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9 sheet music found
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1
It's Beginning To Look Like Christmas
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Christmas
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Meredith Willson
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Lori Cummings
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It's Beginning To Look Like Ch
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Lori Cummings
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SheetMusicPlus
Choral Easy Piano - Level 2 - Digital Download SKU: A0.762383 Composed by Meredith Willson. Arranged by Lori Cummings. Children,Christmas,Contemporary,Ho...
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Choral Easy Piano - Level 2 - Digital Download SKU: A0.762383 Composed by Meredith Willson. Arranged by Lori Cummings. Children,Christmas,Contemporary,Holiday,Traditional. Score. 6 pages. Lori Cummings #4996457. Published by Lori Cummings (A0.762383). This Easy Piano, Big Note arrangement, in F major, contains the full song with the lyrics. The treble contains the full melody while the bass contains a simple yet fun harmony with some fancy tricks to make it interesting without being too difficult. This would be suitable for Early Intermediate level. It is suitable as well as an accompaniment for a singer or choir with a less experienced accompanist. It would be perfect for recitals or for holiday gatherings!  .
$5.99
Lost Boy
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Ruth B
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Brian Streckfus
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Lost Boy
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 2 - Digital Download SKU: A0.1135655 By Ruth B. By Ruth Berhe. Arranged by Brian Streckfus. Instructional,Pop,Singer/Songwriter. Chords/Ly...
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Guitar - Level 2 - Digital Download SKU: A0.1135655 By Ruth B. By Ruth Berhe. Arranged by Brian Streckfus. Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 2 pages. Brian Streckfus #735713. Published by Brian Streckfus (A0.1135655). This is a shortened version of the song to fit nicely on two pages (I needed a shorter version for the circumstances I'm under). The melody and lyrics are like the original as far as I can tell, but I did make changes to the harmony. Usually these changes to the harmony are to enhance the word painting, or to have it be more idiomatic to guitar. A version like this is ideal for someone who wants to play a very fancy version of the song on solo guitar, though adding vocals in should still be fairly easy. I personally sing a lot better if I can play the melody first on guitar because then I know exactly what I'm doing. Versions like these can really be as simple or as complex as you want, if you want something simple, just play the chord diagrams and sing!1. Guitar Arrangement Lead Sheet Style2. Guitar Tab 3. Chord Charts 4. Less stereotypical chords 5. Fingerings and letter names added to aid in sight-reading 6. Voice leading considerations 7. Making the music idiomatic for guitarTips:1. Notes with the stem direction going down are background harmonies that should be played quietly. This hidden meaning tends to only happen with polyphonic instruments such as piano and guitar. You'll eventually notice this anyways because there is no lyric underneath the note.1. Slurs are notated to the make the music easier and better sounding for guitar not vocals, though of course it often mimicks slurs similiar to a vocalist.2. Fmaj7(#11) is not in the original and is a key change since it includes an F and not an F#.3. Sometimes it can look like the melody does not contain a key change, but then when you anaylze the letter names of the chords, you will find that there is indeed key changes in the chords. The Beatles is a good example of a band that does this often.4. E minor and G major chords technically only need 2 or 3 notes. This is one simple but effective strategy to have less cliche chords.5. The F(#5)(#11) chord in the second to last measure could probably be just an F major chord.6. The E natural in measure 42 could be an Eb if the harmony is too avant-garde for you. Made sense to me because of word painting and I wanted a keyless and dreamy feeling for the end. 7. G/B chords are arguably nicer than a full G chord, though of course the decision is ultimately up to. It is better because the chord is imperfect, it causes the audience to not clap too soon. I also only strum the chord up to where the vocal melody is happening, that way the main melody is always in the spot light, and I find songs are easier to sing this way.
$1.99
A Whitman Triptych: II. What Is the Grass? (Downloadable)
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David Conte
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A Whitman Triptych: II. What I
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8322-E Composed by David Conte. Advanced/Collegiate. Secular...
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Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8322-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 15 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8322-E. Published by E. C. Schirmer Music Company - Digital (MQ.8322-E). UPC: 600313483226. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. “What is the Grass?†is also an adaptation of a much longer poem, one of Whitman’s deepest, and most mysterious. The poem begins as a child-like meditation on grass; as hope, as an embodiment of new life and new growth in the plant world. Then suddenly there is a somber turn with the line “And now it seems to me the beautiful uncut hair of graves.†Here Whitman enters an extended mediation on how grass connects life and death, informed by his experiences in the Civil War. Hope returns with the line: “They are alive and well somewhere,†leading to the mysterious final line: “And to die is different from what anyone supposed, and luckier…†Here Whitman affirms that death can be an initiation into a broader participation of existence. In the words of poet Ivan M. Granger, Whitman offers a “Zen-like riddle that doesn’t offer an answer so much as a pathway of questioning.†My musical setting follows Whitman’s exploration, first taking a child’s point of view, expressed with lilting melodies set in a lively compound meter. The entry of the tenor soloist indicates a change of mood to the serious. The first mood returns, leading to a climax on the words “And led forward life…â€, set in 9-part harmony. The mood turns reverent, as the tenor soloist intones: “All goes onward and outward; nothing collapses.†The piece ends with a tone of gentle, slightly ironic questioning. -David ConteDuration: 5:42
$2.85
Of A' the Airts
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fountain, shaw, or green,
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Scottish Traditional
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Konrad Harley
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Of A' the Airts
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Konrad Harley
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SheetMusicPlus
Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1511853 Composed by Scottish Traditional. Arranged by Konrad Harley. Celtic,Folk,Irish. Score. 3 p...
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Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1511853 Composed by Scottish Traditional. Arranged by Konrad Harley. Celtic,Folk,Irish. Score. 3 pages. Konrad Harley #1086976. Published by Konrad Harley (A0.1511853). Based on the traditional Scottish tune Miss Admiral Gordon's Strathspey.Arranged by Konrad Harley (1986-), 2024.Words by Robert Burns (1759-1796).Of a' the airts the wind can blawI dearly like the west,For there the bonie lassie lives,The lassie I lo'e best.There wild woods grow, and rivers row,And monie a hill between,But day and night my fancy's flightIs ever wi' my Jean.I see her in the dewy flowers -I see her sweet and fair.I hear her in the tuneful birds -I hear her charm the air.There's not a bonie flower that springsBy fountain, shaw, or green,There's not a bonie bird that sings,But minds me o' my Jean.
$5.99
Fantasia and Fugue BWV 542 (arranged for woodwind quintet)
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Classical
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Johann Sebastian Bach
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Daniel Kaplan
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Fantasia and Fugue BWV 542
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Daniel Kaplan
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute - Level 4 - Digital Download SKU: A0.1453968 Composed by Johann Sebastian Bach. Ar...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute - Level 4 - Digital Download SKU: A0.1453968 Composed by Johann Sebastian Bach. Arranged by Daniel Kaplan. Baroque,Chamber. 55 pages. Daniel Kaplan #1033157. Published by Daniel Kaplan (A0.1453968). Bach's Great Fantasia and Fugue in G minor, BWV 542, is a monumental work for organ, first performed by Bach (according to some scholars, possibly improvised on the spot!) in Hamburg in 1720. Over the years it has been arranged for various ensembles, including full orchestra, but this is the first arrangement I'm aware of for woodwind quintet. The character of the piece is somewhat changed, becoming livelier and more dance-like, but it remains a wonderful flight of fancy (arguably the original meaning of fugue), and by the end the attentive listener may be quite carried away.This is part of Kaplan's project to enhance and broaden the woodwind-quintet repertoire with both great classics and beautiful lesser-known works. The varied timbres of the woodwind instruments add clarity to contrapuntal writing, allowing the individual parts to be more clearly perceived and followed by the listener. (Kaplan has made many other woodwind-quintet arrangements, for most of which the sheet music is available on this website.).
$9.95
Hebridean Sunset Rag
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Ragtime
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WAGSTAFF, Julian
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Piano
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Hebridean Sunset Rag
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Julian Wagstaff
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Flute,Guitar,Piano,Violin - Level 3 - Digital Download SKU: A0.971714 Composed by WAGSTAFF, Julian. Celtic,Concert,Contempo...
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Small Ensemble Cello,Clarinet,Flute,Guitar,Piano,Violin - Level 3 - Digital Download SKU: A0.971714 Composed by WAGSTAFF, Julian. Celtic,Concert,Contemporary,Folk,Ragtime. Score and parts. 50 pages. Julian Wagstaff #3124235. Published by Julian Wagstaff (A0.971714). This little piece is a flight of fancy, in which Scott Joplin, Stéphane Grappelli and EddieCochran come to stay at my caravan and join our jam session on the beach. Perhaps Niccolò Paganini is there too. Maybe it sounds a bit like this…Duration is 4 minutes. This volume contains all versions of the piece. They are: Violin & Piano; Flute & Piano; Flute & Guitar; Clarinet, Cello & Piano.
$15.99
Der Schwanendreher
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Paul Hindemith
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Der Schwanendreher
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Schott Music - Digital
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SheetMusicPlus
2 (2. auch Picc.) · 1 · 2 · 2 - 3 · 1 · 1 · 0 - P. - Hfe. - Str. (0 · 0 · 0 · 4 · 3) viola and small orchestra - advanced - Digita...
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2 (2. auch Picc.) · 1 · 2 · 2 - 3 · 1 · 1 · 0 - P. - Hfe. - Str. (0 · 0 · 0 · 4 · 3) viola and small orchestra - advanced - Digital Download SKU: S9.Q17062 Concerto after old folksongs. Composed by Paul Hindemith. This edition: piano reduction with solo part. Orchestra - viola - contemporary music. Downloadable, Piano reduction with solo part. Duration 25 minutes. Schott Music - Digital #Q17062. Published by Schott Music - Digital (S9.Q17062). A minstrel entering a merry company displays what he has brought back from foreign lands: songs serious and gay, and finally a dance piece. Like a true musician, he expands and embellishes the melodies, preluding and improvising according to his fancy and ability. This medieval picture was the inspiration of the composition.
$24.99
A Whitman Triptych: III. Facing West (Downloadable)
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David Conte
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A Whitman Triptych: III. Facin
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8323-E Composed by David Conte. Advanced/C...
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Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8323-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 9 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8323-E. Published by E. C. Schirmer Music Company - Digital (MQ.8323-E). UPC: 600313483233. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. Facing West is drawn from the Children of Adam book from Walt Whitman's Leaves of Grass. The full title of the poem is Facing West From California's Shores. Though Whitman never visited California, his biographer Justin Kaplan made the insightful observation that he imagined California's shores to be the starting point for a journey through time and culture. Here was Walt, 'a child, very old,' facing home again, looking over to it, joyous, as after long travel, growth, and sleep, asking: 'But where is what I started for, so long ago?/And why is it yet unfound?' The invitation from the International Orange Chorale to compose a piece in honor of the 75th anniversary of the Golden Gate Bridge led me easily and naturally to this great poem. The tone of Facing West is rich and complex, and draws on one of Whitman's favorite themes of using travel to distant lands as a metaphor for spiritual development. In his poem, Whitman strikes notes of reflection, of longing for adventure, and ultimately ends with a question. The continuing relevance of this question is for me beautifully addressed by the contemporary American writer Edmund White in his 1980 book States of Desire. To paraphrase somewhat, White writes: California is where dreams may come true, and the problem it presents is whether, after all, we wanted these particular dreams to be fulfilled - or would we have preferred others? Did we know what price these dreams would exact? Did we anticipate the ways in which they would unsuit us for the business of daily life? Or should our notion of daily life itself be transformed? For Americans, California's coast is as far as one can go in establishing new roots and new ways of living. As a transplanted Midwesterner who has made California his home for nearly three decades, I experience the Golden Gate Bridge as a beautiful monument to the aspirations and dreams of a restless and inventive people, qualities that Whitman's poem captures perfectly. -David ConteDuration: 5:42
$2.65
On a Jab - a transsexual poem with music (mp3)
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David Warin Solomons
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On a Jab - a transsexual poem
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David Warin Solomons
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SheetMusicPlus
Sampler,Voice - Digital Download SKU: A0.1355574 By David Warin Solomons. By David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration ...
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Sampler,Voice - Digital Download SKU: A0.1355574 By David Warin Solomons. By David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 135. David Warin Solomons #940299. Published by David Warin Solomons (A0.1355574). This is based on a poem that I wrote back in 1979, while I, as a person with Kallmann's syndrome (intersexual), was trying to decide whether to go towards the female or the male.The accompanying music is a recent piece composed by my AI software (Tot the Third)The original poem is as follows: On a Jab Here we are again, Dawn,My companion in complexity;The month is past and you, forlorn,Must once more face perplexity.Ouch! And in the fleshy thighThe viscous hormone takes its space;And you, dear Dawn, will by and bySlow down - and lose the human race.You it was who liked to seeThe lovely girls in tram and bus;I am he, with fancy free,Who’ll bring “God’s wrath†on both of us.For, as the hormone courses throughOur common arteries and veins,There will be less and less of youAnd what you lose my lover gains.It's dusk for Dawn, who one day thoughtShe'd win and make our body hers,And dawn for me, since science brought meMonthly maleness, jabbed by nurse!(c) David W Solomons 1979.
$4.50
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