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Exercise for Saxophone
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26
Pitch Only - Treble Clef (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,Englis…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - Digital Download SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00
9.15 €
#
Nathan Petitpas - Dots and Beams
#
Pitch Only - Treble Clef
#
Dots and Beams
#
SheetMusicPlus
Pitch Only - Bass Clef (Sight Reading Exercise Book)
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,…
(+)
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Piano,Timpani,Trombone,Tuba,Voice - Level 2 - Digital Download SKU: A0.931838 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313621. Published by Dots and Beams (A0.931838). This book provides its user with a series of notes on a bass staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above and below the staff extend to the space just beyond the fourth ledger line. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls.As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years and still find a valuable way to use them.
$10.00
9.15 €
#
Nathan Petitpas - Dots and Beams
#
Pitch Only - Bass Clef
#
Dots and Beams
#
SheetMusicPlus
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bas…
(+)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - Digital Download SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
9.15 €
#
Nathan Petitpas - Dots and Beams
#
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters
#
Dots and Beams
#
SheetMusicPlus
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,…
(+)
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone,Treble Clef Instrument,Trumpet,Ukulele,Vibraphone,Violin,Xylophone - Level 4 - Digital Download SKU: A0.931832 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269045. Published by Dots and Beams (A0.931832). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a treble staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4. Be creative with this one, the possib.
$10.00
9.15 €
#
Nathan Petitpas - Dots and Beams
#
I encourage you to use both
#
Pitch and Rhythm - Treble Clef, Diatonic
#
Dots and Beams
#
SheetMusicPlus
Exercise for Saxophone
Saxophone - Level 1 - Digital Download SKU: A0.1453577 Composed by Avgusta Udartsev…
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Saxophone - Level 1 - Digital Download SKU: A0.1453577 Composed by Avgusta Udartseva. Arranged by Avgusta Udartseva. 21st Century. Educational Exercises. 1 pages. Avgusta Udartseva #1032683. Published by Avgusta Udartseva (A0.1453577).
$1.99
1.82 €
#
Avgusta Udartseva
#
Exercise for Saxophone
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Avgusta Udartseva
#
SheetMusicPlus
Pitch and Rhythm - Bass Clef, Diatonic (Sight Reading Exercise Book)
Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsich…
(+)
Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - Digital Download SKU: A0.931833 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269061. Published by Dots and Beams (A0.931833). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a bass staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second e.
$10.00
9.15 €
#
Nathan Petitpas - Dots and Beams
#
I encourage you to use both
#
Pitch and Rhythm - Bass Clef, Diatonic
#
Dots and Beams
#
SheetMusicPlus
"Calisthenics for Recorders in C" 15 Fun Studies,Gallops,Polkas,Variations
Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Oboe,Soprano Recorder,Sopr…
(+)
Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Oboe,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone - Level 3 - Digital Download SKU: A0.842537 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290007. Published by bl_music (A0.842537). Calisthenics for Recorders in C 15 Solo-Etudes, Gallops, Polkas, Variations (notation: treble clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
14.62 €
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Various
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"Calisthenics for Recorders in C" 15 Fun Studies,Gallops,Polkas,Variations
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bl_music
#
SheetMusicPlus
Lavender Blues - Jazz Flute or Violin Solo (Jazz Exercise & Etudes No.2)
Small Ensemble Flute,Oboe,Recorder,Violin - Level 2 - Digital Download SKU: A0.519714
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Small Ensemble Flute,Oboe,Recorder,Violin - Level 2 - Digital Download SKU: A0.519714 Composed by Miranda Wong. Children,Contemporary,Instructional,Jazz,Wedding. Score and parts. 2 pages. Miranda Wong #2026607. Published by Miranda Wong (A0.519714). Easy & Funny Jazz Exercises For Flute, Violin, Oboe, Saxophone or Recorder Solo. 1 Page. C Key with Chords.
$3.99
3.65 €
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Miranda Wong
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Lavender Blues - Jazz Flute or Violin Solo
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Miranda Wong
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SheetMusicPlus
Invention No. 4, - duet: instruments in Eb and Bb
Small Ensemble Alto Saxophone,Euphonium,Tenor Saxophone - Level 4 - Digital Download SK…
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Small Ensemble Alto Saxophone,Euphonium,Tenor Saxophone - Level 4 - Digital Download SKU: A0.835885 Composed by Johann Sebastian Bach. Arranged by Paul Burnell. Baroque. Score and parts. 6 pages. Paul Burnell #6498457. Published by Paul Burnell (A0.835885). Invention No. 4, Johann Sebastian Bach, arranged by Paul Burnell for Duet - instrument in Eb, instrument in BbDuration 1:30Part 1 in Eb (Alto Clarinet, Alto Saxophone, Tenor Horn)Part 2 in Bb (Bass Clarinet, Tenor Saxophone, Euphonium)The arrangement may be suitable for other instruments with the same transpositions.Score shows parts transposed.The original manuscript score does not contain slurs, mordents, dynamics or tempo markings. Performers may prefer to perform all the notes tongued and at any convenient tempo or dynamicThis arrangement has been transposed from the original key of D Minor and certain notes in Part 2 part have been further transposed at the octave.Programme note:The Inventions and Sinfonias, also known as the Two- and Three-Part Inventions, are a collection of thirty short keyboard pieces by German composer Johann Sebastian Bach (1685–1750). The original manuscript is dated 1723. They were first written as 'Praeambula' and 'Fantasiae' in a collection for his son Wilhelm Friedemann Bach, and later rewritten as musical exercises for his students. The fourth Invention (BWV 775) is in D Minor, but the key has been transposed for this duet arrangement.
$1.99
1.82 €
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Johann Sebastian Bach
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Invention No. 4, - duet: instruments in Eb and Bb
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Paul Burnell
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SheetMusicPlus
Selected Studies for Saxophone
Saxophone SKU: HL.4470690 For Saxophone. Concert Band Method. Woodwind Metho…
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Saxophone SKU: HL.4470690 For Saxophone. Concert Band Method. Woodwind Method. Instructional, Method and Studies. Instructional book. 80 pages. Rubank Publications #RUBL106. Published by Rubank Publications (HL.4470690). ISBN 9781423445272. UPC: 073999706901. 9x12 inches. Edited by H. Voxman.For all saxophones These excellent studies are the next step for students who have completed the advanced level method for their instrument. The full-page etudes in this series, key-centered and supported by scale and arpeggio exercises, take the student to that next level of performance wherein their accumulated skills allow them to play full-length performance pieces with a high level of musicianship and competence. As such, many states include these pieces in their all-state audition lists.
$9.99
9.14 €
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Selected Studies for Saxophone
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Rubank Publications
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SheetMusicPlus
Saxophone Mantras
Saxophone - intermediate to advanced - Digital Download SKU: S9.Q47005 15 Techni…
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Saxophone - intermediate to advanced - Digital Download SKU: S9.Q47005 15 Technical Studies for Saxophone. Composed by Christoph Enzel. This edition: Sheet music. Downloadable. Advance Music GmbH - Digital #Q47005. Published by Advance Music GmbH - Digital (S9.Q47005). This book brings together studies that focus on saxophone-specific technical difficulties, such as register changes, dexterity in the low register, and coordination of the ring and little fingers. Similar to Buddhist meditation mantras, the exercises are repeated gradually increasing the difficulty level. An ideal reference for advanced saxophonists that can be used in lessons or as concert preparation.
$13.99
12.79 €
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Christoph Enzel
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Saxophone Mantras
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Advance Music GmbH - Digital
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SheetMusicPlus
Pares Scales for Saxophone
Alto Saxophone SKU: HL.4470530 For Individual Study and Like-Instrument Class In…
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Alto Saxophone SKU: HL.4470530 For Individual Study and Like-Instrument Class Instruction. Composed by Gabriel Pares. Edited by Harvey S. Whistler. Arranged by Harvey Whistler. Concert Band Method. Woodwind Method. Classical and Scales. Instructional book. With instructional text and standard notation. 48 pages. Rubank Publications #RUBL112. Published by Rubank Publications (HL.4470530). ISBN 9781423445180. UPC: 073999632705. 9x12 inches. Pares/rev. Whistler.The classic scale and arpeggio studies of Gabriel Parès were adapted in the 1940s for like-instrument study by Rubank's Harvey Whistler, and are now the standard for elementary scale instruction. Presenting all the major keys up to four flats/sharps (and the relative minors), each unit also includes long tone and embouchure studies. Supplemental material includes comprehensive chromatic scales, fingering and speed studies, lip slurs (brass) and exercises to strengthen the upper register (woodwinds).
$8.99
8.22 €
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Gabriel Pares
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Pares Scales for Saxophone
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Rubank Publications
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SheetMusicPlus
Holiday Blues - Jazz Flute Solo (Jazz Exercise & Etudes No.1)
Small Ensemble Flute,Oboe,Recorder - Level 1 - Digital Download SKU: A0.519657 Comp…
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Small Ensemble Flute,Oboe,Recorder - Level 1 - Digital Download SKU: A0.519657 Composed by Miranda Wong. Blues,Film/TV,Jazz,Pop,Ragtime. Score and parts. 2 pages. Miranda Wong #2021439. Published by Miranda Wong (A0.519657). Easy & Cheerful Tunes for Flute, Saxophone, Oboe or Recorder. For Jazz Beginners. 1 Pages.C Key with Chords.
$3.99
3.65 €
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Miranda Wong
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Holiday Blues - Jazz Flute Solo
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Miranda Wong
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SheetMusicPlus
Take it All But the Lazy-boy, TV and the Remote, for Bb clarinet, trumpet, and/or tenor saxophone.
Small Ensemble Clarinet,Tenor Saxophone,Trumpet - Level 4 - Digital Download SKU: A0.94…
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Small Ensemble Clarinet,Tenor Saxophone,Trumpet - Level 4 - Digital Download SKU: A0.947509 Composed by George Arvola, Virginia Mathews. Holiday,Instructional,Jazz,Standards,Wedding. Score and parts. 9 pages. George Arvola and Virginia Mathews #511095. Published by George Arvola and Virginia Mathews (A0.947509). New release in 2015 meeting the demand for INSPIRING arpeggio studies. Includes piano accompaniment and bass parts. arpeggioartistry.com hosts the full recordings and complete list of fun arpeggio etudes from our book, Delicious Licorice. Arrangements for other instruments are also available. Dance bands could use this extended(3:10 in length), syncopated and twisted fun for all arpeggio exercise as an end of the night cuddle your dance partner closing tune. In that case, you may want to shorten the title to the first three words. Little will your audience realize that you are practising your arpeggio skills.
$5.99
5.48 €
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George Arvola, Virginia Mathews
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Take it All But the Lazy-boy, TV and the Remote, for Bb clarinet, trumpet, and/or tenor saxophone.
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George Arvola and Virginia Mathews
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SheetMusicPlus
Bach 1723 BWV 1013 Partita in 4 Movements for Flute or Oboe or Clarinet or Saxophone or Bassoon Solo
Woodwind Ensemble,Woodwind Quintet Alto Flute,Contrabassoon,Instrumental Solo,Oboe/English…
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Woodwind Ensemble,Woodwind Quintet Alto Flute,Contrabassoon,Instrumental Solo,Oboe/English Horn,Piccolo,Saxophone,Viola (Clarinet 3) - Level 3 - Digital Download SKU: A0.902190 By Rainer's Rainbow. By Johann Sebastian Bach. Arranged by R G Roth. Baroque,Instructional. Individual part. 91 pages. Rainer's Rainbow #6496163. Published by Rainer's Rainbow (A0.902190). Sometime after 1723 Bach wrote his BWV 1013 Partita for Flute. It is a piece of four unaccompanied movements including an Allemande, Corrente, a Sarabanda and a Bouree. For the first time it is offered here in the original key of A minor for any woodwind including Flute (the original instrument), Alto Flute, Oboe, English Horn, Bassoon, Tenor Sax, Soprano Sax, Alto Sax or Clarinet in Bb in A in C or Eb. Enjoy this as an exercise or a recital.
$6.99
6.39 €
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Rainer's Rainbow
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Bach 1723 BWV 1013 Partita in 4 Movements for Flute or Oboe or Clarinet or Saxophone or Bassoon Solo
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Rainer's Rainbow
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SheetMusicPlus
Tune That Thang. Bb clarinet/trumpet/or tenor saxophone.
Small Ensemble Clarinet,Tenor Saxophone,Trumpet - Level 4 - Digital Download SKU: A0.94…
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Small Ensemble Clarinet,Tenor Saxophone,Trumpet - Level 4 - Digital Download SKU: A0.947514 Composed by George Arvola, Virginia Mathews. Concert,Instructional,Jazz,Standards,Wedding. Score and parts. 9 pages. George Arvola and Virginia Mathews #512567. Published by George Arvola and Virginia Mathews (A0.947514). New release,late 2015, this arpeggio study is 2:36 in length. Includes piano accompaniment and bass parts. arpeggioartistry.com hosts the full recordings and complete list of titles of INSPIRING arpeggio studies from our book, Delicious Licorice for multi-instruments. Tired of all of the standard latin favourites? Here is an arpeggio exercise which can be used as a fun substitute for some of the old tired melodies. This tune has a sophisticated chord progression and an off the beaten path melody to suit.
$5.99
5.48 €
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George Arvola, Virginia Mathews
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Tune That Thang. Bb clarinet/trumpet/or tenor saxophone.
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George Arvola and Virginia Mathews
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SheetMusicPlus
Bach 1723 BWV 1013 Partita in 4 Movements for Alto, Tenor or Soprano Sax
Small Ensemble Instrumental Solo,Saxophone - Level 3 - Digital Download SKU: A0.902192
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Small Ensemble Instrumental Solo,Saxophone - Level 3 - Digital Download SKU: A0.902192 By Rainer's Rainbow. By Johann Sebastian Bach. Arranged by R G Roth. Baroque,Holiday,Instructional,Standards. Individual part. 16 pages. Rainer's Rainbow #6496175. Published by Rainer's Rainbow (A0.902192). Sometime after 1723 Bach wrote his BWV 1013 Partita for Flute. It is a piece of four unaccompanied movements including an Allemande, Corrente, a Sarabanda and a Bouree. For the first time it is offered here in the original key of A minor for any saxophone including alto, tenor or soprano. Enjoy this as an exercise or a recital.
$6.99
6.39 €
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Rainer's Rainbow
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Bach 1723 BWV 1013 Partita in 4 Movements for Alto, Tenor or Soprano Sax
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Rainer's Rainbow
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SheetMusicPlus
Melsthayi varishas for carnatic music study
Small Ensemble Alto Saxophone,Flute,Guitar,Violin - Level 1 - Digital Download SKU: A0.…
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Small Ensemble Alto Saxophone,Flute,Guitar,Violin - Level 1 - Digital Download SKU: A0.904985 Arranged by guinness sanjeevbabu. World. Score and parts. 5 pages. Indian guitar lessons #5731993. Published by indian guitar lessons (A0.904985). Karnatic music exercise.
$2.99
2.73 €
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Melsthayi varishas for carnatic music study
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indian guitar lessons
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SheetMusicPlus
10 Rounds and Canons for Soprano Saxophone and Clarinet Duet
Clarinet,Instrumental Duet,Soprano Saxophone - Level 3 - Digital Download SKU: A0.11889…
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Clarinet,Instrumental Duet,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1188901 Composed by David McKeown. Chamber,Contemporary,Instructional. 11 pages. David McKeown #788511. Published by David McKeown (A0.1188901). 10 Rounds and Canons are beautiful new and original compositions by David McKeown arranged for one Soprano Saxophone and one Clarinet. We all remember the fun we had singing rounds in school, and these pieces take that to the next level.  Each piece is a pure canon where the second part faithfully follows the first, and are ideal for players at early intermediate and intermediate levels. Each piece last between one and two minutes.Click the YouTube link to listen to samples of these duets played on Alto Saxophone.10 Rounds and Canons are Perfect for concert performances large and small; Fully articulated to help develop that sense of style;  Great for helping with simple rhythms and keeping the pulse; Road tested with students; Fun to play; Beautiful pieces that are much more than just musical exercises; The titles provoke mental pictures that connect with the player’s musical imagination;  The ten titles are, Round House, Round of Applause, Plenty to go Round, Round Here, Round Peg Square Hole, Round Table, Round the Bend, Round Number, Roundabout and Round Up.There are thousands more duets available for all standards and styles, in many different instrumental combinations at https://www.sheetmusicplus.com/publishers/david-mckeown/6203.
$9.99
9.14 €
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David McKeown
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10 Rounds and Canons for Soprano Saxophone and Clarinet Duet
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David McKeown
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SheetMusicPlus
10 Rounds and Canons for Clarinet and Tenor Saxophone Duet
Clarinet,Instrumental Duet,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1188656…
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Clarinet,Instrumental Duet,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1188656 Composed by David McKeown. Chamber,Contemporary,Instructional. 11 pages. David McKeown #788265. Published by David McKeown (A0.1188656). 10 Rounds and Canons are beautiful new and original compositions by David McKeown arranged for one Clarinet and one Tenor Saxophone We all remember the fun we had singing rounds in school, and these pieces take that to the next level.  Each piece is a pure canon where the second part faithfully follows the first, and are ideal for players at early intermediate and intermediate levels. Each piece last between one and two minutes.Click the YouTube link to listen to samples of these duets played on Alto Saxophone.10 Rounds and Canons are Perfect for concert performances large and small; Fully articulated to help develop that sense of style;  Great for helping with simple rhythms and keeping the pulse; Road tested with students; Fun to play; Beautiful pieces that are much more than just musical exercises; The titles provoke mental pictures that connect with the player’s musical imagination; The ten titles are, Round House, Round of Applause, Plenty to go Round, Round Here, Round Peg Square Hole, Round Table, Round the Bend, Round Number, Roundabout and Round Up.There are thousands more duets available for all standards and styles, in many different instrumental combinations at https://www.sheetmusicplus.com/publishers/david-mckeown/6203.
$9.99
9.14 €
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David McKeown
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10 Rounds and Canons for Clarinet and Tenor Saxophone Duet
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David McKeown
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SheetMusicPlus
10 Rounds and Canons for Trumpet and Tenor Saxophone Duet
Instrumental Duet,Tenor Saxophone,Trumpet - Level 3 - Digital Download SKU: A0.1188908
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Instrumental Duet,Tenor Saxophone,Trumpet - Level 3 - Digital Download SKU: A0.1188908 Composed by David McKeown. Chamber,Contemporary,Instructional. 11 pages. David McKeown #788519. Published by David McKeown (A0.1188908). 10 Rounds and Canons are beautiful new and original compositions by David McKeown arranged for one Trumpet and one Tenor Saxophone. We all remember the fun we had singing rounds in school, and these pieces take that to the next level.  Each piece is a pure canon where the second part faithfully follows the first, and are ideal for players at early intermediate and intermediate levels. Each piece last between one and two minutes.Click the YouTube link to listen to samples of these duets played on Alto Saxophone.10 Rounds and Canons are Perfect for concert performances large and small; Fully articulated to help develop that sense of style;  Great for helping with simple rhythms and keeping the pulse; Road tested with students; Fun to play; Beautiful pieces that are much more than just musical exercises; The titles provoke mental pictures that connect with the player’s musical imagination;  The ten titles are, Round House, Round of Applause, Plenty to go Round, Round Here, Round Peg Square Hole, Round Table, Round the Bend, Round Number, Roundabout and Round Up.There are thousands more duets available for all standards and styles, in many different instrumental combinations at https://www.sheetmusicplus.com/publishers/david-mckeown/6203.
$9.99
9.14 €
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David McKeown
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10 Rounds and Canons for Trumpet and Tenor Saxophone Duet
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David McKeown
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SheetMusicPlus
10 Rounds and Canons for Trumpet and Tenor Horn Duet
E-Flat Tenor Horn,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.118890…
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E-Flat Tenor Horn,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.1188905 Composed by David McKeown. Chamber,Contemporary,Instructional. 11 pages. David McKeown #788515. Published by David McKeown (A0.1188905). 10 Rounds and Canons are beautiful new and original compositions by David McKeown arranged for one Trumpet and one Tenor Horn in E Flat. We all remember the fun we had singing rounds in school, and these pieces take that to the next level.  Each piece is a pure canon where the second part faithfully follows the first, and are ideal for players at early intermediate and intermediate levels. Each piece last between one and two minutes.Click the YouTube link to listen to samples of these duets played on Alto Saxophone.10 Rounds and Canons are Perfect for concert performances large and small; Fully articulated to help develop that sense of style;  Great for helping with simple rhythms and keeping the pulse; Road tested with students; Fun to play; Beautiful pieces that are much more than just musical exercises; The titles provoke mental pictures that connect with the player’s musical imagination;  The ten titles are, Round House, Round of Applause, Plenty to go Round, Round Here, Round Peg Square Hole, Round Table, Round the Bend, Round Number, Roundabout and Round Up.There are thousands more duets available for all standards and styles, in many different instrumental combinations at https://www.sheetmusicplus.com/publishers/david-mckeown/6203.
$9.99
9.14 €
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David McKeown
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10 Rounds and Canons for Trumpet and Tenor Horn Duet
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David McKeown
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SheetMusicPlus
10 Rounds and Canons for Oboe and Cor Anglais (or English Horn) Duet
English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.1188891 Co…
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English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.1188891 Composed by David McKeown. Chamber,Contemporary,Instructional. 11 pages. David McKeown #788502. Published by David McKeown (A0.1188891). 10 Rounds and Canons are beautiful new and original compositions by David McKeown arranged for one Oboe and one Cor Anglais (or English Horn). We all remember the fun we had singing rounds in school, and these pieces take that to the next level.  Each piece is a pure canon where the second part faithfully follows the first, and are ideal for players at early intermediate and intermediate levels. Each piece last between one and two minutes.Click the YouTube link to listen to samples of these duets played on Alto Saxophone.10 Rounds and Canons are Perfect for concert performances large and small; Fully articulated to help develop that sense of style;  Great for helping with simple rhythms and keeping the pulse; Road tested with students; Fun to play; Beautiful pieces that are much more than just musical exercises; The titles provoke mental pictures that connect with the player’s musical imagination;  The ten titles are, Round House, Round of Applause, Plenty to go Round, Round Here, Round Peg Square Hole, Round Table, Round the Bend, Round Number, Roundabout and Round Up.There are thousands more duets available for all standards and styles, in many different instrumental combinations at https://www.sheetmusicplus.com/publishers/david-mckeown/6203.
$9.99
9.14 €
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David McKeown
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10 Rounds and Canons for Oboe and Cor Anglais
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David McKeown
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SheetMusicPlus
Saxophone Sight-Reading 2
Saxophone - intermediate - Digital Download SKU: S9.Q19502 A fresh approach.…
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Saxophone - intermediate - Digital Download SKU: S9.Q19502 A fresh approach. This edition: Sheet music. Schott Sight-Reading Series. Downloadable. Op. 2. Schott Music - Digital #Q19502. Published by Schott Music - Digital (S9.Q19502). English • French • German.This collection of original tunes presents 122 carefully graded sight-reading pieces and exercises in a range of musical styles. Taking an approach based on self-learning, the five sections of the book focus on developing different key technical skills as well as introducing the student to a plethora of musical terms. Each section of the book contains solos, as well as saxophone duets and pieces with piano accompaniment for practising ensemble sight-reading. Suitable for students of grades 3 to 6.Ce recueil de mélodies originales présente 122 pièces et exercices de différents styles, soigneusement classés par ordre de difficulté, dans le but d’encourager la lecture à vue. Les cinq chapitres de l’édition se consacrent au développement de différentes techniques-clés.
$15.99
14.62 €
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Saxophone Sight-Reading 2
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Schott Music - Digital
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SheetMusicPlus
Your Favorite Christmas Hymns and Carols for Wind Instruments Book 1
Composed by Various. Arranged by Colin Kirkpatrick. Christian, Praise & Worship, …
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Composed by Various. Arranged by Colin Kirkpatrick. Christian, Praise & Worship, General Worship, Christmas. Score, Set of Parts. 125 pages. Published by Colin Kirkpatrick Publications
Your Favorite Christmas Hymns and Carols for Wind Instruments<br> Arranged by Colin Kirkpatrick<br> Book 1<br> <br> This essential collection may be all you ever need for your wind instruments at Christmas. It's a bargain price too! The arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing.<br> <br> The publication consists of a four-staff score in concert pitch together with fourteen separate parts in various transpositions. There is also a fairly easy optional keyboard part. These four-part arrangements use flexible instrumentation so that you can exercise considerable control over the instrumental voicing. You can also create interesting instrumental tone colour by omitting groups of instruments. This can be achieved with the aid of a pencil. If the ensemble is large enough you could omit brass instruments in the quieter sections, or use a solo trumpet against a woodwind background. There are endless possibilities. You can hear the effect of omitting sections in the audio samples. The arrangements could therefore be played by brass quartet, woodwind quartet, saxophone quartet or virtually any combination of wind instruments. Using the piano part (which has been kept as simple as possible) the arrangements could also be used as solos or duets, depending of what instruments are available. Parts 1 and 2 in C have been printed an octave higher than the pitch shown in the score because the parts invariably are too low for flute or oboe. All the scores and parts are contained in a single125-page PDF file.<br> <br> The publication consists of four-stave scores for each hymn and carol plus:<br> <br> 1. Part 1 in B flat (clarinet, trumpet, cornet, soprano sax);<br> <br> 2. Part 1 in C (8ve higher for piccolo, flute, oboe);<br> <br> 3. Part 1 in E flat (alto saxophone, E flat clarinet);<br> <br> 4. Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn);<br> <br> 5. Part 2 in C (8ve higher for flute, oboe);<br> <br> 6. Part 2 in E flat (alto saxophone);<br> <br> 7. Part 3 in B flat (tenor saxophone, B flat baritone);<br> <br> 8. Part 3 in C (bass clef for trombone, bassoon);<br> <br> 9. Part 3 in E flat (E flat tenor horn, alto saxophone, alto clarinet);<br> <br> 10. Part 3 in F (French horn in F);<br> <br> 11. Part 3a in B flat (8ve below score pitch for 3rd clarinet);<br> <br> 12. Part 4 in B flat (B flat bass clarinet, B flat bass);<br> <br> 13. Part 4 in C (bass clef for trombone, bass trombone, bassoon, tuba);<br> <br> 14. Part 4 in E flat (E flat baritone saxophone, E flat bass)<br> <br> Book 1 includes the following 19 titles: Angels from the Realms of Glory (Melody: Gloria); Away in a Manger (Melody: Mueller); Unto Us a Child Is Born (Melody: Puer Nobis); Christians Awake! (Melody: Yorkshire); Deck the Halls with Boughs of Holly (Melody: Nos Galan); Go Tell it on the Mountain; Good Christian Men, Rejoice (Melody: In Dulci Jubilo); Good King Wenceslas (Melody: Tempus Adest Floridum); I Saw Three Ships Come Sailing In; It Came Upon the Midnight Clear (Melody: Carol); Little Jesus, Sweetly Sleep (Melody: Rocking); O Christmas Tree (Melody: Tannenbaum); O Come all ye Faithful (Melody: Adeste Fidelis); O Little Town of Bethlehem (Melody: Saint Louis); O Holy Night (Melody: Cantique Noël); Silent Night (Melody: Stille Nacht); The Holly and the Ivy; We Wish You a Merry Christmas and What Child is This? (Melody: Greensleeves)<br> <br> The audio samples include Angels from the Realms of Glory, Deck the Halls with Boughs of Holly, Go Tell it on the Mountain and Silent Night. Please note that arrangements in the publication are not intended to be compatible with Your Favorite Christmas Hymns and Carols for Brass.
$29.99
27.43 €
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Various
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Your Favorite Christmas Hymns and Carols for Wind Instruments Book 1
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Colin Kirkpatrick Publications
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SheetMusicPlus
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