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Focus - Eb Alto Sax
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You've selected:
Focus - Eb Alto Sax
Sheetmusic to print
30 sheet music found
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1
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Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
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Thomas Oboe Lee
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Focus on Grace ... A concerto
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble - Level 4 - Digital Download SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and p...
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Small Ensemble - Level 4 - Digital Download SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #2019061. Published by Thomas Oboe Lee (A0.869266). Instrumentation: Alto sax solo and orchestra, 2222-4231-perc-drum set-strings Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
Gary Lanier: I HAVE DECIDED TO FOLLOW JESUS (Duet – Alto Sax & Piano with Parts)
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Sacred music
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India Folk Melody
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Gary Lanier
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Gary Lanier: I HAVE DECIDED TO
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The Lanier Company
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SheetMusicPlus
Instrumental Duet Alto Saxophone,Instrumental Duet - Level 3 - Digital Download SKU: A0.614314 Composed by India Folk Melody. Arranged by Gary Lanier. Pr...
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Instrumental Duet Alto Saxophone,Instrumental Duet - Level 3 - Digital Download SKU: A0.614314 Composed by India Folk Melody. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and parts. 7 pages. The Lanier Company #519699. Published by The Lanier Company (A0.614314). I HAVE DECIDED TO FOLLOW JESUS is a duet arrangement for Alto Sax & Piano of one of our most cherished Christian Hymns. The score, including cover and Alto Sax part is 7 pages long. This arrangement is perfect for any Church or gathering where inspirational Christian music is the focus. A mp3 Piano Accompaniment (aka Rehearsal Track) is also available, listed as: I HAVE DECIDED TO FOLLOW JESUS (Piano Accompaniment for Alto Sax).
$6.99
Gary Lanier: I AM RESOLVED (Duet – Alto Sax & Piano with Parts)
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Sacred music
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James H
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Gary Lanier
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Gary Lanier: I AM RESOLVED
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The Lanier Company
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SheetMusicPlus
Instrumental Duet Alto Saxophone,Instrumental Duet - Level 3 - Digital Download SKU: A0.614353 Composed by James H. Fillmore. Arranged by Gary Lanier. Pr...
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Instrumental Duet Alto Saxophone,Instrumental Duet - Level 3 - Digital Download SKU: A0.614353 Composed by James H. Fillmore. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and parts. 8 pages. The Lanier Company #545915. Published by The Lanier Company (A0.614353). For the 2016 New Year Contest. I AM RESOLVED is a duet arrangement for Alto Sax & Piano of one of our most cherished Gospel Hymns. The score, including cover and Alto Sax part is 8 pages long. This arrangement is perfect for any Church or gathering where the joyful sound of the Gospel is the focus. A mp3 Piano Accompaniment (aka Rehearsal Track) is also available, listed as: I AM RESOLVED (Piano Accompaniment for Alto Sax).
$6.99
No.4 Beautiful Moment (Alto, Tenor or Baritone Saxophone)
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Contemporary
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Chris Cobon
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No.4 Beautiful Moment
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Chris Cobon
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SheetMusicPlus
Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1001821 Composed by Chris Cobon. Contemporary. 8...
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Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1001821 Composed by Chris Cobon. Contemporary. 8 pages. Chris Cobon #6363267. Published by Chris Cobon (A0.1001821). Practising solos by yourself can be a lonely experience. Why not work on a solo with others? The Beautiful Series is designed exactly for that. As long as your friends or fellow students have the same piece from the Beautiful series you can work on the piece together, regardless of instrument. i.e. Flute, Sax and Tuba could all practice No.3, Beautiful Dream, along to the accompaniment together.Watch out for all seven pieces (Set 1) being released in April/ May 2021. You are free to share your performances without restrictions on YouTube as long as you mention the full title and composer in the details.Included in the purchase:Piano scoreAlto/Baritone Saxophone partTenor Saxophone partOriginally composed as a set of tuba solos; it quickly became apparent that, with just a few adjustments, these melodies could be adapted for most instruments to enjoy.The Music:These pieces move the focus from musical dexterity to stamina, tone, control.
$2.00
No.8 Beautiful Mind (Alto, Tenor or Baritone Saxophone)
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Chris Cobon
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No.8 Beautiful Mind
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Chris Cobon
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SheetMusicPlus
Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1001865 Composed by Chris Cobon. Contemporary,Ja...
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Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1001865 Composed by Chris Cobon. Contemporary,Jazz. 8 pages. Chris Cobon #6383735. Published by Chris Cobon (A0.1001865). Practising solos by yourself can be a lonely experience. Why not work on a solo with others? The Beautiful Series is designed exactly for that. As long as your friends or fellow students have the same piece from the Beautiful series you can work on the piece together, regardless of instrument. i.e. Flute, Sax and Tuba could all practice No.3, Beautiful Dream, along to the accompaniment together.Watch out for the other pieces in the series, new ones being added regularly. You are free to share your performances without restrictions on YouTube as long as you mention the full title and composer in the details.Included in the purchase:Piano scoreAlto/Baritone Saxophone partTenor Saxophone partThe Music:Originally composed as a set of tuba solos; it quickly became apparent that, with just a few adjustments, these melodies could be adapted for most instruments to enjoy. These pieces move the focus from musical dexterity to stamina, tone, control.
$2.00
7 Major Scales exercises for Alto Saxophone
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Liselotte Kuling
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7 Major Scales exercises for A
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Liselotte Kuling
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SheetMusicPlus
Alto Saxophone - Level 3 - Digital Download SKU: A0.1513404 Composed by Liselotte Kuling. Instructional,Multicultural,Pop,Standards,Traditional,World. Ed...
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Alto Saxophone - Level 3 - Digital Download SKU: A0.1513404 Composed by Liselotte Kuling. Instructional,Multicultural,Pop,Standards,Traditional,World. Educational Exercises. 23 pages. Liselotte Kuling #1088278. Published by Liselotte Kuling (A0.1513404). These exercises are bases on every major scales. I make the exercises for musicians who play at level 3. The exercises are rather easy and short, so you can easily focus on all of the accidentals in a short time. I used the highest and lowest notes for level 3, so pupils can learn these notes also. These exercises can be used as a warming-up or as a daily exercise.
$4.99
Landini: Ecco la Primavera for Saxophone Trio
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Landini
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James M
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Landini: Ecco la Primavera for
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Alto Saxophone,Baritone Saxophone - Level 3 - Digital Download SKU: A0.1486279 Composed by Landini. Arranged by James M. Guthrie. Chamb...
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Woodwind Ensemble Alto Saxophone,Baritone Saxophone - Level 3 - Digital Download SKU: A0.1486279 Composed by Landini. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Renaissance,Standards. 15 pages. Jmsgu3 #1063339. Published by jmsgu3 (A0.1486279). Francesco Landini's Ecco la Primavera is a significant work from the early Renaissance that exemplifies several essential aspects of 14th-century Italian music. The piece is a ballata, a popular form of Italian secular music during the Trecento period (14th century), also known as the Italian Ars Nova. This era marked the beginning of a new musical epoch. Ecco la Primavera is composed as an isorhythmic duet. Isorhythm was a crucial compositional technique in medieval and early Renaissance music, demonstrating Landini's mastery of complex musical structures. The work celebrates spring and love, reflecting the humanist ideals emerging during the early Renaissance. This focus on secular themes and natural beauty was a departure from the predominantly religious music of the medieval period. The piece provides insight into the cultural and social life of 14th-century Florence. It was likely performed at gatherings of intellectuals and artists, such as the one described at Villa del Paradiso near Florence in 1389. As the foremost composer of the Trecento period, Landini's works, including Ecco la Primavera, are crucial for understanding the musical developments of this era. The composition features flowing melodies that were characteristic of early Renaissance Italian music. This melodic style would influence the development of Renaissance music more broadly. The work has endured over centuries and continues to be performed and appreciated today, as evidenced by its inclusion in contemporary classical music rankings. Ecco la Primavera thus serves as an essential example of Italy's musical, cultural, and intellectual shifts during the transition from the medieval period to the Renaissance.
$34.95
Der Geist hilft unser Schwachheit auf by J.S. Bach for Double Saxophone Choir
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Classical
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Johann Sebastian Bach
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Richard Byrnes
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Der Geist hilft unser Schwachh
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Richard Byrnes
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SheetMusicPlus
Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone - Digital Download SKU: A0.830775 Composed by Johann Sebastian Bach. Arranged by Ri...
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Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone - Digital Download SKU: A0.830775 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 101 pages. Richard Byrnes #5372107. Published by Richard Byrnes (A0.830775). The motet, Der Geist hilft unser Schwachheit auf (The Spirit gives aid to our weakness) is structured in three sectons. The first, focuses on techniques of imitation between the two choirs. The second section is a fugue. The third is a double fugue in 4 parts. The final section is a choral Du heilige Brunst, süßer Trost.This double saxophone arrangement is for (2S,3A,Bi/2S,3A,Bi).In addition to many works by J.S. Bach, we offer works by Debussy, Fauré, Glinka, Gottschalk, Granados, Lotti, Mozart, Ravel, Richard Strauss, and Turina.
$49.99
He Said "Sam,You're Out of Focus”, for low wind and/or brass insts. in six parts - Score and Parts
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Paul Burnell
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He Said "Sam,You're Out of Foc
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Paul Burnell
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SheetMusicPlus
Level 3 - Digital Download SKU: A0.1426087 Composed by Paul Burnell. 21st Century,Classical,Contemporary. 31 pages. Paul Burnell #1006902. Published by P...
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Level 3 - Digital Download SKU: A0.1426087 Composed by Paul Burnell. 21st Century,Classical,Contemporary. 31 pages. Paul Burnell #1006902. Published by Paul Burnell (A0.1426087). He Said Sam,You're Out of Focus by Paul Burnell.Composed 2013 for low wind and/or brass instruments in six parts with optional drone and suspended cymbalDuration: 4:20Score in CThe combination of instruments is determined by the performers. The following are suggestions for possible part allocations:1 & 4 - alto saxophone, tenor horn, french horn, trombone2 & 5 - tenor saxophone, bass clarinet, bassoon, euphonium, trombone3 & 6 - tenor saxophone, baritone saxophone, bass clarinet, bassoon, bass trombone, tubaInstruments 1-3 may be slightly separated from instruments 4-6In the final bar, each player repeats their note several times. Each taking a breath after each note, and making no attempt to coordinate with other players, but ensuring there is an overall gradual diminuendo.Optional: other instruments play a drone on G throughout. If there are no instruments playing a drone, then Part 6 plays a concert G for two bars at the beginning.Also optional: a roll on a suspended cymbal throughout, with a crescendo in the bar before each rehearsal letter, and a diminuendo in the following bar.Programme note:He Said Sam,You're Out of Focus is a companion piece to And I Said HeyTed,You're Pixelated.This piece has taken a short extract from a 19th Century piece and obscured the identity of it by elongating it and compressing the pitch range.
$3.99
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
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Instructional
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Nathan Petitpas - Dots and Bea
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I encourage you to use both
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Pitch and Rhythm - Treble Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone...
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Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone,Treble Clef Instrument,Trumpet,Ukulele,Vibraphone,Violin,Xylophone - Level 4 - Digital Download SKU: A0.931832 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269045. Published by Dots and Beams (A0.931832). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a treble staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4. Be creative with this one, the possib.
$10.00
Lullaby Of Birdland
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Jazz
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George Shearing
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Serena Rose
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Lullaby Of Birdland
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Serena Rose Music
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SheetMusicPlus
Large Ensemble Alto Saxophone,Double Bass,Drums,Electric Bass Guitar,Piano Accompaniment,Trombone,Trumpet,Voice - Level 3 - Digital Download SKU: A0.1032048
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Large Ensemble Alto Saxophone,Double Bass,Drums,Electric Bass Guitar,Piano Accompaniment,Trombone,Trumpet,Voice - Level 3 - Digital Download SKU: A0.1032048 Composed by George Shearing. Arranged by Serena Rose. Jazz. Score and parts. 25 pages. Serena Rose Music #4313909. Published by Serena Rose Music (A0.1032048). This playful arrangement of Lullaby of Birdland by George Shearing (concert Ab) for voice and 3 horn ( alto sax, trumpet, trombone, piano, bass, and drums ) is unique from many arrangements of this jazz standard by weaving complimentary melodies around the vocal melody, giving this piece a welcome breath of fresh air. The 10-bar intro has a rhythmic push in the piano reminiscent of Jamiroquai’s Virtual Insanity that intensifies the listener’s anticipation to hear the first few notes of this familiar tune in a new and unique context. Returning back to the head via a simple D.S. enables instrumentalists to easily focus on solos rather than the form. The 2-bar rhythm-section outro concludes the piece precisely and cleanly and takes the listener back to the time when jazz bands were first cooking up storms on the dance floors. Though cited with tempo at a quarter note = 160 bpm, this arrangement works well at any bpm between 140 and 170.Other than for the introduction and the ending, the piano part includes chords and rhythmic notation throughout for easy improvisation. The bass part includes both an intermediate-advanced written part and chords throughout, thus accommodating bassists at all skill levels and/or those who would prefer to play a combination of written and improvised bass lines. The drum chart is to be improvised throughout; however, it includes suggested rhythmic ideas and indicates key points in the arrangement such as horn hits, repeats, and fills. PLEASE NOTE: For ease of identifying parts, the forthcoming audio clip furnishes a piano playing the vocal melody. The piano chart does not include the melody. About the Arranger: Serena Rose is a professional musician who performs weekly in the greater Los Angeles area. She has a master's in music composition and has composed three large works for the Orange Coast College Wind Ensemble as well as various smaller ensembles based in Los Angeles.
$50.00
The Avengers Theme
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Laurie Johnson
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Trevor Wharton
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The Avengers Theme
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Bumpmusic Editions
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SheetMusicPlus
Alto Saxophone,Baritone Saxophone,Drum Set,Tenor Saxophone,Trombone - Level 2 - Digital Download SKU: A0.1369307 Composed by Laurie Johnson. Arranged by ...
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Alto Saxophone,Baritone Saxophone,Drum Set,Tenor Saxophone,Trombone - Level 2 - Digital Download SKU: A0.1369307 Composed by Laurie Johnson. Arranged by Trevor Wharton. 20th Century,Film/TV,Thriller. 15 pages. Bumpmusic Editions #953656. Published by Bumpmusic Editions (A0.1369307). The Avengers is a British espionage TV series dating from the 1961 and ran for 161 episodes. The series focuses around the character John Steed (Patrick Macnee) and a succession of assertive, intelligent and stylish female assistants. The series originally had a theme by John Dankworth which was replaced when Diana Rigg joined the cast and the show was rebooted in 1965. This theme, by the late Laurie Johnson, was more dynamic and has remained popular to this day being covered many times. Johnson also composed the theme music to the 1976 sequel series 'The New Avengers' The arrangement for Alto, Tenor and Baritone Saxes, Trombone and Drums brings the dynamism of the music to the fore. The trombone part features the famous riff and is challenging.
$19.99
Pitch Only - Treble Clef (Sight Reading Exercise Book)
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Instructional
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Nathan Petitpas - Dots and Bea
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Pitch Only - Treble Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,O...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - Digital Download SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00
Wake Me Up
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Contemporary
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Avicii
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Johan de Wit
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Wake Me Up
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Johan de Wit
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SheetMusicPlus
Large Ensemble Alto Saxophone,Bassoon,Clarinet,Flute,Hand Percussion,Horn,Oboe,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.809351 By Avicii. By Alo...
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Large Ensemble Alto Saxophone,Bassoon,Clarinet,Flute,Hand Percussion,Horn,Oboe,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.809351 By Avicii. By Aloe Blacc, Avicii, and Michael Einziger. Arranged by Johan de Wit. Contemporary. Score and parts. 51 pages. Johan de Wit #4324557. Published by Johan de Wit (A0.809351). Musik by Avicii. This Arrangement ist published by Johan de Wit . Score and Parts. 50 Pages. Duration: 3 Minutes. Level early intermediate.These Joyful Arrangement is written for wind instruments (Flute, Oboe, Clarinet, Alto Saxophone, Trumpet, French Horn and Bass Instrument). The target group are ensembles in music schools and for practical music lessons in general education schools. With practical didactic tips for easy introduction in your ensemble. From the very beginning, the focus will be on making music. Enjoy the joyfull music of Avicii. YouTube: https://youtu.be/ztk3p8VlPQU This is an arrangement of Johan de Wit. He is the artistic director of Concustic Music Publishing Company (www.concustic.com) Learn more? Please contact us at: post (at) concustic.com
$38.50
The Big Book of Pentatonics & Fourths
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Eric Bolvin
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The Big Book of Pentatonics &
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ERIC V BOLVIN
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Clarinet,Flute,Guitar,Horn,Oboe,Piano,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,Violin - Level...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Clarinet,Flute,Guitar,Horn,Oboe,Piano,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,Violin - Level 4 - Digital Download SKU: A0.829078 Composed by Eric Bolvin. Blues,Instructional,Jazz. Score and parts. 92 pages. ERIC V BOLVIN #3580507. Published by ERIC V BOLVIN (A0.829078). The Big Book of Pentatonics & Fourths is a series of four and six note groups that are developed into chromatic and diatonic lines. The concept of note groups was presented to me by the great pianist Hal Galper at the Jamey Aebersold clinic in 1980. I was young at the time but was hip to pentatonics so his ideas stayed with me and I’ve expanded on them in my own fashion.DescriptionA pentatonic scale is any group of five notes that cover the span of an octave. There are literally hundreds of pentatonic scales in Western music, and hundreds more that use alternate tunings.The Big Book of Pentatonics & Fourths will focus on the most common pentatonic scale, the major pentatonic and its relative minor. In the key of C the notes of the major pentatonic are: C D E G A. If you start on C and go up in perfect 5ths, you will get all the notes of the major pentatonic. The relative minor scale in A minor is A C D E G. If you start on E and go up in perfect 4ths, you will get the minor pentatonic in A.This book is a series of four and six note groups that are developed into chromatic and diatonic lines. The concept of note groups was presented to me by the great pianist Hal Galper at the Jamey Aebersold clinic in 1980. I was young at the time but was hip to pentatonics so his ideas stayed with me and I’ve expanded on them in my own fashion. You should watch the video that goes with this book for more detailed instruction on how to properly practice the exercises.
$19.95
It's Time
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Rock
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Imagine Dragons
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Garry Anderson
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It's Time
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Garry Anderson
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Cornet,Drum Set,Drums,Euphonium,Flute,Glockenspiel,Tenor Horn,Tenor Saxophone,Trombone,Trumpet - Level...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Cornet,Drum Set,Drums,Euphonium,Flute,Glockenspiel,Tenor Horn,Tenor Saxophone,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.883545 By Imagine Dragons. By Benjamin McKee, Daniel Reynolds, and Daniel Sermon. Arranged by Garry Anderson. Rock. Score and parts. 33 pages. Garry Anderson #4758305. Published by Garry Anderson (A0.883545). Simple arrangement of Imagine Dragon's It's Time. A classic, catchy arrangement.Arranged to work on harmonies within the different sections of the band to build on producing big sounds, and focus on listening to each other. .
$35.99
Classroom Activity Worksheet Booklets educational pack: MELODY - Perform Compose Understand PCU
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Instructional
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Austin Ralphson
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Classroom Activity Worksheet B
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Austin Ralphson
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SheetMusicPlus
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,English Horn,Euphonium,Flute,Harp,Marimba,Oboe,Piano,Tenor...
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Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,English Horn,Euphonium,Flute,Harp,Marimba,Oboe,Piano,Tenor Saxophone,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Xylophone - Level 3 - Digital Download SKU: A0.563704 Composed by Austin Ralphson. Instructional. Score and parts. 34 pages. Austin Ralphson #4628391. Published by Austin Ralphson (A0.563704). This pack comprises 5 activity worksheet booklets, all of which focus on melodic movement and direction. It is part of the Perform, Compose, Understand Series, and can be enhanced by purchasing the performance pieces around which they are based. This pack is intended for a class made up of 14-16 year-old music students; it is ideal for courses such as the American High School Diploma, GCSE, IGCSE, SCS, HKCEE, IB(MYP), SPM, GCEO, CCEF, HKCEE, VSSD, GES or ICSE.Printing and CopyingThe purchaser may print or copy all pages of this resource as required in order to facilitate learning within the centre, but must not distribute to others. The performance pieces could also be used for the performing component of your examined course as well if appropriate.** Also look out for the other packs in the PCU Series which cover melody, rhythm, structure, texture and harmony. Multi-pack deals are also available. **
$9.99
Haba Haba
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Lillebjørn Nilsen
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Alexander Bosrup Karlsen
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Haba Haba
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Alexander Bosrup Karlsen
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SheetMusicPlus
Large Ensemble Alto Saxophone,Clarinet,Drum Set,Euphonium,Flute,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.973929 Composed by Lillebjø...
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Large Ensemble Alto Saxophone,Clarinet,Drum Set,Euphonium,Flute,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.973929 Composed by Lillebjørn Nilsen. Arranged by Alexander Bosrup Karlsen. Children,Jazz. Score and parts. 11 pages. Alexander Bosrup Karlsen #5309229. Published by Alexander Bosrup Karlsen (A0.973929). Haba HabaHaba Haba is a norwegian rock 'n roll children song. This arrangement has a big band-feel to it, with a few difficult tasks to focus on for the young musician. If you need parts for other wind instruments, feel free to contact me for help at: alexander.bosrup@gmail.com.
$10.00
Blue Pimpernel
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Blues
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Jazz
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Brian Henderson-Sellers
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Blue Pimpernel
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Brian Henderson-Sellers
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SheetMusicPlus
Large Ensemble Alto Saxophone,Bass Guitar,Drums,Low Voice,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.980295
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Large Ensemble Alto Saxophone,Bass Guitar,Drums,Low Voice,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.980295 Composed by Brian Henderson-Sellers. Blues,Jazz. Score and parts. 37 pages. Brian Henderson-Sellers #3473447. Published by Brian Henderson-Sellers (A0.980295). Blue Pimpernel is an original song for a small jazz-focussed ensemble. There are words for a (female) singer but if a singer is not available there is an optional duplicate line for a clarinet.2018 Chamber Music Contest Entry
$3.99
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Instructional
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 1 - Eighths
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Hor...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - Digital Download SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
E Toro nga Hau: The Three Winds
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Contemporary
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Michael J
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E Toro nga Hau: The Three Wind
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Effiny Music
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SheetMusicPlus
Small Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone - Level 4 - Digital Download SKU: A0.1021989 Composed by Michael J. Burns. Contemporar...
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Small Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone - Level 4 - Digital Download SKU: A0.1021989 Composed by Michael J. Burns. Contemporary. Score and parts. 43 pages. Effiny Music #6273591. Published by Effiny Music (A0.1021989). The original version of E Toro nga Hau: The Three Winds was written for oboe, clarinet and bassoon in 2001 and premiered by the Eastwind Trio d’Anches (the faculty reed trio from the University of North Carolina at Greensboro with the composer on bassoon) during a tour in New Zealand and Australia in May 2001. The premiere of the version for saxophone trio was performed by members of the Red Clay Saxophone Quartet on February 5, 2008.E Toro nga Hau: The Three Winds was inspired by the Australasian tour and my return home to New Zealand as a performer. Another inspiration was that my dear Grandmother passed away at the age of 94 in February 2001. Due to this there are elements of sadness and happiness throughout the piece. The bittersweet first movement begins melancholy, with a melody that freely switches between minor and major modes, but ends up with a lively dancing section focusing on happy memories, where the chickens from my grandmother’s farm may even be heard. The second movement is lively throughout with extensive use of mixed meter and includes a jazz rock interlude.While the work does not contain any actual New Zealand elements in the music, it was evocative of my time spent there growing up. It is in a style typical of my writing, containing jazzy influences combined with the more traditional. The title is given in Maori (the language of the native Polynesian race in New Zealand) and English and merely relates to the fact that it is written for three woodwind instruments. This work has been performed throughout North America and the South Pacific.This work also exists in two double reed versions: one for oboe, English horn, and bassoon, and another for oboe and two bassoons.
$20.00
Quarantine Boogie
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Alexander Bosrup Karlsen
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Quarantine Boogie
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Alexander Bosrup Karlsen
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SheetMusicPlus
Small Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Euphonium,Flute,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet - Level 2 - Digital Download SKU...
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Small Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Euphonium,Flute,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.973960 Composed by Alexander Bosrup Karlsen. Instructional,Jazz,Pop. Score and parts. 1 pages. Alexander Bosrup Karlsen #5319475. Published by Alexander Bosrup Karlsen (A0.973960). Short song I made for my students for rehearsing improvising on one chord. It focuses on dorian and blues scales. The backing track is available for sale in the shop and free on youtube.For questions and other stuff:Instagram: @bosrup, @bossesbongobandYoutube: alexanderbosrupEmail: alexander.bosrup@gmail.com.
$2.50
Quarantine Boogie
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Alexander Bosrup Karlsen
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Quarantine Boogie
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Alexander Bosrup Karlsen
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SheetMusicPlus
Alto Saxophone,Baritone Saxophone,Clarinet,Euphonium,Flute,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet - Digital Download SKU: A0.1072053 Composed...
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Alto Saxophone,Baritone Saxophone,Clarinet,Euphonium,Flute,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet - Digital Download SKU: A0.1072053 Composed by Alexander Bosrup Karlsen. Instructional,Jazz,Pop. Accompaniment. Duration 263. Alexander Bosrup Karlsen #5319489. Published by Alexander Bosrup Karlsen (A0.1072053). Backing track made for my students during the Covid-quarantine. It's a boogie/disco-track that focuses on one chord-soloing using dorian and blues scale.Check out my other arrangements, backing tracks etc, and don’t hesitate to contact me on email: alexander.bosrup@gmail.com instagram: @bosrup, @bossesbongoband youtube: alexander bosrup
$2.50
Ae Fond Kiss
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Folkloric/Traditional
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John Thomson
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Garry Anderson
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Ae Fond Kiss
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Garry Anderson
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SheetMusicPlus
Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Clarinet,Flute,Oboe,Tenor Saxophone - Level 2 - Digital Download SKU: A0.883518 Composed by J...
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Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Clarinet,Flute,Oboe,Tenor Saxophone - Level 2 - Digital Download SKU: A0.883518 Composed by John Thomson. Arranged by Garry Anderson. Folk. 10 pages. Garry Anderson #3573131. Published by Garry Anderson (A0.883518). 2018 Instrumental Arranging Contest EntryLyrics written by Robert Burn's in 1791 in his last letter to Agnes Maclehose before she left Edinburgh to Jamaica to be with her estranged husband. This is Robert Burns' most recorded love song. Arranged for Solo flute and Wind Choir, this arrangement focuses on dynamics and expression for all players. They must concentrate on getting across the emotions of saying goodbye to a close friend before they leave never to be seen again.Watch Here: https://www.youtube.com/watch?v=oVH4XI6eR_o .
$4.50
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