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Get Back Up - Piano
Sheetmusic to print
47 sheet music found
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1
26
Got To Get You Into My Life
Small Ensemble - Level 4 - Digital Download SKU: A0.810651 By The Beatles. By John …
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Small Ensemble - Level 4 - Digital Download SKU: A0.810651 By The Beatles. By John Lennon and Paul McCartney. Arranged by Bill Swick. Contemporary. Score and parts. 34 pages. Bill Swick #6602537. Published by Bill Swick (A0.810651). This arrangement of Got to Get You Into My Life is written for 4 acoustic guitars, 2 electric guitars, violin, viola, cello, bass, drums and optional back-up singers. This may be performed with a small ensemble or a large ensemble. It is a great way to demonstrate collaboration amongst areas of the music department by including orchestra and choir students. The range, rhythms, and tempo suggest this is an advanced intermediate level arrangement ideal for Year 2, Quarter 3.
$30.00
27.2 €
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The Beatles
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Got To Get You Into My Life
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Bill Swick
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SheetMusicPlus
Getting Better
Small Ensemble Bass Guitar,Drums,Voice - Level 3 - Digital Download SKU: A0.810649 …
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Small Ensemble Bass Guitar,Drums,Voice - Level 3 - Digital Download SKU: A0.810649 By The Beatles. By John Lennon and Paul McCartney. Arranged by Bill Swick. Rock. Score and parts. 38 pages. Bill Swick #6602047. Published by Bill Swick (A0.810649). This arrangement of Getting Better may be performed with a guitar quartet or large guitar ensemble along with two electric guitars, bass, drums, and optional back-up singers. The tempo and range make this an intermediate level arrangement. This is ideal for Year 2, Quarter 3.
$35.00
31.73 €
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The Beatles
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Getting Better
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Bill Swick
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SheetMusicPlus
I Want You Back
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Oboe - Level 4 - Digital Download S…
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Oboe - Level 4 - Digital Download SKU: A0.940083 By The Jackson 5. By Alphonso Mizell, Berry Gordy Jr., Deke Richards, and Freddie Perren. Arranged by Cynthia Goosby. Pop. 16 pages. Cynthia Goosby #3012019. Published by Cynthia Goosby (A0.940083). For Woodwind Quartet: Oboe, 2 B-flat Clarinets, Bassoon. Advanced intermediate. Duration: 2:53.Nothing gets a party started or a recital audience jamming quite like this Jackson 5 hit! Ideal for an up-beat encore, this arrangement splits the melody between the two clarinet parts with colorful counter melodies and harmony in the oboe and the iconic and funky bass line in the bassoon part. Great for musicians looking to get more comfortable with syncopation.An alternate version for clarinet quartet (3 B-flats + bass) is also available!http://justduetduo.com/https://www.youtube.com/channel/UC7DaxRO1uy2N18mc8ToyKfA.
$14.99
13.59 €
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The Jackson 5
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I Want You Back
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Cynthia Goosby
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SheetMusicPlus
I Want You Back
Choral Choir,Choral (5-Part) - Level 4 - Digital Download SKU: A0.1303320 By The Ja…
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Choral Choir,Choral (5-Part) - Level 4 - Digital Download SKU: A0.1303320 By The Jackson 5. By Alphonso Mizell, Berry Gordy Jr., Deke Richards, and Freddie Perren. Arranged by Melissa Kenny. A Cappella,Funk,Pop. 19 pages. Melissa Kenny #892903. Published by Melissa Kenny (A0.1303320). An up-tempo Motown classic, this 9-part a cappella arrangement will get everyone moving. Aimed at an intermediate to advanced group, you will have lots of fun layering the different rhythms together and working on balance. Each part has featured moments and the various melodic lines that are shared around will keep all your singers engaged throughout.
$2.50
2.27 €
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The Jackson 5
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I Want You Back
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Melissa Kenny
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SheetMusicPlus
Get Back Up Again (from Trolls) (arr. Mac Huff)
(Full Performance) - Digital Download SKU: HX.378459 By Anna Kendrick. Arranged by …
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(Full Performance) - Digital Download SKU: HX.378459 By Anna Kendrick. Arranged by Mac Huff. Children,Musical/Show. Choral. Duration 150. Published by Hal Leonard - Digital (HX.378459).
$1.99
1.8 €
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Anna Kendrick
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Get Back Up Again
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Hal Leonard - Digital
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SheetMusicPlus
Get Back Up Again (from Trolls) (arr. Mac Huff)
(Accompaniment Only) - Digital Download SKU: HX.378460 By Anna Kendrick. By Benj Pa…
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(Accompaniment Only) - Digital Download SKU: HX.378460 By Anna Kendrick. By Benj Pasek and Justin Paul. Arranged by Mac Huff. Children,Musical/Show. Choral. Duration 150. Published by Hal Leonard - Digital (HX.378460).
$24.99
22.66 €
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Anna Kendrick
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Get Back Up Again
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Hal Leonard - Digital
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SheetMusicPlus
If You Could Go Back Guitar Vocal Performance
Bass Guitar,Voice - Digital Download SKU: A0.1069976 Composed by Steven H. Boothe. …
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Bass Guitar,Voice - Digital Download SKU: A0.1069976 Composed by Steven H. Boothe. Pop,Rock. Full Performance. Duration 187. Boothe Publishing #4633723. Published by Boothe Publishing (A0.1069976). Most of the mistakes I made in life were between the ages of 12-16 years. Somehow I felt that I was smarter than I was. I thought that my friends were smarter than they were. I felt invincible. I made many foolish mistakes during those years. About that time, my family was preparing to move from Oregon to Utah. I remember my mother talking with me and saying that I could start over again. We would be in a new place with new people. No one would know me. I could be the person I truly wanted to be. I thought about this a lot, and when we finally made the move I had decided what kind of person I really wanted to be. In fact, I felt bad for being the wrong kind of person and hurting other people physically and spiritually. I eventually felt so bad about my mistakes that I decided that I would write or call the people I had hurt and apologize to them. Over the period of a year I was able to find, call and apologize to each of them. To my great surprise none of them were still angry with me. I was forgiven. That was a great feeling. This day will be forever what you choose. Once you leave this life you won't be able to return and right any wrongs that you have committed. So when you make a mistake, choose to make it right today so that this day, this day of good choosing will be what will last forever. Never let yourself do something that you know inside is wrong. If your friends are trying to talk you into doing something you know is wrong, don't just sit there and listen to them. Get up and leave the room, or the party, or the situation. Be true. Be the one. Be the son or daughter of God. Do what He would do.
$1.99
1.8 €
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Steven H
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If You Could Go Back Guitar Vocal Performance
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Boothe Publishing
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SheetMusicPlus
Are You Ready Backing Track mp3
Level 1 - Digital Download SKU: A0.1502493 Composed by Teresa O'Connell. Instructio…
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Level 1 - Digital Download SKU: A0.1502493 Composed by Teresa O'Connell. Instructional,Rock. Accompaniment. Duration 124. Teresa O'Connell (BMI) #1078275. Published by Teresa O'Connell (BMI) (A0.1502493). This is the backing track for Are You Ready? by Teresa O'Connell (BMI), available on sheetmusicplus.com (item #A0.956037).Are You Ready? is a great way to warm up your singers and get class off to a great start. Written in two parts, you have several options how to use Are You Ready? As a call-and-response piece, the teacher can call and the students answer vocally. Or, divide your class into two parts and proceed like a normal two-Part arrangement. Try student leaders as callers and the class as responders. Positive lyrics, an exciting beat, and simple rhythms will provide instant success for your kids. Are You Ready? is easy to learn and fun to perform.
$15.00
13.6 €
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Teresa O'Connell
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Are You Ready Backing Track mp3
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Teresa O'Connell
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SheetMusicPlus
Barbie Girl
B-Flat trombone,Tenor Trombone,Trombone Solo - Level 2 - Digital Download SKU: A0.12711…
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B-Flat trombone,Tenor Trombone,Trombone Solo - Level 2 - Digital Download SKU: A0.1271163 By Aqua. By Claus Norreen, Johnny Pederson, Karsten Delgado, Lene Nystrom, Rene Dif, and Soren Rasted. Arranged by Kyle Raftery. Pop. Individual part. 7 pages. Kyle Raftery #863557. Published by Kyle Raftery (A0.1271163). A really fun solo for an intermediate player, written specifically for trombone by a trombonist. Includes solo part in Bass Clef and Bb Treble Clef (suitable for trumpet, euphonium, clarinet, tenor sax etc.) along with back up vocal part. Great fun to get together with a bunch of different instruments and have a jam. Backing track can be found on my YouTube channel along with 100’s of other fun trombone solos, duos and quartets.
$4.99
4.52 €
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Aqua
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Barbie Girl
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Kyle Raftery
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SheetMusicPlus
Mean
Choral Choir (4-Part) - Digital Download SKU: A0.1029779 By Taylor Swift. By Taylor…
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Choral Choir (4-Part) - Digital Download SKU: A0.1029779 By Taylor Swift. By Taylor Swift. Arranged by David Powell. A Cappella,Pop. Octavo. 13 pages. DMP #6248759. Published by DMP (A0.1029779). This arrangement of Taylor Swift's famous song Mean is for a large (12+ member) female A Capella chorus. Despite the relative simplicity of the song, this arrangement will challenge your group to split into up to 7 parts to back up a strong Alto soloist. Add some stomps and claps in and you'll be getting your audience off their feet!The range of the alto parts make this arrangement also able to be performed by a mixed ensemble.
$1.99
1.8 €
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Taylor Swift
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Mean
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DMP
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SheetMusicPlus
Through The Years
Small Ensemble Alto Saxophone,B-Flat Clarinet,B-Flat Trumpet,Flute,Horn,Trombone - Level 3…
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Small Ensemble Alto Saxophone,B-Flat Clarinet,B-Flat Trumpet,Flute,Horn,Trombone - Level 3 - Digital Download SKU: A0.1047346 By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 43 pages. Blaze Scheuerman #651904. Published by Blaze Scheuerman (A0.1047346). Through The Years is meant to be a reflection back onto one’s childhood. Inspired by my own upbringing, it is a recollection of past events that came and mindsets experienced. It opens up with a loud and active sound to show the start of the journey. The character begins happy and energetic, going head first with no fear. The dotted quarter note theme at measure 11 then shows the young child’s state of mind. While beginning to understand concepts of anxiety and fear, he is still full of vigor and confidence. Then at measure 26, the main character begins his adolescence. Still fresh and happy, he sees the world in a simple way and that it is actively watching out for him. He is enjoying this passive time of leisure until measure 40, where he decides to actively try to seek out something. He gets carried away however, and tries to return back to his roots, seen in measure 59. Unfortunately he finds himself tainted and unable to return to his go-getting former self. He then does something peculiar in measure 77. Instead of being angered or saddened by this fact, he accepts it and takes a step back to rebuild himself, seen in the fugato section. After a long and detailed remapping, he finds himself back at his desired happy self. However at measure 127, he feels himself changing once again. So through active awareness and will, he prevents himself from changing into something he doesn’t want to be and instead stays as his desired self.
$5.99
5.43 €
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Blaze Scheuerman
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Through The Years
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Blaze Scheuerman
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SheetMusicPlus
Autumn In New York
Electric Violin,Instrumental Solo - Level 5 - Digital Download SKU: A0.845965 By Bu…
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Electric Violin,Instrumental Solo - Level 5 - Digital Download SKU: A0.845965 By Bud Powell. By Vernon Duke. Arranged by Kyle Pudenz. 20th Century,Contemporary,Jazz,Standards. Individual part. 6 pages. ViolinVagabond Music #4967185. Published by ViolinVagabond Music (A0.845965). An advanced-level jazz arrangement of Autumn in New York for unaccompanied 7-String Electric Violin. Although this was written on a 7-string, it also translates very well on a 6-string; there are only 2 passages that require the low Bb string, and these will sound fine taken up an octave. If you want to try this on a standard violin, well... good luck with the 5-note chords!I realize we extended-range violinists are few & far between, but if you (like me) appreciate the unique ability of this instrument to cover bass substitutions, chord melodies, and other roles that were previously thought exclusive to fretted/keyed instruments, this arrangement is an excellent demonstration of some of the really cool ways that you can bring a melody to life without the need for any effects or accompaniment. It is not for the faint of heart, and will definitely take some practicing, but if you can tackle the harmony this is a chart that is guaranteed to impress any jazz-nerd in the room... or your money back!*A challenging, yet elegant take on one of my favorite jazz ballads, this arrangement is great for showing off your jazz chops as a soloist, but can also work great as background music at one of those weddings or cocktail parties where someone decided it would be a hip idea to have an electric violinist... by themself...without any suggestions on repertoire (don't lie, we've all done at least one of these). Frets are optional, but not necessary ;-) I've been playing this for 6 years without... Performance time: 5 minutes, 30 secondsAlternatively you can skip one of the choruses to get it under 4 minutesQuestions? Suggestions? Requests? Contact me via my website: www.kylepudenz.com/Together, we can slowly fill the conspicuous void of printed music for electric violin!*You're not actually getting your money back. I stand by my comment about impressing the jazzers, though.
$7.99
7.24 €
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Bud Powell
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Autumn In New York
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ViolinVagabond Music
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SheetMusicPlus
Walk Like An Egyptian
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1356043 By The Bangles. By Liam Sternberg. Arranged by Chris Gorman. Pop,Rock. Brass Band. 62 pages. Chris Gorman #940741. Published by Chris Gorman (A0.1356043). Walk Like an Egyptian is a song by American band the Bangles. It was released in September 1986 as the third single from their second studio album, Different Light (1986). It was the band's first number-one single, and was ranked Billboard's number-one song of 1987. Liam Sternberg said he was inspired to create the song while on a ferry crossing the English Channel. When the vessel hit choppy water, passengers stepped carefully and moved their arms awkwardly while struggling to maintain their balance, and that reminded Sternberg of the depiction of human figures in ancient Egyptian tomb paintings. He wrote the words Walk like an Egyptian in a notebook. Later, Sternberg looked back in the notebook, and composing the melody with a guitar, he put together an up-tempo song with lyrics about Egyptian hieroglyphs, the Nile River, crocodiles, desert sand, bazaars and hookah pipes and then segued into modern scenes of blonde waitresses, school kids and police officers. This arrangement shows off the Brass Band to be capable to play a wider variety of music.
$35.00
31.73 €
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The Bangles
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Walk Like An Egyptian
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Chris Gorman
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SheetMusicPlus
Mysterious Moment for oboe and string trio
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 …
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Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
7.25 €
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David Warin Solomons
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Mysterious Moment for oboe and string trio
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David Warin Solomons
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SheetMusicPlus
The Monk's Turned Topsy-Turvy
Clarinet - Digital Download SKU: A0.1071177 Composed by Lori Archer Sutherland. Con…
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Clarinet - Digital Download SKU: A0.1071177 Composed by Lori Archer Sutherland. Contemporary,Folk,Standards. Full Performance. Duration 224. Lori Archer Sutherland #4804263. Published by Lori Archer Sutherland (A0.1071177). The Monk’s Turned Topsy-Turvy is an original fantasy for clarinet choir, based on the old French-Canadian children’s song, Ah! Si mon moine voulait danser! (Danse, mon moine, danse). The title is a play on words: moine means both monk and spinning top in French. The lyrics speak of persuading mon moine to dance by offering various articles of clothing, such as a hood or cap.After a brief, yet bold, introduction, the piece jumps into a straightforward rendition of the tune. From there, the melody is repeated, bringing in other voices and added flourishes. While the tune starts to repeat a third time, it doesn’t get to finish its full statement. It’s interrupted by a run up through the ensemble into a rollicking 7/8 section.With a rhythmic accompaniment underneath, the jaunty melody begins in the third clarinets. The upper instruments take over briefly in 6/8, then the tune returns to 7/8. After a quick breather, the accompaniment introduces an upward sweep motif. This alternates with the accompaniment pattern heard at the beginning of the 7/8 section.The lower voices then take control, driving downward into a different tonality and mood. An undulating accompaniment sets a dreamlike feel, with different voices quoting fragments of the theme. The accompaniment transfers between voices throughout the section, eventually changing back into a 3/4, then a 2/4 feel, resulting in a transition back to the original feel of the piece.The low voices get the melody, with rhythmic accompaniment and racing runs throughout the other sections. The melody goes a bit topsy-turvy before the group comes together in the descending quarter note motif from the beginning of the piece, bringing us to the coda. There’s one final quote of the opening of the main theme from the low voices, leading to a whirlwind in the first and Eb with accented notes and suspensions underneath. The Eb pipes up with one last comment and the group closes out the piece.
$1.99
1.8 €
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Lori Archer Sutherland
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The Monk's Turned Topsy-Turvy
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Lori Archer Sutherland
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SheetMusicPlus
Playing with Scales
Guitar - Level 2 - Digital Download SKU: A0.1314698 Composed by Richard Hirsch. Ins…
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Guitar - Level 2 - Digital Download SKU: A0.1314698 Composed by Richard Hirsch. Instructional. Educational Exercises. 8 pages. Richard Hirsch #903442. Published by Richard Hirsch (A0.1314698). Many amateur guitarists and beginning students of guitar are ‘stuck in the first position’. The rest of the fretboard is ‘terra incognita’. They don’t know where the notes are and they don’t know how to get to them and use them in playing melodies. To help remedy this situation, I offer a collection of scales and exercises I have developed over the years that have helped me master the fretboard of the guitar and that I have used to warm up my left and right hands before practicing or playing proper pieces. Guitarists afraid to move up the fretboard miss out on all the tonal nuances that the guitar has to offer. They also often have undeveloped left hand technique with a little finger that flies around helplessly and uselessly. These scales and exercises will, if played regularly, put the little finger to good use and guide the left hand to orient to the fretboard properly, staying close to the fretboard with fingers that move as little and as efficiently as possible. They are also relaxing and fun to play around with. I read somewhere a while back that medical science had found that pianists were less likely to develop brain diseases. The scientists attributed this to the many hours pianists spend playing scales, as this is like a gentle brain massage. So scales are not only good warm up exercises for the fingers but also good warm-ups for the brain.The scale exercises written here in the keys of G and C should be played in different keys in higher positions on the fretboard. Students can try to see just how far up the neck they can go to reach the highest notes. After a while, what seemed challenging and strange will start to feel comfortable and familiar. Don’t hesitate to develop new variants of the scales when you grow tired of playing them as I propose here. Have fun playing and playing with the scales!The exercises often start in one position and move toward other higher or lower positions on the fretboard. When moving from one position to another, follow the suggested fingerings to utilise what is called a lead finger to move the hand to the next position. This will make the movement smooth and not interrupt the flow of the scale. In the end all movement should look and feel seamless and effortless.I have chosen scales in major keys I think are particularly good to play on the guitar. To practice a scale in a minor key, start the exercise in the related major key from the fundamental of the minor key, for example, to play an E minor scale start the G major exercise on an E and play from there. This is one way of creating new variants of these scales. Another way to vary the exercises is to play the scales in different time signatures or rhythms.I believe these exercises are particularly helpful for amateur guitarists who play in ensembles of different kinds, duos, trios, quartets, where the guitarist often only has one melodic line to play. Such melodies often sound much better played in higher positions where the guitar can be made to sing, rather than in the first position where the same tones, especially on open strings, often sound rather dull. From my own experience, I find that when I play a melody in a higher position using all the fingers of the left hand, the melody not only sounds better, the fingers remember the melody better.Â
$4.99
4.52 €
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Richard Hirsch
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Playing with Scales
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Richard Hirsch
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SheetMusicPlus
WW1 Favourties
Small Ensemble Drums,Vibraphone - Level 3 - Digital Download SKU: A0.867539 Compose…
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Small Ensemble Drums,Vibraphone - Level 3 - Digital Download SKU: A0.867539 Composed by Various (see description). Arranged by K Davies. 20th Century. Score and parts. 68 pages. Bandmusic.co.uk #3602663. Published by Bandmusic.co.uk (A0.867539). A fresh arrangement of WW1 favourites including Oh! I hate to get up in the morning (I Berlin), Pack up your troubles (F Powell), It's a long way to Tipperary (J Judge & H Williams), Keep the home fires burning (I Novello), In Flanders field (J P Sousa), Goodbye-ee (R P Weston & B Lee), Take me back to dear old Blighty (A J Mills, F Godfrey & B Scott). (Duration 6:05 with repeats and optional ending).
$45.00
40.8 €
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Various
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WW1 Favourties
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Bandmusic.co.uk
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SheetMusicPlus
Pour me Another One (King David and his Troops) from "The Kings" - ACT 2:Song 6
Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.784832 Composed by McCor…
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Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.784832 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. Octavo. 24 pages. DF McCorkle Music and eBook Publications #11755. Published by DF McCorkle Music and eBook Publications (A0.784832). ACT TWO: Song 6. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [2 Samuel 11:12-13 - And David said to Uriah: ‘Tarry here to-day also, and to-morrow I will let thee depart.’ So Uriah abode in Jerusalem that day, and the morrow. 13 And when David had called him, he did eat and drink before him; and he made him drunk; and at even he went out to lie on his bed with the servants of his lord, but went not down to his house.] In fear of being exposed, DAVID has her husband brought back from the field with the hope that he will have relations with his wife covering up his own indiscretion. URIAH, a conscientious soldier, returns home, but sleeps outside on his steps out of respect for the men still fighting on the front. Seeing that his ploy has not worked, he has URIAH and some of his men over to the palace for drinks [Pour Me Another One – Troops, Uriah and David]. Getting URIAH drunk, DAVID has him escorted home, but as before he sleeps outside. As a last desperate measure, he sends a letter for JOAB (David’s commander and confidant) back with URIAH to place URIAH on the front line and then have the rest of the troops pull back leaving him exposed. URIAH is killed. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
2.71 €
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McCorkle, Dennis F
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and he made him drunk
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Pour me Another One
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
The Cross Kirk and the lang walk
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1438467 By Graham Hamilton. By Graham Hamilton. Classical,Contemporary,Contest,Festival,Historic,Medieval. Brass Band. 83 pages. Hambone Music #1018484. Published by Hambone Music (A0.1438467). A beautiful slow melody in 4/4 followed by a rousing 6/4 trek with fanfares then returning to the slow melody in 4/4. Not overly difficult but players should be around Grade 5 (ABRSM) and bands of around 2nd to 3rd section, although still possible with 4th section bands. Inspired by an old ruined church in my town called the 'Cross Kirk' during the times of the Cromwellian invasion of Scotland.Part 1 It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery. Part 2 It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme. Part 3 The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights. The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind. No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination. Part 4 The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters . As he closes his eyes, his mind returns to the knights and a smile crosses his face as he gently drifts off to sleep, as the final bell of the day tolls.
$40.00
36.27 €
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Graham Hamilton
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The Cross Kirk and the lang walk
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Hambone Music
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SheetMusicPlus
The Dogs of War
Digital Download SKU: A0.1071422 Composed by Liam A. Piper-Brandon. Contemporary,Wo…
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Digital Download SKU: A0.1071422 Composed by Liam A. Piper-Brandon. Contemporary,World. Full Performance. Duration 307. Liam A Piper-Brandon #2881195. Published by Liam A Piper-Brandon (A0.1071422). This is also known as my first symphony. I had written this in the ambition to get placed as a finalist in the Young Composers challenge for 2016. This song is based around the phrase Cry Havoc and let slip the dogs of war a phrase going back to the time of William Shakespeare's play. Julius Caesar. In the scene, Mark Antony is alone with Julius Caesar's body, shortly after Caesar's assassination. In a soliloquy, he reveals his intention to incite the crowd at Caesar's funeral to rise up against the assassins. Foreseeing violence throughout Italy, Antony even imagines Caesar's spirit joining in the exhortations: ranging for revenge, with Ate by his side come hot from hell, shall in these confines with a Monarch's voice cry Havok! and let slip the dogs of war. The song is split into split into 3 parts, the intro, the march to war, and the VictoryThis song is 5 minutes and 5 seconds long, and is appropriate for schools and studentsIf you have any questions, please email me at Liampb1998@gmail.com or 2ndHanover@gmail.com
$4.99
4.52 €
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Liam A
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The Dogs of War
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Liam A Piper-Brandon
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SheetMusicPlus
Donna Lee
Large Ensemble,Rhythm Section Flute - Level 5 - Digital Download SKU: A0.910422 By …
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Large Ensemble,Rhythm Section Flute - Level 5 - Digital Download SKU: A0.910422 By Charlie Parker. By Charlie Parker. Arranged by David Heywood. Jazz. Score and parts. 63 pages. David Heywood #5203399. Published by David Heywood (A0.910422). Donna Lee by legendary jazz saxophonist Charlie Parker falls in to the category of a contrafact, or the recycling of an older tune using a new melody with the same chord changes. In this case, Parker used an old tune from 1917 called Indiana, or Back Home Again in Indiana, improvised a new melody over it, and the rest is history. This medium-up tempo swing arrangement features flute quartet (Four C Flutes) and rhythm section, and uses a paraphrase of the original tune in combination with Parker’s melody in the head and a canon with the same melody in the head out. All instruments get the opportunity to solo, and there is a flute soli section after blowing that pays homage to another contrafact done on the same tune by Horace Silver. Not an easy chart, but well worth the effort!
$19.99
18.12 €
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Charlie Parker
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Donna Lee
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David Heywood
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SheetMusicPlus
Haiku by The Khromatiks, for Electric Violin & Loop Station
Electric Violin,Instrumental Solo - Level 4 - Digital Download SKU: A0.845981 Compo…
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Electric Violin,Instrumental Solo - Level 4 - Digital Download SKU: A0.845981 Composed by Kayleigh Moyer, Kyle Pudenz, and The Khromatiks. 20th Century,Contemporary,Jazz,New Age. Individual part. 8 pages. ViolinVagabond Music #6017039. Published by ViolinVagabond Music (A0.845981). This is a loop station composition for electric violin that I composed for my live-looping duo, The Khromatiks, in 2014. Doing my part to increase the available repertoire for extended range violins out here on the internet!I originally recorded this tune on a 7-string electric violin with a Boomerang III loop station. That being said, there are plenty of other gear configurations that will work. Any phrase looper/sampler that is capable of playing 3 separate tracks or sections with overdubs will be able to handle this structure, such as the Singular Sound Aeros, Ableton Live with a MIDI controller, etc. If you don't play 7-string, a 5-string can also play this chart as written if you use an octave pedal to record the low bass lines. A standard 4-string can also work, although some phrases will have to be transposed 8va.A little about this tune: a Haiku is characterized by a pattern of 5-7-5 syllables, and in this piece that refers to the meters used in each of the overarching sections. The ambient intro in 5/8 involves a quartal ostinato with long sweeping volume swells, which then develops into a pizzicato groove in 7/8. This groove forms the basis for the majority of the tune, as melodies & improvised solos drift in and out over an A and B section loop. On the final B section, the loop drops out and the violinist builds up into a more distorted strum bowing groove (which accompanies a drum solo on the original recording). As the intensity builds, the 7/8 groove is shortened back into 5/8, thus completing the Haiku. The piece ends with a restatement of the original ostinato as it fades into silence using an automated volume fade on the looper pedal.With The Khromatiks this piece was performed as a duo with violin & drums/percussion, but also works as a violin solo. If you have a looper capable of syncing to a click track, you could also try adding bass or guitar/keyboards (players can read the chord symbols on the chart as a lead-sheet). The sky is the limit, feel free to get creative with it!Please, if you have questions or suggestions, feel free to contact me via my website, www.kylepudenz.com/, or on Instagram @theviolinvagabond
$7.99
7.24 €
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Kayleigh Moyer, Kyle Pudenz, and The Khromatiks
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improvised
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Haiku by The Khromatiks, for Electric Violin & Loop Station
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ViolinVagabond Music
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SheetMusicPlus
Silly Love Songs
Small Ensemble Drums,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.80…
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Small Ensemble Drums,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802642 By Wings. By Linda McCartney and Paul McCartney. Arranged by Peet du Toit. Film/TV. Score and parts. 36 pages. Peet du Toit #6115473. Published by Peet du Toit (A0.802642). Silly Love Songs is a song written by Paul McCartney and Linda McCartney and performed by Wings. The song appears on the 1976 album Wings at the Speed of Sound. It was also released as a single in 1976, backed with Cook of the House. The song, written in response to John Lennon and music critics accusing McCartney of predominantly writing silly love songs and sentimental slush, also features disco overtones.The song was McCartney's 27th number one as a songwriter; the all-time record for the most number one hits achieved by a songwriter.With this song, McCartney became the first person to have a year-end No. 1 song as a member of two distinct acts. McCartney previously hit No. 1 in the year-end Billboard chart as a member of the Beatles with I Want to Hold Your Hand in 1964 and Hey Jude in 1968.Silly Love Songs has since appeared on multiple McCartney greatest hits compilations, including Wings Greatest and All the Best!. The song has also appeared on the Hits section of the compilation album Wingspan: Hits and History. Despite its popularity, McCartney has not performed the song live since the dissolution of Wings.Silly Love Songs was written as a rebuttal to music critics (as well as John Lennon) who had criticized McCartney for writing lightweight love songs. Author Tim Riley suggests that in the song, McCartney is inviting his audience to have a laugh on him, as Elvis Presley had sometimes done. But over the years people have said, Aw, he sings love songs, he writes love songs, he's so soppy at times. I thought, Well, I know what they mean, but, people have been doing love songs forever. I like 'em, other people like 'em, and there's a lot of people I love -- I'm lucky enough to have that in my life. So the idea was that you may call them silly, but what's wrong with that? The song was, in a way, to answer people who just accuse me of being soppy. The nice payoff now is that a lot of the people I meet who are at the age where they've just got a couple of kids and have grown up a bit, settling down, they'll say to me, I thought you were really soppy for years, but I get it now! I see what you were doing! - Paul McCartney, Billboard Enjoy my brassy version of Silly Love Songs
$22.00
19.95 €
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Wings
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Silly Love Songs
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Peet du Toit
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SheetMusicPlus
Twinkle Twinkle Little Clown - Brass Quintet
Brass Quintet Bass Trombone,Cornet,Euphonium,Flugelhorn,Tuba - Level 3 - Digital Download …
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Brass Quintet Bass Trombone,Cornet,Euphonium,Flugelhorn,Tuba - Level 3 - Digital Download SKU: A0.1003225 Composed by Martyn C Adams. Contemporary,Holiday,Jazz,Patriotic,Standards. 41 pages. Martyn C Adams #6065119. Published by Martyn C Adams (A0.1003225). This is a fun jazzy piece of music that tells a story of a clown. The story: -The clown is getting ready feeling nervous and excited, this feeling should come across in the solo Trombone part at the beginning, with the part in the upper range of the Trombone; making good use of vibrato and glissandos.The clown makes his entrance into the ring and begins to perform various tricks.The clown walks off the stage and his true feelings and emotions are revealed, waiting expectantly for their applause, he wonders what he could have done better.Hearing the cheering and applause, the clown jumps back into the ring for their final act!Style: -Trombones encouraged to add additional glissandos that work.Stage Performance: -I encourage any additional acting to support and tell the story. Whether that be dressing up, acting like a clown or general stage movement.
$5.99
5.43 €
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Martyn C Adams
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Twinkle Twinkle Little Clown - Brass Quintet
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Martyn C Adams
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SheetMusicPlus
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