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Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bas…
(+)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - Digital Download SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
9.07 €
#
Nathan Petitpas - Dots and Beams
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Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters
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Dots and Beams
#
SheetMusicPlus
Two Almandes from Premier Livre de Danseries (Pierre Phalèse, 1571)
String Ensemble - Level 2 - Digital Download SKU: A0.1037867 Composed by Pierre Pha…
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String Ensemble - Level 2 - Digital Download SKU: A0.1037867 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin Kirkpatrick Publications #642781. Published by Colin Kirkpatrick Publications (A0.1037867). Unlike country dances, the formal dances of royal courts in the sixteenth century required a good deal of study and practice. Many dancing masters published self-help instructional books, especially in France and Italy. Composers and publishers saw a commercial potential in collections of dance music and one of the earliest collections was that by composer and publisher Tielman (or Tylman) Susato, who published his Danserye in Antwerp in 1551. These music books were usually arranged with four independent instrumental parts and intended for use by any instruments that happened to be available. The two almands in this arrangement were well known popular melodies at the time of publication. They still retain their freshness and charm today and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting various instruments for certain sections. The audio demo will give you an idea how this might be achieved. While you can add flute, recorder, oboe, glockenspiel or whatever you want, additional instruments are not essential but can add contrasting tone colour. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A digital or acoustic harpsichord sounds more authentic than a piano. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used (but feel free to add more) and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99
8.15 €
#
Pierre Phalèse
#
Two Almandes from Premier Livre de Danseries
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Ungaresca & Almande Poussinghe (Recueil de Danseries, 1583)
String Ensemble - Level 2 - Digital Download SKU: A0.1041170 Composed by Pierre Pha…
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String Ensemble - Level 2 - Digital Download SKU: A0.1041170 Composed by Pierre Phalèse Jnr. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 18 pages. Colin Kirkpatrick Publications #645901. Published by Colin Kirkpatrick Publications (A0.1041170). These two dances are taken from a collection entitled Recueil de danseries, contenant presque toutes sortes de danses (“Collection of dances, containing almost every kind of dancesâ€) published in Antwerp in 1583 by Pierre Phalèse Jnr (c.1545-1629). He was continuing the work of his father Pierre Phalèse the Elder (1510-1575) the most important publisher in the Low Countries during the 16th century. The piece known as Ungaresca evokes the atmosphere of street music rather than that of the court and the drone accompaniment that Phalèse provides suggests the sound of the peasant bagpipes. As the name implies, the dance came from Hungary though it may have simply been a dance in the Hungarian style. Even so, the melody was tremendously popular during the fifteenth century though the author is unknown. The dance calls for a lively performance, and you can use plenty of percussion to enliven it. This music was meant for dancing and entertainment and musicians would often combine several dances to make a more substantial piece. In this arrangement, the rather wild Ungaresca is paired with the stately Almande Poussinghe. The music would have been played by any instruments that happened to be available. The dances still retain their freshness and charm today and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting various instruments for certain sections. The audio demo will give you an idea how this might be achieved. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A digital or acoustic harpsichord sounds more authentic than a piano. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used (but feel free to add more) and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$9.99
9.06 €
#
Pierre Phalèse Jnr
#
Ungaresca & Almande Poussinghe
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Fantasia on God Rest You Merry - Mixed Quartet - Brass and Strings
Small Ensemble Cello,Trombone,Trumpet,Violin - Level 4 - Digital Download SKU: A0.84524…
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Small Ensemble Cello,Trombone,Trumpet,Violin - Level 4 - Digital Download SKU: A0.845245 Composed by Anon. Arranged by Phil Beaman. Christmas,Concert,Contemporary,Jazz,Sacred. Score and parts. 35 pages. Phil Beaman #6477759. Published by Phil Beaman (A0.845245). For this Christmas here is a dramatic Fantasia for Instrumental Quartet based on the old English carol God Rest You Merry Gentlemen. It is an eclectic fusion of Classical music and 1950's Free Jazz and West Indian/Caribbean rhythms with exuberance and pulse. It is in verse-refrain form, but is very freely treated and each of the four verses is wholly unique. Every single note is written to express, and sometimes expand upon, the word of the text at that point in time. There is an irregular meter which changes every few bars using 2/4, 3/4, 4/4, 5/4, 6/4, and 7/4 but always maintaining a strong pulse. It contains abrupt changes in dynamics and a rubato tempo with many markings of articulation. This is a challenging work with dynamic results.19 page score, 4 pages each part; 35 pages total4:45 minutes
$16.50
14.96 €
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Anon
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Fantasia on God Rest You Merry - Mixed Quartet - Brass and Strings
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Phil Beaman
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SheetMusicPlus
Fantasia on God Rest You Merry - Mixed Quartet - Chimes and Strings
Small Ensemble Cello,Chimes,Viola,Violin - Level 4 - Digital Download SKU: A0.845246
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Small Ensemble Cello,Chimes,Viola,Violin - Level 4 - Digital Download SKU: A0.845246 Composed by Anon. Arranged by Phil Beaman. Christmas,Contemporary,Jazz,Sacred. Score and parts. 35 pages. Phil Beaman #6477777. Published by Phil Beaman (A0.845246). For this Christmas here is a dramatic Fantasia for Instrumental Quartet based on the old English carol God Rest You Merry Gentlemen. It is an eclectic fusion of Classical music and 1950's Free Jazz and West Indian/Caribbean rhythms with exuberance and pulse. It is in verse-refrain form, but is very freely treated and each of the four verses is wholly unique. Every single note is written to express, and sometimes expand upon, the word of the text at that point in time. There is an irregular meter which changes every few bars using 2/4, 3/4, 4/4, 5/4, 6/4, and 7/4 but always maintaining a strong pulse. It contains abrupt changes in dynamics and a rubato tempo with many markings of articulation. This is a challenging work with dynamic results.19 page score, 4 pages each part; 35 pages total4:45 minutes
$16.50
14.96 €
#
Anon
#
Fantasia on God Rest You Merry - Mixed Quartet - Chimes and Strings
#
Phil Beaman
#
SheetMusicPlus
Two Ballets - Dances 268 and 273 from Terpsichore (Praetorius) for Wind Instruments
Small Ensemble - Level 2 - Digital Download SKU: A0.522159 Composed by Various. Arr…
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Small Ensemble - Level 2 - Digital Download SKU: A0.522159 Composed by Various. Arranged by Colin Kirkpatrick. Instructional,Renaissance,Standards. Score and parts. 25 pages. Colin Kirkpatrick Publications #3912497. Published by Colin Kirkpatrick Publications (A0.522159). By the time Michael Praetorius published his extensive dance collection entitled Terpsichore (terp-SIH-cory) in 1612, he was one of the most famous musicians in Germany. These Two Ballets are well-known and elegant dances and sure to add some sparkle to any concert event. They would make excellent partners for other dances in this series. This piece is arranged for virtually any combination of conventional wind instruments and percussion, with optional keyboard part.In this series, Renaissance Hits for Wind Instruments, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too. The flexible arrangement makes them playable by all sorts of non-standard ensembles. The keyboard part enables you to use the piece as a solo or duet and trio for mixed instruments. This 4-part arrangement is presented in a single PDF file which includes the Full Score; Part 1 (C, B flat, E flat); Part 2 (C, B flat, E flat); Part 3 (C, F, B flat, E flat), Part 4 (C, B flat, E flat); Keyboard and Percussion. The optional keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.The percussion instruments used are similar to those found in elementary school music rooms and usually include a small bass drum or hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that. Â
$11.99
10.87 €
#
the time Michael Praetorius published his extensive dance collection entitled Terpsichore
#
Various
#
Part 1 (C, B flat, E flat)
#
Two Ballets - Dances 268 and 273 from Terpsichore
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Les Courantes - Dances 183 and 188 from Terpsichore (Praetorius) (Wind Instruments)
Small Ensemble - Level 3 - Digital Download SKU: A0.522160 Composed by Anonymous. A…
(+)
Small Ensemble - Level 3 - Digital Download SKU: A0.522160 Composed by Anonymous. Arranged by Colin Kirkpatrick. Renaissance,Standards. Score and parts. 25 pages. Colin Kirkpatrick Publications #3915573. Published by Colin Kirkpatrick Publications (A0.522160). By the time Michael Praetorius published his extensive dance collection entitled Terpsichore (terp-SIH-cory) in 1612, he was one of the most famous musicians in Germany. These two Courantes are well-known and lively dances and sure to add some sparkle to any concert event. This piece is arranged for virtually any combination of conventional wind instruments and percussion, with optional keyboard part.In this series, Renaissance Hits for Wind Instruments, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too. The flexible arrangement makes them playable by all sorts of non-standard ensembles. The keyboard part enables you to use the piece as a solo or duet and trio for mixed instruments. This 4-part arrangement is presented in a single PDF file which includes the Full Score; Part 1 (C, B flat, E flat); Part 2 (C, B flat, E flat); Part 3 (C, F, B flat, E flat), Part 4 (C, B flat, E flat); Keyboard and Percussion. The optional keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.The percussion instruments used are similar to those found in elementary school music rooms and usually include a small bass drum or hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that. Â
$11.99
10.87 €
#
the time Michael Praetorius published his extensive dance collection entitled Terpsichore
#
Anonymous
#
Part 1 (C, B flat, E flat)
#
Les Courantes - Dances 183 and 188 from Terpsichore
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Two Courantes - Dances 151 and 152 from Terpsichore (Praetorius) for Wind Instruments
Small Ensemble - Level 2 - Digital Download SKU: A0.522167 Composed by Unknown. Arr…
(+)
Small Ensemble - Level 2 - Digital Download SKU: A0.522167 Composed by Unknown. Arranged by Colin Kirkpatrick. Renaissance,Standards. Score and parts. 26 pages. Colin Kirkpatrick Publications #4325529. Published by Colin Kirkpatrick Publications (A0.522167). These two courantes are well-known dances from the famous collection entitled Terpsichore by Michael Praetorius. This piece is arranged for virtually any combination of conventional wind instruments and percussion, with optional keyboard part. They are attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too. The flexible arrangement with alternative transpositions makes them playable by all sorts of non-standard ensembles. The keyboard part enables you to use the piece as a solo or duet and trio for mixed instruments. This 4-part arrangement is presented in a single PDF file which includes the Full Score; Part 1 (C, B flat, E flat); Part 2 (C, B flat, E flat); Part 3 (C, F, B flat, E flat), Part 4 (C, B flat, E flat); Keyboard and Percussion. The optional keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option. The percussion instruments used are similar to those found in elementary school music rooms and usually include a hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Other percussion instruments may be added as desired. Dance music is intended to be fun, and we hope that this arrangement brings you just that.Â
$11.99
10.87 €
#
Unknown
#
Part 1 (C, B flat, E flat)
#
Two Courantes - Dances 151 and 152 from Terpsichore
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Pavane & Gaillarde des Dieux - Dances 3 and 4, Premier Livre de Danseries (1571)
String Ensemble - Level 3 - Digital Download SKU: A0.1018135 Composed by Pierre Pha…
(+)
String Ensemble - Level 3 - Digital Download SKU: A0.1018135 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 18 pages. Colin Kirkpatrick Publications #623720. Published by Colin Kirkpatrick Publications (A0.1018135). Following from the success of the Hits of the Renaissance for Strings, featuring well-known dances from Terpsichore by Michael Praetorius, this arrangement is from another classic book of dances from the same period. Pierre Phalèse (1510-1575) was a Flemish publisher and his First Book of Dances, an extensive collection of dances in four parts, was published in Leuven in 1571. They are attractive pieces and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication of 1571, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting instruments for certain sections. The audio demo will give you an idea how this might be achieved. While you can add flute, recorder, oboe, glockenspiel or whatever you want, additional instruments are not essential but can add contrasting tone colour. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A piano is distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$9.99
9.06 €
#
Pierre Phalèse
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Pavane & Gaillarde des Dieux - Dances 3 and 4, Premier Livre de Danseries
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Colin Kirkpatrick Publications
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SheetMusicPlus
Two Voltas - Dances 201 and 210 from Terpsichore (Praetorius) for Wind Instruments
Small Ensemble - Level 3 - Digital Download SKU: A0.522161 Composed by Various. Arr…
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Small Ensemble - Level 3 - Digital Download SKU: A0.522161 Composed by Various. Arranged by Colin Kirkpatrick. Instructional,Renaissance. Score and parts. 4 pages. Colin Kirkpatrick Publications #3928085. Published by Colin Kirkpatrick Publications (A0.522161). By the time Michael Praetorius published his extensive dance collection entitled Terpsichore (terp-SIH-cory) in 1612, he was one of the most famous musicians in Germany. These two Voltas are well-known and lively dances and sure to add some sparkle to any event. This piece is arranged for virtually any combination of conventional wind instruments and percussion, with optional keyboard part. The first Volta uses interesting and catchy syncopation, giving the impression that it’s in duple time time but it’s written in triple time.In this series, Renaissance Hits for Wind Instruments, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too. The flexible arrangement makes them playable by all sorts of non-standard ensembles. The keyboard part enables you to use the piece as a solo or duet and trio for mixed instruments. This 4-part arrangement is presented in a single PDF file which includes the Full Score; Part 1 (C, B flat, E flat); Part 2 (C, B flat, E flat); Part 3 (C, F, B flat, E flat), Part 4 (C, B flat, E flat); Keyboard and Percussion. The optional keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.The percussion instruments used are similar to those found in elementary school music rooms and usually include a hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Other percussion instruments may be added as desired. Dance music is intended to be fun, and we hope that this arrangement brings you just that. Â
$11.99
10.87 €
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the time Michael Praetorius published his extensive dance collection entitled Terpsichore
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Various
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Part 1 (C, B flat, E flat)
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Two Voltas - Dances 201 and 210 from Terpsichore
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Colin Kirkpatrick Publications
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SheetMusicPlus
Introduction and Energico for Strings
String Ensemble - Level 4 - Digital Download SKU: A0.1451892 Composed by Keir C. Cr…
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String Ensemble - Level 4 - Digital Download SKU: A0.1451892 Composed by Keir C. Crawley. 21st Century,Chamber,Classical,Contemporary. 41 pages. Keir C Crawley #1031204. Published by Keir C Crawley (A0.1451892). Introduction and Energico for Strings is a single movement piece for String Orchestra. It was composed over an intensive four-day period in the summer of 2020 during a momentary lull in the Covid pandemic, as a result I think that there is a sense of isolation about the music. The recording came later in 2021 shortly after 'freedom day' in the UK. Performed here by 9 players - as a result of the lockdowns I didn't have access to a symphonic string orchestra and certainly couldn't afford to pay one either! View the conductor cam footage by following the link: https://www.youtube.com/watch?v=IilDV63rGuk&list=PLuU1eG-lQ97TEpK7GT1p5rox98H32tdhI&index=12.
$35.00
31.73 €
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Keir C
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Introduction and Energico for Strings
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Keir C Crawley
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SheetMusicPlus
Gloryland
Choir Sacred 2 trumpets, trombone, fiddle, banjo, bass, drumset, dir. score - Digital Down…
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Choir Sacred 2 trumpets, trombone, fiddle, banjo, bass, drumset, dir. score - Digital Download SKU: JX.00-24369 Softly and Tenderly Jesus Is Calling / I'll Be Somewhere Listening for My Name / New Name in Glory / Just Over in the Gloryland. Composed by Benjamin Harlan. Arranged by Benjamin Harlan and Gary Hallquist. This edition: InstruPax. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. All Saints Day; Baptism; Easter; Sacred; Spring. Part(s); Score. 27 pages. Jubilate Music Group - Digital #00-24369. Published by Jubilate Music Group - Digital (JX.00-24369). English. Orchestrated by Gary Hallquist. Psalm 26, Pslam 149, Isaiah 25:2-9, Isaiah 33:17-24, Isaiah 43:1-7, John 10:1-6, 1 Corinthians 15:35-45, Ephesians 4:1-6, Hebrews 3:1-6, Hebrews 11:13-16, Colossians 3:1-4, Revelation 2:17.This energetic medley of gospel favorites opens slowly and freely with Softly and Tenderly Jesus Is Calling. Switching gears into an up tempo bluegrass style, it escalates in key, dynamics and tempo through three more choruses: I'll Be Somewhere Listening for My Name (popularized by the movie, O Brother, Where Art Thou?); New Name in Glory; and Just Over in the Gloryland. Harlan's stylized accompaniment perfectly complements the voices. InstruPax includes parts for 2 trumpets, trombone, fiddle, banjo, bass, drumset, director score.
$25.00
22.67 €
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Benjamin Harlan
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Choral Octavo
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Gloryland
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Jubilate Music Group - Digital
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SheetMusicPlus
Hymn to Freedom
Choir Sacred (Women's Choir) - Digital Download SKU: JX.00-VG360 Composed by Oscar …
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Choir Sacred (Women's Choir) - Digital Download SKU: JX.00-VG360 Composed by Oscar Peterson. Arranged by Seppo Hovi. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Jubilate Archive Edition. 4th of July; Gospel; Patriotic; Sacred; Summer. Choral Octavo. 12 pages. Jubilate Music Group - Digital #00-VG360. Published by Jubilate Music Group - Digital (JX.00-VG360). English. Words by Harriette Hamilton.The powerful lyrics 'When ev'ry man joins in our song and together singing harmony, that's when we'll be free' are the focal point of this gospel-flavored Oscar Peterson work. It's a wonderful song of brotherhood and universal love and sharing. The SSA edition is arranged by Seppo Hovi, and the SATB edition is arranged by Paul Read. Don't overlook this exceptional work!
$2.25
2.04 €
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Oscar Peterson
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Choral Octavo
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Hymn to Freedom
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Jubilate Music Group - Digital
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SheetMusicPlus
I Want To Break Free
String Ensemble,String Quintet Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.…
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String Ensemble,String Quintet Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.759846 By Queen. By John Deacon. Arranged by Raymond Fenech. 20th Century,Contest,Festival,Holiday,Pop,Rock. Score and parts. 20 pages. Raymond Fenech #3381127. Published by Raymond Fenech (A0.759846). I Want to Break Free is a song by the British rock band Queen, originally from their eleventh album The Works (1984). Written by bass guitarist John Deacon, it was distributed as a single on 7-inch and 12-inch vinyl records and 3-inch and 5-inch CDs. The song has three versions: album, single and extended. It came to be included in most live concerts by the group. This song is arranged for String Quintet (3 Violins; Viola and Violoncello). The level is Advance Intermediate and the duration is 2.43 minutes
$12.99
11.78 €
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Queen
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Viola and Violoncello)
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I Want To Break Free
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Raymond Fenech
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SheetMusicPlus
I Want To Break Free
Brass Ensemble Horn - Level 4 - Digital Download SKU: A0.759845 By Queen. By John D…
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Brass Ensemble Horn - Level 4 - Digital Download SKU: A0.759845 By Queen. By John Deacon. Arranged by Raymond Fenech. 20th Century,Contest,Festival,Holiday,Pop,Rock. Score and parts. 20 pages. Raymond Fenech #3380739. Published by Raymond Fenech (A0.759845). I Want to Break Free is a song by the British rock band Queen, originally from their eleventh album The Works (1984). Written by bass guitarist John Deacon, it was distributed as a single on 7-inch and 12-inch vinyl records and 3-inch and 5-inch CDs. The song has three versions: album, single and extended. It came to be included in most live concerts by the group. This song is arranged for Horn Quintet (5 Horns in F). The level is Advanced Intermediate and the duration is 2.43 minutes.
$12.99
11.78 €
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Queen
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I Want To Break Free
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Raymond Fenech
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SheetMusicPlus
I Want To Break Free
Woodwind Ensemble,Woodwind Quintet Clarinet,Flute - Level 4 - Digital Download SKU: A0.…
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Woodwind Ensemble,Woodwind Quintet Clarinet,Flute - Level 4 - Digital Download SKU: A0.759840 By Queen. By John Deacon. Arranged by Raymond Fenech. 20th Century,Contest,Festival,Holiday,Pop,Rock. 20 pages. Raymond Fenech #3379485. Published by Raymond Fenech (A0.759840). I Want to Break Free is a song by the British rock band Queen, originally from their eleventh album The Works (1984). Written by bass guitarist John Deacon, it was distributed as a single on 7-inch and 12-inch vinyl records and 3-inch and 5-inch CDs. The song has three versions: album, single and extended. It came to be included in most live concerts by the group.The level is advanced Intermediate and the duration is 2.42 minutesIf you are looking for a different combination of instruments please request: rfenech58@gmail.com
$12.99
11.78 €
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Queen
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rfenech58@gmail.com
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I Want To Break Free
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Raymond Fenech
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SheetMusicPlus
Let's Go! (for saxes and piano)
Small Ensemble Alto Saxophone,Double Bass,Guitar,Piano Accompaniment,Tenor Saxophone - Lev…
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Small Ensemble Alto Saxophone,Double Bass,Guitar,Piano Accompaniment,Tenor Saxophone - Level 3 - Digital Download SKU: A0.522196 Composed by Colin Kirkpatrick. Concert,Holiday,Jazz,Latin,Patriotic,Wedding. Score and parts. 35 pages. Colin Kirkpatrick Publications #3397237. Published by Colin Kirkpatrick Publications (A0.522196). Three numbers in popular style for two alto saxes and piano (or alto and tenor) with optional part for guitar and/or bass.These pieces are in jazz and Latin styles and are intended for intermediate students. They’re ideal for an end-of-term concert or recital but would be useful for any festive occasion or celebration. The 13-page piano score also includes the saxophone parts. The highest note in the 1st sax part is (written) C6 and that in the 2nd sax part is A6. Both parts avoid low D and C. Five-page parts for the two E flat alto saxophones are provided as well as an optional part for tenor sax, which is exactly the same part as the 2nd saxophone. In the piano parts the improvisation chords are shown only in the 1st alto part purely for the sake of visual tidiness, but they appear in all the saxophone parts so that any participant can offer an improvised solo. The guitar and bass parts are combined and the bass part is similar to the left hand of the piano part. All five parts are presented in a single PDF file. An MP3 file of all the piano accompaniments is also available as a separate item. You can find it here: https://www.sheetmusicplus.com/title/20679812 1. Hit the Town This is an entertaining swinger in the concert key of E flat and 4/4 time. It uses “jazz†eighth notes (quavers) and would be good introduction to playing in a jazz style. The improvisation section can be repeated as often as required. 2. Cool company A slow number in F major in a Latin-American style, this gives the opportunity to practise a soft singing tone-quality. There is one short section for improvising. 3. Freeway Written in 3/4 time in B flat, this jazzy waltz also uses “jazz†eighth notes (quavers) and the improvisation section can be repeated as often as required.
$6.99
6.34 €
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Colin Kirkpatrick
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Let's Go!
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Colin Kirkpatrick Publications
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SheetMusicPlus
I Want To Break Free
Small Ensemble Bass Guitar,Drum Set,Electric Guitar,Synthesizer - Level 3 - Digital Downlo…
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Small Ensemble Bass Guitar,Drum Set,Electric Guitar,Synthesizer - Level 3 - Digital Download SKU: A0.890484 By Queen. By John Deacon. Arranged by Kathleen McGuire. Rock. Score and parts. 26 pages. Kathleen McGuire #6339475. Published by Kathleen McGuire (A0.890484). Written by John Deacon, Queen’s bass guitarist, I Want to Break Free was a single from the 1984 Queen album THE WORKS. The song is best known for its video, in which all the band members dress up in women’s clothing as a parody of the long running British TV show, CORONATION STREET. It was considered controversial and banned from MTV in the US, but in the UK, Europe and South America is was a huge hit, viewed as an anthem of fight against oppression. This uncomplicated, fun arrangement is mostly in two parts, with accessible vocal ranges for most choirs. The 5-piece accompaniment includes two synths, giving it a true '80s synth-pop groove. (TTBB choral score available separately.).
$49.00
44.43 €
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Queen
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I Want To Break Free
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Kathleen McGuire
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SheetMusicPlus
Come to Set Us Free
Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-19981 Composed by …
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Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-19981 Composed by Jean Anne Shafferman and Lloyd Larson. This edition: InstruPax. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Advent; Christmas; Latin; Sacred. Part(s). 3 pages. Jubilate Music Group - Digital #00-19981. Published by Jubilate Music Group - Digital (JX.00-19981). English.Soon He come on Christmas night, come to set us free! Adapted from a traditional Puerto Rican folk hymn, this refreshing Advent anthem is filled with joyful expectation. Opening with soloists (opt. choir), the choir joins in singing Halle, Hallelujah! A lively percussion accompaniment (opt.) and InstruTrax CD are available separately. In 2 voicings for singers of all ages.
$15.00
13.6 €
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Jean Anne Shafferman and Lloyd Larson
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Choral Octavo
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Come to Set Us Free
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Jubilate Music Group - Digital
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SheetMusicPlus
Fanfare For Freedom (String Orchestra Special Edition) - MP3 Performance Recording & Rehearsal Track
Digital Download SKU: A0.1067063 Composed by Paul Barker. Contemporary. Full Perfor…
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Digital Download SKU: A0.1067063 Composed by Paul Barker. Contemporary. Full Performance. Duration 188. Paul Barker Music #6063611. Published by Paul Barker Music (A0.1067063). MP3 Performance Recording & Rehearsal Tracks DetailsScore & Parts also available from Sheet Music Plus and www.paulbarkermusic.comAccompaniment MP3 (minus soloists/sections) and Part-Dominant Mp3’s (featuring soloists/sections) available as single or multi-user digital downloads from www.paulbarkermusic.com
$4.95
4.49 €
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Paul Barker
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Fanfare For Freedom
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Paul Barker Music
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SheetMusicPlus
Carson Cooman: Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, sc
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Tro…
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533710 Composed by Carson Cooman. Contemporary. Score and parts. 83 pages. Musik Fabrik Music Publishing #3041105. Published by Musik Fabrik Music Publishing (A0.533710). I. Murky WatersII. The ForgottenIII. Casting InfinityEnchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble was commissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble, Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor, conductor. These three marvelous piano soloists served as the inspiration for the work. The concerto bears the dedication “for Walter Simmons, a hero for the cause of American music.†Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeserved attention. The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, and as a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonal constructs that are a preoccupation of my music. The concerto’s title provided the poetic idea behind the musical development. Though more or less equal with the ensemble in the first movement, the piano clearly takes over as leader in the second and third movements as the goaldirected formal narrative of the movements becomes more obvious. The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†the musical potential of the basic material. A number of melodic ideas emerge—some lyrical and some disjunct. A brief coda prepares for the next movement. The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass. The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spiky melodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should the work be performed with any substitutions, doublings, or increase of players on individual parts.)This is the full score and the solo part. The complete parts and seperate parts are available for sale on this site.
$29.95
27.16 €
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Carson Cooman
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Carson Cooman: Enchanted Tracings
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, com
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Tro…
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533711 Composed by Carson Cooman. Contemporary. Score and parts. 76 pages. Musik Fabrik Music Publishing #3041107. Published by Musik Fabrik Music Publishing (A0.533711). Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble wascommissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble,Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor,conductor. These three marvelous piano soloists served as the inspiration for the work. Theconcerto bears the dedication “for Walter Simmons, a hero for the cause of American music.â€Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeservedattention.The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, andas a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonalconstructs that are a preoccupation of my music. The concerto’s title provided the poetic ideabehind the musical development. Though more or less equal with the ensemble in the firstmovement, the piano clearly takes over as leader in the second and third movements as the goaldirectedformal narrative of the movements becomes more obvious.The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†themusical potential of the basic material. A number of melodic ideas emerge—some lyrical and somedisjunct. A brief coda prepares for the next movement.The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass.The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spikymelodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should thework be performed with any substitutions, doublings, or increase of players on individual parts.)This item contains the complete wind ensemble parts. The score plus solo part are for sale as another item. Individual parts are also for sale.
$77.95
70.68 €
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Carson Cooman
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Carson Cooman Enchanted Tracings
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Musik Fabrik Music Publishing
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SheetMusicPlus
Rain and Flowers (for violin and piano)
Instrumental Duet Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.9…
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Instrumental Duet Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.977042 Composed by Paul SanGregory. Contemporary. Score and parts. 23 pages. Distant Engraver Music #4593095. Published by Distant Engraver Music (A0.977042). At the request of a friend, this piece incorporates the melody of an old popular song from Taiwan’s Japanese period. It is a simple folk-like melody with words based on the image of flowers that were washed to the ground during a rainy night. Rain and Flowers is neither an arrangement nor a traditional theme and variations. Instead, it is a series of free improvisations on ideas from the song. Some of those ideas are musical, while others relate to images or meanings in the lyrics. Because I think the lyrics contain a sense of sadness and loss, there are times when that emotion comes through. The image of flower petals strewn on the ground was an important inspiration because it can be seen as being both beautiful and pitiful, or even tragic. Also, those petals can be contemplated in silence after the storm, or during the time when they are begin blown by the driving rain and fierce winds. For that reason, I portray various types of rain and wind as the piece progresses. However, because the original song was a simple melody written after the storm, that is where this piece ends, with a more obvious playing of the melody, though still in an improvisatory and folk-like way. The single downloadable file for this piece contains both the full score and violin part.
$10.00
9.07 €
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Paul SanGregory
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Rain and Flowers
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Distant Engraver Music
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SheetMusicPlus
Set My Spirit Free Medley (2 Pianos, 4-Hands)
By Sharon Wilson, traditional. Arranged by Sharon Wilson. For Piano, Piano Duet, For two k…
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By Sharon Wilson, traditional. Arranged by Sharon Wilson. For Piano, Piano Duet, For two keyboards: acoustic piano, digital or electronic keyboard, or synthesizer; 2 pianos, 4-hands. Sacred, Christian. Intermediate. Sheet Music Single, Set of Parts. Publi
$5.99
5.43 €
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Sharon Wilson, traditional
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2 pianos, 4-hands
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Set My Spirit Free Medley
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SheetMusicPlus
King Of The Road
Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.747086 By Randy Tr…
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Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.747086 By Randy Travis. By Roger Miller. Arranged by Keith Terrett. Contemporary. 27 pages. Keith Terrett #6426723. Published by Keith Terrett (A0.747086). An arrangement of the classic King of the Road for Wind Dectet.King of the Road is a song written by country singer Roger Miller, who first recorded it in November 1964. The lyrics tell of the day-to-day life of a hobo who, despite being poor (a man of means by no means), revels in his freedom, describing himself humorously and cynically as the king of the road. It was Miller's fifth single for Smash Records. The popular crossover record hit No. 1 on the US Country chart, No. 4 on the Billboard Hot 100, and No. 1 on the Easy Listening surveys. It was also No. 1 in the UK Singles Chart, and in Norway. Miller recalled that the song was inspired when he was driving and saw a sign on the side of a barn that read, Trailers for sale or rent. This would become the opening line of the song.The song has been covered by many other artists, including George Jones, Dean Martin, Val Doonican, Jack Jones, James Booker, The Fabulous Echoes, Boney M., R.E.M., Johnny Paycheck, Glen Campbell, Alvin and the Chipmunks, Boxcar Willie, Randy Travis, Rangers, James Kilbane, John Stevens, the Statler Brothers, Rufus Wainwright & Teddy Thompson, Giant Sand, Peligro, John Williamson (singer) & Adam Harvey, The Proclaimers, Ray Conniff Singers, The Reverend Horton Heat, Jerry Lee Lewis, and Jim White. James The King Brown (an Elvis impersonator) performed the song for a 2001 Audi commercial on German TV. Of R.E.M.'s version, a shambolic, drunken, offhand rendering, guitarist Peter Buck would later comment, If there was any justice in the world, Roger Miller should be able to sue for what we did to this song.King of the Road was performed live by Merle Haggard, Willie Nelson, Marty Stuart, Dwight Yoakam and Dolly Parton during Miller's posthumous induction into the Country Music Hall of Fame at the 1995 CMA Awards ceremony.The song appears in Wim Wenders's 1976 film Im Lauf der Zeit (In the Course of Time; English title Kings of the Road). It is also played at the beginning of Talladega Nights: The Ballad of Ricky Bobby, Brokeback Mountain, Into the Wild (2007), Traveller (1997), and Swingers (1996). Miller performs it in the concert film The Big T.N.T. Show. The Proclaimers' version is included in the film The Crossing (1990). Near the end of their official music video, the pair are shown reading a newspaper whose headline is Roger Miller, King of Plugs.Miller's recording appears in an episode of the Super Dave TV show, where Super Dave Osborne (Bob Einstein) sings along while sitting at a piano mounted on top of his tour bus. The bus eventually goes into a low tunnel, slamming into the piano and Osborne and pushing them off the bus and onto the ground.A send-up version by English entertainer Billy Howard was a British chart hit in 1976.A German take by the band Wise Guys exists, the parody referring to speeding on the Autobahn.
$16.99
15.4 €
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Randy Travis
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English title
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King Of The Road
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Keith Terrett
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SheetMusicPlus
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