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1
Four Favorite Hymns from the Movie - "Stars In My Crown"
Instrumental Duet,Piano B-Flat Clarinet,Flute,Instrumental Duet,Piano - Level 2 - Digital …
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Instrumental Duet,Piano B-Flat Clarinet,Flute,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.1180477 Composed by John R. Sweeny, Robert Lowery, Robert Robinson, John Wyeth. Arranged by Ginny Saltzman. 19th Century,Christian,Praise & Worship,Religious. 12 pages. Ginny's House of Music #780380. Published by Ginny's House of Music (A0.1180477). These are the 4 hymns in the colorized movie Stars in My Crown.(1) Will There Be Any Stars in My Crown? - An old favorite simplified hymn arrangement on Late Elementary-Early Intermediate Level, in the Key of G, with lyrics and Guitar chords included. From the scriptures Daniel 12:3 And they that be wise shall shine as the brightness of the firmament; and they that turn many to righteousness as the stars for ever and ever. 1 Peter 5:4 And when the chief Shepherd shall appear, ye shall receive a crown of glory that fadeth not away. 1 Thessalonians 2:19-20 For what is our hope, or joy, or crown of rejoicing? Are not even ye in the presence of our Lord Jesus Christ at his coming? For ye are our glory and joy.(2) Shall We Gather At The River? - An old favorite hymn with simplified Early Intermediate Level Piano Accompaniment, Lyrics, and Guitar chords. Very special arrangement with duet notation using the Violin and Flute. From the scriptures Revelation 22: 1 And he shewed me a pure river of water of life, clear as crystal, proceeding out of the throne of God and of the Lamb. 2 In the midst of the street of it, and on either side of the river, was there the tree of life, which bare twelve manner of fruits, and yielded her fruit every month: and the leaves of the tree were for the healing of the nations.(3) Beulah Land - An old favorite hymn with simplified Late Elementary - Early Intermediate Level Piano Accompaniment, Lyrics, in the Key of G. From the scriptures Deuteronomy 8: 7 For the Lord thy God bringeth thee into a good land, a land of brooks of water, of fountains and depths that spring out of valleys and hills; 8 A land of wheat, and barley, and vines, and fig trees, and pomegranates; a land of oil olive, and honey; 9 A land wherein thou shalt eat bread without scarceness, thou shalt not lack any thing in it; a land whose stones are iron, and out of whose hills thou mayest dig brass. 10 ¶ When thou hast eaten and art full, then thou shalt bless the Lord thy God for the good land which he hath given thee. Isaiah 33:17 Thine eyes shall see the king in his beauty: they shall behold the land that is very far off.(4) Come Thou Fount of Every Blessing - An old favorite hymn in the Key of C, with simplified Early Intermediate Level Piano Accompaniment, Lyrics, and additional melody with the Bb Clarinet. From the scriptures 1 Corinthians 15:10 But by the grace of God I am what I am: and his grace which was bestowed upon me was not in vain; but I laboured more abundantly than they all: yet not I, but the grace of God which was with me.1 Samuel 7 :12 Then Samuel took a stone, and set it between Mizpeh and Shen, and called the name of it Eben-ezer, saying, Hitherto hath the Lord helped us.
$7.99
7.34 €
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John R
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Four Favorite Hymns from the Movie - "Stars In My Crown"
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Ginny's House of Music
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SheetMusicPlus
Heather On The Hill
Guitar - Level 1 - Digital Download SKU: A0.1372132 By Nathan Evans. By Alan Jukes,…
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Guitar - Level 1 - Digital Download SKU: A0.1372132 By Nathan Evans. By Alan Jukes, Lewis Gardiner, Nathan Evans, and Stephen Jukes. Arranged by Barry McCormick. Celtic,Folk,Irish,Pop,Singer/Songwriter,Wedding. Chords/Lyrics. 5 pages. B. McCormick #956375. Published by B. McCormick (A0.1372132). If you love Nathan Evans and his catchy Scottish folk songs, you'll want to get your hands on this digital sheet music download of his new song Heather on the Hill. This song is a romantic ballad about a young man who falls in love with a lass as bonny as the heather on the hill. It's from his debut album 1994, which was released on January 5, 2024 and has already topped the charts in the UK and beyond.This digital sheet music download is a lead sheet that contains instrumental notation, guitar chords and tabbed intro, giving you the most information about the song in the least amount of pages. You can use it to play along with Nathan's original recording or to create your own version of the song. Whether you want to perform it at a pub, a wedding, a festival or just for fun, this sheet music will help you capture the spirit and charm of Nathan's music.The digital sheet music download also comes with performance notes that give you tips and tricks on how to play the song like Nathan Evans. It gives insight into how the music is arranged, alternative ways to play the guitar chords, something that everyone using it can get the most out of the music as well as giving some tips. You can download this digital sheet music instantly after purchase and print it at home or access it on any device. You'll also get a free preview of the first page before you buy, so you can see if it suits your skill level and style. Don't miss this opportunity to enjoy one of Nathan Evans' most popular songs in your own way. Order your digital sheet music download of Heather on the Hill today and start playing!
$3.99
3.66 €
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Nathan Evans
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Heather On The Hill
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B. McCormick
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SheetMusicPlus
Pitch Only - Treble Clef (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,Englis…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - Digital Download SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00
9.18 €
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Nathan Petitpas - Dots and Beams
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Pitch Only - Treble Clef
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Dots and Beams
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SheetMusicPlus
Pitch Only - Bass Clef (Sight Reading Exercise Book)
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,…
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Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Piano,Timpani,Trombone,Tuba,Voice - Level 2 - Digital Download SKU: A0.931838 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313621. Published by Dots and Beams (A0.931838). This book provides its user with a series of notes on a bass staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above and below the staff extend to the space just beyond the fourth ledger line. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls.As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years and still find a valuable way to use them.
$10.00
9.18 €
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Nathan Petitpas - Dots and Beams
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Pitch Only - Bass Clef
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Dots and Beams
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SheetMusicPlus
The Hammer and the Nail - in bass clef - A Good Friday Song
Small Ensemble Bass Voice,Piano,Tenor Voice - Level 2 - Digital Download SKU: A0.801045…
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Small Ensemble Bass Voice,Piano,Tenor Voice - Level 2 - Digital Download SKU: A0.801045 Composed by Connie Boss. Easter,Sacred. Score and parts. 4 pages. Connie Boss #4285309. Published by Connie Boss (A0.801045). A song for Good Friday. I have one out there in treble clef. This one is in bass clef for men to sing it. It has piano accompaniment and guitar chords as well as written in duet. The ending is unique (my mp3 doesn't show it because I couldn't get it to play it right) but after Pound # 11 I'm no longer breathin', it ends in complete silence at that point.The attached video is in SA and cello. Questions or requests, email cdboss@cvalley.netLyrics:Refrain: How can it be, the pain that I feel, pounding through my hands be from the hammer and the nail? When as a child, so young, but aware, I watched Joseph use the hammer and the nail. To create things that were so beautiful. How can this pain be from the hammer and the nail? Verse Pound #1 What have I done Pound #2 They know not what they do Pound #3 I’m shaking in my knees Pound #4 Leads to many more Refrain: Verse Pound #5 I’m barely alive Pound #6 They poke me with a stick Pound #7 Soon I’ll be in heaven Pound #8 I’m feeling faint Refrain: Pound #9 I’m dying inside Pound #10 Father please forgive them Pound #11 I’m no longer breathin’.
$5.50
5.05 €
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Connie Boss
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The Hammer and the Nail - in bass clef - A Good Friday Song
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Connie Boss
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SheetMusicPlus
Valentine Serenade (for Oboe, Bassoon and Piano)
Small Ensemble Bassoon,Double Bass,Oboe,Piano Accompaniment - Level 3 - Digital Download
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Small Ensemble Bassoon,Double Bass,Oboe,Piano Accompaniment - Level 3 - Digital Download SKU: A0.522200 Composed by Colin Kirkpatrick. Holiday,Instructional,Love,Standards,Wedding. Score and parts. 11 pages. Colin Kirkpatrick Publications #3408229. Published by Colin Kirkpatrick Publications (A0.522200). Valentine Serenade is a delightful pastoral piece which would be an effective encore or program item for any occasion. It would of course be especially appropriate for birthdays or any musical occasion around Valentine’s Day. Scored for oboe, bassoon and piano with an optional double bass part or bass guitar (including guitar chords), this 3/4 piece is in E flat major but ventures through many other keys as it wends its way along. The piano and bass parts have been purposely kept as simple as possible but the oboe and bassoon parts are for players who are comfortable with chromatic notes, especially in the short middle section. The oboe part has a range from D4 (one note above middle C) to Bb5 (just above the treble staff) and the bassoon part has a range of B2 (second line of the bass staff) to E4 (two notes above middle C). With a running time of just over two minutes this romantic piece with its rich harmonies is sure to charm audiences and give the woodwind excellent practice in developing a smooth singing tone quality. 
$5.99
5.5 €
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Colin Kirkpatrick
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Valentine Serenade
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Colin Kirkpatrick Publications
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SheetMusicPlus
A Bar Song (Tipsy)
C Instrument - Level 2 - Digital Download SKU: A0.1475308 By Shaboozey. By Chibueze…
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C Instrument - Level 2 - Digital Download SKU: A0.1475308 By Shaboozey. By Chibueze Collins Obinna, Collins Obinna Chibueze, Jerrell Jones, Joe Anthony Kent, Mark Allen Williams, Nevin Sastry, and Sean Cook. Arranged by Barry McCormick. Country,Pop,Singer/Songwriter. Lead Sheet / Fake Book. 5 pages. B. McCormick #1052851. Published by B. McCormick (A0.1475308). “A Bar Song (Tipsy)” Lead Sheet and Guitar Chord Sheet Our Lead Sheet and Guitar Chord Sheet for “A Bar Song (Tipsy)” provide a concise yet comprehensive way to perform this lively track. Here’s what you’ll find: Lead Sheet: Melody and Chords: The melody is notated alongside guitar chords, making it easy for singers and instrumentalists to follow. Strumming Pattern: We’ve included the suggested strumming pattern to capture the song’s rhythm. Key Parts: Important sections, including the prominent Fiddle/Violin part in the chorus, are clearly marked. Differentiation: Vocal melody notes are distinguished using small noteheads. Guitar Chord Sheet: Bonus for Guitarists: The chord sheet complements the Lead Sheet, providing guitar players with an alternative way to play the song. Strumming Rhythm with Arrows: Instead of standard notation, we’ve used arrows to convey the strumming rhythm. This accommodates different learning styles. Capo Chords: Gives the Capo Chord version for eaier chords. Accessibility: Whether you’re a beginner or an experienced musician, this arrangement ensures accessibility and ease of learning. Who is this for?: Educators and Pupils: Music Teachers: Use the Lead Sheet for classroom instruction and group practice. Students: Quickly grasp the core of the song for performances. Solo Performers and Ensembles: Singers: Perform the melody confidently with chord support. Guitarists: Explore the chord sheet for an alternative approach. Unleash the spirit of ‘A Bar Song (Tipsy)’ with our Lead Sheet and Guitar Chord Sheet. Simplify learning, enhance performances, and enjoy making music!
$3.99
3.66 €
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Shaboozey
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A Bar Song
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B. McCormick
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SheetMusicPlus
Mediterraneo - Score Only
Level 2 - Digital Download SKU: A0.1372693 By Alicia DomÃnguez Arcos Sonay. By J…
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Level 2 - Digital Download SKU: A0.1372693 By Alicia DomÃnguez Arcos Sonay. By Joan Manuel Serrat. Arranged by Alicia DomÃnguez Arcos. Film/TV,Multicultural,Pop,Praise & Worship,Singer/Songwriter,World. 30 pages. Alicia Dominguez #957004. Published by Alicia Dominguez (A0.1372693). In these 112 measures for the twinning of Istanbul-Algeciras I have wanted to incorporate concepts from both parties, with the respect that the composition of Don Joan Manuel Serrat deserves in which in 1970 he sang “Mare Nostrum†(Nostrum mare more correctly in Latin classic, being one of the popular anthems of Spain and therefore a cultural heritage. Therefore it can be used instrumentally or if required, there is a number in the score of which, although the guitar has a melody and one of the choral voices, with two guitars, or make two choral voices or join with your own melody, use both bowed string instruments and plucked strings, etc.Likewise, there are two voices, of which a single voice can use the phrasings of both one voice and the other, giving it its own personality.The tempo will be whatever the interpretation itself wants, much slower, without accelerating so much between the beginning and the moment of the song itself. I have incorporated some instruments into the arrangement as examples:Buzukibouzouki, like the sazturco and the Lebanese Buzuq, which belong to the same family of Buzuki instruments.And as percussion only percussion The Turkish Darbuka is a percussion musical instrument The Turkish Darbuka is a percussion musical instrument from Turkey. The Turkish Darbuka have a high range of low and high resonant tones that sound between the two registers; serious (Dum) and acute (Tek). The edge or lip allows for finger breaking techniques that are not possible in the Egyptian Darbuka.And the Tombak, also called Dombak Ozarb, is a chalice-shaped drum, traditionally built with a hollowed-out biker or walnut trunk covered with skin at one end.With the beginning and among the work itself I wanted to give place to the Bashraf (Turkish Pesrev and Persian Pishraw, which means Overture) and the Sama'i (Turkish Sam Semai) Instrumental genre that is used in the Turkish court and in Sufi music . They were introduced into the Arab world before the 19th century.And also give place in his forms to the Ottoman composer Ismail Hakkibei (1866-1927). Unite Serrat with Hakkibey with this Istanbul-Algeciras work.Although the Bashraf is always made up of four points, Khanat (Plural Dekhana) or Hanne in Turkish, which are always followed by a chorus (Taslim / Teslim), its structure being Khana 1+ Taslim, Khana 2, Khana 3+ Taslim, Khana 4 + Taslim.The fragments must be incorporated since the main base is the Mediterranean pop theme. For this reason, its original rhythm is the Defâhte (In Arabic, Faakhito Fahitah Turki. Being a 20/4 time signature subdivided into 5 sub-groups of 4/4 where the complete cycle coincides with the phrases of the theme. Without forgetting that in music Arabic with the oriental rhythm Lsaada Duyukde 8/8 making a cycle for each measure of 4/4, that is, cycles per phrase, if those written for Western reading in 4/4 with double durations and simplicity. Unit of time: quarter note , coincides in two phrases of 5 measures per staff for a better understanding of the form of the piece, also within a written Arabic version of the theme the unit of time is eighth note 8/8 in G, but it had to be incorporated into Mediterráneo and it is always It is more feasible to think of the human voice as being more limited than instrumentation such as flute, plucked leather instruments, and bowed string instruments.Instrumentation:FluteGuitar 1 (1st voice melody)Guitar 2 (2nd voice melody)Bass (accompaniment and chords)BuzukiSazDarbukaTombakVoice 1st2nd voiceSMATB Voices1st violin2nd violinViolaCellosDouble basses.
$9.00
8.26 €
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Alicia DomÃnguez Arcos Sonay
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serious (Dum) and acute (Tek)
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Mediterraneo - Score Only
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Alicia Dominguez
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SheetMusicPlus
The John Dunbar Theme
Guitar - Level 3 - Digital Download SKU: A0.1311836 Composed by John Barry. Arrange…
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Guitar - Level 3 - Digital Download SKU: A0.1311836 Composed by John Barry. Arranged by Derek Hasted. Film/TV. 21 pages. Derek Hasted #900771. Published by Derek Hasted (A0.1311836). JOHN DUNBAR'S THEME (Dances With Wolves) - 4 GUITARS/LARGE ENSEMBLEPrimarily for Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This theme, from the film 'Dances With Wolves' is widely admired as a charming and powerful melody.It will make a wonderful item for a concert.My arrangement is based on track 4 of the official Soundtrack CD. It’s very slow, and lasts just over three and a half minutes - be sure not to rush this lovely piece and its haunting descant in the final Verse.The key is just a semitone lower than the original, and two guitars are tuned to 6=D to give a rich deep bass that maximises the sustain that guitars can achieve.Guitar 1 plays the part of the high descant in the original.Guitar 2 is the tune, and if you have more than 4 players, there is an optional divisi part (Guitar 2a) that helps reinforce the beautiful melody.Guitar 3 is arpeggio based, to help the sustain and to ease the counting of the beats.Guitar 4 has thick chords which should be rolled (but not strummed) to add to the majesty of the music.I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99
4.58 €
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John Barry
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The John Dunbar Theme
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Derek Hasted
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SheetMusicPlus
Valentine Serenade (for Oboe, B flat Clarinet and Piano)
Small Ensemble Clarinet,Double Bass,Guitar,Oboe,Piano Accompaniment - Level 4 - Digital Do…
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Small Ensemble Clarinet,Double Bass,Guitar,Oboe,Piano Accompaniment - Level 4 - Digital Download SKU: A0.522197 Composed by Colin Kirkpatrick. Holiday,Love,Wedding. Score and parts. 11 pages. Colin Kirkpatrick Publications #3406681. Published by Colin Kirkpatrick Publications (A0.522197). Valentine Serenade is a delightful pastoral piece which would be an effective encore or program item for any occasion. It would of course be especially appropriate for any musical occasion around Valentine’s Day. Scored for oboe, clarinet in B flat and piano with an optional double bass/bass guitar part (including guitar chords), this 3/4 piece is in F major but ventures through many other keys as it wends its way along. The piano part has been purposely kept as simple as possible but the oboe and clarinet parts are for players who are comfortable with chromatic notes, especially in the short middle section. With a running time of just over two minutes this romantic piece is sure to charm audiences and give the woodwind excellent practice in developing a smooth singing tone quality. The single PDF file contains the four-page piano score as well as parts for oboe, clarinet and double bass (or bass guitar)
$5.99
5.5 €
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Colin Kirkpatrick
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Valentine Serenade
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Colin Kirkpatrick Publications
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SheetMusicPlus
Valentine Serenade (for Flute, B flat Clarinet and Piano)
Small Ensemble Clarinet,Double Bass,Flute,Guitar,Piano Accompaniment - Level 4 - Digital D…
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Small Ensemble Clarinet,Double Bass,Flute,Guitar,Piano Accompaniment - Level 4 - Digital Download SKU: A0.522198 Composed by Colin Kirkpatrick. Concert,Holiday,Love,Wedding. Score and parts. 11 pages. Colin Kirkpatrick Publications #3406685. Published by Colin Kirkpatrick Publications (A0.522198). Valentine Serenade is a delightful pastoral piece which would be an effective encore or program item for any occasion. It would of course be especially appropriate for any musical occasion around Valentine’s Day. Scored for flute, clarinet in B flat and piano with an optional double bass part or bass guitar (including guitar chords), this 3/4 piece is in F major but ventures through many other keys as it wends its way along. The piano and bass parts have been purposely kept as simple as possible but the flute and clarinet parts are for players who are comfortable with chromatic notes, especially in the short middle section. With a running time of just over two minutes this romantic piece is sure to charm audiences and give the woodwind excellent practice in developing a smooth singing tone quality. 
$5.99
5.5 €
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Colin Kirkpatrick
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Valentine Serenade
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Colin Kirkpatrick Publications
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SheetMusicPlus
Your Gift
Small Ensemble Guitar,Piano,Voice - Level 3 - Digital Download SKU: A0.919389 Compo…
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Small Ensemble Guitar,Piano,Voice - Level 3 - Digital Download SKU: A0.919389 Composed by Stephen C. Jones. Christian,Holiday,Pop,Wedding. Score and parts. 9 pages. Stephen Jones #6431881. Published by Stephen Jones (A0.919389). Your Gift is a vocal duet expressing thankfulness to a God that takes away but also gives. It is useful in both sacred and secular (non-religious) occasions, particularly weddings and anniversaries. It is truly a special love song and a perfect gift for your beloved. It is easily adaptable to be accompanied with piano, guitar, bass and drums (bassist can read the guitar chords). There is no written drum part but the music has an easy pop feel.
$4.99
4.58 €
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Stephen C
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Your Gift
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Stephen Jones
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SheetMusicPlus
Get Back
Guitar Ensemble - Level 4 - Digital Download SKU: A0.1464402 By The Beatles. By Joh…
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Guitar Ensemble - Level 4 - Digital Download SKU: A0.1464402 By The Beatles. By John Lennon and Paul McCartney. Arranged by Harry O'Brien. 20th Century,Blues,Pop,Rock. Score and Parts. 14 pages. Harry O'Brien #1043125. Published by Harry O'Brien (A0.1464402). An Intermediate/advanced 4 piece guitar ensemble arrangement of The Beatles' 1969 hit song, Get Back. A fun way to engage a group of guitarists to play classic repertoire - where they all have turns of playing, melody, chords, backing parts and solos.The arrangement for 3 guitars and 1 bass creatively arranges the rock song into a small guitar ensemble, and can be played by either a quartet, or an ensemble with multiple players per part. It would suit a high school guitar ensemble or similar. Includes space for improvised soloing over a simple chord progression.Comes with Full Score and parts for the following instruments:Guitar IGuitar IIGuitar IIIElectric Bass (can be substituted by a fourth guitar)About the arranger:Harry O'Brien is an emerging composer, arranger, guitarist and music educator in Sydney, Australia. His rock/jazz performance background, orchestral and film composition studies at Sydney Conservatorium, along with being an experienced conductor/director of school-level concert bands and guitar ensembles, give him a highly versatile and distinct arranging sound, one which understands the role every instrument can play in a school band. Arrangements for professional orchestras have been performed in venues around Australia including the State Theatre and Her Majesty's Theatre Adelaide. Website: https://obrienharry08.wixsite.com/music
$45.00
41.32 €
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The Beatles
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Get Back
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Harry O'Brien
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SheetMusicPlus
Better Days
Small Ensemble,Strings Bass Guitar,Cello,Drum Set,Viola,Violin - Level 5 - Digital Downloa…
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Small Ensemble,Strings Bass Guitar,Cello,Drum Set,Viola,Violin - Level 5 - Digital Download SKU: A0.845978 By OneRepublic. By Brent Kutzle, John Nathaniel, and Ryan Tedder. Arranged by Kyle Pudenz. Contemporary,Pop,Rock. Score and parts. 56 pages. ViolinVagabond Music #5739325. Published by ViolinVagabond Music (A0.845978). Whether you are a tried and true OneRepublic fan looking to add to your ensemble's catalog, a struggling musician hoping for Better Days, or simply want to create a little social media buzz by playing that song that you saw in a commercial about a Jeep, or ESPN, or NBC... THIS is the chart you are looking for!Check out Dallas String Quartet performing this arrangement in their latest music video: https://youtu.be/BBEdsXRELywWhat you have here, ladies & gentlemen, is no half-baked attempt at a transcription that you might find illegally floating around the internet for a few bucks. This meticulously-arranged instrumental reimagining of OneRepublic's new smash is much, MUCH more. Your journey through the pop-string realm starts out with a silky, cinematic intro that will filter out the commotion of your futile existence, opening the curtains to reveal a plane of pure musical ecstasy. When the groove finally drops, and OH, does it DROP... you will not be able to stop yourself from foot-tapping, head-banging, or otherwise moving one or more body parts in a definitively rhythmic fashion. Hip rhythmic chopping grooves, fingerboard slaps, and a healthy dose of syncopation will take this sick beat to another level! And if that isn't enough to pique your interest, be on the lookout for some sexy reharminizations throughout the tune that will make you honestly wonder why those chords weren't in the song to begin with...Just when you thought this couldn't get any better: THERE IS A SOLO SECTION!! I've included some written solos, but if you prefer to improvise your own, that is allowed and encouraged. You can also vamp it if you need to kill a little time, or just want to show off for a few more bars.This version of the score includes optional RHYTHM SECTION PARTS for guitar, bass, & drum set in addition to the standard string quartet. To be clear, you do not have to perform this chart with bass and drums. I have gone to great pains to ensure that, with proper preparation, a string quartet performance will sound every bit as groovy as a full 7-piece band. So if you try to play this without a drummer and it doesn't go well, I don't want to hear about it. Go practice.Having a great ensemble may be the first step to successfully landing the big gigs, but having repertoire that gives your musicians the chance to shine will make you stand out from the rest. So don't settle for reading off of a piano score or hacking through questionably-obtained transcriptions when you can have the real deal. Fresh tunes, arranged by a real string player who has been in your shoes and knows how to wow the crowd!Thanks for visiting, and I hope this chart brings us all to some Better DaysPerformance time - 4:00 as written, longer if you vamp the solo, shorter if you cut the intro. Because I get it; we all need flexibility when wedding parties and/or emcee's are involved.Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond
$24.99
22.95 €
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OneRepublic
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Better Days
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ViolinVagabond Music
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SheetMusicPlus
Foot Tapper
Guitar - Level 2 - Digital Download SKU: A0.1383550 By The Shadows. By Bruce Welch …
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Guitar - Level 2 - Digital Download SKU: A0.1383550 By The Shadows. By Bruce Welch and Hank Marvin. Arranged by Derek Hasted. Pop,Rock. 23 pages. Derek Hasted #968000. Published by Derek Hasted (A0.1383550). FOOT TAPPER (The Shadows) - 3 GUITARS or LARGE ENSEMBLEFor Classical Guitar - also suits Acoustic Guitar or Electric GuitarDerek Hasted writes It’s a bit of a blast from the past, but this is a really “under-the-fingers†piece that lives up to its name.My arrangement for 3 early intermediate guitars is devoid of the drum part, so a few extra notes have been added and a few empty bars removed, so that continuity is assured where the short drum breaks of the original took place.That apart, the speed, the key and the structure of the original are all here.Guitar 1 is the tune, and I’ve lifted it up an octave in the slow section so it’s easier to hear amongst the strummed chords, which can be quite heavy sounding on a classical guitar.Guitar 2 is the rhythm guitar part - all the chords are named, so that a school ensemble teacher, for example, can suggest 3- or 4-string versions of the big chords here. And you may find the usual first position G chord is less tiring than the barré version here, though it will sound a little bass-heavy.Either or both of the treble clef and bass clef versions of Guitar 3 can be played. In a large ensemble, having both will give a bigger sound.This exudes foot tapping happiness…I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99
4.58 €
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The Shadows
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Foot Tapper
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Derek Hasted
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SheetMusicPlus
Let's Go! (for saxes and piano)
Small Ensemble Alto Saxophone,Double Bass,Guitar,Piano Accompaniment,Tenor Saxophone - Lev…
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Small Ensemble Alto Saxophone,Double Bass,Guitar,Piano Accompaniment,Tenor Saxophone - Level 3 - Digital Download SKU: A0.522196 Composed by Colin Kirkpatrick. Concert,Holiday,Jazz,Latin,Patriotic,Wedding. Score and parts. 35 pages. Colin Kirkpatrick Publications #3397237. Published by Colin Kirkpatrick Publications (A0.522196). Three numbers in popular style for two alto saxes and piano (or alto and tenor) with optional part for guitar and/or bass.These pieces are in jazz and Latin styles and are intended for intermediate students. They’re ideal for an end-of-term concert or recital but would be useful for any festive occasion or celebration. The 13-page piano score also includes the saxophone parts. The highest note in the 1st sax part is (written) C6 and that in the 2nd sax part is A6. Both parts avoid low D and C. Five-page parts for the two E flat alto saxophones are provided as well as an optional part for tenor sax, which is exactly the same part as the 2nd saxophone. In the piano parts the improvisation chords are shown only in the 1st alto part purely for the sake of visual tidiness, but they appear in all the saxophone parts so that any participant can offer an improvised solo. The guitar and bass parts are combined and the bass part is similar to the left hand of the piano part. All five parts are presented in a single PDF file. An MP3 file of all the piano accompaniments is also available as a separate item. You can find it here: https://www.sheetmusicplus.com/title/20679812 1. Hit the Town This is an entertaining swinger in the concert key of E flat and 4/4 time. It uses “jazz†eighth notes (quavers) and would be good introduction to playing in a jazz style. The improvisation section can be repeated as often as required. 2. Cool company A slow number in F major in a Latin-American style, this gives the opportunity to practise a soft singing tone-quality. There is one short section for improvising. 3. Freeway Written in 3/4 time in B flat, this jazzy waltz also uses “jazz†eighth notes (quavers) and the improvisation section can be repeated as often as required.
$6.99
6.42 €
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Colin Kirkpatrick
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Let's Go!
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Colin Kirkpatrick Publications
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SheetMusicPlus
"God Is So Good" for Tongue Drum (8-note, C major diatonic scale)
Instrumental Duet Hand Drum,Handpan,Instrumental Duet - Level 1 - Digital Download SKU:…
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Instrumental Duet Hand Drum,Handpan,Instrumental Duet - Level 1 - Digital Download SKU: A0.569893 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Children,Christian,Folk,Multicultural,Sacred,World. Score and parts. 11 pages. Sharon Wilson #6641757. Published by Sharon Wilson (A0.569893). Note: the audio sample uses the Grand Staff #2 score (melody played on a 6-inch, 8-note Tongue drum and chords played on a 12-inch, 13-note Drum); the YouTube video uses the Grand Staff #1 score with both parts played on the 12-inch drumHere is an easy song to play on a key of C Tongue Drum (8, 11, or 13-note drums). This sheet music is notated for an 8-note, C major diatonic scale Tongue Drum (sometimes called a Hand Drum or Steel Drum). Whether beginner or experienced musician, this set of scores can be used in numerous ways from solo playing to playing with a partner or as a group. A note and chord reference chart is included as well as a rhythm pattern chart. Descriptions, suggestions, and uses for each score and chart are detailed on the introduction page and summarized below:Grand Staff #1This score combines the melody staff with the chord staff. The top staff is the melody staff and shows the notes used to play the melody. Those new to reading standard music notation as well as those already familiar with music notation will find the numbers above the staff helpful. These numbers correspond to the numbers on the Tongue Drum. The bottom staff uses Rhythm #1 and consists of 2-note chords that harmonize with the melody. These simplified chords follow the beat making it easy to accompany yourself or someone else singing the melody. Lyrics between the staves are provided for sing along enjoymentGrand Staff #2This score is identical to Grand Staff #1 except it shows an alternate rhythm pattern on the bottom staff. This alternate accompaniment uses the same chords, but follows a variation of Rhythm #2. Melody ScoreThis score can be played as a solo or with accompaniment using the chord names. Chord names are shown above the staff and note numbers are shown below the lyrics. Chord names can be used when playing with other instruments such as a Ukulele or Guitar. Note and Chord ChartThis chart consists of two separate staff rows. The first staff shows the notes used for the melody. The second staff shows the notes in each chord used in this song. Any combination of the notes within a given chord can be played using one of the rhythm patterns. The chord names are shown above the staff. The corresponding Tongue Drum numbers are shown below the staff.Rhythm ChartThis chart shows four rhythm patterns that can be used as an accompaniment for the melody. Using the Melody Score, follow the chord names above the melody staff to play notes from the given chord using one of the rhythm patterns.Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$3.99
3.66 €
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Sharon Wilson
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"God Is So Good" for Tongue Drum
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Sharon Wilson
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SheetMusicPlus
Ungaresca & Almande Poussinghe (Recueil de Danseries, 1583)
String Ensemble - Level 2 - Digital Download SKU: A0.1041170 Composed by Pierre Pha…
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String Ensemble - Level 2 - Digital Download SKU: A0.1041170 Composed by Pierre Phalèse Jnr. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 18 pages. Colin Kirkpatrick Publications #645901. Published by Colin Kirkpatrick Publications (A0.1041170). These two dances are taken from a collection entitled Recueil de danseries, contenant presque toutes sortes de danses (“Collection of dances, containing almost every kind of dancesâ€) published in Antwerp in 1583 by Pierre Phalèse Jnr (c.1545-1629). He was continuing the work of his father Pierre Phalèse the Elder (1510-1575) the most important publisher in the Low Countries during the 16th century. The piece known as Ungaresca evokes the atmosphere of street music rather than that of the court and the drone accompaniment that Phalèse provides suggests the sound of the peasant bagpipes. As the name implies, the dance came from Hungary though it may have simply been a dance in the Hungarian style. Even so, the melody was tremendously popular during the fifteenth century though the author is unknown. The dance calls for a lively performance, and you can use plenty of percussion to enliven it. This music was meant for dancing and entertainment and musicians would often combine several dances to make a more substantial piece. In this arrangement, the rather wild Ungaresca is paired with the stately Almande Poussinghe. The music would have been played by any instruments that happened to be available. The dances still retain their freshness and charm today and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting various instruments for certain sections. The audio demo will give you an idea how this might be achieved. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A digital or acoustic harpsichord sounds more authentic than a piano. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used (but feel free to add more) and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$9.99
9.17 €
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Pierre Phalèse Jnr
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Ungaresca & Almande Poussinghe
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Colin Kirkpatrick Publications
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SheetMusicPlus
Time Off (for saxes and piano)
Small Ensemble Alto Saxophone,Double Bass,Guitar,Piano Accompaniment,Tenor Saxophone - Lev…
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Small Ensemble Alto Saxophone,Double Bass,Guitar,Piano Accompaniment,Tenor Saxophone - Level 3 - Digital Download SKU: A0.522199 Composed by Colin Kirkpatrick. Concert,Holiday,Jazz,Latin. Score and parts. 37 pages. Colin Kirkpatrick Publications #3407717. Published by Colin Kirkpatrick Publications (A0.522199). These pieces are in jazz and Latin styles and are intended for intermediate students. This is a companion set to Let’s Go! but the music is technically more challenging. The pieces are intended for an end-of-term concert or recital but would be useful for any light hearted occasion. The 15-page piano score also includes the saxophone parts. The highest note in the 1st sax part is (written) D6 and that in the 2nd sax part is C6. Five-page parts for the two E flat alto saxophones are provided as well as an optional part for tenor sax, which is exactly the same part as the 2nd saxophone. In the piano parts the improvisation chords are shown only in the 1st alto part purely for the sake of visual tidiness, but they appear in all the saxophone parts. If the participants do not feel confident enough, the improvising sections can be omitted. The optional guitar and bass parts are combined and the bass part is similar to the left hand of the piano part. An MP3 file of all the piano accompaniments is also available as a separate item. You can find it here: https://www.sheetmusicplus.com/title/20679714 All five parts are presented in a single PDF file. The three numbers are: 1. Highway South - This is a jazz style number written in 6/8 time in concert G minor. There is an improvisation section in the minor key which can be repeated as often as required. It’s a real swinger and useful for giving students the experience of working in a minor key. 2. Summer Siesta - This is a slow number in E flat major which gives the opportunity to practise a soft singing tone-quality over chromatic shifts in harmony 3. Tequila Surprise - Written in 4/4 time in E flat, this is a Latin-style fun piece that lets the participants create surprises during the empty bars. The surprises can be musical or non-musical, depending on the performance occasion and there’s an improvisation section which can be repeated as often as required. The audio sample contains all three titles. Play-along backing tracks are available here: https://www.sheetmusicplus.com/title/20679714
$6.99
6.42 €
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Colin Kirkpatrick
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Time Off
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Colin Kirkpatrick Publications
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SheetMusicPlus
Un certo non so che ( Extract from Aria Antiche. Vol. 1 )
Acoustic Guitar,Instrumental Duet,Voice - Level 4 - Digital Download SKU: A0.1291500
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Acoustic Guitar,Instrumental Duet,Voice - Level 4 - Digital Download SKU: A0.1291500 By Alessandro Parisotti. By Antonio Vivaldi. Arranged by Terry Carpenter. Baroque. 17 pages. Terry Carpenter #882141. Published by Terry Carpenter (A0.1291500). For Voice and classical guitarTranscription for classical guitar of a lyrical aria extract from volume one of the famous Aria Antiche by Alessandro Parisotti. I have added a tablature of the guitar part and the chords. Thus, no need for a piano: you can sing and accompany yourself on the beach or near the campfire!N.B. The guitar part is difficult, so I suggest you play it a little slower than the tempo given by A. Parisotti (4th = 69). The chord progression has been simplified to make the accompaniment lighter and easier.On the pdf, you will find the score, the voice part, the guitar part and a guitar and tablature part.Contact: carpentermusic@yahoo.comThe mp3 was made by musical software.
$4.99
4.58 €
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Alessandro Parisotti
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Un certo non so che
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Terry Carpenter
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SheetMusicPlus
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