Download Digital Sheet Music of He Knew

He Knew

Bass Flute,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.548712 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and individual part. 4 pages. Jmsgu3 #3411731. Published by jmsgu3 (A0.548712). Out of the DepthsÂ I Cry to You by Martin Luther arranged for bass flute & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 â€“1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Lutherâ€™s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich SchÃ¼tz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in LÃ¼beck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.

Contrabassoon,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.548727 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and individual part. 4 pages. Jmsgu3 #3411773. Published by jmsgu3 (A0.548727). Out of the DepthsÂ I Cry to YouÂ by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. Piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymnÂ composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphraseÂ of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantataÂ on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 â€“1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Lutherâ€™s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich SchÃ¼tz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in LÃ¼beck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.

Baritone Horn TC,Euphonium,Piano - Level 1 - Digital Download SKU: A0.552829 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411723. Published by jmsgu3 (A0.552829). Out of the DepthsÂ I Cry to YouÂ by Martin Luther arranged for baritone horn & piano. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. Piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymnÂ composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphraseÂ of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantataÂ on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 â€“1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Lutherâ€™s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich SchÃ¼tz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in LÃ¼beck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.

Piano Trio,String Ensemble - Level 1 - Digital Download SKU: A0.548730 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 8 pages. Jmsgu3 #3412105. Published by jmsgu3 (A0.548730). Out of the DepthsÂ I Cry to YouÂ by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 4 pg. piano part 2 pg. violin part: 1 pg. cello part: 1 pg. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymnÂ composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphraseÂ of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantataÂ on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 â€“1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Lutherâ€™s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich SchÃ¼tz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in LÃ¼beck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.

Instrumental Solo,Oboe d'Amore,Piano - Level 1 - Digital Download SKU: A0.548718 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and individual part. 4 pages. Jmsgu3 #3411751. Published by jmsgu3 (A0.548718). Out of the DepthsÂ I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 â€“1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Lutherâ€™s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich SchÃ¼tz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in LÃ¼beck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.

Instrumental Solo - Level 4 - Digital Download SKU: A0.1200054 By Floyd Cramer. By Harry Warren and Mack Gordon. Arranged by Paul W. Allen. Historic,Instructional,Jazz,Standards. Individual part. 28 pages. Allen/Myer Musicals #798864. Published by Allen/Myer Musicals (A0.1200054). This marvelous 1941 song was originally recorded as a big band/swing tune by Glenn Miller and His Orchestra and featured in the 1941 movie Sun ValleySerenade. Â It was the first song to receive a gold record, presented by RCA Victor in 1942, for sales of 1.2 million copies.Â The song was an extended production number, and became the No. 1 song across the United States on December 7, 1941, and remained at No. 1 for nine weeks on the Billboard Best Sellers chart.Â It opens up with the band, sounding like a train rolling out of the station, complete with the trumpets and trombones imitating a train whistle, before the instrumental portion comes in playing two parts of the main melody.Â This is followed by the vocal introduction of four lines before the main part of the song is heard. Â The main song opens with a dialog between a passenger and a shoeshine boy.Â The singer describes the train's route, originating from Pennsylvania Station in New York and running through Baltimore to North Carolina before reaching Chattanooga. He mentions a woman he knew from an earlier time in his life, who will be waiting for him at the station and with whom he plans to settle down for good. After the entire song is sung, the band plays two parts of the main melody as an instrumental, with the instruments imitating the WHOO WHOO of the train as the song ends.Â This is a very intriguing adaptation, with or without voice.Â The price indicated allows you to purchase ten (10) copies of the handbell version.

Harpsichord,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1488837 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 27 pages. Artaria Editions #1065691. Published by Artaria Editions (A0.1488837). Artaria Editions AE432Joseph Martin Kraus was one of the most gifted and unusual composers of the 18th century, whose talent for thematic development, colourful orchestration and theatrical flair caused Haydn to proclaim him one of only two 'geniuses' he knew (Mozart being the other one). Although Kraus's focus as a composer was mainly upon works written for the stage, he had occasion and opportunity to write a variety of works for chamber setting, including four sonatas for violin and fortepiano, and this work in D minor, was written in 1777 expressly for violin and clavicembalo, representing a different sort of piece than the more common duo sonata. It is not known for whom the work was written, but the extensive virtuosity makes it likely that it was intended either for Kraus himself or his brother Franz (1760-1790), an exceptional talent on the violin. The two-movement format is similar to Kraus's early string quartets (VB 178; Artaria Editions AE418), though in this case, the extensive sonata form first movement is followed by a through-composed one consisting of a slow pastorale (replete with bass drone in the violin) and an exotic faster section that includes material from the first movement. What makes this work interesting is the use of scordatura; the G string is to be tuned down to F, which makes it more useful from a harmonic standpoint in that the note can be used in the tonic, relative major, and all dominant-subdominant keys. The Basso part is completely figured—for this edition it has been realized by the editor - but given that Kraus specifically mentions only the keyboard instrument (clavicembalo), it is unlikely that it was performed as a continuo, i.e. with additional violoncello/contrabass, but rather was intended for harpsichord alone.Allan Badley.

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1253334 Composed by Sebastian Yradier. Arranged by Paul Johnson. 19th Century,Latin,Mariachi,Traditional. Brass Band. 26 pages. John Paulson #847041. Published by John Paulson (A0.1253334). La Paloma means 'The Dove' and was written and composed in the 1850's by the Spanish composer Sebastian Iranier (1809-1865) from the Basque region on Spain. He later became known as Sebastian Yradier and this name is used as acredit on most sheet music. La Paloma quickly became popular outside of Spain especially in Mexico, and is known around the world.Â In Zanzibar the tune is played at the ends of weddings, in Romania its sang at the ends of funerals, in Mexico its known as the 'second anthem', and in Germany as a sailors lament. Yradier died in 1865 before he knew just how popular his song would become. Great songs stand the test of time, and this one is definately in such a catorgory.La Paloma has been arranged here as a solo for Cornet or Flugelhorn with a full band accompaniment, and would be a great addition to any concert program, particularily a park or garden party engagement.La Paloma is a grade 2/3 piece with an easy listening Latin American feel to it along with an obligato passage in the soloist part.

Song of Peace for Double Reed Choir

Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.560037…(+)

Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.560037 Composed by Francois Clement Theodore Dubois. Arranged by Lisa Ochoco. 20th Century,Romantic Period. 15 pages. Lisa L Ochoco #6380831. Published by Lisa L Ochoco (A0.560037). ThÃ©odore Dubois was a French composer, organist and teacher at the Paris Conservatoire. He was a prolific composer, but his works are not as popular as some of the composers that he knew and/or taught, such as CÃ©sar Franck, Camille Saint-SaÃ«ns, or Maurice Ravel.
$12.00 10.87 € #Francois Clement Theodore Dubois #Song of Peace for Double Reed Choir #Lisa L Ochoco #SheetMusicPlus

Horn Trio

Horn in F, violin and piano - difficult - Digital Download SKU: S9.Q19147 Composed …(+)

Horn in F, violin and piano - difficult - Digital Download SKU: S9.Q19147 Composed by Huw Watkins. This edition: score and parts. Downloadable, score and parts. Duration 13 minutes. Schott Music - Digital #Q19147. Published by Schott Music - Digital (S9.Q19147). The idea to write a horn trio came to the composer (also an acclaimed pianist) after giving a concert with a horn player from the Nash Ensemble, which included the Ligeti and the Brahms horn trios. When the Nash commissioned Watkins to write a new piece, he knew he would write something for horn. The result is an inventive 12-minute work for horn, violin, and piano that alternates driving rhythmic passages with slower, contemplative music. The trio is both lyrical and impelling, typifying Watkins' clear sound. Cast in a single movement, the music maintains a subtle tension throughout, finally building to a climactic finish. A fantastic piece for ambitious players.
$33.99 30.79 € #Huw Watkins #Horn Trio #Schott Music - Digital #SheetMusicPlus

Song of Peace for Double Reed Quartet

Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.560038…(+)

Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.560038 Composed by Francois Clement Theodore Dubois. Arranged by Lisa Ochoco. 20th Century,Romantic Period. 11 pages. Lisa L Ochoco #6380833. Published by Lisa L Ochoco (A0.560038). ThÃ©odore Dubois was a French composer, organist and teacher at the Paris Conservatoire. He was a prolific composer, but his works are not as popular as some of the composers that he knew and/or taught, such as CÃ©sar Franck, Camille Saint-SaÃ«ns, or Maurice Ravel.
$12.00 10.87 € #Francois Clement Theodore Dubois #Song of Peace for Double Reed Quartet #Lisa L Ochoco #SheetMusicPlus

Ave Maria for Double Reed Quartet

Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.559868…(+)

Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.559868 Composed by Francois Clement Theodore Dubois. Arranged by Lisa Ochoco. 20th Century,Romantic Period,Sacred. 11 pages. Lisa L Ochoco #5308829. Published by Lisa L Ochoco (A0.559868). ThÃ©odore Dubois was a French composer, organist and teacher at the Paris Conservatoire. He was a prolific composer, but his works are not as popular as some of the composers that he knew and/or taught, such as CÃ©sar Franck, Camille Saint-SaÃ«ns, or Maurice Ravel.
$12.00 10.87 € #Francois Clement Theodore Dubois #Ave Maria for Double Reed Quartet #Lisa L Ochoco #SheetMusicPlus

Ave Maria for String Ensemble

String Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.559…(+)

String Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.559864 Composed by Francois Clement Theodore Dubois. Arranged by Lisa Ochoco. 20th Century,Christian,Concert,Romantic Period,Sacred. Score and parts. 15 pages. Lisa L Ochoco #5307839. Published by Lisa L Ochoco (A0.559864). ThÃ©odore Dubois was a French composer, organist and teacher at the Paris Conservatoire. He was a prolific composer, but his works are not as popular as some of the composers that he knew and/or taught, such as CÃ©sar Franck, Camille Saint-SaÃ«ns, or Maurice Ravel.
$12.00 10.87 € #Francois Clement Theodore Dubois #Ave Maria for String Ensemble #Lisa L Ochoco #SheetMusicPlus

Ave Maria for Double Reed Choir

Woodwind Ensemble Bassoon,Double Reed Ensemble,English Horn,Oboe - Level 3 - Digital Downl…(+)

Woodwind Ensemble Bassoon,Double Reed Ensemble,English Horn,Oboe - Level 3 - Digital Download SKU: A0.559863 Composed by Francois Clement Theodore Dubois. Arranged by Lisa Ochoco. 20th Century,Romantic Period,Sacred. 15 pages. Lisa L Ochoco #5307833. Published by Lisa L Ochoco (A0.559863). ThÃ©odore Dubois was a French composer, organist and teacher at the Paris Conservatoire. He was a prolific composer, but his works are not as popular as some of the composers that he knew and/or taught, such as CÃ©sar Franck, Camille Saint-SaÃ«ns, or Maurice Ravel.
$12.00 10.87 € #Francois Clement Theodore Dubois #Ave Maria for Double Reed Choir #Lisa L Ochoco #SheetMusicPlus

16 Trios

2 flutes and alto-flute (cello/bassoon) - easy - Digital Download SKU: S9.Q6617 Com…(+)

2 flutes and alto-flute (cello/bassoon) - easy - Digital Download SKU: S9.Q6617 Composed by Toirdhealbhach O Cearbhallain. Arranged by Patrick Pfoess. This edition: score and parts. Downloadable, Score and parts. Schott Music - Digital #Q6617. Published by Schott Music - Digital (S9.Q6617). Turlough Oâ€™Carolan (1670-1738) is regarded as one of the last great harp-players of Ireland and seems to be surrounded by an almost mystical aura. Numerous anecdotes exist which testify to a strong personality and a tremendous musical talent as well as enormous self-confidence. Unlike any other, he knew how to combine old Irish music with Italian Baroque music, creating numerous compositions about 200 of which have survived. 16 of them have been chosen and arranged by Patrick PfÃ¶ÃŸ for the delightful instrumentation of two flutes and alto flute. In case there is no alto flute available, a separate violoncello part is available instead.
$21.99 19.92 € #Toirdhealbhach O Cearbhallain #16 Trios #Schott Music - Digital #SheetMusicPlus

16 Trios

2 soprano- and 1 treble recorder - easy - Digital Download SKU: S9.Q6618 Composed b…(+)

2 soprano- and 1 treble recorder - easy - Digital Download SKU: S9.Q6618 Composed by Toirdhealbhach O Cearbhallain. Arranged by Patrick Pfoess. This edition: performance score. Downloadable, Performance score. Schott Music - Digital #Q6618. Published by Schott Music - Digital (S9.Q6618). Today, Turlough O'Carolan (1670-1738) is considered to be the last great harp player of Ireland and is surrounded by an almost mystical aura. Numerous anecdotes have been handed down which testify to a strong personality, a huge musical talent and enormous self-confidence. Unlike any other, he knew how to combine old Irish music with Italian Baroque music, thus creating a large number of compositions about 200 of which have survived. 16 of them were selected by Patrick PfÃ¶ÃŸ and arranged in easy versions for 2 descant recorders and 1 treble recorder. A valuable addition to the recorder trio repertoire - for lessons and auditions.Turlough O'Carolan (1670-1738), dernier grand harpiste d'Irlande, est entourÃ© d'une aura quasi mystique. Il sut, comme aucun autre, marier l'ancienne musique irlandaise Ã la musique baroque italienne et Ã©crivit nombre de compositions dont environ 200 nous sont parvenues. Seize d'entre elles ont Ã©tÃ© arrangÃ©es en version facile pour deux flÃ»tes soprano et une flÃ»te alto.
$21.99 19.92 € #Toirdhealbhach O Cearbhallain #16 Trios #Schott Music - Digital #SheetMusicPlus