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26
A Little Baby - Christmas song SATB optional instruments and piano composed by Connie Boss
Alto Voice,Bass Voice,Cello,Choir,Flute,Piano,Soprano voice,Tenor Voice,Violin - Level 2 -…
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Alto Voice,Bass Voice,Cello,Choir,Flute,Piano,Soprano voice,Tenor Voice,Violin - Level 2 - Digital Download SKU: A0.1317293 Composed by Connie Boss. Arranged by Connie Boss. Christian,Christmas,Holiday,Religious,Sacred. 15 pages. Connie Boss #905953. Published by Connie Boss (A0.1317293). God sent his son in the form of a baby. He was born to save all of us. This is a pretty song about a little baby (Jesus). It is for SATB, flute or violin or cello and piano. I have this in other versions as well on here. You can perform this without the flute if you don't have one. To hear just the piano, you can search solo and piano on here. Questions or requests - email cdboss@cvalley.netLyrics:A Little BabyChristmas SongComposed by Connie Boss Verse 1:A little baby in a stallA little baby oh so smallA little baby born for allA little babyA little babyRefrain:He was the one God sent usHe was born to save usHe was our light  He gave His life  For usVerse 2:News of His birth spread all aroundAcross the desert and the townThey all were searching up and down….forA little babyA little babyRefrain:Verse 3:His mother stays close by His sideHis father with a watchful eyeA baby gives a humble cryA little babyA little babyRefrain:Verse 4 (Final Ending)In a stall oh so smallBorn to save us one and allHe fulfilled His father’s callA little babyA little baby.
$7.99
7.14 €
#
Connie Boss
#
A Little Baby - Christmas song SATB optional instruments and piano composed by Connie Boss
#
Connie Boss
#
SheetMusicPlus
A Little Baby - Christmas song trio, flute or cello or violin and piano composed by Connie Boss
Alto Voice,Cello,Electric Violin,Flute,Medium Voice,Piano,Soprano voice - Level 2 - Digita…
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Alto Voice,Cello,Electric Violin,Flute,Medium Voice,Piano,Soprano voice - Level 2 - Digital Download SKU: A0.1288007 Composed by Connie Boss. Celtic,Christmas,Irish. 14 pages. Connie Boss #879043. Published by Connie Boss (A0.1288007). God sent his son in the form of a baby. He was born to save all of us. This is a pretty song about a little baby (Jesus). It is for trio, flute or violin or cello and piano. I have this in other versions as well on here. You can perform this without the flute if you don't have one. To hear just the piano, you can search solo and piano on here. Questions or requests - email cdboss@cvalley.netLyrics:A Little BabyChristmas SongComposed by Connie Boss Verse 1:A little baby in a stallA little baby oh so smallA little baby born for allA little babyA little babyRefrain:He was the one God sent usHe was born to save usHe was our light  He gave His life  For usVerse 2:News of His birth spread all aroundAcross the desert and the townThey all were searching up and down….forA little babyA little babyRefrain:Verse 3:His mother stays close by His sideHis father with a watchful eyeA baby gives a humble cryA little babyA little babyRefrain:Verse 4 (Final Ending)In a stall oh so smallBorn to save us one and allHe fulfilled His father’s callA little babyA little baby.
$5.99
5.35 €
#
Connie Boss
#
A Little Baby - Christmas song trio, flute or cello or violin and piano composed by Connie Boss
#
Connie Boss
#
SheetMusicPlus
A Little Baby - Christmas song solo, flute or violin or cello and piano composed by Connie Boss
Cello,Electric Violin,Flute,Medium Voice,Piano - Level 2 - Digital Download SKU: A0.128…
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Cello,Electric Violin,Flute,Medium Voice,Piano - Level 2 - Digital Download SKU: A0.1287824 Composed by Connie Boss. Christmas. 9 pages. Connie Boss #878905. Published by Connie Boss (A0.1287824). God sent his son in the form of a baby. He was born to save all of us. This is a pretty song about a little baby (Jesus). It is for melody, flute or violin or cello and piano. I have this in other versions as well on here. Questions or requests - email cdboss@cvalley.netLyrics:A Little BabyChristmas SongComposed by Connie Boss Verse 1:A little baby in a stallA little baby oh so smallA little baby born for allA little babyA little babyRefrain:He was the one God sent usHe was born to save usHe was our light  He gave His life  For usVerse 2:News of His birth spread all aroundAcross the desert and the townThey all were searching up and down….forA little babyA little babyRefrain:Verse 3:His mother stays close by His sideHis father with a watchful eyeA baby gives a humble cryA little babyA little babyRefrain:Verse 4 (Final Ending)In a stall oh so smallBorn to save us one and allHe fulfilled His father’s callA little babyA little babyYouTube Link.
$5.99
5.35 €
#
Connie Boss
#
A Little Baby - Christmas song solo, flute or violin or cello and piano composed by Connie Boss
#
Connie Boss
#
SheetMusicPlus
A Little Baby - Christmas song SSAA flute and piano composed by Connie Boss
Alto Voice,Bass Voice,Choir,Flute,Piano,Soprano voice,Tenor Voice - Digital Download SK…
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Alto Voice,Bass Voice,Choir,Flute,Piano,Soprano voice,Tenor Voice - Digital Download SKU: A0.1317286 Composed by Connie Boss. Arranged by Connie Boss. Christian,Christmas,Holiday,Religious,Sacred. 15 pages. Connie Boss #905946. Published by Connie Boss (A0.1317286). God sent his son in the form of a baby. He was born to save all of us. This is a pretty song about a little baby (Jesus). It is for SSAA, flute or violin or cello and piano. I have this in other versions as well on here. You can perform this without the flute if you don't have one. To hear just the piano, you can search solo and piano on here. Questions or requests - email cdboss@cvalley.netLyrics:A Little BabyChristmas SongComposed by Connie Boss Verse 1:A little baby in a stallA little baby oh so smallA little baby born for allA little babyA little babyRefrain:He was the one God sent usHe was born to save usHe was our light  He gave His life  For usVerse 2:News of His birth spread all aroundAcross the desert and the townThey all were searching up and down….forA little babyA little babyRefrain:Verse 3:His mother stays close by His sideHis father with a watchful eyeA baby gives a humble cryA little babyA little babyRefrain:Verse 4 (Final Ending)In a stall oh so smallBorn to save us one and allHe fulfilled His father’s callA little babyA little baby.
$7.99
7.14 €
#
Connie Boss
#
A Little Baby - Christmas song SSAA flute and piano composed by Connie Boss
#
Connie Boss
#
SheetMusicPlus
A Little Baby - Christmas song duet, optional instruments and piano composed by Connie Boss
Alto Voice,Cello,Electric Violin,Flute,Piano,Soprano voice - Level 2 - Digital Download
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Alto Voice,Cello,Electric Violin,Flute,Piano,Soprano voice - Level 2 - Digital Download SKU: A0.1287827 Composed by Connie Boss. Celtic,Christmas,Irish. 9 pages. Connie Boss #878909. Published by Connie Boss (A0.1287827). God sent his son in the form of a baby. He was born to save all of us. This is a pretty song about a little baby (Jesus). It is for duet, flute or violin or cello and piano. I have this in other versions as well on here. I can be played without the flute part as well. You can hear just piano on the solo and piano version if you don't have a flute.Questions or requests - email cdboss@cvalley.netLyrics:A Little BabyChristmas SongComposed by Connie Boss Verse 1:A little baby in a stallA little baby oh so smallA little baby born for allA little babyA little babyRefrain:He was the one God sent usHe was born to save usHe was our light  He gave His life  For usVerse 2:News of His birth spread all aroundAcross the desert and the townThey all were searching up and down….forA little babyA little babyRefrain:Verse 3:His mother stays close by His sideHis father with a watchful eyeA baby gives a humble cryA little babyA little babyRefrain:Verse 4 (Final Ending)In a stall oh so smallBorn to save us one and allHe fulfilled His father’s callA little babyA little baby.
$5.99
5.35 €
#
Connie Boss
#
A Little Baby - Christmas song duet, optional instruments and piano composed by Connie Boss
#
Connie Boss
#
SheetMusicPlus
A Little Baby - Christmas song Strings Quartet and Piano composed by Connie Boss
Cello,Piano Accompaniment,Violin - Level 3 - Digital Download SKU: A0.1323837 Compo…
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Cello,Piano Accompaniment,Violin - Level 3 - Digital Download SKU: A0.1323837 Composed by Connie Boss. Christmas,Holiday,Religious. 19 pages. Connie Boss #912025. Published by Connie Boss (A0.1323837). God sent his son in the form of a baby. He was born to save all of us. This is a pretty song I composed about a little baby (Jesus). It is for Strings quintet and piano. I have the mp3 playing the melody and cello in the first verse. Then, adding the other parts in the second verse one by one. The cello has a pretty moving part that sometimes differes than the other parts. I have this in other versions as well on here. Parts are included in this purchase.This can be played without the piano accompaniment if desired.Questions or requests - email cdboss@cvalley.netLyrics:A Little BabyChristmas SongComposed by Connie Boss Verse 1:A little baby in a stallA little baby oh so smallA little baby born for allA little babyA little babyRefrain:He was the one God sent usHe was born to save usHe was our light  He gave His life  For usVerse 2:News of His birth spread all aroundAcross the desert and the townThey all were searching up and down….forA little babyA little babyRefrain:Verse 3:His mother stays close by His sideHis father with a watchful eyeA baby gives a humble cryA little babyA little babyRefrain:Verse 4 (Final Ending)In a stall oh so smallBorn to save us one and allHe fulfilled His father’s callA little babyA little baby.
$7.99
7.14 €
#
Connie Boss
#
A Little Baby - Christmas song Strings Quartet and Piano composed by Connie Boss
#
Connie Boss
#
SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Baritone Horn & Piano
Baritone Horn TC,Euphonium,Piano - Level 3 - Digital Download SKU: A0.552860 Compos…
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Baritone Horn TC,Euphonium,Piano - Level 3 - Digital Download SKU: A0.552860 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516929. Published by jmsgu3 (A0.552860). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
22.28 €
#
Ludwig van Beethoven
#
piano concertos 1-5
#
Beethoven: Adagio from Sonata Pathetique for Baritone Horn & Piano
#
jmsgu3
#
SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549644 Comp…
(+)
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549644 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 16 pages. Jmsgu3 #3516861. Published by jmsgu3 (A0.549644). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95
22.28 €
#
Ludwig van Beethoven
#
piano concertos 1-5
#
Beethoven: Adagio from Sonata Pathetique for Bass Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549645 Co…
(+)
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549645 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 16 pages. Jmsgu3 #3516867. Published by jmsgu3 (A0.549645). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95
22.28 €
#
Ludwig van Beethoven
#
piano concertos 1-5
#
Beethoven: Adagio from Sonata Pathetique for Oboe d'Amore & Piano
#
jmsgu3
#
SheetMusicPlus
Bach: Wachet auf for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.549846 Comp…
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Bass Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.549846 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3554877. Published by jmsgu3 (A0.549846). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.28 €
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Johann Sebastian Bach
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Bach: Wachet auf for Bass Flute & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.552247 Co…
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Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.552247 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3554879. Published by jmsgu3 (A0.552247). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.28 €
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Johann Sebastian Bach
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Bach: Wachet auf for Oboe d'Amore & Piano
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jmsgu3
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SheetMusicPlus
Suzie's Theme
Guitar Ensemble Guitar - Level 4 - Digital Download SKU: A0.890962 Composed by Juan…
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Guitar Ensemble Guitar - Level 4 - Digital Download SKU: A0.890962 Composed by Juan C. Davila. Contemporary,Film/TV. Score and parts. 11 pages. Juan C. Davila #3099975. Published by Juan C. Davila (A0.890962). This is a composition written for classical guitar trio. I wrote it for a fiction movie that was never completed or released. Suzie was a beautiful young lady in high school who was brutally raped and murdered by her boyfriend. The boyfriend regrets his actions and thinks about Suzie all the time in prison. In Suzie's Theme, the killer is haunted by the happy memories he shared with Suzie and wishing he could take back what he did. .
$2.50
2.23 €
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Juan C
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Suzie's Theme
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Juan C. Davila
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SheetMusicPlus
Widdicombe Fair by Julius Harrison for Clarinet Quintet
Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.891922 Composed …
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Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.891922 Composed by Julius Harrison. Arranged by Stephen Davies. 20th Century,Standards. 19 pages. Stephen Davies #3539147. Published by Stephen Davies (A0.891922). The prolific conductor and composer Julius Harrison was born in Stourport in Worcestershire England in 1885, he spent most of his life in music, either conducting, composing, writing and teaching. He was also a founding member and Vice-President of the Elgar Society, and a professor at the Royal Academy of Music in London. This arrangement of his Widdicombe Fair highlights the eccentricity but delightful touch that Harrison possessed, don't be fooled by the light and jaunty opening, this music bites back!! Incidentally, I'm using the new Note Performer programme, its really terrific!!
$15.99
14.28 €
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Julius Harrison
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Widdicombe Fair by Julius Harrison for Clarinet Quintet
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Stephen Davies
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SheetMusicPlus
King Of The Road
Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.747086 By Randy Tr…
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Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.747086 By Randy Travis. By Roger Miller. Arranged by Keith Terrett. Contemporary. 27 pages. Keith Terrett #6426723. Published by Keith Terrett (A0.747086). An arrangement of the classic King of the Road for Wind Dectet.King of the Road is a song written by country singer Roger Miller, who first recorded it in November 1964. The lyrics tell of the day-to-day life of a hobo who, despite being poor (a man of means by no means), revels in his freedom, describing himself humorously and cynically as the king of the road. It was Miller's fifth single for Smash Records. The popular crossover record hit No. 1 on the US Country chart, No. 4 on the Billboard Hot 100, and No. 1 on the Easy Listening surveys. It was also No. 1 in the UK Singles Chart, and in Norway. Miller recalled that the song was inspired when he was driving and saw a sign on the side of a barn that read, Trailers for sale or rent. This would become the opening line of the song.The song has been covered by many other artists, including George Jones, Dean Martin, Val Doonican, Jack Jones, James Booker, The Fabulous Echoes, Boney M., R.E.M., Johnny Paycheck, Glen Campbell, Alvin and the Chipmunks, Boxcar Willie, Randy Travis, Rangers, James Kilbane, John Stevens, the Statler Brothers, Rufus Wainwright & Teddy Thompson, Giant Sand, Peligro, John Williamson (singer) & Adam Harvey, The Proclaimers, Ray Conniff Singers, The Reverend Horton Heat, Jerry Lee Lewis, and Jim White. James The King Brown (an Elvis impersonator) performed the song for a 2001 Audi commercial on German TV. Of R.E.M.'s version, a shambolic, drunken, offhand rendering, guitarist Peter Buck would later comment, If there was any justice in the world, Roger Miller should be able to sue for what we did to this song.King of the Road was performed live by Merle Haggard, Willie Nelson, Marty Stuart, Dwight Yoakam and Dolly Parton during Miller's posthumous induction into the Country Music Hall of Fame at the 1995 CMA Awards ceremony.The song appears in Wim Wenders's 1976 film Im Lauf der Zeit (In the Course of Time; English title Kings of the Road). It is also played at the beginning of Talladega Nights: The Ballad of Ricky Bobby, Brokeback Mountain, Into the Wild (2007), Traveller (1997), and Swingers (1996). Miller performs it in the concert film The Big T.N.T. Show. The Proclaimers' version is included in the film The Crossing (1990). Near the end of their official music video, the pair are shown reading a newspaper whose headline is Roger Miller, King of Plugs.Miller's recording appears in an episode of the Super Dave TV show, where Super Dave Osborne (Bob Einstein) sings along while sitting at a piano mounted on top of his tour bus. The bus eventually goes into a low tunnel, slamming into the piano and Osborne and pushing them off the bus and onto the ground.A send-up version by English entertainer Billy Howard was a British chart hit in 1976.A German take by the band Wise Guys exists, the parody referring to speeding on the Autobahn.
$16.99
15.18 €
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Randy Travis
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English title
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King Of The Road
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Keith Terrett
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SheetMusicPlus
Hold The Fort
Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.1135…
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Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.1135539 Composed by Philip P. Bliss. Arranged by J. Randolph Hall. This edition: Interactive Download. Classical,Folk,Praise & Worship,Standards. Score and parts. 8 pages. Duration 41. J. Randolph Hall #6fraXNDshohEUSksunbHCF. Published by J. Randolph Hall (A0.1135539). Key: Bb major.Philip Paul Bliss was a 19th Century American composer and conductor born in Pennsylvania. He was also an Abolishionist and served as a Commissioned Officer in the Civil War. The hymn was inspired by both the Battle of Allatoona Pass (October 1864), as well as by Revelatio 2:25 & 3:11. Sections A and C are the verse. Section B and D are the refrain. Between B and C, there is a key modulation with the aid of an augmented sixth chord (Itallian 6th). A descant by yours truly is then added.
$4.00
3.57 €
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Philip P
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Hold The Fort
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J. Randolph Hall
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SheetMusicPlus
Elemental Spiral (2005) for soprano saxophone, violoncello, multi-percussion
Small Ensemble Cello,Multi-Percussion,Soprano Saxophone - Digital Download SKU: A0.9342…
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Small Ensemble Cello,Multi-Percussion,Soprano Saxophone - Digital Download SKU: A0.934204 Composed by Mark Zanter. Contemporary. Score and parts. 24 pages. MJIC Music Publishing (ASCAP) #3130833. Published by MJIC Music Publishing (ASCAP) (A0.934204). Elemental Spiral is the result of some of my recent work linking elemental aspects of esoteric. The work begins with an electronic prelude, and moves to the instrumental portion at about 4:00.healing and vibration (sound). The concept of matter and form being integrally connected and influenced/formed by sound has been studied since ancient times, and myths from various world cultures mention gods or beings that could manifest form from matter through their voice. Recent work by Hans Jenny verifies the connection between sound and form (see Cymatics).Similarly, the power of music to affect response in individuals is a popular subject of ancient and modern writers. My interest in the work stems from observing how people react to my music, in which I believe certain thoughts and feelings are somehow encoded, transmitted and received during performance. My research stems from a desire to increase my own awareness of sound, its affect, and to connect this to my art. The integration of dance with the music creates a visual relationship that marries the sound and its intention.Elemental Spiral maps elemental associations (earth, water, fire, and air) to the musical context in a deliberate fashion. At this stage my associations are fairly literal, and various qualities (i.e. earth=slow, fire=energetic, air=fast frenetic) are mapped directly onto musical material. The associations become richer when one state changes to another or comes into being (water->air, becoming earth etc.) and when various qualities are mixed (air-pitch with earth rhythm etc.).The intended effect is an overall balancing of the musical structure with desirable or pleasing proportions (the age old compositional question). This balancing is well known to all of us, for instance-elementally-much of Beethoven’s music moves between water and fire elements (mapping of speed and pitch), and the tempos of symphonic movements fast-slow-med. fast-fast is an affirmation that a balance of tempi and musical content is found to be pleasing.I express my deepest gratitude to Donald Laney who choreographed the dance for this work. He was somehow able to convert my musings into movement and in the process far exceeded my expectations. Special thanks also to the WV Commission on the Arts and the NEA whose support made the creation of this work possible.Elemental Spiral is suitable for advanced performers.Performance materials available for purchase from the publisher: mjicmusicpublishing@gmail.com
$7.99
7.14 €
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Mark Zanter
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Elemental Spiral
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MJIC Music Publishing
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SheetMusicPlus
First Of May
Small Ensemble Drum Set,Euphonium,Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A…
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Small Ensemble Drum Set,Euphonium,Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802654 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Peet du Toit. Dance,Disco. Score and parts. 12 pages. Peet du Toit #6200345. Published by Peet du Toit (A0.802654). First of May is a song by the Bee Gees with lead vocals by Barry Gibb, released as a single from their 1969 double album Odessa. The song was first recorded in Atlantic Studios in New York and was continued in IBC Studios, London. Barry said in the booklet with Tales from the Brothers Gibb that the title of the song came from the birthday of his dog, Barnaby. Maurice recalled the session in which that song came about. Barry and I were sitting at the piano, he said, And I started playing the chords, and Barry started singing, 'When I was small and Christmas trees were tall' and I started singing along with it. We put a demo down with a vocal and we kept the piano track. Went back to England, and went into IBC Studios in London, added onto that piano track and Barry's vocal stayed on as well. We had a choir and an orchestra all on this one piano. This song was initially taped in demo form in New York City on 16 August 1968.The orchestral arrangement from maestro Bill Shepherd was featured on the second chorus. The song starts with a piano on the first verse and chorus. Shepherd's orchestra was featured in second verse and second chorus. After singing the second chorus, the singer repeated the first verse. The music was stopped when he sings don't ask me why, but time has passed us by, Someone else moved in from far away.It was quite a challenge to arrange such subtle music for a brass quintet. I am very pleased with the result though. Enjoy!
$19.00
16.97 €
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Bee Gees
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First Of May
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Peet du Toit
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SheetMusicPlus
O Come Let Us Adore Him (Venite Adoremus Dominum) (Medley) - SATB flute, or violin or cello and Pian
Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801666 Compose…
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Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801666 Composed by Unknown. Arranged by Connie Boss. Celtic,Christmas,Irish,Multicultural,Sacred,World. Score. 11 pages. Connie Boss #6383925. Published by Connie Boss (A0.801666). This is a medley of 3 Christmas Carols - In the Bleak Mid Winter (English), Gesu Bambino (Italian) and The Snow Lay on the Ground (Irish). Venite Adoremus means O Come Let Us Adore Him, Christ the Lord. I thought it sounded nice to have it in SATB parts - taking turns between the high and low voices and then all together. This also includes a part for choice of flute, violin or cello to play along - all are included in purchase. cdboss@cvalley.netLyrics Below:O Come Let Us Adore Him(Venite Adoremus, Dominum) (Medley of In the Bleak Midwinter, Gesu Bambino and The Snow Lay on the Ground In the bleak midwinter, frosty winds made moanEarth stood hard as iron, water like a stoneSnow had fallen snow on snow, snow on snow.In the bleak midwinter, long, long, ago. When blossoms flower amid the snow, upon a winter nightWas born the Child, the Christmas Rose, The King of Love and Light. Venite Adoremus, DominumVenite Adoremus, Dominum Twas Mary daughter pure of Holy Anne. That brought into this world the God made manShe laid Him in a stall at Bethlehem. The ass and oxen shared the roof with Him. Again the heart with rapture glows, to greet the Holy night.That gave the world it’s Christmas Rose, it’s King of Love and Light Venite Adoremus, DominumVenite Adoremus, Dominum And thus that manger poor became a throne, for He whom Mary bore was God the SonO come then let us join the heav’nly host to praise the Father, Son and Holy Ghost O come let us adore Him, Christ the LordO come let us adore Him, Christ the Lord O come let us adore Him, Christ the LordVenite Adoremus, Dominum!
$5.50
4.91 €
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Unknown
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O Come Let Us Adore Him
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Connie Boss
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SheetMusicPlus
O Come Let Us Adore Him (Venite Adoremus Dominum) (Medley) - Strings and Piano with parts included
Cello,Guitar,Piano Accompaniment,Viola,Violin - Level 2 - Digital Download SKU: A0.8017…
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Cello,Guitar,Piano Accompaniment,Viola,Violin - Level 2 - Digital Download SKU: A0.801702 Composed by Unknown. Arranged by Connie Boss. Celtic,Christmas,Irish,Sacred. 29 pages. Connie Boss #6427555. Published by Connie Boss (A0.801702). This is a medley of 3 Christmas Carols - In the Bleak Mid Winter (English), Gesu Bambino (Italian) and The Snow Lay on the Ground (Irish). Venite Adoremus means O Come Let Us Adore Him, Christ the Lord. I thought it sounded nice to have it in 5 part strings - taking turns between the high and low strings and then all together. - all parts are included in purchase. cdboss@cvalley.netLyrics Below: O Come Let Us Adore Him (Venite Adoremus, Dominum)  (Medley of In the Bleak Midwinter, Gesu Bambino and The Snow Lay on the Ground  In the bleak midwinter, frosty winds made moan Earth stood hard as iron, water like a stone Snow had fallen snow on snow, snow on snow. In the bleak midwinter, long, long, ago.  When blossoms flower amid the snow, upon a winter night Was born the Child, the Christmas Rose, The King of Love and Light.  Venite Adoremus, Dominum Venite Adoremus, Dominum  Twas Mary daughter pure of Holy Anne. That brought into this world the God made man She laid Him in a stall at Bethlehem. The ass and oxen shared the roof with Him.  Again the heart with rapture glows, to greet the Holy night. That gave the world it’s Christmas Rose, it’s King of Love and Light  Venite Adoremus, Dominum Venite Adoremus, Dominum  And thus that manger poor became a throne, for He whom Mary bore was God the Son O come then let us join the heav’nly host to praise the Father, Son and Holy Ghost  O come let us adore Him, Christ the Lord O come let us adore Him, Christ the Lord  O come let us adore Him, Christ the Lord Venite Adoremus, Dominum!
$5.50
4.91 €
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Unknown
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O Come Let Us Adore Him
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Connie Boss
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SheetMusicPlus
O Come Let Us Adore Him (Venite Adoremus Dominum) (Medley) - Strings quintet and Piano
Cello,Piano,Viola,Violin - Digital Download SKU: A0.1067516 Composed by Unknown. Ar…
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Cello,Piano,Viola,Violin - Digital Download SKU: A0.1067516 Composed by Unknown. Arranged by Connie Boss. Celtic,Christmas,Irish,Sacred. Accompaniment. Duration 193. Connie Boss #6429831. Published by Connie Boss (A0.1067516). This mp3 is a medley of 3 Christmas Carols - In the Bleak Mid Winter (English), Gesu Bambino (Italian) and The Snow Lay on the Ground (Irish). Venite Adoremus means O Come Let Us Adore Him, Christ the Lord. I thought it sounded nice to have it in 5 part strings - taking turns between the high and low strings and then all together. - purchase sheet music on here. cdboss@cvalley.netLyrics Below: O Come Let Us Adore Him (Venite Adoremus, Dominum)  (Medley of In the Bleak Midwinter, Gesu Bambino and The Snow Lay on the Ground  In the bleak midwinter, frosty winds made moan Earth stood hard as iron, water like a stone Snow had fallen snow on snow, snow on snow. In the bleak midwinter, long, long, ago.  When blossoms flower amid the snow, upon a winter night Was born the Child, the Christmas Rose, The King of Love and Light.  Venite Adoremus, Dominum Venite Adoremus, Dominum  Twas Mary daughter pure of Holy Anne. That brought into this world the God made man She laid Him in a stall at Bethlehem. The ass and oxen shared the roof with Him.  Again the heart with rapture glows, to greet the Holy night. That gave the world it’s Christmas Rose, it’s King of Love and Light  Venite Adoremus, Dominum Venite Adoremus, Dominum  And thus that manger poor became a throne, for He whom Mary bore was God the Son O come then let us join the heav’nly host to praise the Father, Son and Holy Ghost  O come let us adore Him, Christ the Lord O come let us adore Him, Christ the Lord  O come let us adore Him, Christ the Lord Venite Adoremus, Dominum!
$1.99
1.78 €
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Unknown
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O Come Let Us Adore Him
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Connie Boss
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SheetMusicPlus
Christmas Eve
Small Ensemble Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.902346 By Gwe…
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Small Ensemble Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.902346 By Gwen Stefani. By Gwen Stefani, Justin Tranter, Michael Busbee, Michael Ford Busbee, and Michael James Ryan Busbee. Arranged by J.B. Taylor. Contemporary. Score. 10 pages. J.B. Taylor #6075893. Published by J.B. Taylor (A0.902346). Christmas Eve is a song recorded by American singer and songwriter Gwen Stefani for her fourth studio album, You Make It Feel Like Christmas (2017). It was released digitally on October 6, 2017, through Interscope Records, along with the rest of the parent album. This arrangement is faithful to Gwen's original recording in the key of A Major. The piano accompaniment is accessible, but musically presented and incorporates elements of the original production. An optional violin part is included in the score and as an individual part, but the piano and vocal part can easily stand alone.A similar arrangement is also available from this publisher in the key of E-flat, which matches the key sung by Blake Shelton as he covered this track on his album, Cheers It's Christmas (Deluxe Edition). Gwen has mentioned in several interviews that she came up with the inspiration for this song, almost in totality, during a run on Blake Shelton's ranch. In an interview with Entertainment Tonight in 2017 she remarked, When I think of the holiday season, I'm always going to think of this song, because this is a song that I wrote when I was on Blake Shelton's ranch, Stefani explains. I was out for a run. It was this gorgeous day, and I was praying, and this song just came to me. The chorus just came to me.When Blake heard the song, he loved it so much that he wanted to record it for his Christmas album, which was completely a shock and blew me away, she continued. It's the first time anyone's ever recorded one of my songs.A sample MP3 recording of this arrangement is included for reference. Duration: approx. 3:05.
$5.99
5.35 €
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Gwen Stefani
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Christmas Eve
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J.B. Taylor
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SheetMusicPlus
On That Cross (Piano part ONLY)
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard …
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Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 1 pages. Stuart Brown Music #782621. Published by Stuart Brown Music (A0.1182872). The accompanying score and a choral bundle are also available from this website.The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$1.99
1.78 €
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
On That Cross (choir pack + piano part + licence)
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182870 By Stuart Richard …
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Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 14 pages. Stuart Brown Music #782619. Published by Stuart Brown Music (A0.1182870). The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$16.00
14.29 €
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Moon River
Cello,Double Bass,Drums,Viola,Violin - Level 3 - Digital Download SKU: A0.746789 By…
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Cello,Double Bass,Drums,Viola,Violin - Level 3 - Digital Download SKU: A0.746789 By Henry Mancini. By Henry Mancini. Arranged by Keith Terrett. Jazz. 12 pages. Keith Terrett #3530209. Published by Keith Terrett (A0.746789). An arrangement of Moon River for String Orchestra and optional drum kit. Moon River is a song composed by Henry Mancini with lyrics by Johnny Mercer. It was originally performed by Audrey Hepburn in the 1961 American movie Breakfast at Tiffany's, winning an Academy Award for Best Original Song.The song also won the 1962 Grammy Awards for Record of the Year and Song of the Year. 「ムーンリãƒãƒ¼ã€ã¯ã€ãƒ˜ãƒ³ãƒªãƒ¼ãƒ»ãƒžãƒ³ã‚·ãƒ¼ãƒ‹ãŒä½œæ›²ã—ã€ã‚¸ãƒ§ãƒ‹ãƒ¼ãƒ»ãƒžãƒ¼ã‚µãƒ¼ãŒæŒè©žã‚’書ã„ãŸæ›²ã§ã™ã€‚ã‚‚ã¨ã‚‚ã¨ã¯1961å¹´ã®ã‚¢ãƒ¡ãƒªã‚«æ˜ 画「ティファニーã§æœé£Ÿã‚’ã€ã§ã‚ªãƒ¼ãƒ‰ãƒªãƒ¼ãƒ»ãƒ˜ãƒ—ãƒãƒ¼ãƒ³ãŒæŒã„ã€ã‚¢ã‚«ãƒ‡ãƒŸãƒ¼è³žã®æŒæ›²è³žã‚’å—賞ã—ã¾ã—ãŸã€‚ã¾ãŸã€1962å¹´ã®ã‚°ãƒ©ãƒŸãƒ¼è³žã®æœ€å„ªç§€ãƒ¬ã‚³ãƒ¼ãƒ‰è³žã¨æœ€å„ªç§€æ¥½æ›²è³žã‚‚å—賞ã—ã¾ã—ãŸã€‚ It became the theme song for Andy Williams, who first recorded it in 1961 and performed it at the Academy Awards ceremony in 1962. He sang the first eight bars of the song at the beginning of each episode of his eponymous television show and named his production company and venue in Branson, Missouri after it. His autobiography is called Moon River and Me. Williams' version was never released as a single, but it charted as an LP track that he recorded for Columbia on a hit album of 1962. Cadence Records' president Archie Bleyer disliked Williams' version, as Bleyer believed it had little or no appeal to teenagers. Forty years later in 2002, a 74-year-old Williams sang the song at the conclusion of the live telecast of the NBC 75th Anniversary Special to a standing ovation. The song's success was responsible for relaunching Mercer's career as a songwriter, which had stalled in the mid-1950s because rock and roll had replaced jazz standards as the popular music of the time. The song's popularity is such that it has been used as a test sample in a study on people's memories of popular songs. Comments about the lyrics have noted that they are particularly reminiscent of Mercer's youth in the Southern United States and his longing to expand his horizons. Robert Wright wrote in The Atlantic Monthly, This is a love sung to wanderlust. Or a romantic song in which the romantic partner is the idea of romance. An inlet near Savannah, Georgia, Johnny Mercer's hometown, was named Moon River in honor of him and this song. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comARRANGERS
$14.99
13.39 €
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Henry Mancini
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Moon River
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Keith Terrett
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SheetMusicPlus
Gottes Zeit ist die allerbeste Zeit - For String Orquestra
Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.8894…
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Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.889436 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. Score and parts. 11 pages. Luis Anjos Teixeira #4737807. Published by Luis Anjos Teixeira (A0.889436). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of theDivi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe, edited by Wilhelm Rust. The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying. The Arrangement is relatively easy to perform, also appropriate for beginners. It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern string orquestra or a string quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. If the orquestra only has one double bass I would recommend you to reenforce the bass with a cello. It can be very well performed by a „string quintet- a string quartet with a double bass. Have fun! It is a piece that can be used in many different kinds of situations, in a serious concert hall, or a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$10.99
9.82 €
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Johann Sebastian Bach
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edited by Wilhelm Rust.
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Gottes Zeit ist die allerbeste Zeit - For String Orquestra
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Luis Anjos Teixeira
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SheetMusicPlus
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