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Entrée
Sheetmusic to print
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Entrée de Polymnie for recorder ensemble/orchestra and guitar
Bass Recorder,Descant Recorder,Tenor Recorder,Treble Recorder - Level 3 - Digital Download…
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Bass Recorder,Descant Recorder,Tenor Recorder,Treble Recorder - Level 3 - Digital Download SKU: A0.1456928 Composed by Jean-Philippe Rameau (1683-1764). Arranged by Clive Lane. Baroque,Classical. Recorder Ensemble. 11 pages. Clive Lane #1036013. Published by Clive Lane (A0.1456928). An arrangement of incidental music from Rameau's opera Les Boréades (c.1763).for recorder ensemble/ orchestra with guitar accompaniment.(Descant/Treble 1&2/ Tenor 1&2/Bass 1&2/Contrabass + guitar)In the opera this ravishingly beautiful music accompanies the entrance of Polymnie, the muse of sacred poetry, sacred hymn and dance. Score and parts.
$8.99
8.26 €
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Jean-Philippe Rameau
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Entrée de Polymnie for recorder ensemble/orchestra and guitar
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Clive Lane
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SheetMusicPlus
Entrée (Downloadable)
Solo treble instrument and keyboard - Moderately Easy - Digital Download SKU: MQ.20-782…
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Solo treble instrument and keyboard - Moderately Easy - Digital Download SKU: MQ.20-782-01E Composed by Charles E. Callahan Jr. and Jean-Baptiste Lully. 5 pages. MorningStar Music Publishers - Digital Sheet Music #20-782-01E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.20-782-01E). Lully, Corelli, Telemann, Mouret, Bach, Handel, and Mozart are among the composers featured in this volume for solo treble instrument (C, B-flat) and keyboard. Callahan is a master at writing accompaniments that work on any available keyboard instrument. Most titles evoke dance movements (Sarabanda, Siciliano, etc.). Classic and refined.
$5.00
4.59 €
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Charles E
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Entrée
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Ruggine e diamante
Small Ensemble Cello,Flute,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.9768…
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Small Ensemble Cello,Flute,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.976886 Composed by Monica Bergo. Contemporary. Score and parts. 35 pages. Monica Bergo #3406737. Published by Monica Bergo (A0.976886). RUGGINE E DIAMANTE Grigio il cielo mio Nuvole basse su me Così stanca io Di questa falsa realtà Mi sento cinica Calpesto la mia bontà così inflessibile Non so cos’è la pietà Sole giallo che Riscaldi l’anima mia coi tuoi raggi sai Portare luce e armonia E sono euforica E non sto ferma un momento Mi sento in pace e già Del mio rancore mi pento Ma la ruggine che ho dentro E si ciba del tormento È impaziente, non aspetta E mi spinge alla vendetta Ma il diamante che in me brilla È già pronto alla battaglia E si impegna per lenire La mia smania e quel dolore So che ti hanno calpestata, e che ora sei ferita Ma se segui quel sentiero Ti ritroverai dannata E non tornerai più Sono ruggine e diamante Sono fiamma e poi più niente Sono il fango che ti inghiotte E il bagliore che riflette E mi sento dilaniata E contesa da una vita Tra la luce e il suo fulgore E dal nero e il suo furore E non riesco a respirare In quest’aria senza odore Tante facce, tanta gente Che profumano di niente Vedo Strade asfaltate Coperte di ghiaccio Semafori rossi Ma non mi fermo Sento la morte , mi siede vicino Mi soffia sul cuore Ma è di marmo Lacrime bruciano tolgono il fiato si fermano in gola ma io non piango proprio nell’attimo in cui mi ritrovo mi sento cambiata e mi perdo di nuovo i miei giorni in disordine sul calendario li guardo sfilare ma mi confondo voci di anime dal mio passato mi chiamano forte ma non rispondo bimbi che giocano sul marciapiede mi fissano immobili io non li guardo corro veloce , non mi puoi fermare ma scende una lacrima, e scioglie il dolore Quante volte vuoi Distruggermi e scappar via Quante volte puoi Negare l’azione tua Castelli costruirò Che tu poi demolirai Cresce la rabbia mia invulnerabile sei Ma la ruggine che ho dentro, mi ripete è giunto il tempo, se le cose vuoi cambiare, mostra a tutti che sai fare ma il diamante che in me brilla mi ripete sii una stella, è la tua luce interiore la tua forza , il tuo potere e continuo a rimandare e continuo a non capire mentre il mio diamante tace e la ruggine feroce si fa strada dentro di me sarò ruggine o diamante sarò opaca oppur splendente chiedo solo un po’ di pace, non di essere felice Sono ai margini da sempre Tra chi ha tutto e non ha niente tra orizzonti ormai perduti E gli amori consumati È la mia maledizione Il mio lutto nelle vene questo tempo mi ha indurito e il diamante ormai è opaco ecco il destino mi aspetta a quel bivio è finito il tempo e mi viene incontro vedo una rondine ,cerca il suo nido non vuole migrare ma è quasi inverno sento nel.
$3.99
3.66 €
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Monica Bergo
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Ruggine e diamante
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Monica Bergo
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SheetMusicPlus
Il sole e la luna (Aspettando l'eclissi)
Small Ensemble Flute,Piano,Violin - Level 3 - Digital Download SKU: A0.976827 Compo…
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Small Ensemble Flute,Piano,Violin - Level 3 - Digital Download SKU: A0.976827 Composed by Monica Bergo. 20th Century. Score and parts. 54 pages. Monica Bergo #3234597. Published by Monica Bergo (A0.976827). 2017 Holiday Contest Entry IL SOLE E LA LUNA (aspettando l’eclissi) Vorrei andarmene lontano In questi giorni senza te Vorrei sparire come un sogno Che se apri gli occhi più non c’è Vorrei tornare indietro al tempo In cui esistevi solo tu Ai bei momenti passati , le risate ed i baci Come il sole e la luna io e te Ma poi ritorno al mio presente E la tua assenza brucia in me Così lontani e distanti Tu , come tutti quanti E gentili parole che svaniscono al sole Noi siamo come sole e luna Che non si incontreranno mai Eterna lotta nel tempo si corrono incontro Per non abbracciarsi mai E come il sole con la luna Noi non ci sfioreremo mai Ti scaldo solo un istante Ma sei freddo, scostante Ed il giorno con me non vivi mai Il sole e la luna Due amanti vaganti Tenuti distanti, dal caos degli eventi Scandiscono il ritmo il senso del tempo Il sole risplende La luna nasconde Ed è il girotondo Più antico del mondo È un tragico valzer Come questa mia danza senza te Proprio come la luna con il sole sempre fa Senza te Mentre cala la notte Il mio cuore che batte senza te aspettando un’eclissi che da me ti porterà E tramonto e risorgo e sarà un nuovo giorno Senza te Guarda la luna come illumina Tra mille stelle lei risplenderà Con il suo alone profondo Ti nasconde dal mondo Ed i tuoi segreti celerà Ma guarda il sole come è magico Quando si alza e tutto brillerà Con i suoi mille colori, i tramonti ed i fiori È vita e tutto si rinnoverà Nell’universo impenetrabile Questi 2 astri si rincorrono Ma non c’è senso nel sole Se non ha la sua luna Aspettando l’eclissi, arriverà Aspetto l’eclissi Il tempo che passi Conservo il calore Per stringerti al cuore E penso all’istante Quel breve momento All’allineamento tra ombra e fulgore E fasi lunari, riflessi solari Tra stelle e pianeti È un eclissi del cuore senza te Proprio come la luna con il sole sempre fa Senza te Mentre cala la notte Il mio cuore che batte senza te aspettando un’eclissi che da me ti porterà E tramonto e risorgo e sarà un nuovo giorno Senza te E ballo sempre sola e triste è Questo mio valzer senza te Non lo hai saputo imparare come non sai amare Una donna come me che preferisce volare non si vuole fermare al mondo e a tutti i vizi suoi perché gli orrori son tanti ma la luce del sole può placare il dolore io sono il sole e tu la luna come raggiungerti non so Perché quest’anima vola Anche se è sempre sola Non si ferma un momento Non conosce il rimpianto E proprio come il sole con la luna noi Siam destinati a non sfiorarci mai se mentre chiudo i miei.
$3.99
3.66 €
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Monica Bergo
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Il sole e la luna
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Monica Bergo
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SheetMusicPlus
E intanto fuori piove
Piano Trio,String Ensemble - Digital Download SKU: A0.976888 Composed by Monica Ber…
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Piano Trio,String Ensemble - Digital Download SKU: A0.976888 Composed by Monica Bergo. Contemporary. Score and parts. 61 pages. Monica Bergo #3407377. Published by Monica Bergo (A0.976888). E INTANTO FUORI PIOVE Respiri così piano non mi vuoi disturbare aspetti che un sorriso ti possa illuminare sei dolce e delicato un angelo smarrito ti guardo e ho male al cuore e intanto fuori piove mentre mi stai a guardare respiro il tuo sapore e come fosse un mare m'immergo nel dolore dei voli tuoi inibiti dei sogni calpestati ti avrei potuta amare e intanto fuori piove Mi manca il fiato in questa stanza io ormai non riesco neanche a respirare e bussi al mio castello senza un re ma adesso io non posso farti entrare ed è lontano il giorno in cui per te sacrificavo tutto e offrivo il cuore ricordo bene le parole tue non sono un uomo , dai lasciami andare ora hai capito da che parte stai ma ero così stanca di aspettare e briciole d'amore su di noi 2 Peter Pan cresciuti mai le stelle più brillano più in fretta poi scompaiono pianeti che piangono e i miei colori sciolgono la pioggia che spegnerà le fantasie tue inutili regalami un'altra età ed occasioni nuove fuori piove mi incateni in questo limbo di domande e di rimpianto preferivo il tuo silenzio e sono strega e poi regina di un reame senza incanto non tornare nel mio mondo se trasformi l'acqua in pianto piove dentro me nell'anima ferma qui immobile cerco la tua immagine ma non sei più quel ragazzo fragile che inventava favole e scrutava nuvole chi sei ora? resto qui in bilico abbracciata a un incubo nel mio modo atipico di cadere penso a te e precipito sola in questo baratro l'apertura d'ali mi fa planare Accordi cullano e note accarezzano anime danzano al ritmo di un brivido suono per ciò che poteva e non è suono solo per te straziami, illudimi fammi decidere se senza un sogno si può sopravvivere cala il sipario del tempo su noi strani attori di un poi andato in scena (mai) come una malattia che non si cura e che non guarirà (sei dentro me) cuore che scalpita e perde i suoi battiti mente che scivola su questi attimi (e vola via) catene stridono su questa nostra età mani si sfiorano e intanto fuori piove (e dentro me) fragile il margine tra sogno e realtà sottile il limite tra corpo e anima (e ti vorrei) in dimensioni ancora da vivere amami se vorrai ma non so ancora dove e intanto fuori piove e stringo forte il filo di un aquilone in mano un volo di pensieri mentre sei già lontano i sensi miei impazziti inghiotto i miei sospiri e intanto spunta il sole ma dentro di me ..piove.. &n.
$3.99
3.66 €
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Monica Bergo
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E intanto fuori piove
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Monica Bergo
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SheetMusicPlus
Lindo És + Para que entre o Rei
Small Ensemble Drums,Piano,Trombone,Violin - Level 3 - Digital Download SKU: A0.1011483…
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Small Ensemble Drums,Piano,Trombone,Violin - Level 3 - Digital Download SKU: A0.1011483 Arranged by ELION FELIPE. Gospel. Score and parts. 12 pages. E.F #3691973. Published by E.F (A0.1011483). um arranjo da musica lindo es + para que entre o rei para instrumentos de sopro e piano.
$5.00
4.59 €
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Lindo És + Para que entre o Rei
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E.F
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SheetMusicPlus
Entrance Antiphons for the Advent Season (Downloadable)
Cantor, congregation, SATB choir, optional organ - Moderately Easy - Digital Download S…
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Cantor, congregation, SATB choir, optional organ - Moderately Easy - Digital Download SKU: MQ.80-009-E Composed by James Chepponis. Advent. Instrument parts. 15 pages. MorningStar Music Publishers - Digital Sheet Music #80-009-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.80-009-E). These Entrance Antiphons were composed to accompany the entrance procession for each of the four Sundays of Advent. The antiphons are taken from The Roman Missal and are paired with psalms. They follow an A, B form: A is sung by cantor or choir and repeated by the assembly, B is sung by cantor or choir, and then A may be repeated. The verses, set to psalm tones, may be sung by cantor or choir. All four settings may be sung without accompaniment, or organ may double the SATB parts throughout. Reproducible parts for congregation are included.
$2.85
2.62 €
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James Chepponis
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Entrance Antiphons for the Advent Season
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Mentre angoscia e dolore (Original Key)
Choir - Level 5 - Digital Download SKU: A0.1201045 By Chanticleer. By William Hawle…
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Choir - Level 5 - Digital Download SKU: A0.1201045 By Chanticleer. By William Hawley. A Cappella,Classical,Contemporary. Full Performance. Duration 206. William Hawley #799586. Published by William Hawley (A0.1201045). This is the World Premiere live recording of William Hawley's madrigal Mentre angoscia e dolore from Seven Madrigals, in the original key for ATBar.B voices, composed for the vocal ensemble Chanticleer in 1986. All seven live recordings from the World Premiere are available individually on this site as separate downloads by title, as is the original complete autograph ms score. The ms score and World Premiere recordings are distinct from Hawley's Six Madrigals, published in 1996 in the standard Hinshaw Music octavo edition by title, which constitute arrangements by the composer for SATB voices of the first six of the original seven madrigals. All seven madrigals are settings of the lyric poetry of the 16th-Century Italian poet Torquato Tasso.This is the original order of madrigals in performance:I. Vita de la mia vitaII. Ore, fermate il voloIII. Io v'amo sol perchè voi siete bellaIV. Siepe, che gli orti vaghiV. Dolcissimi coloriVI. Io son la primaveraVII. Mentre angoscia e doloreThe Audio Sample is the first half-minute of the recording. ASCAP  https://williamhawley.net.
$1.99
1.83 €
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Chanticleer
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Mentre angoscia e dolore
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William Hawley
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SheetMusicPlus
Two English Carols (Coventry Carol; What Child Is This?) - Tuba Quartet
Tuba Quartet Baritone Horn TC,Euphonium,Tuba - Level 4 - Digital Download SKU: A0.51279…
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Tuba Quartet Baritone Horn TC,Euphonium,Tuba - Level 4 - Digital Download SKU: A0.512791 Composed by Traditional. Arranged by Roger Wallace. Christmas,Renaissance,Sacred. 27 pages. Roger Wallace #4785843. Published by Roger Wallace (A0.512791). Tuba/Euphonium Quartet.  Bass and Treble Clef. Features most parts. The first section (Coventry Carol) features the melody by the lead voice. The second section (What Child Is This?) features the melody by the middle voices, followed by a tutti chorus to conclude.Part 1: Euphonium BC, Euphonium TC, E-Flat Bass    Part 2: Euphonium BC/Tuba, Euphonium TC, E-Flat Bass    Part 3: Tuba/Euphonium BC, Euphonium TC, E-Flat Bass   Part 4: Tuba, E-Flat Bass, B-Flat BassThis arrangement is also available for many other ensembles and soloists. Look for more arrangements by Roger Wallace.
$9.99
9.18 €
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Traditional
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Two English Carols
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Roger Wallace
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SheetMusicPlus
Two English Carols (Coventry Carol; What Child Is This?) - Low Brass Quintet
Baritone Horn TC,Euphonium,Low Brass Quintet,Trombone,Tuba - Level 4 - Digital Download
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Baritone Horn TC,Euphonium,Low Brass Quintet,Trombone,Tuba - Level 4 - Digital Download SKU: A0.1154659 Composed by Traditional. Arranged by Roger Wallace. Christmas,Renaissance,Sacred. 31 pages. Roger Wallace #754937. Published by Roger Wallace (A0.1154659). Trombone Quintet. Features most parts. The first section (Coventry Carol) features the melody traded by the upper voices. The second section (What Child Is This?) features the melody by the middle voices, followed by a tutti chorus to conclude. Can also be played by Baritone/Euphonium/Tuba or mixed Low Brass Quintet.Set includes Bass and Treble Clef parts as follows:Part 1: Trombone BC, Trombone TCPart 2: Trombone BC, Trombone TC, E-flat BassPart 3: Trombone BC, Trombone TC, E-flat BassPart 4: Trombone BC, Trombone TC, E-flat BassPart 5: Trombone BC, E-flat Bass, B-flat BassThis arrangement is also available for many other ensembles and soloists. Look for more arrangements by Roger Wallace.
$9.99
9.18 €
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Traditional
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Two English Carols
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Roger Wallace
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SheetMusicPlus
Coventry Ring Road
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1416140 Composed by Kevin M Austin. 20th Century,Contest,Festival. Brass Band. 56 pages. Kevin M Austin #997827. Published by Kevin M Austin (A0.1416140). Think of Coventry, and you may casually think of its post-war cathedral, Lady Godiva or perhaps even the Binley Mega Chippy! But mention the Ring Road, and everyone who knows it has an opinion.Constructed in the 60s and 70s, this notable feature of the city is an innocent 2 mile stretch of dual-carriageway. However, with its complex design, and nine junctions, most of which seem to merge into one lawless free-for-all, the B4053 creates a unique driving experience which some may find challenging, and others simply refuse to use!Written for intermediate level brass bands, this concert piece attempts to pay homage to a much loved, yet often maligned stretch of tarmac.
$14.99
13.77 €
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Kevin M Austin
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Coventry Ring Road
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Kevin M Austin
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SheetMusicPlus
Coventry Ring Road
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1406586 Composed by Kevin M Austin. 21st Century,Contemporary,Contest,Festival. Brass Band. 55 pages. Kevin M Austin #989353. Published by Kevin M Austin (A0.1406586). Think of Coventry, and you may casually think of its post-war cathedral, Lady Godiva or perhaps even the Binley Mega Chippy! But mention the Ring Road, and everyone who knows it has an opinion.Constructed in the 60s and 70s, this notable feature of the city is an innocent 2.25 mile dual-carriageway. However, with its complex design, and nine junctions, most of which seem to merge into one lawless free-for-all, the B4053 creates a unique driving experience which some may find challenging, and others simply refuse to use!Written for intermediate level brass bands, this concert piece attempts to pay homage to a much loved, yet often maligned stretch of tarmac.
$14.99
13.77 €
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Kevin M Austin
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Coventry Ring Road
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Kevin M Austin
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SheetMusicPlus
Two English Carols (Coventry Carol; What Child Is This?) - Low Brass Quartet
Baritone Horn TC,Euphonium,Low Brass Quartet,Trombone,Tuba - Level 4 - Digital Download
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Baritone Horn TC,Euphonium,Low Brass Quartet,Trombone,Tuba - Level 4 - Digital Download SKU: A0.1154660 Composed by Traditional. Arranged by Roger Wallace. Christmas,Renaissance,Sacred. 25 pages. Roger Wallace #754939. Published by Roger Wallace (A0.1154660). Trombone Quartet. Features most parts. The first section (Coventry Carol) features the melody by the lead voice. The second section (What Child Is This?) features the melody by the middle voices, followed by a tutti chorus to conclude. Can also be played by Baritone/Euphonium/Tuba or mixed Low Brass Quartet.Set includes Bass and Treble Clef parts as follows:Part 1: Trombone BC, Trombone TCPart 2: Trombone BC, Trombone TC, E-flat BassPart 3: Trombone BC, Trombone TC, E-flat BassPart 4: Trombone BC, E-flat Bass, B-flat Bass Also playable by Bassoon Quartet.This arrangement is also available for many other ensembles and soloists. Look for more arrangements by Roger Wallace.
$9.99
9.18 €
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Traditional
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Two English Carols
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Roger Wallace
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SheetMusicPlus
Fanfare for an International Entrance (Rob Bushnell) - Brass Band
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.752288 Composed by Rob Bushnell. Classical. Brass Band. 47 pages. RBMusic #2920487. Published by RBMusic (A0.752288). This was written for the Leeds International Student Welcome Event, held at Leeds Town Hall on 25 November 2007. It was played as the Lord Mayor entered and ascended the stage. The piece takes 7 players (4 cornets and the 3 trombones) and uses them as a separate fanfare team - the antiphonal setting allows the fanfare team to be in a different location to the rest of the band.This piece is for the UK-style brass band, with alternative parts for horns in F and bass-clef lower brass. The MP3 audio clip can also be found on YouTube: https://youtu.be/Evq07kehmiA.
$25.50
23.42 €
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Rob Bushnell
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Fanfare for an International Entrance
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RBMusic
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SheetMusicPlus
Sonata Pian ‘e Forte for 8-part Antiphonal Trombone Ensemble
Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.792814 Composed by Gio…
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Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.792814 Composed by Giovanni Gabrieli. Arranged by Russell McKinney. Baroque,Classical,Renaissance. Score and parts. 14 pages. Gordon Cherry #6641859. Published by Gordon Cherry (A0.792814). Gabrieli's Sonata Pian 'e Forte for 8-part Antiphonal Trombone Ensemble has been beautifully arranged (down a fifth from the original key) by Russel McKinney. The work (Ch.175) is part of the 1597 Sacrae symphoniae, published posthumously which contains sixty-three choral and instrumental works, many in multi-choir formations. This 8-part Sonata is in two choirs....a high one and a low one (in this case choir II uses three bass trombones with an optional Contrabass Trombone!)The most unique aspect of this masterpiece is its use of printed dynamics...originally thought to be the first work of its sort; Pian (soft) and Forte (loud). These dynamic markings are central to the structure of the work.This 4 1/2 minute work is appropriate for moderately advanced to advanced performers. Parts 1 A and B are in tenor clef. Parts 4A, 2B,2C & 2D are for Tenor-Bass or Bass Trombones. Part 4B may be performed by a Contrabass Trombonist.The dramatic performance of the sound sample is by the arranger himself, Bass Trombonist Russell McKinney playing both tenor and bass trombones.The most unique aspect of this masterpiece is its use of printed dynamics...originally thought to be the first work of its sort; Pian (soft) and Forte (loud). These dynamic markings are central to the structure of the work.This 4 1/2 minute work is appropriate for moderately advanced to advanced performers. Parts 1 A and B are in tenor clef. Parts 4A, 2B,2C & 2D are for Tenor-Bass or Bass Trombones. Part 4B may be performed by a Contrabass Trombonist.
$22.50
20.66 €
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Giovanni Gabrieli
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Pian
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Sonata Pian ‘e Forte for 8-part Antiphonal Trombone Ensemble
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Gordon Cherry
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Double Reed Choir
Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 2 - Digital Download SKU: A0.…
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Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 2 - Digital Download SKU: A0.549212 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3465004. Published by jmsgu3 (A0.549212). A musical monument: the first composition to employ dynamics. Instrumentation: 3 oboes, 3 English horns, 2 bassoons, 1 contrabassoon. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86.  Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
44.04 €
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Gabrieli
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Gabrieli: Sonata Pian e Forte Ch. 175 for Double Reed Choir
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jmsgu3
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch 175 for Cello Choir
String Ensemble Cello - Level 2 - Digital Download SKU: A0.549267 Composed by Giova…
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String Ensemble Cello - Level 2 - Digital Download SKU: A0.549267 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Instructional,Renaissance,Standards. 45 pages. Jmsgu3 #3479835. Published by jmsgu3 (A0.549267). A musical monument: the first composition to employ dynamics. Minimum instrumentation: 11 cellos.  Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.04 €
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Giovanni Gabrieli
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Gabrieli: Sonata Pian e Forte Ch 175 for Cello Choir
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jmsgu3
#
SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Saxophone Choir
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.549214 Composed by Giovanni …
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Woodwind Ensemble - Level 3 - Digital Download SKU: A0.549214 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3 #3465026. Published by jmsgu3 (A0.549214). A musical monument: the first known composition in history to employ dynamics. Minimum Instrumentation: 2 sopranos, 5 altos, 3 tenors, and 1 baritone sax. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.04 €
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Giovanni Gabrieli
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Gabrieli: Sonata Pian e Forte Ch. 175 for Saxophone Choir
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jmsgu3
#
SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Brass Choir
Brass Band Bass Trombone,Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.549208
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Brass Band Bass Trombone,Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.549208 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3464513. Published by jmsgu3 (A0.549208). A musical monument: the first composition to employ dynamics Minimum Instrumentation: 4 trumpets, 3 French Horns, 2 tenor trombones, 1 bass trombone, 1 tuba. Arranged in two antiphonal choirs. Suggested instrumentation: 8 trumpets, 9 Horns, 6 Tenor Trombones, 2 Bass Trombone, 4 Tubas. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.04 €
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Giovanni Gabrieli
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Gabrieli: Sonata Pian e Forte Ch. 175 for Brass Choir
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jmsgu3
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SheetMusicPlus
In The Steppes Of Central Asia - Brass Band
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.806337 Composed by Alexander Borodin. Arranged by Nigel Hall. Contemporary. Brass Band. 52 pages. Elgin Media #6622769. Published by Elgin Media (A0.806337). Atmospheric classical work arranged for Brass Band by Nigel Hall.
$25.00
22.96 €
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Alexander Borodin
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In The Steppes Of Central Asia - Brass Band
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Elgin Media
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SheetMusicPlus
Bach - Toccata - Fugue in E Minor BWV855 - 2 Clarinets, Clarinet Duo
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.824114 Composed by Johann Se…
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Woodwind Ensemble - Level 3 - Digital Download SKU: A0.824114 Composed by Johann Sebastian Bach. Arranged by Tim TK Murray. Baroque,Concert,Standards. 4 pages. TK (Tim) Murray #5743197. Published by TK (Tim) Murray (A0.824114). Bach's brilliant 'Toccata' fugue in E minor from 'The Well-Tempered Klavier' makes a superb short show piece for both Players. A great encore!Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com
$4.95
4.55 €
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Johann Sebastian Bach
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tkmurraycomp@aol.com
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Bach - Toccata - Fugue in E Minor BWV855 - 2 Clarinets, Clarinet Duo
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TK
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SheetMusicPlus
Bach - Toccata - Fugue in E minor BWV855 - 2 Bassoons, Basson Duo
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.824139 Composed by Johann Se…
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Woodwind Ensemble - Level 3 - Digital Download SKU: A0.824139 Composed by Johann Sebastian Bach. Arranged by Tim TK Murray. Baroque,Concert,Standards. 4 pages. TK (Tim) Murray #6287687. Published by TK (Tim) Murray (A0.824139). Bach's brilliant 'Toccata' Fugue in E minor from 'The Well-Tempered Klavier' makes a superb short show piece for both Players. A great encore!Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times).Contact; tkmurraycomp@aol.com
$4.95
4.55 €
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Johann Sebastian Bach
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tkmurraycomp@aol.com
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Bach - Toccata - Fugue in E minor BWV855 - 2 Bassoons, Basson Duo
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TK
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SheetMusicPlus
Bach - Prelude & Fugue in E Major BWV854- Flute, Viola & Cello
Small Ensemble Cello,Flute,Viola - Level 3 - Digital Download SKU: A0.824077 Compos…
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Small Ensemble Cello,Flute,Viola - Level 3 - Digital Download SKU: A0.824077 Composed by Johann Sebastian Bach. Arranged by Tim TK Murray. Baroque,Concert,Standards. Score and parts. 9 pages. TK (Tim) Murray #4819857. Published by TK (Tim) Murray (A0.824077). This beautiful Prelude and Fugue in E Major from the 'Well-Tempered Klavier' makes the perfect addition to the String Trio repertoire. It would be an ideal concert opener with its gently flowing prelude followed by a joyful fugue. Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com
$5.95
5.46 €
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Johann Sebastian Bach
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tkmurraycomp@aol.com
#
Bach - Prelude & Fugue in E Major BWV854- Flute, Viola & Cello
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TK
#
SheetMusicPlus
Bach - Toccata - Fugue in E Minor BWV855 - 2 Cellos, Cello Duo
String Ensemble - Level 3 - Digital Download SKU: A0.824140 Composed by Johann Seba…
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String Ensemble - Level 3 - Digital Download SKU: A0.824140 Composed by Johann Sebastian Bach. Arranged by Tim TK Murray. Baroque,Graduation,Standards. Score and parts. 4 pages. TK (Tim) Murray #6287691. Published by TK (Tim) Murray (A0.824140). Bach's brilliant 'Toccata' Fugue in E minor from 'The Well-Tempered Klavier' makes a superb short show piece for both Players. A great encore!Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times).Contact; tkmurraycomp@aol.com
$4.95
4.55 €
#
Johann Sebastian Bach
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tkmurraycomp@aol.com
#
Bach - Toccata - Fugue in E Minor BWV855 - 2 Cellos, Cello Duo
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TK
#
SheetMusicPlus
Bach - Toccata - Fugue in E Minor BWV855 - 2 Violas, Viola Duo
String Ensemble - Level 3 - Digital Download SKU: A0.824141 Composed by Johann Seba…
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String Ensemble - Level 3 - Digital Download SKU: A0.824141 Composed by Johann Sebastian Bach. Arranged by Tim TK Murray. Baroque,Concert,Standards. Score and parts. 4 pages. TK (Tim) Murray #6288959. Published by TK (Tim) Murray (A0.824141). Bach's brilliant 'Toccata' Fugue in E minor from 'The Well-Tempered Klavier' makes a superb short show piece for both Players. A great encore!Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times).Contact; tkmurraycomp@aol.com
$4.95
4.55 €
#
Johann Sebastian Bach
#
tkmurraycomp@aol.com
#
Bach - Toccata - Fugue in E Minor BWV855 - 2 Violas, Viola Duo
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TK
#
SheetMusicPlus
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