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Sheetmusic to print
11 sheet music found
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1
Stinky Feet (Piano Accompaniment Track)
Banjo,Choir,Piano,Ukulele - Digital Download SKU: A0.1065546 Composed by Carol Trou…
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Banjo,Choir,Piano,Ukulele - Digital Download SKU: A0.1065546 Composed by Carol Troutman Wiggins. Children,Contemporary,Instructional,Standards. Accompaniment. Duration 57. Carol Troutman Wiggins #3471985. Published by Carol Troutman Wiggins (A0.1065546). STINKY FEET Piano TrackUnison w/Optional Guiro, Ratchet, and WashboardNeed something out of the box? Uncle Pete has stinky feet! This fun, upbeat song includes optional guiros, ratchets, and/or a washboard.Excellent for any age elementary & younger middle school students.Instrument notes included on first pageEasy rhythms that can be taught by roteChords included (Ukulele or even a banjo would be good!).
$5.99
5.52 €
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Carol Troutman Wiggins
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Stinky Feet
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Carol Troutman Wiggins
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SheetMusicPlus
Stabat Mater - string ensemble parts
Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke L…
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Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lustenhouwer #795094. Published by Annemieke Lustenhouwer (A0.1195919). What happens when you close your eyes and you see yourself standing next to Mother Mary when Jesus dies? What do you see and what do you feel? That was what I’ve been asking myself for years when I read the text Stabat Mater. This composition tells about this experience and this questions. Sometimes a motif tells quite literally about this story, like the moment when Jesus is nailed down the cross: first the right hand, then the left hand and finaly with one nail both feet. In the first part of the composition, the viola tells with sforzato accents about this.This Stabat Mater is not only an expression of the pain of the Virgin Mother, but is also a tribute to JS Bach as well. Bach is by some seen as a fith evangelist. Nowadays there are still a lot of people who are affected by how his music tells about biblical stories, like I am. In this Stabat Mater I use the number 5 to express that: the first part is written in 5/4th and the last part Quando corpus et Amen is written with 5 parts in the choir. There can also be found a reworked choral in the choir passages of  O quam tristis et afflicta. It is the choral Wie nahe mir mein Ende from BWV 166.Polyfony is a returning presence in this Stabat Mater. I had an visual idea about this. When I was young I saw in an exhibition a tapestry with all kinds of colours and threads, and everything felt in motion. It was a kind of organized mess, but it was beautiful and felt perfect. I wondered if I could manage to express this idea in music as well. Under one of the polyphonic passages there is a Latin-American dance rhythm to express that motion. I heard that rhythm in my childhood in a rhythmbox of the keyboard of my dad. Another passage has the baroque sarabande-rhythme underneath in the double bass.A lullaby-feeling in some parts of the Stabat Mater tells about another story that got intertwined with this composition. It’s the story of a mother who rocks her terminal dying little son in her arms. I once read that story and it felt connected with the Stabat Mater text for a long time. I decided to express that as well.This composition is dedicated to the Dutch conductor Geert van den Dungen. However I saw many conductors, while playing the oboe and clarinet from a young age, there was nobody who let me think very deeply about music. Geert was the one who changed that for me. I started to study scores and developed a great interest in music analysis and music psychology. Many moments of inspiration and understanding for this Stabat Mater happened on choir rehearsals and concerts where Geert was working. I am very grateful for that.String parts only, see for conductors/ choir score Sheet Music plus and Sheet music direct.
$19.00
17.52 €
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Annemieke Lustenhouwer
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Stabat Mater - string ensemble parts
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Annemieke Lustenhouwer
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SheetMusicPlus
Handel: Messiah (Der Messias) Hallelujah Chorus (original key of D) - wind dectet
Large Ensemble - Level 3 - Digital Download SKU: A0.553419 Composed by George Fride…
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Large Ensemble - Level 3 - Digital Download SKU: A0.553419 Composed by George Frideric Handel. Arranged by Ray Thompson. Christmas,Classical,Sacred,Wedding. Score and parts. 27 pages. RayThompsonMusic #2551253. Published by RayThompsonMusic (A0.553419). Part II of Handel's Messiah closes with the chorus Hallelujah, in the key of D major.In many parts of the world, it is the accepted practice for the audience to stand for this section of the performance. The tradition is said to have originated with the first London performance of Messiah, which was attended by King George II. As the first notes of the triumphant Hallelujah Chorus rang out, the king was so moved that he rose to his feet and remained standing until the end of the chorus. Royal protocol has always dictated that when the monarch stands, everyone in the monarch's presence is also required to stand. Thus, the entire audience and orchestra stood when the king stood during the performance, initiating a tradition that has lasted more than two centuries.My arrangement is for standard wind dectet: 2 fl, 2 oboes,2 clt in A, 2 hns in D and 2 bassoons.
$14.95
13.78 €
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George Frideric Handel
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Handel: Messiah
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RayThompsonMusic
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SheetMusicPlus
Feliz Navidad
Brass Ensemble Horn,Trombone,Tuba - Level 4 - Digital Download SKU: A0.1505997 By J…
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Brass Ensemble Horn,Trombone,Tuba - Level 4 - Digital Download SKU: A0.1505997 By Jose Feliciano. By Jose Feliciano. Arranged by Jerremy Fender. A Cappella,Chamber,Christian,Christmas. 7 pages. Jerremy Fender #1081383. Published by Jerremy Fender (A0.1505997). Though an odd instrumentation (2 Horns, 1 Trombone and 1 Tuba/Bass Trombone) this fun arrangement shares the melody between the first Horn in F and the Trombone part mostly with a fun bassline and lots of passed parts, this is sure to get your caroling audience on their feet! Give it a try!
$12.99
11.98 €
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Jose Feliciano
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Feliz Navidad
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Jerremy Fender
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SheetMusicPlus
Teach Me (Morning by Morning) Vocal Solo
Medium-High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1493546 Composed …
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Medium-High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1493546 Composed by Naomi Postiff. Christian,Classical,Religious,Sacred,Traditional. 3 pages. Fellowship in Song #1069749. Published by Fellowship in Song (A0.1493546). Morning by morning, waken me, Father. Let Thy voice be the first my soul to greet. Bidding my spirit rise from earth's slumber, and sit a learner at Thy sacred feet. Set to a poem by F. H. Allen from the early 1900s, this gentle solo is a wonderful morning prayer. The vocal range stays between middle C to an octave above. Ideal for worship services. Music composed by Naomi Postiff.
$4.99
4.6 €
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Naomi Postiff
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Teach Me
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Fellowship in Song
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SheetMusicPlus
Christmas Song (I sought him where the marble shone) for wind quartet and piano
Bassoon,Clarinet,Flute,Oboe,Piano Accompaniment - Level 3 - Digital Download SKU: A0.14…
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Bassoon,Clarinet,Flute,Oboe,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1486154 Composed by David Warin Solomons. Christmas,Classical,Contemporary,Religious. 23 pages. David Warin Solomons #1063211. Published by David Warin Solomons (A0.1486154). Instrumental arrangement of my setting of Christmas song - being a meditation on finding the Christ child within oneself - the poem is by Audrey Vaughan. I sought him where the marble shoneand rang with singing echoesto the hurrying prelates' feetand found him notI sought him where the golden glowand painted heav'n-eyed saints adorn the sleeping altarsand found him notI sought him where all nature's beauty burnedwith autumn leaves afirewith death against the long blue skyand found him not I sought him down the stone sett streets dull beneath the misty rain which closed the surrounding hillsand found him notI sought him in the eyes of strangersbright with giving thoughtsand in the hearts of friendsbut found him notI sought himhim whom I lovedin ev'ry thing I lovedin my own heart's lovingbut this night I found him notbut still I sought himthis gurgling boy of joy, but where?the dark sky all above and round melike a suffocating empty cloaktook time awaymy thoughts awaymy search awayand the peace of emptiness of selfopened the low brown doorand there his newness tiny laydeep in the shriven hollow of my heart, cradled thereI found him©Audrey VaughanThe audio preview is an mp3 of the first couple of minutes - a full version will be available later.The pdf contains score and parts.
$11.00
10.14 €
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David Warin Solomons
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Christmas Song
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David Warin Solomons
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SheetMusicPlus
Waltz Across Texas
Instrumental Duet Dulcimer,Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A…
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Instrumental Duet Dulcimer,Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.945409 By Ernest Tubb. By Talmadge Tubb. Arranged by Peggy Carter. Country. Score and parts. 3 pages. Peggy Carter #5896773. Published by Peggy Carter (A0.945409). With or without the guitar this is a great hammer dulcimer solo piece that will get your audiences up on their feet to waltz with their favorite sweetheart. Audiences of all ages will either dance or sway with you. Written on an Intermediate 1 level you'll love the supporting arpeggios. The first page is block harmony using a few embellishments, the 2nd page is arpeggiated, and with repeats the performance is a little over 3 min. Just right for waltzing! Follow Dulcimer Music by Peggy Carter... start a conversation. Ask questions. .
$4.99
4.6 €
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Ernest Tubb
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Waltz Across Texas
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Peggy Carter
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SheetMusicPlus
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bas…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - Digital Download SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
9.22 €
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Nathan Petitpas - Dots and Beams
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Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters
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Dots and Beams
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SheetMusicPlus
Jerusalem for Trombone Quintet
Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.792303 Composed by Par…
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Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.792303 Composed by Parry, Hubert. Arranged by Terrett, Keith. 20th Century,Christian,Patriotic,Romantic Period,World. Score and parts. 7 pages. Gordon Cherry #4803953. Published by Gordon Cherry (A0.792303). Jerusalem, or And did those feet in ancient time is a short poem by English poet William Blake. Parry set these famous words to music in his great unison song Anthem in 1916. The poem was inspired by the apocryphal story that young Jesus actually traveled to England, a legend in the Book of Revelation describing a New Jerusalem. The song was also taken up by the Suffragettes in 1917. The song was changed to Jerusalem as a metaphor, that when Britain was made perfect, there would be heaven on earth. The work is considered to be England's most popular patriotic song. The music has been taken up by the Church of England and is frequently sung as a recessional hymn on St. George's Day. Most recently the song was used in the wedding of Prince William and Kate Middleton to great applause. Mr. Terrett's version can be performed by advanced players. The first part is in alto clef.  
$22.50
20.74 €
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Parry, Hubert
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Jerusalem for Trombone Quintet
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Gordon Cherry
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SheetMusicPlus
Despacito
Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Drums,Euphonium,Flute,Horn,Oboe,…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Drums,Euphonium,Flute,Horn,Oboe,Tenor Saxophone,Trombone,Trumpet,Tuba,Vibraphone,Xylophone - Level 4 - Digital Download SKU: A0.1029285 By Luis Fonsi and Daddy Yankee. By Erika Ender, Luis Fonsi, and Ramon Ayala. Arranged by Mike Torres. Latin. Score and parts. 28 pages. Tune-It-Up Music Company #4802263. Published by Tune-It-Up Music Company (A0.1029285). Being the first Latino pop song to reach the top charts in over 20 counties, DESPACITO is remastered in this feet moving, tail-wagging, party playing tune arranged by Mike Torres. As a stimulating finale, parading intro, or any other kind of setup for young bands, they're sure have fun with this song.
$14.99
13.82 €
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Luis Fonsi and Daddy Yankee
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Despacito
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Tune-It-Up Music Company
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SheetMusicPlus
Celebration on Joyful, Joyful We Adore Thee
Organ SKU: HL.171355 Composed by Ludwig van Beethoven. Arranged by Rhonda Furr. Fre…
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Organ SKU: HL.171355 Composed by Ludwig van Beethoven. Arranged by Rhonda Furr. Fred Bock Publications. Hymn, Sacred. Softcover. 8 pages. Fred Bock Music Company #BGK1073. Published by Fred Bock Music Company (HL.171355). ISBN 9781934596685. UPC: 888680626136. 9x12 inches.This organ piece has become one of Rhonda Furr's most requested. An exciting arrangement of this well-known Beethoven hymn, the pedals carry the melody on the first verse. The hymntune goes to manuals and back to the feet as she entertains us with her setting. Medium in difficulty, this is great concert piece as well as a great worship service selection.
$9.99
9.21 €
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Ludwig van Beethoven
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Celebration on Joyful, Joyful We Adore Thee
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Fred Bock Music Company
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SheetMusicPlus
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