Holds CAN be shortened to the conductors liking.
$12.99
Arabesque Op. 100 No. 2
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J
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Justin M
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Arabesque Op. 100 No. 2
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Justin M. Ryan
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.886926 Composed by J.F. BURGMULLER. Arranged by Justin M. Ryan. Classical,...
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Instrumental Duet Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.886926 Composed by J.F. BURGMULLER. Arranged by Justin M. Ryan. Classical,Contemporary,Instructional,Standards. Score and parts. 3 pages. Justin M. Ryan #3050743. Published by Justin M. Ryan (A0.886926). Written in the 19th century by J.F. Burgmuller, this classic piece has been brought to the 21st Century and arranged for 2 pianos in 2 different keys simultaneously(A Minor and E Minor). Running time is around 1 minute. A fresh look at the music of the Classical Era.This arrangement is for Teacher/Student. The Students part is the melody being played in both A and E Minor and the Teachers part is the left-hand in both keys. This is a good practice piece as it is easily identifiable and promotes ear-training as the student is hearing the melody in 2 different keys. Enjoy this classic.
$3.99
J.S. Bach - Bourrée from Violin Partita No.1 in B minor - Easy
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Classical
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Johann Sebastian Bach
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Piacere Music Sheets
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J.S. Bach - Bourrée from Viol
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Piacere Music Sheets
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute - Level 2 - Digital Download SKU: A0.1161071 Composed by Johann Sebastian Bach. Arranged by Pia...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute - Level 2 - Digital Download SKU: A0.1161071 Composed by Johann Sebastian Bach. Arranged by Piacere Music Sheets. Baroque,Chamber,Instructional,Standards. 17 pages. Piacere Music Sheets #761394. Published by Piacere Music Sheets (A0.1161071). Opus/Catalog Number: BWV 1002, Movement 7Key/Tone: B minorMovements/Sections: LivelyYear/Date of Composition: 1720 in 6 Violin Sonatas and Partitas (No.2)Difficulty: Grade 3/12 (Easy Intermediate)Obs.: This piece is the seventh of eight movements in Bach's Violin Partita No. 1.It is originally arranged for Violin Solo. This is an arrangement for Wind Quartet (Flutes 1 & 2, B-Flat Clarinet and Bassoon.Included: Full score and individual parts.
$7.95
J.S. Bach - Bourrée from Violin Partita No.1 in D minor - Intermediate
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Classical
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Johann Sebastian Bach
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Piacere Music Sheets
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J.S. Bach - Bourrée from Viol
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Piacere Music Sheets
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SheetMusicPlus
Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1161089 Composed by Johann Sebastian Bach. Arranged by Piacere Music Sheets. Baroque,Chamber,I...
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Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1161089 Composed by Johann Sebastian Bach. Arranged by Piacere Music Sheets. Baroque,Chamber,Instructional,Standards. 17 pages. Piacere Music Sheets #761412. Published by Piacere Music Sheets (A0.1161089). Opus/Catalog Number: BWV 1002, Movement 7Key/Tone: D minorMovements/Sections: LivelyYear/Date of Composition: 1720 in 6 Violin Sonatas and Partitas (No.2)Difficulty: Grade 5/12 (Intermediate)Obs.: This piece is the seventh of eight movements in Bach's Violin Partita No. 1.It is originally arranged for Violin Solo. This is an arrangement for Brass Quartet (B-Flat Trumpets 1 & 2, French Horn and Trombone.Included: Full score and individual parts.
$7.95
Six Easy Duos, No. 1, Op. 50 (complete)
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Classical
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Jacques Offenbach
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Wendy Hellmann
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Six Easy Duos, No. 1, Op. 50
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Gwendolyn Hellmann
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SheetMusicPlus
Double Bass,Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.1466098 Composed by Jacques Offenbach. Arranged by Wendy Hellmann. Classical. 19...
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Double Bass,Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.1466098 Composed by Jacques Offenbach. Arranged by Wendy Hellmann. Classical. 19 pages. Gwendolyn Hellmann #1044701. Published by Gwendolyn Hellmann (A0.1466098). This is the first of six easy duets by Jacques Offenbach. This duet is comprised of 3 contrasting movements - Allegro, Andante, and Rondo. Originally written for two cellos, it has been arranged for viola and double bass. Both instruments alternate melodic and harmonic material throughout, with easy double stops and simple key changes from G Major, G minor, E minor, and E Major. Thoughtful bowings and phrasings have been included. This is a wonderful duet for students looking for something fun to do together, and will certainly help with rhythm, intonation, and ensemble!The PDF download contains both a full score and a set of individual parts - Viola and Bass.
$8.99
Prelude and Fugue in E-flat, Op. 28, No. 1 for Brass Trio
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Oskar Bohme
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Prelude and Fugue in E-flat, O
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RÄ“sFacta Editions
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SheetMusicPlus
Baritone Horn TC,Euphonium,Trumpet - Level 4 - Digital Download SKU: A0.1333898 Composed by Oskar Bohme. Chamber,Classical,Contest,Festival,Romantic Peri...
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Baritone Horn TC,Euphonium,Trumpet - Level 4 - Digital Download SKU: A0.1333898 Composed by Oskar Bohme. Chamber,Classical,Contest,Festival,Romantic Period. 22 pages. RēsFacta Editions #920175. Published by RēsFacta Editions (A0.1333898). Oskar Böhme's Prelude and Fugue, Op. 28, No. 1 is a captivating piece that showcases the virtuosity and unique timbral qualities of these brass instruments. The composition is divided into two distinct sections: the Prelude and the Fugue. The Prelude, in C minor,  features melodic lines intertwined among the trumpet, horn, and baritone, creating a rich tapestry of harmonies and textures. The Fugue displays intricate interplay among the instruments, showcasing their individual characteristics while harmonizing together to create a cohesive and intricate musical fabric. Scored for Trumpet (B-flat), Horn (E-flat, and Euphonium (C). Set includes parts for Horn in F and Baritone in B-flat.
$15.00
Moonlight Sonata by Beethoven for E-flat and B-flat Clarinet Duet
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Classical
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Ludwig van Beethoven
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Ander
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Moonlight Sonata by Beethoven
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Woods Only, Arrangements
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SheetMusicPlus
B-Flat Clarinet,E-Flat Clarinet,Instrumental Duet - Level 2 - Digital Download SKU: A0.1151931 Composed by Ludwig van Beethoven. Arranged by Ander. Chris...
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B-Flat Clarinet,E-Flat Clarinet,Instrumental Duet - Level 2 - Digital Download SKU: A0.1151931 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic Period. 8 pages. Woods Only, Arrangements #752136. Published by Woods Only, Arrangements (A0.1151931). This arrangement adapted for Bb and Eb clarinet duo was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice. Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).
$3.99
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