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151
Scarborough Fair - for every kind of harp and a melodic instrument
Instrumental Duet Harp,Instrumental Duet,Treble Clef Instrument - Level 2 - Digital Downlo…
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Instrumental Duet Harp,Instrumental Duet,Treble Clef Instrument - Level 2 - Digital Download SKU: A0.829294 Composed by Traditional. Arranged by Alessandro Palazzani. Celtic,Classical,Folk,Irish,Multicultural,World. Score and parts. 13 pages. A work by Alessandro Palazzani #6273905. Published by A work by Alessandro Palazzani (A0.829294). English Folk Songs arranged for every kind of harp and a melodic instrument by Alessandro Palazzani .These easy but effective arrangements are suitable for every kind of pedal or lever harp or harpsicle; they ask for no lever changes and cover a range of only 21 strings (F-e') .In the full score you can find two printed version. The first (study version) is printed using big fonts for a comfortable reading. The second (concert version) uses smaller fonts and each song is printed on only two pages, to avoid page turns during performances. . The melodic part can be played on almost every instrument, like viola or violin, flute, oboe or clarinet, horn or trumpet, saxophone or recorder, or even a second harp. The parts are transposed into four keys (C, F, B flat, E flat) and are published in a separate volume.
$9.00
8.23 €
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Traditional
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Scarborough Fair - for every kind of harp and a melodic instrument
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A work by Alessandro Palazzani
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SheetMusicPlus
Sumer is icumen in - for every kind of harp and a melodic instrument
Instrumental Duet Harp,Instrumental Duet,Treble Clef Instrument - Level 2 - Digital Downlo…
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Instrumental Duet Harp,Instrumental Duet,Treble Clef Instrument - Level 2 - Digital Download SKU: A0.829296 Composed by Traditional. Arranged by Alessandro Palazzani. Classical,Folk,Multicultural,World. Score and parts. 17 pages. A work by Alessandro Palazzani #6273933. Published by A work by Alessandro Palazzani (A0.829296). English Folk Songs arranged for every kind of harp and a melodic instrument by Alessandro Palazzani .These easy but effective arrangements are suitable for every kind of pedal or lever harp or harpsicle; they ask for no lever changes and cover a range of only 21 strings (F-e') .In the full score you can find two printed version. The first (study version) is printed using big fonts for a comfortable reading. The second (concert version) uses smaller fonts and each song is printed on only two pages, to avoid page turns during performances. . The melodic part can be played on almost every instrument, like viola or violin, flute, oboe or clarinet, horn or trumpet, saxophone or recorder, or even a second harp. The parts are transposed into four keys (C, F, B flat, E flat) and are published in a separate volume.
$9.00
8.23 €
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Traditional
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Sumer is icumen in - for every kind of harp and a melodic instrument
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A work by Alessandro Palazzani
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SheetMusicPlus
Greensleeves - for every kind of harp and a melodic instrument
Instrumental Duet Harp,Instrumental Duet,Treble Clef Instrument - Level 2 - Digital Downlo…
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Instrumental Duet Harp,Instrumental Duet,Treble Clef Instrument - Level 2 - Digital Download SKU: A0.829281 Composed by Traditional. Arranged by Alessandro Palazzani. Christmas,Multicultural,Renaissance,Wedding,World. Score and parts. 17 pages. A work by Alessandro Palazzani #6273579. Published by A work by Alessandro Palazzani (A0.829281). English Folk Songs arranged for every kind of harp and a melodic instrument by Alessandro Palazzani .These easy but effective arrangements are suitable for every kind of pedal or lever harp or harpsicle; they ask for no lever changes and cover a range of only 21 strings (F-e') . In the full score you can find two printed version. The first (study version) is printed using big fonts for a comfortable reading. The second (concert version) uses smaller fonts and each song is printed on only two pages, to avoid page turns during performances. . The melodic part can be played on almost every instrument, like viola or violin, flute, oboe or clarinet, horn or trumpet, saxophone or recorder, or even a second harp. The parts are transposed into four keys (C, F, B flat, E flat) and are published in a separate volume.
$9.00
8.23 €
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Traditional
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Greensleeves - for every kind of harp and a melodic instrument
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A work by Alessandro Palazzani
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SheetMusicPlus
Every Night
Steel Drum Band Cellos,Double Second,Lead,Six Bass,Steel Drum Band,Steel Pan,Tenor Bass - …
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Steel Drum Band Cellos,Double Second,Lead,Six Bass,Steel Drum Band,Steel Pan,Tenor Bass - Level 2 - Digital Download SKU: A0.1442100 By Hannah Diamond. By Alexander Cook and Hannah Diamond. Arranged by Vincent Frank. 21st Century,Contemporary,Pop,Singer/Songwriter. Score and Parts. 21 pages. Vincent Frank Music #1022097. Published by Vincent Frank Music (A0.1442100). Steel Pan Ensemble arrangement of Hannah Diamond's 2014 single Every Night. Original key of Db, approximately 2:40 in length. Includes full score, lead, double second, cello, tenor bass, six bass, and drum set. Have a question or a song request? Email me at vincentfrankmusic@gmail.com.
$29.99
27.42 €
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Hannah Diamond
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Every Night
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Vincent Frank Music
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SheetMusicPlus
Every Breath You Take
Steel Drum Band Double Second,Drum Set,Lead,Six Bass,Steel Drum Band,Steel Pan,Triple Cell…
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Steel Drum Band Double Second,Drum Set,Lead,Six Bass,Steel Drum Band,Steel Pan,Triple Cello - Level 3 - Digital Download SKU: A0.1080818 By The Police. By Sting. Arranged by Brian G. Gresh. Pop. Score and Parts. 26 pages. Brian G. Gresh #685061. Published by Brian G. Gresh (A0.1080818). For Steel Drum Ensemble. This hit by the Police really translates to the Steel Drum Ensemble extremely well! Arrangement includes: Score, Lead, Double Second, Cello, Bass and Drum Set. Also included are a set of parts with letters to possibly assist in the teaching of the arrangment.
$25.00
22.86 €
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The Police
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Every Breath You Take
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Brian G. Gresh
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SheetMusicPlus
Come, Thou Fount of Every Blessing
Digital Download SKU: C6.646021304 Accompaniment mp3. Composed by Becki Slag…
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Digital Download SKU: C6.646021304 Accompaniment mp3. Composed by Becki Slagle Mayo, Lynn Shaw Bailey, and Part Second Wyeth's Repository of Sacred Music. Arranged by Becki Slagle Mayo and Lynn Shaw Bailey. Christian. MP3. Growing In Grace - Digital #646021304. Published by Growing In Grace - Digital (C6.646021304). A creative hymn arrangement combining the familiar 3/4 meter of the original with a rhythmic 5/4 meter 2nd verse. A newly written refrain incorporates the optional 2nd part for nice harmony opportunity. The percussion parts add to the festive quality of the piece. Percussion parts (Shaker, Claves) included.
$9.99
9.13 €
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Becki Slagle Mayo, Lynn Shaw Bailey, and Part Second Wyeth's Repository of Sacred Music
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Come, Thou Fount of Every Blessing
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Growing In Grace - Digital
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SheetMusicPlus
Come, Thou Fount of Every Blessing
Digital Download SKU: C6.636021304 Demonstration mp3. Composed by Becki Slag…
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Digital Download SKU: C6.636021304 Demonstration mp3. Composed by Becki Slagle Mayo, Lynn Shaw Bailey, and Part Second Wyeth's Repository of Sacred Music. Arranged by Becki Slagle Mayo and Lynn Shaw Bailey. Christian. MP3. Growing In Grace - Digital #636021304. Published by Growing In Grace - Digital (C6.636021304). A creative hymn arrangement combining the familiar 3/4 meter of the original with a rhythmic 5/4 meter 2nd verse. A newly written refrain incorporates the optional 2nd part for nice harmony opportunity. The percussion parts add to the festive quality of the piece. Percussion parts (Shaker, Claves) included.
$1.99
1.82 €
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Becki Slagle Mayo, Lynn Shaw Bailey, and Part Second Wyeth's Repository of Sacred Music
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Come, Thou Fount of Every Blessing
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Growing In Grace - Digital
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SheetMusicPlus
Come, Thou Fount of Every Blessing (NETTLETON)
Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.823739 Composed by …
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Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.823739 Composed by American Folk Tune, Part Second, and from John Wyeth's Repository of Sacred Music. Arranged by Richard Giszczak. Folk,Praise & Worship,Sacred,Traditional. Individual part. 2 pages. Singing Winds Music Company #6412747. Published by Singing Winds Music Company (A0.823739). This arrangement is set for Carillon, however it may also be played on piano, organ, or electronic keyboard or adapted to other instruments. It is comprised of a short introduction, a full statement of the theme, 3 variations, and a D.S. al Fine.The hymn tune name is NETTLETON.
$2.00
1.83 €
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American Folk Tune, Part Second, and from John Wyeth's Repository of Sacred Music
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Come, Thou Fount of Every Blessing
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Singing Winds Music Company
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SheetMusicPlus
Come Thou Fount of Every Blessing (for Voice and 8-note Boomwhackers®)
Boomwhackers,Piano Accompaniment,Voice - Level 1 - Digital Download SKU: A0.565093 …
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Boomwhackers,Piano Accompaniment,Voice - Level 1 - Digital Download SKU: A0.565093 By Sharon Wilson. By Robert Robinson. Arranged by Sharon Wilson. Children,Folk,Holiday,Instructional,Sacred. 10 pages. Sharon Wilson #3408941. Published by Sharon Wilson (A0.565093). This arrangement is for voice (either solo or unison group singing) with chord accompaniment using 8-note (C major diatonic scale) Boomwhackers® and an optional easy Piano accompaniment. The following pages provide several options for learning, teaching, and enjoying this timeless hymn. This packet includes the following pages: * chord chart using colored noteheads corresponding to the Boomwhackers® color system* 2-page combined score with the melody (for voice with the lyrics for one verse) on the top staff and Boomwhackers® 3-note chords on the bottom staff* 1-page melody staff with lyrics and chord names (referring to the chord chart, follow the chord names above the staff to whack out the 3 beats in each measure using the corresponding Boomwhackers®* 1-page with lyrics and chords for 3 verses divided into beats (referring to the chord chart, whack out the beat using the corresponding chord indicated above each syllable, word, or phrase); this page is most useful once the melody and rhythm have been learned* 1-page piano accompaniment score (the right hand plays the melody, especially helpful if the melody is unfamiliar)This arrangement is one of the hymns in a series of Timeless Hymns for Voice and Boomwhackers®. These hymn arrangements provide an excellent teaching tool for families, schools, churches, and other children's ministries. Children will enjoy learning the lyrics and tunes of these classic hymns while accompanying themselves by whacking out chords with the Boomwhackers®. Frequent use of these songs will store the hymns' messages in their memory which they will cherish throughout their lifetime. Other suggestions and uses: * have the melody played by other 8-note instruments such as handbells, xylophones, glockenspiels, or recorders; alternate singing one verse with playing an instrument on the melody for a second verse* use multiple sets of Boomwhackers® to amplify the sound and allow more people to enjoy whacking the tubes* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Permission is granted to make as many copies as needed for one family, church, or other group. Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission. Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
5.48 €
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Sharon Wilson
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Come Thou Fount of Every Blessing
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Sharon Wilson
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SheetMusicPlus
Come, Thou Fount of Every Blessing (for 8-note Bells and Boomwhackers® with Color Coded Notes)
Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Xylophone - Level 2 - D…
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Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Xylophone - Level 2 - Digital Download SKU: A0.565356 By Sharon Wilson. By John Wyeth. Arranged by Sharon Wilson. Children,Folk,Instructional,Romantic Period,Sacred. 8 pages. Sharon Wilson #4266243. Published by Sharon Wilson (A0.565356). This arrangement is one of the 12 songs in the collection Twelve More Classic Hymns for 8-note Bells and Boomwhackers®. This sheet music is notated for 8-note, C major diatonic scale (one octave) instruments with Handbells on one staff and Boomwhackers® on a second staff creating a 2-part instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords.
$5.99
5.48 €
#
Sharon Wilson
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Come, Thou Fount of Every Blessing
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Sharon Wilson
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SheetMusicPlus
Come, Thou Fount of Every Blessing (for 8-note Bells and Boomwhackers® with Black and White Notes)
Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Xylophone - Level 2 - D…
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Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Xylophone - Level 2 - Digital Download SKU: A0.565355 By Sharon Wilson. By John Wyeth. Arranged by Sharon Wilson. Children,Folk,Praise & Worship,Sacred,Standards. 8 pages. Sharon Wilson #4266233. Published by Sharon Wilson (A0.565355). This arrangement is one of the 12 songs in the collection Twelve More Classic Hymns for 8-note Bells and Boomwhackers®. This sheet music is notated for 8-note, C major diatonic scale (one octave) instruments with Handbells on one staff and Boomwhackers® on a second staff creating a 2-part instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords.
$5.99
5.48 €
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Sharon Wilson
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href=https://www
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Come, Thou Fount of Every Blessing
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Sharon Wilson
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SheetMusicPlus
"Come, Thou Fount of Every Blessing" for 8-note C major diatonic scale Tongue Drum
Hand Drum,Handpan,Instrumental Solo,Steel Pan - Level 1 - Digital Download SKU: A0.5699…
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Hand Drum,Handpan,Instrumental Solo,Steel Pan - Level 1 - Digital Download SKU: A0.569903 By Sharon Wilson. By Robert Robinson. Arranged by Sharon Wilson. Children,Folk,Holiday,Sacred,Traditional. Individual part. 10 pages. Sharon Wilson #6685581. Published by Sharon Wilson (A0.569903). This sheet music is notated for C major diatonic scale Tongue Drums (suitable for any 8, 11, or 13-note drum in the key of C). This hymn arrangement can be performed as a solo, as rhythmic chord accompaniment for singing, or as a duet. Four separate scores are provided for maximum flexibility. Whether beginner or experienced musician, these scores can be used in numerous ways from solo playing to playing with a partner or as a group. A note and chord reference chart is included as well as a rhythm pattern chart. Descriptions, suggestions, and uses for each score and chart are detailed on the introduction page and summarized below:Melody ScoreThis score can be played as a solo with or without singing along. Those new to reading standard music notation as well as those already familiar with music notation will find the numbers above the staff helpful. These numbers correspond to the numbers on the Tongue Drum. Lyrics appear below the staff for sing along enjoyment. Harmony ScoreThis score can be used in conjunction with the Melody Score to form a duet by providing the accompaniment (harmony) while someone plays or sings the melody. Note numbers below the staff corresponding to the numbers on the drum. Chord names are shown above the staff for playing a rhythmic accompaniment in place of the harmony accompaniment shown. The chord names can also be used for ensemble playing with other instruments (such as a Ukulele or Guitar).Grand StaffThe Grand Staff score combines the Melody Score with the Harmony Score. This score provides a visual overview of how the two scores line up and is helpful for a director or teacher using this set of scores in a group setting. If playing with a partner (a duet), this score may be easier to use since you both can see what the other person is playing. This score includes note numbers above the melody staff and below the harmony staff corresponding to the numbers on the drum; chord names shown above the harmony staff for ensemble playing with other instruments or for using a rhythmic chord accompaniment; and lyrics between the staves for sing along enjoyment. Advanced Solo ScoreThe Advanced Solo score includes harmony notes along with the melody notes to create a fuller sounding solo which can be played with or without singing along. Numbers corresponding to the numbers on the Tongue Drum are included above the staff.Note and Chord ChartThis chart consists of two separate staff rows. The first staff shows the notes used for the melody. The second staff shows the notes in each chord used in this song. Any combination of the notes within a given chord can be played using one of the rhythm patterns. Rhythm ChartThis chart shows four rhythm patterns that can be used as an accompaniment for the melody. Using the Harmony Score or the Grand Staff, follow the chord names to play notes from the given chord using one of the rhythm patterns.This arrangement is one of the 10 songs in the collection Hymns of Praise for 8-note C major diatonic scale Tongue Drums (A collection of 10 Solos and Duets).Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$3.99
3.65 €
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Sharon Wilson
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"Come, Thou Fount of Every Blessing" for 8-note C major diatonic scale Tongue Drum
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Sharon Wilson
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SheetMusicPlus
Every Time I Feel the Spirit for 8-note Bells and Boomwhackers® (with Black and White Notes)
Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,…
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Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - Digital Download SKU: A0.565158 By Sharon Wilson. By Traditional Spiritual. Arranged by Sharon Wilson. Children,Folk,Instructional,Sacred,Spiritual. Score and parts. 12 pages. Sharon Wilson #3499899. Published by Sharon Wilson (A0.565158). This sheet music is notated for handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate 1-staff score for each instrument. This set of scores uses black and white noteheads. This same set of scores is available (sold separately) with color coded noteheads which may make it easier for beginning players if you have access to a color printer.Notes used for each instrument are as follows: Bells – C D E F G A C* where C* is high C, one octave above middle C  Boomwhackers® – C D E F G A BThough this sheet music is notated for Handbells and Boomwhackers®, this arrangement is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel.Only filled noteheads (quarter and eighth notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of this song. The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned one to three notes. For beginners, it is best to assign one note to each person. Instrument assignment suggestions are provided on the last page for 7 to 14 players.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®* form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Permission is granted to make up to 10 copies of each score. For more than 10 copies, please purchase additional sets.This arrangement is one of the 10 songs included in the collection Ten Traditional Spirituals for 8-Note Bells and Boomwhackers®.Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
5.48 €
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Sharon Wilson
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Every Time I Feel the Spirit for 8-note Bells and Boomwhackers®
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Sharon Wilson
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SheetMusicPlus
Every Time I Feel the Spirit for 8-note Bells and Boomwhackers® (with Color Coded Notes)
Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Multi-Percussion,Orff In…
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Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Multi-Percussion,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - Digital Download SKU: A0.565159 By Sharon Wilson. By Traditional Spiritual. Arranged by Sharon Wilson. Children,Folk,Sacred,Spiritual,Standards. Score and parts. 12 pages. Sharon Wilson #3499905. Published by Sharon Wilson (A0.565159). This sheet music is notated for handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate 1-staff score for each instrument. This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. Handbells sold by Rhythm Band or KidsPlay also use this same color scheme (other brands may use different color schemes). Using color coded notes helps beginning musicians learn to read standard sheet music notation. This set of scores is also available (separate purchase) in black and white which will print clearer if you do not have access to a color printer.Notes used for each instrument are as follows: Bells – C D E F G A C* where C* is high C, one octave above middle C  Boomwhackers® – C D E F G A BThough this sheet music is notated for Handbells and Boomwhackers®, this arrangement is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel (though the color coding may not match).Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of this song. The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned one to three notes. For beginners, it is best to assign one note to each person. Instrument assignment suggestions are provided on the last page for 7 to 14 players.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®* form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Permission is granted to make up to 10 copies of each score. For more than 10 copies, please purchase additional sets.This arrangement is one of the 10 songs included in the collection Ten Traditional Spirituals for 8-Note Bells and Boomwhackers®.Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
5.48 €
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Sharon Wilson
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Every Time I Feel the Spirit for 8-note Bells and Boomwhackers®
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Sharon Wilson
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SheetMusicPlus
Come, Thou Fount Of Every Blessing
Large Ensemble B-Flat Clarinet,Bassoon,Cello,Flute,Horn,Oboe,Viola,Violin - Level 3 - Digi…
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Large Ensemble B-Flat Clarinet,Bassoon,Cello,Flute,Horn,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.728966 Composed by 1813, Part Second, and Wyeth's Repository of Sacred Music. Arranged by James Gilbert. Praise & Worship,Sacred. Score and parts. 30 pages. James Gilbert Music #3492279. Published by James Gilbert Music (A0.728966). For String Quartet and Woodwind Ensemble.
$9.99
9.13 €
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1813, Part Second, and Wyeth's Repository of Sacred Music
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Come, Thou Fount Of Every Blessing
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James Gilbert Music
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SheetMusicPlus
Everybody Hurts
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 2 - Digital Download SKU: A0.9…
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 2 - Digital Download SKU: A0.928253 By R.E.M. By Michael Mills, Michael Stipe, Peter Buck, and William Berry. Arranged by Simon James. Pop,Rock. Score and parts. 5 pages. DML #5371643. Published by DML (A0.928253). Released 1992 on the album ‘Automatic For The People’ and ranked No 31 in Q Magazine’s 1001 Best Songs Ever the track has enjoyed considerable success and been covered a number of times. In the liner notes of the album In Time: The Best Of REM 1988-2003, REM’s guitarist Peter Buck writes that the reason the lyrics are so atypically straightforward is because it was aimed at teenagers, and I've never watch ‘Buffy The Vampire Slayer’, but the idea that high school is a portal to hell seems pretty realistic to me. It’s a wonderfully simple song to play but less easy to sing convincingly. As with Eternal Flame a simple second guitar part can be added by strumming the chords on the off beats (beat 2 & 4). Although the guitar part is scored in 6/8 which makes it easier to read, the song is really a slow 4 to a bar, one bar per chord. This arrangement is from The Art Of Accompaniment On The Guitar by Simon James.
$4.99
4.56 €
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R
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4)
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Everybody Hurts
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DML
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SheetMusicPlus
Welcome, Everyone Welcome! (A Children's Concert Opener) accompaniment track
Choir,Voice - Digital Download SKU: A0.1071157 Composed by Kristine Johanek. Childr…
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Choir,Voice - Digital Download SKU: A0.1071157 Composed by Kristine Johanek. Children,Christmas,Standards. Accompaniment. Duration 74. Kristine Johanek #3681293. Published by Kristine Johanek (A0.1071157). This accompaniment track is for Welcome, Everyone Welcome! (A Children's Concert Opener). (S0.425713) It is useful for both rehearsals and performances. Lyrics are flexible for use through out the school year. The whole performance is one minute and 14 seconds long. Please take a look at the sheet music for this piece to find out more about this song.
$5.99
5.48 €
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Kristine Johanek
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Welcome, Everyone Welcome!
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Kristine Johanek
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SheetMusicPlus
Only Time - Score Only
Guitar - Level 2 - Digital Download SKU: A0.1364555 By Enya. By Enya, Nicky Ryan, a…
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Guitar - Level 2 - Digital Download SKU: A0.1364555 By Enya. By Enya, Nicky Ryan, and Roma Ryan. Arranged by Oliver Nicholas Chan. Film/TV,New Age,Singer/Songwriter. 13 pages. Oliver Chan #948848. Published by Oliver Chan (A0.1364555). An Enya classic 'Only Time' from the romantic movie Sweet November arranged for 4-part guitar.The arrangement captures the essense and beauty of time with simple lyrical melodies and changing textures. With time being endless, the arrangement ends of with fading to silence, symbolising that time is precious and to embrace every second of it.Enjoy my take on this arrangement. Thank you for your support!
$16.41
15 €
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Enya
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Only Time - Score Only
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Oliver Chan
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SheetMusicPlus
The Sundials
Piano Trio,String Ensemble - Digital Download SKU: A0.1004152 Composed by Matthew S…
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Piano Trio,String Ensemble - Digital Download SKU: A0.1004152 Composed by Matthew Scott Phillips. Contemporary. Score and parts. 98 pages. Matthew Scott Phillips #5800833. Published by Matthew Scott Phillips (A0.1004152). Throughout the centuries, civilizations have used sundials to tell time. This instrument consists of a gnomon (Greek for knower), a long pole or incline, whose shadow is cast onto a flat stone or metal plate, that either lies on the ground or is erected onto a wall. This plate is marked with the hours of the day, and the gnomon's shadow passes over the marks. More than just an ancient timepiece, these instruments are doorways to the eternal past, and prophets of the eternal future. They bare witness to the infinite fleeting-ness of the lives of human beings. Unlike a modern watch or digital clock, in which every second enjoys its own momentary significance, the hours as marked by the sundial flow into one another in a continuous stream, that is ultimately timeless. The final hour of any mortal creature is, in this way, no more significant than the first, and all our hours seem insignificant in the context of the cosmos' grandness. Etched upon a great many sundials, in Greek, Latin, English, German, or French, is a motto designed to inspire human beings to consider these truths. Why so many sundial makers felt the need to inscribe on their creations their own philosophies and musings is unclear. Yet, each of these mottos seems contrived to express the contemplations of time and eternity so integral to the sundials' existence. Mottos such as umbra sumus (we amount to shadow) often hold multiple meanings. The we referred to can be the hours, which seem extant only because of the shadow passing over them. Or it can refer to the ephemeral nature of our lives, which on the grand calendar of eternity are so short as to be nothing. Or perhaps it warns that time itself is no more than an illusion; a shadow. Whether they are existential, humorous (I only count the sunny hours), or offer advice (use the hours, don't count them), these mottos are intended to give us pause: to compel us to look for a moment, not at the fleeting significance of our mundane lives, ticked away as they are in tiny hours, but to consider the eternal time that lies beyond us, and to therefore be briefly in contact with it. This composition, approximately an hour long and written for piano trio (Piano, Violin, and Cello), intends as its goal the same purpose as the mottos that inspired it. To transport those who listen to it (listen not merely hear) away from the earthly, and into the cosmic. Each movement is named after a different motto. The mottos, their English translations and the locations of the sundials that bare (or once bore) them is listed at the front. This is one hour, hopefully, that will not simply fade away, but rather will be one spent in the company of the eternal. .
$7.00
6.4 €
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Matthew Scott Phillips
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a shadow
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The Sundials
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Matthew Scott Phillips
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SheetMusicPlus
Every Little Thing She Does Is Magic for Steel Band
By Sting. Arranged by John Willmarth. Score, Set of Parts. 51 pages. Published by John Wil…
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By Sting. Arranged by John Willmarth. Score, Set of Parts. 51 pages. Published by John Willmarth Music (H0.339851-229802). - Score,Set of Parts - - John Willmarth Music
$25.00
22.86 €
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Sting
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Every Little Thing She Does Is Magic for Steel Band
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John Willmarth Music
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SheetMusicPlus
Phrygian Swell (for alto/treble recorders)
Instrumental Duet Alto Recorder,Instrumental Duet - Level 2 - Digital Download SKU: A0.…
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Instrumental Duet Alto Recorder,Instrumental Duet - Level 2 - Digital Download SKU: A0.966354 Composed by Greg Shapley. 20th Century,Contemporary,Standards. Score and parts. 4 pages. Greg Shapley #1984573. Published by Greg Shapley (A0.966354). Phrygian Swell is an easy to play round for recorders in three parts (it may also be played by many other instruments). It is written for near-beginners, but its designed so that the sum is greater that its parts. Included in this score are two versions. The original changes time signature every bar (eventually getting up to 23/4). It plays with a number of concepts, all designed as educational tools. Firstly, it is written entirely in the mode known as Phrygian. This mode has a distinctive mystical sound primarily due to its first interval – which is a minor second. Secondly, it has been written to get players thinking about time without being too challenging (so despite the change of time signatures, most notes are just crotchets). Another educational facet of these changing time signatures is that they ascend by primary numbers. Thirdly, being a round it gets young players used to playing different parts with other players, while initially being able to rehearse altogether. Fourthly, this piece is comprised entirely of scales, but it doesn't just sound like an exercise (I hope). The second version, barred in 4/4 is exactly the same as the first, except for the rebarring. This is done in case following the continually changing time signatures is too difficult (although it does defeat the purpose of the piece to a certain extent). This version of this piece was written for three alto/treble (transposed from the original for descant/soprano or tenor), but due to its simplicity and range, could be played by many other instruments.
$1.99
1.82 €
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Greg Shapley
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Phrygian Swell
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Greg Shapley
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SheetMusicPlus
Highway Of Heroes
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1126635 Composed by Robert Buckley. Arranged by Rita Arendz. 20th Century,Instructional,Patriotic. Brass Band. 60 pages. Rita Arendz #727278. Published by Rita Arendz (A0.1126635). The original work for Concert Band was commissioned by Edward Trovato and his band, The Gleneagle Secondary School Senior Symphonic Band, of Coquitlam, British Columbia, Canada. The inspiration came from the name of a stretch of highway that pays homage to the fallen soldiers. It was composed to honour heroism of all kinds - to pay tribute to the brave souls who every day unselfishly risk their lives and even pay the ultimate sacrifice. There are two Highways of Heroes in Canada, the first being a portion of the King's Highway in Ontario, commonly referred to as Highway 401 and officially known as The MacDonald-Cartier Freeway. The second is the portion of the Trans-Canada Highway in British Columbia between Surrey and Abbotsford. In 2007, The Government of Canada renamed the freeway in Ontario between Trenton, home of the Canadian Forces Base Trenton, and Toronto, where the Office of the Chief Coroner is located. This was the first stop for the fallen returning from Afghanistan before returning home to their families. Although Canada had a special forces team in Afghanistan in December 2001, the first infantry battalion did not arrive until February 2002. That April saw the first casualty. The funeral processions that followed inspired a spontaneous phenomenon of Canadians lining the 100-mile route, waving flags and rendering salutes to remember their country's soldiers. The second Highway of Heroes was dedicated in 2011 to the memory of British Columbians who paid the ultimate sacrifice by giving their lives for their country in Afghanistan and to the families they left behind. This setting for British Style Brass Band was written to commemorate the 20th anniversary of the first main body of Canadian soldiers in Afghanistan and to remember the 159 service personnel and civilians whose sacrifices cannot be forgotten. Duration ~4:55. 60 pages.
$62.99
57.59 €
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Robert Buckley
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Highway Of Heroes
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Rita Arendz
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SheetMusicPlus
The Sundials: III; Tempus Fugit Velut Umbra (Time flees like a shadow)
Piano Trio,String Ensemble - Digital Download SKU: A0.1004151 Composed by Matthew S…
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Piano Trio,String Ensemble - Digital Download SKU: A0.1004151 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 9 pages. Matthew Scott Phillips #3510887. Published by Matthew Scott Phillips (A0.1004151). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
$2.00
1.83 €
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Matthew Scott Phillips
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The Sundials: III; Tempus Fugit Velut Umbra
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Matthew Scott Phillips
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SheetMusicPlus
The Sundials: I;Tempus Edax Rerum (Time devours things)
Piano Trio,String Ensemble - Digital Download SKU: A0.1004148 Composed by Matthew S…
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Piano Trio,String Ensemble - Digital Download SKU: A0.1004148 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 16 pages. Matthew Scott Phillips #3510879. Published by Matthew Scott Phillips (A0.1004148). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
$2.00
1.83 €
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Matthew Scott Phillips
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The Sundials: I;Tempus Edax Rerum
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Matthew Scott Phillips
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SheetMusicPlus
Colores (Let the Children Teach Us)
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.12…
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1256884 Composed by Lon W. Chaffin. 21st Century,Chamber. 71 pages. LCS Productions #850272. Published by LCS Productions (A0.1256884). Imagine a place where cultures are blended and people of all races can laugh, play, sing, dance, and even pray together.  Colores is a musical tale in which children show us how to create such a place.A child walks on to a deserted playground, looking for others.  Another child joins.  They introduce themselves and begin to talk to each other.  A third joins the conversation, then another, and another, until there is a large group of children, creating a colorful, contrapuntal cacophony of vocal chatter.  After the introductions and lively conversations, they pause to decide what to do next.  As would be expected, they decide to just play.  They run races, play chase and tag, catch and kickball, and laugh and giggle until their energy is gone.  Settling down, and wondering what to do next, one child begins singing a tune that is familiar.  …but not to all of them.  So, it’s time to teach the song to everyone.The tune is shared, bit by bit, and one by one every child learns it and joins in.  Before it’s over, their full-voiced singing creates a choral tapestry in which every child adds his or her own color to the musical palette.After a brief conversation, they add their renewed energy to the song they just learned, pick up the pace, and dance.  They twist and spin, jump and swing, making up their moves as they go along.  But, as before, their energy wanes.  This time, as they settle down, one child feels so comfortable with these new friends, he chooses to share his faith in the form of a chant — a prayer.Some join his prayer, as others add a familiar religious tune.  They pray and sing, and their separate experiences combine to produce a stirring, blended chorale.  As they finish, the day ends and they quickly reminisce about the blended experiences that are now behind them.  Before they go their separate ways, they share a moment of gratitude for the place where they can be free to be who they are, together.On a musical note, Colores combines multiple scale structures and varying types of vertical harmonies to give the piece its color palette.  Each of the five voices is set in a different mode, with different tonal centers and sets of accidentals.  The harmony combines both traditional tertian chords with secondal, quartal, and quintal structures.The colors within the music are intended to represent the racial diversity of the borderland from which the composer drew his inspiration.  It is hoped that we can learn from the example of children who talk, laugh, play, sing, dance, and pray together.  …who are grateful for the time and experiences they share.
$35.00
32 €
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Lon W
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Colores
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LCS Productions
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SheetMusicPlus
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