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Forth He Came at Easter
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You've selected:
Forth He Came at Easter
Sheetmusic to print
3 sheet music found
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1
Forth He Came at Easter
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Allen Pote
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Forth He Came at Easter
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Hope Publishing - Digital
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SheetMusicPlus
Choral B-Flat Instrument, Brass, Choral, Timpani, Trombone, Trumpet - Digital Download SKU: H1.C5804DP Composed by Allen Pote. Easter Sunday, Sacred. Oct...
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Choral B-Flat Instrument, Brass, Choral, Timpani, Trombone, Trumpet - Digital Download SKU: H1.C5804DP Composed by Allen Pote. Easter Sunday, Sacred. Octavo. 12 pages. Hope Publishing - Digital #C5804DP. Published by Hope Publishing - Digital (H1.C5804DP). Words by John M. C. Crum. Matthew 28:5 - Matthew 28:6 - Matthew 28:7 - Luke 24:1 - Luke 24:2 - Luke 24:3 - Luke 24:4 - Luke 24:5 - Luke 24:6 - Luke 24:7 - Luke 24:8 - John 20:1 - John 20:2 - John 20:3 - John 20:4 - John 20:5 - John 20:6 - John 20:7 - John 20:.Original anthem with words by John M. C. Crum The story of Easter unfolds in this festive celebration by Allen Pote with a contrasting middle section featuring text from the hymn Now the Green Blade Riseth. The conclusion is a triumphant exaltation of Christ is risen, alleluia! Optional parts for Brass (trumpets, trombones) and Timpani make this a glorious celebration of the resurrection.
$3.25
Forth He Came at Easter
#
Allen Pote
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Forth He Came at Easter
#
Hope Publishing - Digital
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SheetMusicPlus
B-Flat Instrument, Brass, Choral, Timpani, Trombone, Trumpet - Digital Download SKU: H1.C5804BDP Composed by Allen Pote. Easter Sunday. Brass Parts. 20 p...
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B-Flat Instrument, Brass, Choral, Timpani, Trombone, Trumpet - Digital Download SKU: H1.C5804BDP Composed by Allen Pote. Easter Sunday. Brass Parts. 20 pages. Hope Publishing - Digital #C5804BDP. Published by Hope Publishing - Digital (H1.C5804BDP). Words by John M. C. Crum.Original anthem with words by John M. C. Crum The story of Easter unfolds in this festive celebration by Allen Pote with a contrasting middle section featuring text from the hymn Now the Green Blade Riseth. The conclusion is a triumphant exaltation of Christ is risen, alleluia! Optional parts for Brass (trumpets, trombones) and Timpani make this a glorious celebration of the resurrection.
$34.95
Bach-Gounod: Ave Maria for Baritone Horn & Piano
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Bar
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jmsgu3
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SheetMusicPlus
Baritone Horn TC/Euphonium,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.552852 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASC...
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Baritone Horn TC/Euphonium,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.552852 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and individual part. 11 pages. Jmsgu3 #3491315. Published by jmsgu3 (A0.552852). Schwencke There are two popular versions of the Bach-Gounod Ave Maria to consider. Firstly, we have the version that exactly follows the harmonic scheme set forth by J. S. Bach in his Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Secondly, we have the arrangement introduced by the Choirmaster Christian Friedrich Gottlieb Schwencke in 1783 that introduces a controversial added measure designed to intensify the harmony in measure 27. Both versions employ the melody that Charles Gounod provided as an overlay to the Bach harmony. In either case, the convenient 1st & 2nd endings provide options for extended performance. The duration with the repeat runs about 4:50. This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Baritone Horn & Piano, S0.661783. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
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