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Schubert: Wind Octet D.72 Mvt.I (Complete mvt. - Thompson) based on original fragment) - wind octet
Large Ensemble Bassoon,Clarinet,Horn,Oboe - Level 5 - Digital Download SKU: A0.1075056
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Large Ensemble Bassoon,Clarinet,Horn,Oboe - Level 5 - Digital Download SKU: A0.1075056 Composed by Franz Schubert/Ray Thompson. Arranged by Ray Thompson. Romantic Period. Score and parts. 35 pages. RayThompsonMusic #679326. Published by RayThompsonMusic (A0.1075056). This is an original composition by me, utilising Schubert's fragment and themes from the fragment Written for wind octet:2 ob, 2 cl, 2 hn and 2 bsn. Composed in 1813, and publised in 1889, Schubert's wind octet D72 is incomplete. The minuet and trio, and finale exist, along with a fragment of 100 bars of the first movement. The 2nd slow movement (if there was one) is missing. The fragment seems to show the end of the development, flowing into the recapitulation. I have now completed the movment, with the expostion starting in F, and 2nd theme moduating into the Dominant C major. An optional repeat has been added, the 2nd time bar has a diminshed 7th chord I have created a new deveopment section in D minor, using themes from the fragment , which then leads into the start of the fragment., which leads to the recapitualtion. This has both themes in F and brings the movement to an end The new movement is 232 bars long. Other mvts are available for quintet, octet and dectet/decet. The mp3 is the 2nd theme of the exposition. leading into the development section. I have made some light tweaks to Schubert's original work. It lasts 5 mins 2 seconds without my repeat. (About 7 mins 20 secs with) Check out my other arrangements for wind quartet, wind quintet and wind dectet.
$19.95
18.21 €
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Franz Schubert/Ray Thompson
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Schubert: Wind Octet D.72 Mvt.I
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RayThompsonMusic
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SheetMusicPlus
I Wonder As I Wander
String Ensemble,String Quintet - Level 5 - Digital Download SKU: A0.928964 Composed…
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String Ensemble,String Quintet - Level 5 - Digital Download SKU: A0.928964 Composed by John Jacob Niles. Arranged by Donald A. Mills. Folk. Score and parts. 7 pages. Donald A Mills #3400179. Published by Donald A Mills (A0.928964). 2017 CHAMBER MUSIC CONTEST ENTRYI Wonder as I Wander is a Christian folk hymn, typically performed as a Christmas carol, written by American folklorist and singer John Jacob Niles. The hymn has its origins in a song fragment collected by Niles on July 16, 1933.While in the town of Murphy in Appalachian North Carolina, Niles attended a fundraising meeting held by evangelicals who had been ordered out of town by the police. In his unpublished autobiography, he wrote of hearing the song:A girl had stepped out to the edge of the little platform attached to the automobile. She began to sing. Her clothes were unbelievably dirty and ragged, and she too was unwashed. Her ash-blond hair hung down in long skeins.... But, best of all, she was beautiful, and in her untutored way, she could sing. She smiled as she sang, smiled rather sadly, and sang only a single line of a song.The girl, named Annie Morgan, repeated the fragment seven times in exchange for a quarter per performance, and Niles left with three lines of verse, a garbled fragment of melodic material-and a magnificent idea. (In various accounts of this story, Niles hears between one and three lines of the song.) Based on this fragment, Niles composed the version of I Wonder as I Wander that is known today, extending the melody to four lines and the lyrics to three stanzas. His composition was completed on October 4, 1933. Niles first performed the song on December 19, 1933, at the John C. Campbell Folk School in Brasstown, North Carolina. It was originally published in Songs of the Hill Folk in 1934.This arrangement of I Wonder As I Wander is a five-part string ensemble, revised 12.12.17. It was arranged specifically for the 2017 Chamber Music Contest on www.SheetMusicPlus.com. Used by permission.
$12.99
11.86 €
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John Jacob Niles
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I Wonder As I Wander
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Donald A Mills
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SheetMusicPlus
"Phillipy is Fragmented" (from The Book of I OST)
String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.800326 Composed by…
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String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.800326 Composed by Sarah Wallin Huff. Contemporary. Score and parts. 29 pages. Novel Soundtrax #2035931. Published by Novel Soundtrax (A0.800326). From the complete Original Soundtrack to the novel of the same name by Jorge Armenteros. The audio recording of this Musical Response Suite will be available November 2014. Listen to clips from the album at: http://sarahwallinhuff.com/the-book-of-i-ost.
$18.00
16.43 €
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Sarah Wallin Huff
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"Phillipy is Fragmented"
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Novel Soundtrax
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SheetMusicPlus
I Wonder As I Wander
String Ensemble Cello,Double Bass,Viola,Violin - Level 4 - Digital Download SKU: A0.929…
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String Ensemble Cello,Double Bass,Viola,Violin - Level 4 - Digital Download SKU: A0.929188 Composed by John Jacob Niles. Arranged by Bob Mathews. Folk. Score and parts. 11 pages. Bob Mathews #3375437. Published by Bob Mathews (A0.929188). This is a very pretty song that was written from a fragment of a tune collected in 1933 by John Jacob Niles. Niles heard a girl named Annie Morgan sing a haunting melody. He paid her a quarter per performance 7 times to sing it for him. He then extended the melody and added verses. A beautiful addition to any holiday program.The first violin part goes very high but is also written down an octave for younger players.
$16.00
14.6 €
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John Jacob Niles
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I Wonder As I Wander
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Bob Mathews
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SheetMusicPlus
Fragments des Fragments du Narcisse, after Paul Valéry, for alto and guitar (mp3)
Alto Voice,Guitar - Level 4 - Digital Download SKU: A0.1402629 By David Warin Solom…
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Alto Voice,Guitar - Level 4 - Digital Download SKU: A0.1402629 By David Warin Solomons. By David Warin Solomons. Classical,Contemporary,Singer/Songwriter. Full Performance. Duration 300. David Warin Solomons #985853. Published by David Warin Solomons (A0.1402629). This song is based on parts of the poem by Paul Valéry Fragments du Narcisse which explains and ponders the idea of the origin of narcissism (self-love)The words are as followsMais moi, Narcisse aimé, je ne suis curieuxQue de ma seule essence ;Tout autre n’a pour moi qu’un cœur mystérieux,Tout autre n’est qu’absence.Ô mon bien souverain, cher corps, je n’ai que toi !Le plus beau des mortels ne peut chérir que soi... Douce et dorée, est-il une idole plus sainte,De toute une forêt qui se consume, ceinte,Et sise dans l’azur vivant par tant d’oiseaux ?Est-il don plus divin de la faveur des eaux,Et d’un jour qui se meurt plus adorable usageQue de rendre à mes yeux l’honneur de mon visage ?Quitte enfin le silence, ose enfin me répondre,Bel et cruel Narcisse, inaccessible enfant,Tout orné de mes biens que la nymphe défend...Formons, toi sur ma lèvre, et moi, dans mon silence,Une prière aux dieux qu’émus de tant d’amourSur sa pente de pourpre ils arrêtent le jour !...Dieux ! de l’auguste jour, le pâle et tendre resteVa des jours consumés joindre le sort funeste ;Il s’abîme aux enfers du profond souvenir !Hélas ! corps misérable, il est temps de s’unir...Penche-toi... Baise-toi. Tremble de tout ton être !L’insaisissable amour que tu me vins promettrePasse, et dans un frisson, brise Narcisse, et fuit..English translation by D W SolomonsBut I, beloved Narcissus, am curious onlyabout my very beingeverything else has nothing more than a heart of mysteryeverything else is nothing but absenceOnly what I own, my dear sovereign body, is what I haveThe most beautiful of mortals cannot cherish anything more than itselfSweet and golden, is there a more holy idolwithin an entire forest, self-consumed and heldand set in the living azure by so many birds?Is there a more divine gift than the favour of the watersand a more adorable use of the dying daythan to return to me the honour of my face?Please don't be silent, please dare to replyBeautiful and cruel Narcissus, unreachable child owning what I hold dear but guarded by the nymphLet the two of us, you on my lips and I in my silencemake a prayer to the gods that they should be moved by so much lovethat they would keep the day held in its purple sunsetGods! only the pale and tender parts remain of the august day,It joins the fate of other days that were consumedIt goes down into the hell of deep memoryAlas, miserable body, it is time to become as oneBend down - kiss yourself - tremble with all your beingThe intangible love that you promisedhas gone by, and in a shiver, shatters Narcissus and flees.
$5.50
5.02 €
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David Warin Solomons
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Fragments des Fragments du Narcisse, after Paul Valéry, for alto and guitar
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David Warin Solomons
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SheetMusicPlus
The Robert Burns Song Book, Volume I
Composed by Robert Burns. Songbooks. Ballads/Love Songs. E-book. Mel Bay Publications …
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Composed by Robert Burns. Songbooks. Ballads/Love Songs. E-book. Mel Bay Publications - Digital Sheet Music #96839EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619116580.<br> <br> This volume of the songs of Scottish poet Robert Burns contains 85 songs excerpted from the chapter Country Life in a larger collection of 324 Burns songs compiled and researched by Serge Hovey. It includes songs portraying farmers, shepherds, millers, weavers, tinkers, colliers, coopers, shoemakers, tailors, and other country folk reflecting Burns's intense love of the Scottish countryside and the oral tradition and music of its people. Robert Burns (1759-1796) spent his life collecting Scottish songs, using fragments of existing lyrics as the basis for his own poems, and wrote original lyrics for traditional melodies. Burns left for posterity about 270 poems and more than 300 songs which are usually printed without their tunes. Serge Hovey meticulously examined Burns' own sources, letters, and manuscripts to determine the origin of every tune and all the verses as well as Burns' intended match of words and music. He then arranged each song with highly imaginative and beautiful accompaniments geared for pianists with average skills.
$29.99
27.37 €
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Robert Burns
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The Robert Burns Song Book, Volume I
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Schubert: Wind Octet in F major, D.72 (Complete) - wind octet
Large Ensemble Bassoon,Clarinet,Horn,Oboe - Level 4 - Digital Download SKU: A0.1082372
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Large Ensemble Bassoon,Clarinet,Horn,Oboe - Level 4 - Digital Download SKU: A0.1082372 Composed by Franz Schubert / Ray Thompson. Arranged by Ray Thompson. Classical,Romantic Period. Score and parts. 106 pages. RayThompsonMusic #686525. Published by RayThompsonMusic (A0.1082372). Written for wind octet :2 oboes, 2 clarinets, 2 horns and 2 bassoons. Composed in 1813, and publised in 1889, Schubert's wind octet D72 is incomplete. The minuet and trio, and finale exist, along with a fragment of 100 bars of the first movement. The 2nd slow movement (if there was one) is missing. This is my 4 movement octet: 1.Allegro (finished by me from the “fragmentâ€) 2. Allegretto (from Rosamunde string quartet†3. Menuetto and 2 Trios (original) 4. Allegro (original) Mvt.1.The fragment seems to show the end of the development, flowing into the recapitulation. I have now completed the first movment, with the expostion starting in F, and 2nd theme moduating into the Dominant C major. An optional repeat has been added, the 2nd time bar has a diminshed 7th chord I have created a new deveopment section in D minor, using themes from the fragment , which then leads into the start of the fragment., which leads to the recapitualtion. This has both themes in F and brings the movement to an end The new movement is 232 bars long. I have made some light tweaks to Schubert's original work. My new 1st mvt. lasts 5 mins 2 seconds without my repeat. (About 7 mins 20 secs with) Check out my other arrangements for wind quartet, wind quintet and wind dectet Mvt.2 is an arrangement of the slow movement of the “Rosamunde†string quartet. I have transposed this into Bb. (NATURAL HORN PARTS in Bb basso)(Hn in F provided) Mvts 3/4 are Schubert’s originals, but the clarinet parts are in Bb, rather than C. The mp3 is of the 1st movement.
$24.95
22.77 €
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Franz Schubert / Ray Thompson
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Schubert: Wind Octet in F major, D.72
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RayThompsonMusic
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SheetMusicPlus
Schubert: String Quartet in A minor Op.29, "Rosamunde" D804 Mvt 2 - wind octet
Large Ensemble Bassoon,Clarinet,Horn,Oboe - Level 4 - Digital Download SKU: A0.1082202
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Large Ensemble Bassoon,Clarinet,Horn,Oboe - Level 4 - Digital Download SKU: A0.1082202 Composed by Franz Schubert. Arranged by Ray Thompson. Classical,Romantic Period. Score and parts. 25 pages. RayThompsonMusic #686349. Published by RayThompsonMusic (A0.1082202). The 2nd mvt of string quartet in A minor, arranged wind octet. This arrangement is suggested as the 2nd mvt of my complete arrangement of Schubert's wind octet, based on his mvts 3 and 4 and a fragment of mvt 1 However this arrangement will stand in it's own right! The horn parts are for natural horn in Bb basso. (alt horns in F are provided.) The complete octet is available on this site. I have created a new mvt 1 based on his fragment.
$14.95
13.64 €
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Franz Schubert
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Schubert: String Quartet in A minor Op.29, "Rosamunde" D804 Mvt 2 - wind octet
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RayThompsonMusic
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SheetMusicPlus
Dreams in War Time: V (Downloadable)
Mezzo soprano voice and piano - Medium - Digital Download SKU: MQ.8575-5E Composed …
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Mezzo soprano voice and piano - Medium - Digital Download SKU: MQ.8575-5E Composed by Juliana Hall. Secular, 21st century. 6 pages. E. C. Schirmer Music Company - Digital #8575-5E. Published by E. C. Schirmer Music Company - Digital (MQ.8575-5E). English.Based on a set of seven poems created as a group by Boston imagist poet Amy Lowell, and they effectively convey the grim sense of unease felt in a time of war or strife. While they never depict the mundane details of war in a visual manner, they capture the types of fragmented images, bizarre thoughts, and deep anxieties experienced in our worst dreams during such times. Duration: 19:00Contents:1. I wandered through a house of many rooms 2. I dug a grave under an oak-tree 3. I gambled with a silver money 4. I painted the leaves of bushes red5. I followed a procession of singing girls6. I wished to post a letter7. I had made a kite.
$3.75
3.42 €
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Juliana Hall
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Dreams in War Time: V
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Dreams in War Time: VII (Downloadable)
Mezzo soprano voice and piano - Medium - Digital Download SKU: MQ.8575-7E Composed …
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Mezzo soprano voice and piano - Medium - Digital Download SKU: MQ.8575-7E Composed by Juliana Hall. Secular, 21st century. 12 pages. E. C. Schirmer Music Company - Digital #8575-7E. Published by E. C. Schirmer Music Company - Digital (MQ.8575-7E). English.Based on a set of seven poems created as a group by Boston imagist poet Amy Lowell, and they effectively convey the grim sense of unease felt in a time of war or strife. While they never depict the mundane details of war in a visual manner, they capture the types of fragmented images, bizarre thoughts, and deep anxieties experienced in our worst dreams during such times. Duration: 19:00Contents:1. I wandered through a house of many rooms 2. I dug a grave under an oak-tree 3. I gambled with a silver money 4. I painted the leaves of bushes red5. I followed a procession of singing girls6. I wished to post a letter7. I had made a kite.
$8.25
7.53 €
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Juliana Hall
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Dreams in War Time: VII
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Dreams in War Time: III (Downloadable)
Mezzo soprano voice and piano - Medium - Digital Download SKU: MQ.8575-3E Composed …
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Mezzo soprano voice and piano - Medium - Digital Download SKU: MQ.8575-3E Composed by Juliana Hall. Secular, 21st century. 9 pages. E. C. Schirmer Music Company - Digital #8575-3E. Published by E. C. Schirmer Music Company - Digital (MQ.8575-3E). English.Based on a set of seven poems created as a group by Boston imagist poet Amy Lowell, and they effectively convey the grim sense of unease felt in a time of war or strife. While they never depict the mundane details of war in a visual manner, they capture the types of fragmented images, bizarre thoughts, and deep anxieties experienced in our worst dreams during such times. Duration: 19:00Contents:1. I wandered through a house of many rooms 2. I dug a grave under an oak-tree 3. I gambled with a silver money 4. I painted the leaves of bushes red5. I followed a procession of singing girls6. I wished to post a letter7. I had made a kite.
$6.00
5.48 €
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Juliana Hall
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Dreams in War Time: III
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Donut Etudes v5 - Scale Duets for 2 Euphoniums or Baritones in Treble Clef
Instrumental Duet Euphonium,Instrumental Duet - Digital Download SKU: A0.784315 Com…
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Instrumental Duet Euphonium,Instrumental Duet - Digital Download SKU: A0.784315 Composed by Joshua Hauser. Instructional. Score and parts. 41 pages. Slide Ride #3570015. Published by Slide Ride (A0.784315).  If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!  The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!  I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.  As with those exercises, you can vary these as much as you’d like. • Choose a tempo • Choose a dynamic. • Choose an articulation/style.  One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.  Practice one key, gradually speeding it up to improve fluidity or choose a variation and take it through all keys, playing version A, B, C, or D then skipping 5 lines to play the same set in a new key.  If you want an additional challenge in terms of range, play them in different octaves to expand the set.  Additionally, you can change the Key. Play them in f minor (all forms), different modes, etc. For jazz players, try swinging them in dorian or mixolydian modes.  The variations are endless!  All Donut Etudes with the same version number are compatible so you can play them in mixed duets with one person on part 1 and a different instrument on part 2.  Enjoy!
$10.00
9.13 €
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Joshua Hauser
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Donut Etudes v5 - Scale Duets for 2 Euphoniums or Baritones in Treble Clef
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Slide Ride
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SheetMusicPlus
Donut Etudes v5 - Scale Duets for 2 Trombones in Bb/F, 2 Euphoniums in Bass Clef, or 2 Bassoons
Instrumental Duet Bassoon,Euphonium,Instrumental Duet,Trombone - Digital Download SKU: …
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Instrumental Duet Bassoon,Euphonium,Instrumental Duet,Trombone - Digital Download SKU: A0.784312 Composed by Joshua Hauser. Instructional. Score and parts. 41 pages. Slide Ride #3570005. Published by Slide Ride (A0.784312).  If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!  The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes! I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.  As with those exercises, you can vary these as much as you’d like.• Choose a tempo• Choose a dynamic. • Choose an articulation/style.  One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.  Practice one key, gradually speeding it up to improve fluidity or choose a variation and take it through all keys, playing version A, B, C, or D then skipping 5 lines to play the same set in a new key.  If you want an additional challenge in terms of range, play them in different octaves or change the clef and key signature to expand the set. For example, if you play the F Major example in Tenor Clef, change the key signature to C Major and you have a version that is based an octave higher than the C Major version as written later. Additionally, you can change the Key. Play them in f minor (all forms), different modes, etc. For jazz players, try swinging them in dorian or mixolydian modes.  The variations are endless!  All Donut Etudes with the same version number are compatible so you can play them in mixed duets with one person on part 1 and a different instrument on part 2.  Enjoy!
$10.00
9.13 €
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Joshua Hauser
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Donut Etudes v5 - Scale Duets for 2 Trombones in Bb/F, 2 Euphoniums in Bass Clef, or 2 Bassoons
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Slide Ride
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (Tuba/Euphonium)
Small Ensemble - Level 3 - Digital Download SKU: A0.784348 Composed by Joshua Hause…
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Small Ensemble - Level 3 - Digital Download SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Published by Slide Ride (A0.784348). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instrumentsIf this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$7.50
6.84 €
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet
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Slide Ride
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet (or Baritone T.C.)
Small Ensemble - Level 3 - Digital Download SKU: A0.784334 Composed by Joshua Hause…
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Small Ensemble - Level 3 - Digital Download SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide Ride (A0.784334). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.56 €
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet
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Slide Ride
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
Small Ensemble Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.784336 C…
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Small Ensemble Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288665. Published by Slide Ride (A0.784336). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.56 €
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
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Slide Ride
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Quartet
Small Ensemble Double Bass - Level 3 - Digital Download SKU: A0.784342 Composed by …
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Small Ensemble Double Bass - Level 3 - Digital Download SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288689. Published by Slide Ride (A0.784342). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.56 €
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Quartet
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Slide Ride
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SheetMusicPlus
One last bar then Joe can sing
Percussion-Quintett - Digital Download SKU: S9.Q50078 A Homage to Deagan for per…
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Percussion-Quintett - Digital Download SKU: S9.Q50078 A Homage to Deagan for percussion ensemble. Composed by Gavin Bryars. This edition: score and parts. Downloadable, score and parts. Duration 20 minutes. Schott Music - Digital #Q50078. Published by Schott Music - Digital (S9.Q50078). One Last Bar Then Joe Can Sing (1994) was commissioned by the Arts Council of Great Britain for the percussion quintet Nexus, and is a reflection on aspects of percussion history, both personal and musical. The members of Nexus are my friends (I played in the Steve Reich Ensemble along with Russ Hartenberger in 1972, the year after Nexus was formed). The piece aimed to demonstrate how a fine percussion ensmeble can be as musically expressive and subtle as, say, a string quartet. The piece starts from the last bar at the end of the second act of my opera Medea, a very short coda for a quintet of untuned percussion instruments during which the curtain falls. In this piece, however, this one apparently innocuous measure is progressively fragmented until it is taken over, little by little, by the addition of tuned percussion instruments. Eventually two metallophones (crotales and songbells) play aria-like material with bows, occasionally joined by the xylophone, and accompanied by marimba and xylophone ostinati. The piece ends with a coda in which phrases are passed from bowed vibraphone to bowed crotales, then to bowed songbells, supported by tremolos on the marimbas. The rare 3-octave songbells that Nexus owns is one of the American instrument maker J. C. Deagan's particularly fine instruments. The piece is effectively a kind of homage to Deagan, the Stradivarius of the tuned percussion world, who collaborated closely with Percy Grainger in the development of tuned percussion music between the wars. The allusions in the title are obvious: the one last bar is the last measure of music from my opera; the song is that of Deagan's songbells. In the case of Joe I wanted to link my father, Joe Bryars (who was a good amateur baritone singer) with Joseph Deagan and his songbells. However, some time after I had written the piece, Nexus's Bob Becker took me to one side and told me (gently) that the initial J in Deagan's name, in fact, stood for JohnGavin BryarsPercussion 1: Crotales (with bow), Chocolo, Mark Tree; Percussion 2I: Song Bells (with bow), Chinese Cymbal, 3 Wood Blocks; Percussion 3: 2 Cymbals, 2 Triangles, Xylophone, Marimba (shared with Marimba II), Vibraphone (with bow); Percussion 4: 2 Cymbals, 2 Gongs, Marimba I (with low F), Maracas; Percussion 5: 2 low Tom-Toms, Marimba II (to low A).
$45.99
41.97 €
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Gavin Bryars
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One last bar then Joe can sing
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Schott Music - Digital
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SheetMusicPlus
Septet, opus 77 ... Variations on a Shaker Tune (1998) - Score Only
Level 4 - Digital Download SKU: A0.1190435 Composed by Thomas Oboe Lee. 20th Centur…
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Level 4 - Digital Download SKU: A0.1190435 Composed by Thomas Oboe Lee. 20th Century,Chamber,Classical,Contemporary. 34 pages. Thomas Oboe Lee #790011. Published by Thomas Oboe Lee (A0.1190435). Instrumentation:FluteClarinet in BbHorn in FViolinViolaCelloDoiuble bassSeptet, opus 77 … “Variations on a Shaker Tune†was commissioned by Mark Ludwig for his educational series in the Western Berkshires of Massachusetts.  When he approached me about writing a “theme and variations†work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from near Hancock Shaker Village.  As it turns out Deborah Leah Rentz, a mezzo-soprano who is Mark’s assistant at the TerezÃn Music Foundation, has been researching into and transcribing from a Shaker Hymnal, ca. 1850, created and compiled for the Hancock Shaker Village.  (Deborah’s project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.)   So I asked her to put on a DAT tape (those were the days before CDs or digital distribution… ) a number of these hymns for me.  I immediately fell in love with the very first one on the tape, “Grateful Remembrance.† It had a soulful, melancholic core; an almost “bluesy†feeling to it.  In this performance, Deborah will sing the hymn a cappella at the beginning.   Then, the seven variations will follow.I. Grateful Remembrance … An instrumental version of the hymn.II. Grateful Chanting … Featuring the B-flat clarinet in a pentatonic “chant†setting.III. Grateful Funk … The “bluesiness†of the hymn is transformed into a funk riff.IV. Tango Remembered … A four-note fragment from the hymn is transformed into a sultry tango.V. Sambinha agradecida … The yearning “flat 6th†in the hymn is transformed into a samba Carmen Miranda would’ve have liked.VI. Canonized Remembrance … The hymn is treated to a canonic transfiguration.VII. Grateful Groove … The pentatonic nature of the hymn is spun out in an Afro-cuban dazzle dazzle finale!
$9.99
9.12 €
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Thomas Oboe Lee
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Septet, opus 77 ... Variations on a Shaker Tune
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Thomas Oboe Lee
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SheetMusicPlus
Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel
Large Ensemble Cello,Clarinet,Double Bass,Flute,Horn,Viola,Violin - Level 4 - Digital Down…
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Large Ensemble Cello,Clarinet,Double Bass,Flute,Horn,Viola,Violin - Level 4 - Digital Download SKU: A0.869298 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Classical,Contemporary,Latin,Romantic Period. Score and parts. With Grateful Chanting: Featuring the B-flat clarinet in a pentatonic chant setting. III. 46 pages. Thomas Oboe Lee #431091. Published by Thomas Oboe Lee (A0.869298). Instrumentation: Flute, Bb clarinet, Horn in F, Violin, Viola, Cello, Double Bass Program note: Septet, opus 77 ... Variations on a Shaker Tune was commissioned by Mark Ludwig for his educational series in the Berkshires of Massachusetts. When he approached me about writing a theme and variations work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from nearby Hancock Shaker Village. As it turns out Deborah Leath Rentz, a mezzo-soprano who is Mark's assistant at the Terezin Music Foundation, has been researching and transcribing a Shaker Hymnal, ca. 1850, created and compiled at the Hancock Shaker Village. (Deborah's project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.) So I asked her to put on DAT tape a number of these hymns for me. I immediately fell in love with the very first one on the tape: Grateful Remembrance. It had a soulful, melancholic core; an almost bluesy feeling to it. In this performance, Deborah will sing the hymn a cappella in the beginning. Then, seven variations will follow. I. Grateful Remembrance: An instrumental version of the hymn. II. Grateful Chanting: Featuring the B-flat clarinet in a pentatonic chant setting. III. Grateful Funk: The bluesiness of the hymn is transformed into a funk riff. IV. Tango Remembered: A four-note fragment from the hymn is transformed into a sultry tango. V. Sambinha agradecida: The yearning flat 6th in the hymn is transformed into a samba Carmen Miranda would've loved. VI. Canonized Remembrance: The hymn is treated to a canonic transfiguration. VII. Grateful Groove: The pentatonic nature of the hymn is spun out in an Afro-cuban razzle dazzle finale!!! Enjoy!!!
$9.99
9.12 €
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Thomas Oboe Lee
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Septet, opus 77 ... Variations on a Shaker Tune
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Thomas Oboe Lee
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SheetMusicPlus
Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel
Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Viola,Violin - Level 4 - Digi…
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Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.869348 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 46 pages. Thomas Oboe Lee #6073. Published by Thomas Oboe Lee (A0.869348). Septet, opus 77 ... Variations on a Shaker Tune was commissioned by Mark Ludwig for his educational series in the Berkshires of Massachusetts. When he approached me about writing a theme and variations work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from nearby Hancock Shaker Village. As it turns out Deborah Leath Rentz, a mezzo-soprano who is Mark's assistant at the Terezin Music Foundation, has been researching and transcribing a Shaker Hymnal, ca. 1850, created and compiled at the Hancock Shaker Village. (Deborah's project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.) So I asked her to put on DAT tape a number of these hymns for me. I immediately fell in love with the very first one on the tape: Grateful Remembrance. It had a soulful, melancholic core; an almost bluesy feeling to it. In this performance, Deborah will sing the hymn a cappella in the beginning. Then, seven variations will follow. I. Grateful Remembrance An instrumental version of the hymn. II. Grateful Chanting Featuring the B-flat clarinet in a pentatonic chant setting. III. Grateful Funk The bluesiness of the hymn is transformed into a funk riff. IV. Tango Remembered A four-note fragment from the hymn is transformed into a sultry tango. V. Sambinha agradecida The yearning flat 6th in the hymn is transformed into a samba Carmen Miranda would've loved. VI. Canonized Remembrance The hymn is treated to a canonic transfiguration. VII. Grateful Groove The pentatonic nature of the hymn is spun out in an Afro-cuban razzle dazzle finale!!! Enjoy!!!
$9.99
9.12 €
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Thomas Oboe Lee
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Septet, opus 77 ... Variations on a Shaker Tune
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Thomas Oboe Lee
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SheetMusicPlus
Taivaanvalot (Heavenly lights)
Tenor, cello and piano - difficult - Digital Download SKU: S9.Q778673 Symphony f…
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Tenor, cello and piano - difficult - Digital Download SKU: S9.Q778673 Symphony for tenor, violoncello and piano. Composed by Olli Mustonen. Downloadable, Score and parts. Duration 30 minutes. Schott Music - Digital #Q778673. Published by Schott Music - Digital (S9.Q778673). English.The text for my work Taivaanvalot is composed of fragments of a story appearing in the Kalevala – a collection of Finnish heroic folk poetry compiled by Elias Lönnrot (1802–1884). As much of it is simply impossible to translate, I have felt that with the help of music it could be possible also to convey some of the untranslatable and at times even hypnotic and shamanistic qualities of this poetry to an audience not fluent in our unusual language. Olli MustonenTaivaanvalot basiert auf Textfragmenten aus der Kalevala, einer Sammlung heroischer finnischer Gedichte. Mit seiner Übertragung in Musik versucht Mustonen die schwierigen, manchmal sogar hypnotisierenden und schamanischen Qualitäten dieser Dichtung einer breiteren Zuhörerschaft zugänglich zu machen.
$57.99
52.93 €
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Olli Mustonen
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Taivaanvalot
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Schott Music - Digital
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SheetMusicPlus
Guarda il lume
Voice - Level 3 - Digital Download SKU: A0.1485852 By Text by Leonardo da Vinci. By…
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Voice - Level 3 - Digital Download SKU: A0.1485852 By Text by Leonardo da Vinci. By Λrthvr. 21st Century,A Cappella,Chamber,Classical,Renaissance. 3 pages. Λrthvr #1062904. Published by Λrthvr (A0.1485852). In this piece I´ve set a text fragment from Leonardo da Vincis Philosophical Diaries. It starts with the words Guarda il lume (eng.: Watch the light). It can be sung by three solo voices or choir. If you need the parts, contact me and I will send them to you.If you would like to perform the piece publicly (live concert or internet), please contact me.The text:Guarda il lume e considera la sua bellezza. Batti l’occhio e riguardalo: ciò che di lui tu vedi, prima non era, e ciò che di lui era più non è. Qui è quel che lo rifà se 'l fattore al continuo more?
$11.00
10.04 €
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Text by Leonardo da Vinci
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Guarda il lume
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Λrthvr
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SheetMusicPlus
The Dream of the Rood
1(afl, pic).0.ca.0.ssax.1(cbsn)-1.0.1.0-perc(crot, vib, mar, bell plate, sizz cym, Swiss c…
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1(afl, pic).0.ca.0.ssax.1(cbsn)-1.0.1.0-perc(crot, vib, mar, bell plate, sizz cym, Swiss cow bell, gong [horizontal], tam-t, 2 bng, 2slit drum, wood drum, 2cong, 2b.d, marac, 5tempbl, vibraslap)-hp-str(0.0.1.0.1) 4 voices (Countertenor, 2 Tenors and Bass) and ensemble - Digital Download SKU: S9.Q19665 For four voices and instrumental ensemble. Composed by John Casken. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 30 minutes. Schott Music - Digital #Q19665. Published by Schott Music - Digital (S9.Q19665). English.The Anglo-Saxon poem The Dream of the Rood was probably written in the 8th Century and is the earliest dream-vision poem in Old English. A fragment of the poem from the section that describes the crucifixion can be found carved on the Ruthwell Cross in Dumfriesshire, and set in stone at a time when Ruthwell was part of the ancient kingdom of Northumbria. In responding to a commission for the Hilliard Ensemble, I was keen to find a dramatic text, but one that would also invite a musical response appropriate to the very nature of this kind of vocal quartet. Writing for the Hilliards together with a mixed instrumental ensemble, and for a generous cathedral acoustic, has had a strong influence on the types of textures and sonorities I have used. The structure of the work is dictated by the form of the poem, but the music could also be seen as consisting of a sequence of motets with both vocal and instrumental interludes. John Casken.
$36.99
33.76 €
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John Casken
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The Dream of the Rood
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Schott Music - Digital
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SheetMusicPlus
Easter Fanfare (Downloadable)
Brass quintet and organ, with optional timpani - Medium - Digital Download SKU: MQ.20-4…
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Brass quintet and organ, with optional timpani - Medium - Digital Download SKU: MQ.20-406-E Composed by Kevin Hildebrand. Easter. Full score & instrument parts. 30 pages. MorningStar Music Publishers - Digital Sheet Music #20-406-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.20-406-E). Perfect for a spirited Easter offering, this piece uses the melody from the hymn tune LLANFAIR in about every conceivable way: fragmented, ornamented, and as usual. Brass players and the organist each have their moments in the spotlight and plenty to do. Joyful fun for players and listeners alike!Included instrumental parts: Trumpets I and II in C and B-flat, Horn in F, Trombone, Tuba. (Organist plays from the full score.).
$35.00
31.94 €
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Kevin Hildebrand
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Easter Fanfare
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
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