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End Pin Rag
Sheetmusic to print
73 sheet music found
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Pineapple Rag (String Quartet): Three Violins and Cello
String Quartet, Violin 1, Violin 2, Violin 3, Cello - Advanced Intermediate - Digita…
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String Quartet, Violin 1, Violin 2, Violin 3, Cello - Advanced Intermediate - Digital Download Composed by Scott Joplin (1868-1917). Arranged by John A. Dempsey. Jazz, Ragtime, Movies, Fourth of July, Recital. Score, Set of Parts. 23 pages. Published by John A. Dempsey
Scott Joplin's effervescent, rollicking "Pineapple Rag" is arranged here as a string quartet for three violins and cello. Recommended for concerts, recitals and other multiple venues; especially popular as an encore! 19 pages of music (that includes the score and separate two-page pullout parts for each instrument). Key: C major / modulates to G major.
$11.99
11.05 €
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Scott Joplin (1868-1917)
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Pineapple Rag
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John A. Dempsey
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SheetMusicPlus
Pineapple Rag (Trio for Clarinet, Violin and Piano)
Clarinet,Piano,Trumpet - Level 4 - Digital Download SKU: A0.1452065 Composed by Sco…
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Clarinet,Piano,Trumpet - Level 4 - Digital Download SKU: A0.1452065 Composed by Scott Joplin. Arranged by John A. Dempsey. Film/TV,Holiday,Jazz,Patriotic,Ragtime. 19 pages. John A. Dempsey #1031382. Published by John A. Dempsey (A0.1452065). Scott Joplin's effervescent, rollicking Pineapple Rag is arranged here as a ragtime trio for Bb clarinet, Bb trumpet and piano. Recommended for concerts, recitals and other multiple venues; especially popular as an encore! Featured in the movie THE STING and the TV series WESTWORLD. 15 pages of music (that includes separate two-page parts for clarinet and trumpet). Concert Key: C major / modulates to F major.
$11.99
11.05 €
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Scott Joplin
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Pineapple Rag
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John A. Dempsey
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SheetMusicPlus
Pineapple Rag (Trio for Flute, Violin and Piano)
Small Ensemble Flute,Piano,Violin - Level 4 - Digital Download SKU: A0.524421 Compo…
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Small Ensemble Flute,Piano,Violin - Level 4 - Digital Download SKU: A0.524421 Composed by Scott Joplin. Arranged by John A. Dempsey. Film/TV,Holiday,Patriotic,Ragtime,Standards. Score and parts. 19 pages. John A. Dempsey #5730741. Published by John A. Dempsey (A0.524421). Scott Joplin's effervescent, rollicking Pineapple Rag is arranged here as a ragtime trio for flute, violin and piano. Â Recommended for concerts, recitals and other multiple venues; especially popular as an encore! Â Featured in the movie THE STING and the TV series WESTWORLD. Â 15 pages of music (that includes separate two-page parts for flute and violin). Â Key: D major / modulates to G major.
$11.99
11.05 €
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Scott Joplin
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Pineapple Rag
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John A. Dempsey
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SheetMusicPlus
Pineapple Rag (Brass Trio for Two Trumpets and Trombone)
Brass Ensemble Trombone,Trumpet - Level 4 - Digital Download SKU: A0.524512 Compose…
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Brass Ensemble Trombone,Trumpet - Level 4 - Digital Download SKU: A0.524512 Composed by Scott Joplin. Arranged by John A. Dempsey. Film/TV,Holiday,Patriotic,Ragtime,Standards. Score and parts. 18 pages. John A. Dempsey #5866987. Published by John A. Dempsey (A0.524512). Scott Joplin's effervescent, rollicking Pineapple Rag is arranged here as a ragtime brass trio for two Bb trumpets and trombone. Â Recommended for concerts, recitals and other multiple venues; especially popular as an encore! Â Featured in the movie THE STING and the TV series WESTWORLD. Â 15 pages of music (that includes the score and separate two-page parts for trumpet 1, trumpet 2 and trombone). Â Concert Key: Bb major / modulates to Eb major.
$9.99
9.21 €
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Scott Joplin
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Pineapple Rag
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John A. Dempsey
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SheetMusicPlus
Pineapple Rag (Woodwind Quartet): Clarinet, Alto Sax, Tenor Sax and Baritone Sax
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Clarinet,Tenor Saxoph…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Clarinet,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1452730 Composed by Scott Joplin. Arranged by John A. Dempsey. Film/TV,Holiday,Jazz,Patriotic,Ragtime. 22 pages. John A. Dempsey #1032008. Published by John A. Dempsey (A0.1452730). Scott Joplin's effervescent, rollicking Pineapple Rag is arranged here as a woodwind quartet for Bb clarinet, alto sax, tenor sax and baritone sax. Recommended for concerts, recitals and other multiple venues; especially popular as an encore! Featured in the movie THE STING and the TV series WESTWORLD. 18 pages of music (that includes the score and separate two-page parts for each woodwind instrument). Concert Key: F major.
$12.99
11.98 €
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Scott Joplin
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Pineapple Rag
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John A. Dempsey
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SheetMusicPlus
Pineapple Rag (Horn in F Trio)
Brass Ensemble Horn - Level 4 - Digital Download SKU: A0.524531 Composed by Scott J…
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Brass Ensemble Horn - Level 4 - Digital Download SKU: A0.524531 Composed by Scott Joplin. Arranged by John A. Dempsey. Film/TV,Holiday,Patriotic,Ragtime,Standards. Score and parts. 18 pages. John A. Dempsey #5955123. Published by John A. Dempsey (A0.524531). Scott Joplin's effervescent, rollicking Pineapple Rag is arranged here as a brass trio for French horn. Â Recommended for concerts, recitals and other multiple venues; especially popular as an encore! Â Featured in the movie THE STING and the TV series WESTWORLD. Â Concert Key: Bb major / modulates to Eb major. Â Horn Key: F major / modulates to Bb major. Â 14 pages of music (that includes the score and separate two-page parts for horn 1, horn 2 and horn 3).
$9.99
9.21 €
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Scott Joplin
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Pineapple Rag
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John A. Dempsey
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SheetMusicPlus
Pineapple Rag (Brass Quartet): Three Trumpets and Trombone
Brass Ensemble Trombone,Trumpet - Level 4 - Digital Download SKU: A0.524919 Compose…
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Brass Ensemble Trombone,Trumpet - Level 4 - Digital Download SKU: A0.524919 Composed by Scott Joplin. Arranged by John A. Dempsey. Film/TV,Holiday,Patriotic,Ragtime,Standards. Score and parts. 22 pages. John A. Dempsey #6477865. Published by John A. Dempsey (A0.524919). Scott Joplin's effervescent, rollicking Pineapple Rag is arranged here as a brass quartet for three Bb trumpets and trombone. Â Recommended for concerts, recitals and other multiple venues; especially popular as an encore! Â Featured in the movie THE STING and the TV series WESTWORLD. Â 18 pages of music (that includes the score and separate two-page parts for trumpet 1, trumpet 2, trumpet 3 and trombone). Â Concert Key: Bb major / modulates to Eb major. Â Trumpet Key: C major / modulates to F major. Â Trombone Key: Bb major / modulates to Eb major.
$12.99
11.98 €
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Scott Joplin
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Pineapple Rag
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John A. Dempsey
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SheetMusicPlus
Shaping Metal (percussion duo)
Instrumental Duet Instrumental Duet,Multi-Percussion,Vibraphone - Level 5 - Digital Downlo…
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Instrumental Duet Instrumental Duet,Multi-Percussion,Vibraphone - Level 5 - Digital Download SKU: A0.977038 Composed by Paul SanGregory. Contemporary. Score and parts. 12 pages. Distant Engraver Music #3538593. Published by Distant Engraver Music (A0.977038). This imaginative piece evokes the creation of a large metal sculpture and the various natural sounds that inspired it. Percussion instruments are used to evoke the quiet sounds of water bubbles, rain, ocean waves, a bird call... Then there are also many metallic scraping, tapping, dragging and hammering sounds evoking the sculptures creation. The sculpture itself is represented by a bright colorful chord succession, but the complete succession doesn't immediately appear. While the artist is still gathering metal materials and working on the sculpture, the chords appear as various isolated arpeggios in and around the various other sounds of the piece. It isn't until the sculpture begins taking shape that the tempo increases and the chords become recognizable as a theme. This piece requires performers with good ears for color and a knack for finding just the right way to strike or scrape an instrument (instructions are provided on the score). Also, there is much changing of mallets and/or the way they are held, and at times the vibraphone part requires wide-ranging fast arpeggios.INSTRUMENTATIONPerformer 1:vibraphonelarge suspended cymbal (22 preferred)
$10.00
9.22 €
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Paul SanGregory
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Shaping Metal
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Distant Engraver Music
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SheetMusicPlus
Big Fiddle Rag (A Texas-Style Fiddle Tune) for solo cello
Level 5 - Digital Download SKU: A0.1140756 By Sean Grissom. By Sean Grissom. Contes…
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Level 5 - Digital Download SKU: A0.1140756 By Sean Grissom. By Sean Grissom. Contest,Country,Festival,Jazz,Ragtime. Full Performance. Duration 205. Sean Grissom d.b.a.ENDPIN Music Publishing #740993. Published by Sean Grissom d.b.a.ENDPIN Music Publishing (A0.1140756). Let's Swing! Texas-Style! - this is the recorded version of the work for sale - I hope you enjoy it!
$1.99
1.83 €
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Sean Grissom
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Big Fiddle Rag
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Sean Grissom d.b.a.ENDPIN Music Publishing
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SheetMusicPlus
Frederick Cello Rag
Cello,Instrumental Solo,Piano - Level 5 - Digital Download SKU: A0.889590 Composed …
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Cello,Instrumental Solo,Piano - Level 5 - Digital Download SKU: A0.889590 Composed by Frederic Chopin. Arranged by Nicholo Dela Pena. Classical,Romantic Period. Score and individual part. 4 pages. Nicholo Dela Pena #19077. Published by Nicholo Dela Pena (A0.889590). Ragtime rendition with Cello arrangement of Chopin prelude op 28 no 1.
$4.99
4.6 €
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Frederic Chopin
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Frederick Cello Rag
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Nicholo Dela Pena
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SheetMusicPlus
Dorian Album For String Trio
Cello, Violin, String Duet, String Ensemble - Difficulty: medium SKU: HL.4472730
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Cello, Violin, String Duet, String Ensemble - Difficulty: medium SKU: HL.4472730 Violin, Cello and Piano. Arranged by Harvey S. Whistler and Herman Hummel. Ensemble Collection. Baroque and Classical Period. Set of performance parts (includes separate pull out parts for violin & cello). 63 pages. Rubank Publications #RUBL285. Published by Rubank Publications (HL.4472730). ISBN 9781540001801. UPC: 073999184112. 9x12 inches. Whistler/Hummel.These 30 easy level (grade 2) string trios from the masters, arranged by Rubank legends Harvey Whistler and Herman Hummel, are the ultimate way to introduce your youngest players to ensemble playing. Songs average 30-40 measures long, with optional repeats to create a longer piece at your discretion. Includes a treasure trove of titles: Abendlied (Schumann) * Allegro from Der Freischutz (Weber) * Ave Verum (Mozart) * Carnival of Venice * Chanson Triste (Tchaikovsky) * Cielito Lindo * Country Dance (Beethoven) * Liebestraum (Liszt) * Drink to Me Only with Thine Eyes * New World Symphony Excerpts (Dvorak) * Jesu, Joy of Man's Desiring (students play the melody, not the triplet pattern) * Jolly Coppersmith * Melody for Strings (Rubinstein) * Men of Harlech * Menuet from Symphony No. 7 (Haydn) * Procession (Handel) * Theme from Fantasie Impromptu (Chopin) * Rondo (Schubert) * Theme from Symphony No. 1 (Brahms) * Vienna Life (Strauss) * Volga Boatman * Waltz from HMS Pinafore.
Song List
: Alma Mater Ave Verum (Jesu, Word of God Incarnate) Carnival of Venice Cielito Lindo (My Pretty Darling) Drink to Me Only With Thine Eyes Fantaisie-Impromptu It Came Upon the Midnight Clear Jesu, Joy Of Man's Desiring Jolly Coppersmith March Liebestraum (Dream Of Love) Melody Men Of Harlech O Promise Me Silent Night New World Symphony (Theme) Song Of The Volga Boatman Theme (Der Freischutz) Abendlied (Evening Song) Theme (Iphigenia In Tauris) Happy Holiday Theme (Symphony #7) String Salutation Waltz From The H.M.S. Pinafore Chanson Triste Country Dance Theme Theme (Handel) Gaily The Troubador Vienna Life
$12.99
11.98 €
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Dorian Album For String Trio
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Rubank Publications
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SheetMusicPlus
Suite No. 1
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Sco…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95
10.09 €
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (Tuba/Euphonium)
Small Ensemble - Level 3 - Digital Download SKU: A0.784348 Composed by Joshua Hause…
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Small Ensemble - Level 3 - Digital Download SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Published by Slide Ride (A0.784348). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instrumentsIf this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$7.50
6.91 €
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet
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Slide Ride
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet (or Baritone T.C.)
Small Ensemble - Level 3 - Digital Download SKU: A0.784334 Composed by Joshua Hause…
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Small Ensemble - Level 3 - Digital Download SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide Ride (A0.784334). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.61 €
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet
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Slide Ride
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
Small Ensemble Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.784336 C…
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Small Ensemble Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288665. Published by Slide Ride (A0.784336). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.61 €
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
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Slide Ride
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Quartet
Small Ensemble Double Bass - Level 3 - Digital Download SKU: A0.784342 Composed by …
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Small Ensemble Double Bass - Level 3 - Digital Download SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288689. Published by Slide Ride (A0.784342). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.61 €
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Quartet
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Slide Ride
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SheetMusicPlus
Anacreontic Song "Ye Mortals."
Voice, 2 violins and string bass - Digital Download SKU: LV.23804 Composed by Dr. A…
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Voice, 2 violins and string bass - Digital Download SKU: LV.23804 Composed by Dr. Arnold. Eating & drinking, Alcoholic beverages, Wine, Sailors, Happiness. Lester S. Levy Collection. 2 pages. Published by Johns Hopkins University Sheridan Libraries (LV.23804). Anacreontic Song Ye Mortals. [includes figured bass symbols]. Composed by Dr. Arnold. Published [n.d.] by Bland, 45 Holborn in London]. Composition of strophic with chorus with voice, two violins and string bass instrumentation. Subject headings for this piece include Eating & drinking, Alcoholic beverages, Wine, Sailors, Happiness. First line reads Ye mortals whom trouble & sorrow attend whose life is a series of pain without end.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Dr
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Anacreontic Song "Ye Mortals."
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Apollo Album
Violin, Violin Duet - Grade 2 SKU: HL.4472690 Violin Duet Collection (with Piano…
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Violin, Violin Duet - Grade 2 SKU: HL.4472690 Violin Duet Collection (with Piano). Arranged by Harvey S. Whistler and Herman Hummel. Ensemble Collection. Concert, Contest. 32 pages. Rubank Publications #RUBL290. Published by Rubank Publications (HL.4472690). ISBN 9781540001764. UPC: 073999726909. 9x12 inches. Whistler/Hummel.These 30 easy level (grade 2) violin duets from the masters, arranged by Rubank legends Harvey Whistler and Herman Hummel, are the ultimate way to introduce your youngest players to ensemble playing. Songs average 30-40 measures long, with optional repeats to create a longer piece at your discretion. Includes a treasure trove of titles: Abendlied (Schumann) • Allegro from Der Freischutz (Weber) • Ave Verum (Mozart) • Carnival of Venice • Chanson Triste (Tchaikovsky) • Cielito Lindo • Country Dance (Beethoven) • Liebestraum (Liszt) • Drink to Me Only with Thine Eyes • New World Symphony Excerpts (Dvorak) • Jesu, Joy of Man's Desiring (students play the melody, not the triplet pattern) • Jolly Coppersmith • Melody for Strings (Rubinstein) • Men of Harlech • Menuet from Symphony No. 7 (Haydn) • Procession (Handel) • Theme from Fantasie Impromptu (Chopin) • Rondo (Schubert) • Theme from Symphony No. 1 (Brahms) • Vienna Life (Strauss) • Volga Boatman • Waltz from HMS Pinafore
$10.95
10.09 €
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Apollo Album
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Rubank Publications
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SheetMusicPlus
Heidenröslein: Variations on a Theme by Franz Schubert
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 3 - Digital Dow…
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Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 3 - Digital Download SKU: A0.927030 Composed by Franz Schubert, Kayla Roth. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 27 pages. Kayla Roth #3373343. Published by Kayla Roth (A0.927030). From the composer's program notes included with this purchase:I have taken Schubert’s famous setting and arranged it in a set of musical homages to other composers. I have also included Schubert’s original theme, transposed down to F, and I would recommend playing it twice in the beginning to give your audience a good idea of it.For most of the pieces, I tried to capture the composer’s overall style; however, there are a few particular pieces that are either quoted or used as the stylistic basis, as follows: Mozart - I based this variation, stylistically, on Piano Concerto No. 21 in C major (K.467), specifically movement two (Andante), as well as some of his earliest childhood piano compositions. Symphony 40 in G minor (K.550) is quoted rhythmically. Strauss, Jr. - For inspiration, I used Du und Du, Op. 367, a waltz that is derived from various parts of his beloved operetta, Die Fledermaus. I quoted rhythms from this, as well as from Frühlingsstimmen, Op. 410. Joplin - I didn’t base this on any particular piece of Joplin’s; I tried to include elements that are common in his rags (a short introduction, arpeggiated diminished seventh chords, chromaticism, syncopation over a boom-chuck). Perhaps the best advice comes from Joplin himself: Don’t play this piece fast. It is never right to play ragtime fast. Porter - I had to include an offering from the Great American Songbook! Frank Sinatra recorded several of Porter’s well-known tunes in the 1940s, such as Easy To Love, Night and Day, and I Love You; his renditions of these songs are heavy on the schmaltz and sentimentality, which is exactly what I was trying to achieve in this variation.Bach - The minor variation! I had Fugue in G minor, BWV 578 (Little Fugue) in mind when writing this.der Jodelkönig - As Heidenröslein is a strophic, folk-songesque German piece, I thought it fitting to end the variations with an imitation of traditional Alpine yodeling. It is named in honor of Franzl Lang, the Yodelking.
$20.00
18.44 €
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Franz Schubert, Kayla Roth
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Heidenröslein: Variations on a Theme by Franz Schubert
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Kayla Roth
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SheetMusicPlus
Jazz Hodie (On this Day Earth Shall Ring)
Bass Guitar,Double Bass,Mallet Percussion,Piano,Triangle - Digital Download SKU: A0.149…
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Bass Guitar,Double Bass,Mallet Percussion,Piano,Triangle - Digital Download SKU: A0.1496826 Composed by Piae Cantones, 1583. Arranged by Ken Litton. 20th Century,Advent,Christian,Christmas,Sacred. Accompaniment. Duration 173. Artist of Note, Inc. #1073310. Published by Artist of Note, Inc. (A0.1496826). Jazz Hodie (On this Day)PERSONENT HODIE arr. Ken Litton (ASCAP)Demo & Accompaniment track .mp3 Those who have the good fortunate to hear Gustav Holst’s arrangement of PERSONENT HODIE as a choral processional with its engaging melody, measured gait and echoed text have never forgotten the magical moment—and were never really ready for it to end. Hailing from the The Oxford Book of Carols this German plainsong melody—from the Piae Cantones, 1583—has made its way into strong choral and worship traditions at Advent/Christmas.Of all the current texts and arrangements available, this version honors Holst’s unison accompanied setting in an unexpected subtle jazz styling, with the hope of bringing additional range to its established place in advent literature (both in terms of style and in appeal to a variety of age groups). And, On This Day Earth Shall Ring, translated by Jane M. Joseph (text in the public domain) gives it just the traditional touch needed for Jazz Hodie (On this Day).This SATB setting of the tune offers accompaniment designed for piano or organ, optional acoustic/string bass and an optional part for a single player involving three of the percussionist section best friends in the : the suspended cymbal, mallets (vibraphone, marimba or bells or bell lyre), and a small triangle. It should be noted that an electronic piano/synthesizer voice could substitute well for the mallets and the use of handbells is also viable. Perfect for Lessons & Carols presentations!The unison singing and bell-tone echoes of the first stanza/refrain soon give way to smooth, contrasting jazz harmony. The choral ranges are very much within the reach of the average choir and the voicings vary from unison to three and four parts, followed by a return to the character of the opening. The piece builds toward a close with a choral ascent in the final bars and a bass line reminiscent of the first verse, but with an extra jazz twist. But, it can easily be restarted for processional use by simply dropping back into the C minor introduction’s bass line. The String Bass/Electric Bass part is included in both the pdf score download and on the Demo & Accompaniment mp3 download.Also available in a hymn sheet version that includes everything needed for UNISON Choir and the worshiping congregation.All this from the places you go for the best in downloadable resources: Sheet Music Direct Sheet Music Plus As well as via Hal Leonard InStore™ retailers.Also…be sure to check out other titles from East of the Altar/Artist of Note, Inc.Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard.
$4.99
4.6 €
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Piae Cantones, 1583
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Accompaniment track
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Jazz Hodie
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Artist of Note, Inc.
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SheetMusicPlus
Lithuanian Nonet for winds & strings
A Clarinet,Bassoon,Cello,Double Bass,Flute,Horn,Oboe,Viola,Violin - Level 4 - Digital Down…
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A Clarinet,Bassoon,Cello,Double Bass,Flute,Horn,Oboe,Viola,Violin - Level 4 - Digital Download SKU: A0.1358397 Composed by Juozas ŽileviÄius. Arranged by Kazys DaugÄ—la. 20th Century,Classical. 162 pages. Kazys Daugela #942837. Published by Kazys Daugela (A0.1358397). Juozas ŽileviÄius (1891–1985) was an organist, composer, educator, and researcher in the history of music. In 1919, when graduating from the Petrograd Conservatory, he composed Symphony in F minor, the first Lithuanian composition in this genre. Upon his return to Lithuania in 1920, ŽileviÄius worked in various musical life spheres of the young republic: he took part in the activities of the Society of Lithuanian Art Creators, contributed to the establishment of Kaunas Opera House, worked for several years as the head of the Art Department at the Ministry of Education, prepared the first music curricula for secondary schools and progymnasiums, conducted courses for music teachers, taught at music schools in Kaunas and KlaipÄ—da, published a musical periodical, and initiated the first Lithuanian Song Festival. Musicologist DanutÄ— PetrauskaitÄ— managed to bring copies of three-movement Nonet for strings and wind instruments from Chicago to Lithuania. ŽileviÄius started writing it in December 1924. The composition was apparently inspired by the Czech Nonet members, working at KlaipÄ—da School of Music, who had been invited by its director Stasys Å imkus from Prague. This was a lively and youthful group that gave concerts all over Lithuania. It amazed audiences with its high artistic level and set an example for students, encouraging them to form various ensembles. The repertoire of the Czech Nonet consisted mainly of works from the Classical and Romantic eras. There were few contemporary compositions, and therefore the Czech Nonet performers turned to composers with a request to write new works for them. They might have discussed the matter with ŽileviÄius with whom they maintained a close relationship, as they did later with Lithuanian composer Jeronimas KaÄinskas.ŽileviÄius finished writing Nonet on 15 November 1926. All three movements were based on the intonations of Lithuanian folk melodies. The first movement (Andante. Allegro moderato) imitatively developed the motifs of the song “Autumn will Comeâ€, while the second one (Andante cantabile) featured fragments of the song I Rode through the Woodâ€, and the third one (Allegro) of the song “Oh, you Bird Cherryâ€. The composition was written professionally, it should have been attractive and interesting for the performers, but, unfortunately, it was never performed. The reasons for this could have been various: disagreements between the director of  KlaipÄ—da Music School, Å imkus, and his deputy, ŽileviÄius, as well a the Czech teachers’ falling into disgrace and starting to resign from their teaching positions in the autumn of 1926. A few years later, ŽileviÄius also resigned from the school: in January 1929 he left for the USA and settled in Elizabeth, New Jersey, where he worked as a church organist. He also brought his Nonet from KlaipÄ—da, hoping that this work would be heard in America. To this end, he found transcribers who made instrumental parts from the score. As it turned out, there were few Lithuanian instrumentalists in the USA, and ŽileviÄius did not have close relations with Americans. Thus Nonet, which the composer regarded as one of his most successful compositions after his Symphony in F minor, sank into oblivion. Thanks to Kazys DaugÄ—la, an opportunity appeared to edit and digitise it after the sheet music of Nonet had arrived in Lithuania. This work reveals the origins of the Lithuanian musical culture, enriches the repertoire of chamber-instrumental ensembles, broadens music education curricula, inks the name of ŽileviÄius, the author of both the first Lithuanian symphony and of the first nonet, in the history of music, and contributes to the preservation and fostering of the Lithuanian musical heritage.by Prof. Dr. DanutÄ— PetrauskaitÄ—.
$59.99
55.31 €
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Juozas ŽileviÄius
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Lithuanian Nonet for winds & strings
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Kazys Daugela
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SheetMusicPlus
You Raise Me Up
Mixed Percussion,Strings Bass Drum,Bass Voice,Clarinet,Cymbals,Digital Keyboard,Double Bas…
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Mixed Percussion,Strings Bass Drum,Bass Voice,Clarinet,Cymbals,Digital Keyboard,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electronic Keyboard,Flute,Harp,Horn,Medium Voice,Medium-High Voice,Oboe,Percussion,Piano and Keyboard,Piccolo,Suspended Cymbal,Synthesizer,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1169431 By Josh Groban. By Brendan Graham and Rolf Lovland. Arranged by Amphibia Cultural Legacy. Broadway,Classical,Multicultural,Musical/Show,Religious,Spiritual,World. 6 pages. Amphibia Cultural Legacy #769788. Published by Amphibia Cultural Legacy (A0.1169431). Amphibia Cultural Legacy, a group of talented musicians, have remixed Connie Talbot's version of You Raise Me Up with additional instruments. The result is a beautiful and powerful rendition that highlighting the song's message about strength and intelligence. With soaring vocals and expertly-played instruments, this cover is sure to inspire listeners.The lyrics of You Raise Me Up speak to the idea that we all have inner strength and intelligence that can help us overcome challenges. When life gets tough, it can be easy to feel defeated or overwhelmed. But by tapping into our inner reserves of courage and wisdom, we can rise above adversity and achieve great things. This cover by Amphibia Cultural Legacy celebrates this idea in a truly moving manner.One of the standout elements of this remix is the additional instrumentation that has been added to the original arrangement.
$40.00
36.88 €
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Josh Groban
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You Raise Me Up
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Amphibia Cultural Legacy
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SheetMusicPlus
Sanctus
Brass choir & percussion - Digital Download SKU: IZ.CMS1610 Composed by Gary Gazlay…
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Brass choir & percussion - Digital Download SKU: IZ.CMS1610 Composed by Gary Gazlay. Score and Parts. 43 pages. Imagine Music - Digital #CMS1610. Published by Imagine Music - Digital (IZ.CMS1610). 9 x 12 in inches.Sanctus is a Latin word which means Holy. Sanctus was inspired by Revelation 4:8, and was composed as anextended crescendo - building to the climatic final Amen three measures before the conclusion of the song.Sanctus is dedicated to my wife Betty. She is my best friend and for over 34 years of marriage has enriched my lifethrough her love, encouragement and support. She inspires me and I am abundantly blessed to have her as my wife.It is my hope that Sanctus will provide students with a song that they will enjoy learning to play, and provide othermusic educators with a teaching tool that can be used in helping to motivate and encourage their students.
$24.00
22.13 €
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Gary Gazlay
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Sanctus
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Imagine Music - Digital
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SheetMusicPlus
The Nearness Of You
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - Digital Download SKU: A0.9…
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - Digital Download SKU: A0.923852 By George Shearing. By Hoagy Carmichael. Arranged by Steve William Lussing. Jazz. Score and parts. 5 pages. S. W. Lussing #3126013. Published by S. W. Lussing (A0.923852). Many venerable songs were written in the age before computers and midi synthesizers. A musical score or lead sheet was intended to be interpreted for style and tempo, and while some of those interpretations may not necessarily have been wrong, quite often they weren't always what the author intended, but face it, it's just plain hard to write music exactly in the way that the song is intended to be sung. Enter the computer age, and the ability for performers to understand that the interval of a note is an absolute time interval which puts the natural rhythm, or beat, of a musical arrangement at about 25% faster than a beat per second, which is why I arrange music to be performed at ~ 80 BPM, which means, approximately 80 beats per minute. That is not etched in stone, but it does represent the comfort zone to which the performer should subscribe when singing or playing a song. Contemporary jazz singers are, in my opinion, therefore obligated to re-arrange the songs that they intend to record, to avoid the embarrassment of getting it wrong. It happens. Timing is of the essence. Many of those old jazz classics are well served with a rewrite for the contemporary artist.The Nearness of You was written in 1938 by Hoagy Carmichael, with lyrics by Ned Washington, and was performed in the 1938 Paramount movie, Romance in the Dark, by Gladys Swarthout of the Metropolitan Opera. It has been recorded numerous times over the years, and it maintains its popularity today. The guitar chording for this arrangement is targeted toward the experienced and more advanced players, but I encourage the experienced intermediate level player to take up the challenge of learning to play this song. It will be a rewarding experience.
$4.99
4.6 €
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George Shearing
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The Nearness Of You
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S. W. Lussing
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SheetMusicPlus
Grace Kelly
Small Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Interactive Download SKU: A0.…
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Small Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Interactive Download SKU: A0.486741 By Mika. By Dan Warner, Jodi Marr, John Merchant, and Mika. Arranged by Abigail E. Kimberlin. This edition: Interactive Download. Classical. Score and parts. 25 pages. Duration 56. Abigail E. Kimberlin #5E9wfdRjbdRMER4JfbNnNJ. Published by Abigail E. Kimberlin (A0.486741). Key: G major.This is a string septet transcription (with a few tweaks) of the 2021 TikTok trend looping one section of the song Grace Kelly, originally sung by MIKA. To my knowledge, the creator of this arrangement was TikTok creator @daragh_daly, to whom I give all credit for the harmonies, though I will correct that if I'm wrong.
$21.99
20.27 €
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Mika
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Grace Kelly
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Abigail E. Kimberlin
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SheetMusicPlus
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