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Fragment No. 4 (Lucia)
Instrumental Duet Instrumental Duet,Organ,Voice - Digital Download SKU: A0.1019910 …
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Instrumental Duet Instrumental Duet,Organ,Voice - Digital Download SKU: A0.1019910 Composed by Karl Miller. Contemporary,Spiritual. Score and parts. 1 pages. Karl Miller #6133897. Published by Karl Miller (A0.1019910).
$1.99
1.84 €
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Karl Miller
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Fragment No. 4
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Karl Miller
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SheetMusicPlus
Fragment No. 3 (Kateri)
Small Ensemble Bass Recorder,Percussion,Violin,Voice - Digital Download SKU: A0.1019909…
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Small Ensemble Bass Recorder,Percussion,Violin,Voice - Digital Download SKU: A0.1019909 Composed by Karl Miller. Contemporary. Score and parts. 1 pages. Karl Miller #6133895. Published by Karl Miller (A0.1019909).
$1.99
1.84 €
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Karl Miller
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Fragment No. 3
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Karl Miller
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SheetMusicPlus
Fragment No. 2 (Lateran Views)
Small Ensemble Cello,Harpsichord,Voice - Level 2 - Digital Download SKU: A0.1019916…
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Small Ensemble Cello,Harpsichord,Voice - Level 2 - Digital Download SKU: A0.1019916 Composed by Karl Miller. Contemporary,Spiritual. Score and parts. 1 pages. Karl Miller #6618829. Published by Karl Miller (A0.1019916).
$1.99
1.84 €
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Karl Miller
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Fragment No. 2
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Karl Miller
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SheetMusicPlus
From Odes 1 & 3 of the Odes of Solomon
Choir - Digital Download SKU: A0.1071144 Composed by Greg Bartholomew. Christian,Co…
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Choir - Digital Download SKU: A0.1071144 Composed by Greg Bartholomew. Christian,Contemporary,Jewish,Sacred. Full Performance. Duration 301. Burke & Bagley #2880409. Published by Burke & Bagley (A0.1071144). This is the first of Greg Bartholomew's three choral settings of text From the Odes of Solomon, as recorded by the Ars Brunensis Chorus. The Odes of Solomon are believed to have been written around the year 100 A.D., and include strong parallels to the Dead Sea Scrolls. Scholars have debated whether the Odes should be considered Jewish, Christian or Gnostic, and whether they were first written in Greek, Hebrew or Syriac. Early Christian writings refer to and quote from them. A Syriac manuscript containing the text of most of the Odes was discovered in 1909 by the English scholar J. Rendel Harris, and other partial texts in various languages have also been found. There are 42 Odes. Some fragments are still missing from Odes I and III, and no part of Ode II has yet been found. For these choral settings, I selected text from four of the Odes of Solomon which I found particularly compelling. From the Odes of Solomon was premiered in concert on June 2, 2002, by the Ars Brunensis Chorus under the direction of conductor Roman Valek and choirmaster Dan Kalousek at the Husov Sbor, in Brno, Czech Republic.Watch a score video here: https://youtu.be/tEHr8Q-Rg6Y?list=PLfOoI8O24sbw_30-GpKg6qkyT5tpYKNbB For more information: www.gregbartholomew.com/odesindex.html
$1.99
1.84 €
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Greg Bartholomew
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From Odes 1 & 3 of the Odes of Solomon
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Burke & Bagley
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SheetMusicPlus
Der fliegende Holländer
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. - Str. …
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. - Str. Auf dem Theater: 3 Picc. · 6 Hr. · Tamt. · Windschleuder - Digital Download SKU: S9.Q25918 Romantische Oper in drei Aufzügen. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25918. Published by Schott Music - Digital (S9.Q25918). German.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (1842-1880 version) This piano reduction is based on the edition of Der fliegende Holländer from the Critical Complete Edition of Richard Wagner’s works (Richard Wagner, Sämtliche Werke [Collected works], Vol. 4, III-VI, edited by Egon Voss, Mainz, 2000f.) The primary source for this edition was the first print of the score dating from 1845 which had however been augmented utilising the sources of additions undertaken after 1845, meaning that this edition is actually a compilation of the final versions of all individual sections or relevant details. The overture for example dates back to 1860 whereas No. 1 appears in the version from 1864. What is however most significant is that the versions from the Collected Editions based on new sources is without doubt closer to the original than the score from 1897 edited by Felix Weingartner which had previously formed the basis for all editions and logically also for all performances.†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).
$47.99
44.29 €
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Richard Wagner
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Der fliegende Holländer
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Schott Music - Digital
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SheetMusicPlus
Härlig är jorden
SATB divisi chorus and solo voices - Digital Download SKU: BJ.1382 Composed by Trad…
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SATB divisi chorus and solo voices - Digital Download SKU: BJ.1382 Composed by Traditional. Arranged by Sofia Söderberg. Sacred, Secular. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1382. Published by Bo Ejeby Forlag - Digital (BJ.1382). 8.27 x 11.7 inches.My interpretation of Harlig ar jorden - originally composed for the male voice choir Svanholm Singers - is a tribute to nature and to life. But it is also a reminder of the increasingly apparent threats and challenges posed by climate change. The piece consists of three different musical and lyrical themes: Theme no. 1 is Harlig ar jorden, a beloved hymn sung in Scandinavia. The second theme consists of quotes from an acclaimed 1854 speech made by Chief Seattle to Governor Isaac Ingalls Stevens that I set to music, a compelling plea to respect the rights of indigenous peoples and a well-formulated reminder that human beings are a part of nature, they are not its masters. The third theme is a fragment from a Swedish funeral prayer. - Sofia Soderberg There is also a version for male voice choir.
$3.60
3.32 €
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Traditional
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Härlig är jorden
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
Härlig är jorden
TTBB divisi chorus and solo voices - Digital Download SKU: BJ.1383 Composed by Trad…
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TTBB divisi chorus and solo voices - Digital Download SKU: BJ.1383 Composed by Traditional. Arranged by Sofia Söderberg. Sacred, Secular. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1383. Published by Bo Ejeby Forlag - Digital (BJ.1383). 8.27 x 11.7 inches.My interpretation of Harlig ar jorden - originally composed for the male voice choir Svanholm Singers - is a tribute to nature and to life. But it is also a reminder of the increasingly apparent threats and challenges posed by climate change. The piece consists of three different musical and lyrical themes: Theme no. 1 is Harlig ar jorden, a beloved hymn sung in Scandinavia. The second theme consists of quotes from an acclaimed 1854 speech made by Chief Seattle to Governor Isaac Ingalls Stevens that I set to music, a compelling plea to respect the rights of indigenous peoples and a well-formulated reminder that human beings are a part of nature, they are not its masters. The third theme is a fragment from a Swedish funeral prayer. - Sofia SoderbergThere is also a version for mixed choir available.
$3.60
3.32 €
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Traditional
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Härlig är jorden
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
O Worship the King (HANOVER) — hymn accompaniment for organ, brass quintet, timpani
Horn,Organ Accompaniment,Timpani,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU…
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Horn,Organ Accompaniment,Timpani,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1431445 Composed by William Croft (1678-1727). Arranged by Todd Marchand. Christian,Sacred. 22 pages. Con Spirito Music #1007710. Published by Con Spirito Music (A0.1431445). “O Worship the King” is a free paraphrase of Psalm 104 (largely verses 1-13 and 24-33) by Sir Robert Grant (1779-1838), an Anglo-Indian lawyer who served as a member of Parliament as well as Governor of Bombay. Influenced by William Kethe's paraphrase of the same psalm, Grant's “O Worship the King” first appeared in Edward Bickersteth’s Christian Psalmody (1833) and later appeared in a posthumous volume of Grant’s work, Sacred Poems (1839), edited by his brother Charles.Grant's text includes six verses; many hymnals abbreviate it, leaving off the concluding one. This arrangement, employing the tune HANOVER by William Croft (1678-1727), includes music for verses 1-5, and may be furthered abbreviated to four by eliminating the repeat on verses 1-2. Following an introduction that contrasts short melodic fragments with answering flourishes, the arrangement proceeds as follows: • Verses 1-2: organ accompaniment• Verse 3: brass accompaniment• Verse 4: organ accompaniment with trumpet countermelody• Interlude — organ and brass• Verse 5: organ and brass accompaniment with alternate harmonization• Coda — allThe timpani part may be excluded if no timpani are available.©Copyright 2024 Todd Marchand / Con Spirito Music. All rights reserved. For more sacred, patriotic, folk, and poular music for instruments and voices, visit www.conspiritomusic.com
$25.00
23.07 €
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William Croft
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O Worship the King
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Con Spirito Music
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SheetMusicPlus
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