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How Can It Be - Trombone 1
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How Can It Be - Trombone 1
Sheetmusic to print
272 sheet music found
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251
Pachelbel Canon with optional Christmas Medley lyrics strings quartet and piano
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Classical
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Johann Pachelbel
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Connie Boss
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Pachelbel Canon with optional
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Connie Boss
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SheetMusicPlus
Cello,Piano Accompaniment,Violin - Level 3 - Digital Download SKU: A0.1323437 Composed by Johann Pachelbel. Arranged by Connie Boss. 19th Century,Christi...
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Cello,Piano Accompaniment,Violin - Level 3 - Digital Download SKU: A0.1323437 Composed by Johann Pachelbel. Arranged by Connie Boss. 19th Century,Christian,Christmas,Holiday. 21 pages. Connie Boss #911661. Published by Connie Boss (A0.1323437). I decided to add a medley of public domain Christmas song lyrics to this iconic song. The lyrics are from While Shepherds Watch Their Flocks by Night, The First Noel, Away in a Manger and What Child is This? It is for a strings quartet - 3 violins and 1 cello and piano. Parts are included with purchaseThis can be played without the piano accompaniment if desired.This can also be played for Pachelbel Canon in D only - it plays the same.  email cdboss@cvalley.net with questions or request.Lyrics below:While shepherds watched their flocks by nightThey were seated on the groundThe angel of the Lord came downAnd glory shown aroundAnd glory shown aroundAnd glory shown aroundThey looked up and saw a starShining beyond them farAnd it gave great lightAnd it lit up the nightSo they followed that starThrough the nightAnd they found the child JesusIn a manger now crib for His bedOnly straw for His headAnd by the light from that same starWisemen came from country farTo seek for a king was their intentAnd follow the star where it wentThey gave Him gifts of gold and myrrh and frankincenseThe son of God, the King of Israel.
$7.99
CANON IN D - Duo, Intermediate Level for String Duo, Woodwind Duo, any combination of a treble clef
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J
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Sherry Lewis
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CANON IN D - Duo, Intermediate
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Sherry Lewis Publishing
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SheetMusicPlus
Bassoon,Cello,Flute,Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.521379 Composed by J. Pachelbel. Arranged by Sherry Lewis. Baroque...
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Bassoon,Cello,Flute,Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.521379 Composed by J. Pachelbel. Arranged by Sherry Lewis. Baroque,Christmas,Wedding. 9 pages. Sherry Lewis Publishing #5986245. Published by Sherry Lewis Publishing (A0.521379). CANON IN D - 1 Treble and 1 Bass InstrumentIntermediate LevelScore: 3 pagesParts: 3 pages Time: 4'45MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$4.50
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Quintet - 2 Violins, 1 Viola, 1 Ce
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Classical
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Sacred music
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813833 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,F...
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String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813833 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533931. Published by Regis Bookshar (A0.813833). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a String Quintet, consisting of 2 Violins, 1 Viola, 1 Violoncello and 1 Double Bass, he has made quite a few other arrangements of this sel.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Quintet - 3 Violins, 1 Cello, 1 Ba
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Classical
#
Sacred music
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813834 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,F...
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String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813834 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533937. Published by Regis Bookshar (A0.813834). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a String Quintet, consisting of 3 Violins, 1 Violoncello and 1 Double Bass, he has made quite a few other arrangements of this selection which a.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Quintet - 3 Violins, 1 Viola, 1 Ce
#
Classical
#
Sacred music
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813835 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,F...
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String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813835 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533939. Published by Regis Bookshar (A0.813835). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a String Quintet, consisting of 3 Violins, 1 Viola and 1 Violoncello, he has made quite a few other arrangements of this selection which ar.
$15.00
One last bar then Joe can sing
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Gavin Bryars
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One last bar then Joe can sing
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Schott Music - Digital
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SheetMusicPlus
Percussion-Quintett - Digital Download SKU: S9.Q50078 A Homage to Deagan for percussion ensemble. Composed by Gavin Bryars. This edition: score an...
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Percussion-Quintett - Digital Download SKU: S9.Q50078 A Homage to Deagan for percussion ensemble. Composed by Gavin Bryars. This edition: score and parts. Downloadable, score and parts. Duration 20 minutes. Schott Music - Digital #Q50078. Published by Schott Music - Digital (S9.Q50078). One Last Bar Then Joe Can Sing (1994) was commissioned by the Arts Council of Great Britain for the percussion quintet Nexus, and is a reflection on aspects of percussion history, both personal and musical. The members of Nexus are my friends (I played in the Steve Reich Ensemble along with Russ Hartenberger in 1972, the year after Nexus was formed). The piece aimed to demonstrate how a fine percussion ensmeble can be as musically expressive and subtle as, say, a string quartet. The piece starts from the last bar at the end of the second act of my opera Medea, a very short coda for a quintet of untuned percussion instruments during which the curtain falls. In this piece, however, this one apparently innocuous measure is progressively fragmented until it is taken over, little by little, by the addition of tuned percussion instruments. Eventually two metallophones (crotales and songbells) play aria-like material with bows, occasionally joined by the xylophone, and accompanied by marimba and xylophone ostinati. The piece ends with a coda in which phrases are passed from bowed vibraphone to bowed crotales, then to bowed songbells, supported by tremolos on the marimbas. The rare 3-octave songbells that Nexus owns is one of the American instrument maker J. C. Deagan's particularly fine instruments. The piece is effectively a kind of homage to Deagan, the Stradivarius of the tuned percussion world, who collaborated closely with Percy Grainger in the development of tuned percussion music between the wars. The allusions in the title are obvious: the one last bar is the last measure of music from my opera; the song is that of Deagan's songbells. In the case of Joe I wanted to link my father, Joe Bryars (who was a good amateur baritone singer) with Joseph Deagan and his songbells. However, some time after I had written the piece, Nexus's Bob Becker took me to one side and told me (gently) that the initial J in Deagan's name, in fact, stood for JohnGavin BryarsPercussion 1: Crotales (with bow), Chocolo, Mark Tree; Percussion 2I: Song Bells (with bow), Chinese Cymbal, 3 Wood Blocks; Percussion 3: 2 Cymbals, 2 Triangles, Xylophone, Marimba (shared with Marimba II), Vibraphone (with bow); Percussion 4: 2 Cymbals, 2 Gongs, Marimba I (with low F), Maracas; Percussion 5: 2 low Tom-Toms, Marimba II (to low A).
$45.99
Piano Duet no.1
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#GeoffRodThomson
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Piano Duet no.1
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Geoff R Thomson
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SheetMusicPlus
Small Ensemble Piano,Voice - Level 3 - Digital Download SKU: A0.1019317 Composed by #GeoffRodThomson. Children,Contemporary,Film/TV,Musical/Show. Score a...
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Small Ensemble Piano,Voice - Level 3 - Digital Download SKU: A0.1019317 Composed by #GeoffRodThomson. Children,Contemporary,Film/TV,Musical/Show. Score and parts. 1 pages. Geoff R Thomson #3928991. Published by Geoff R Thomson (A0.1019317). #PianoDuetNo1 is a simple piano piece in 2-part harmony. If words were added it could be sung as a duet. The top part has a simple tuneful melody while the lower part is more challenging rhythmically. The piece can be played quite easily as well by a single competent pianist. Enjoy. Contact: #Geoffspianosongs or GeoffRodThomson@gmail.com.
$1.99
Little Did She Know SSAA Christmas Cantata with optional instruments and piano
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Christmas
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Connie Boss
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Connie Boss
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Little Did She Know SSAA Chris
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Connie Boss
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SheetMusicPlus
Alto Voice,B-Flat Trumpet,Cello,Flute,Horn,Piano,Soprano voice,Violin - Level 2 - Digital Download SKU: A0.1124013 Composed by Connie Boss. Arranged by C...
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Alto Voice,B-Flat Trumpet,Cello,Flute,Horn,Piano,Soprano voice,Violin - Level 2 - Digital Download SKU: A0.1124013 Composed by Connie Boss. Arranged by Connie Boss. Christmas. 116 pages. Connie Boss #724786. Published by Connie Boss (A0.1124013). This cantata has both a total of 8 original and public domain songs in it. It is written for SSAA. It also has optional instruments - flute, cello, violin, french horn or trumpet parts included with the download. All have piano accompaniment. There are lots of moving parts and surprise parts throughout the songs. There is also an optional narration included before each song. You can purchase this on Amazon in book form also. To listen to the entire vocals, listen to the attached YouTube attachment. If you would like to sing to a background accompaniment, please email at cdboss@cvalley.net with proof of purchase and I will email them to you. Also email me with any questions or requests. The optional instruments can be of your choice for the mp3s as well.Little Did She Know 1. O Come All Ye Faithful/Adeste Fideles 2. Little Did She Know 3. How Am I Worthy? (Mary’s Prayer) 4. What Child Is This? 5.Hark the Herald Angels Sing 6. Go Tell it on the Mountain 7. Brightest and Best 8. Joy to The World.
$8.00
How To Write Music: Musical Orthography - Clement Harris
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Instructional
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Clement Harris
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Theoria Music
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How To Write Music: Musical Or
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Theoria Music Publishing
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SheetMusicPlus
Small Ensemble - Level 1 - Digital Download SKU: A0.894352 Composed by Clement Harris. Arranged by Theoria Music. Instructional. Score and parts. 38 page...
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Small Ensemble - Level 1 - Digital Download SKU: A0.894352 Composed by Clement Harris. Arranged by Theoria Music. Instructional. Score and parts. 38 pages. Theoria Music Publishing #5321293. Published by Theoria Music Publishing (A0.894352). This is an educational book on writing music written by Clement Harris. From the IntroductionIt is reasonable to expect that a musician shall be at least an accurate and legible writer as well as a reader of the language of his Art. The immense increase in the amount of music published, and its cheapness, seem rather to have increased than decreased this necessity, for they have vastly multiplied activity in the Art. If they have not intensified the necessity for music-writing, they have increased the number of those by whom the necessity is felt.Intelligent knowledge of Notation is the more necessary inasmuch as music-writing is in only a comparatively few cases mere copying. Even when writing from a copy, some alteration is frequently necessary, as will be shown in the following pages, requiring independent knowledge of the subject on the part of the copyist. (See e.g., par. 28.) Yet many musicians, thoroughly competent as performers, cannot write a measure of music without bringing a smile to the lips of the initiated. About the Composer/AuthorClement Hugh Gilbert Harris (8 July 1871 – 23 April 1897) was an English pianist and composer who studied in Germany and died fighting in the Greco-Turkish War of 1897.
$2.99
The Hammer and the Nail - in bass clef - A Good Friday Song
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Sacred music
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Connie Boss
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The Hammer and the Nail - in b
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Connie Boss
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SheetMusicPlus
Small Ensemble Bass Voice,Piano,Tenor Voice - Level 2 - Digital Download SKU: A0.801045 Composed by Connie Boss. Easter,Sacred. Score and parts. 4 pages....
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Small Ensemble Bass Voice,Piano,Tenor Voice - Level 2 - Digital Download SKU: A0.801045 Composed by Connie Boss. Easter,Sacred. Score and parts. 4 pages. Connie Boss #4285309. Published by Connie Boss (A0.801045). A song for Good Friday. I have one out there in treble clef. This one is in bass clef for men to sing it. It has piano accompaniment and guitar chords as well as written in duet. The ending is unique (my mp3 doesn't show it because I couldn't get it to play it right) but after Pound # 11 I'm no longer breathin', it ends in complete silence at that point.The attached video is in SA and cello. Questions or requests, email cdboss@cvalley.netLyrics:Refrain: How can it be, the pain that I feel, pounding through my hands be from the hammer and the nail? When as a child, so young, but aware, I watched Joseph use the hammer and the nail. To create things that were so beautiful. How can this pain be from the hammer and the nail? Verse Pound #1 What have I done Pound #2 They know not what they do Pound #3 I’m shaking in my knees Pound #4 Leads to many more Refrain: Verse Pound #5 I’m barely alive Pound #6 They poke me with a stick Pound #7 Soon I’ll be in heaven Pound #8 I’m feeling faint Refrain: Pound #9 I’m dying inside Pound #10 Father please forgive them Pound #11 I’m no longer breathin’.
$5.50
"Go, Tell It on the Mountain" for 13-note Bells and Boomwhackers® (with Color Coded Notes)
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Gospel/Spiritual
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Sharon Wilson
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Sharon Wilson Music
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"Go, Tell It on the Mountain"
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Sharon Wilson
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SheetMusicPlus
Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Xylophone - Level 1 - Digital Download SKU: A0.569888 By Sharon...
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Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Xylophone - Level 1 - Digital Download SKU: A0.569888 By Sharon Wilson. By Traditional Spiritual. Arranged by Sharon Wilson Music. Children,Christmas,Sacred,Spiritual,Traditional. Score and parts. 38 pages. Sharon Wilson #6615377. Published by Sharon Wilson (A0.569888). This sheet music is notated for 13-note (one octave, C to C chromatic scale) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord reference chart is also provided. To aid in the learning and teaching of this song or for use with other instruments (such as a Ukulele), chord names are included on the grand staff and Boomwhackers® score. Lyrics are provided on the grand staff and Handbells score for sing along enjoyment or when using this arrangement as the accompaniment for a unison choir.In addition, a complete set of scores for 4 ringers and 4 whackers is provided. Though there are multiple combinations for the number of ringers and whackers needed for any given performance, this extra set of scores is specifically designed for 8 performers with 2 notes assigned to each player. For each ringer and whacker, the 1-staff score shows only the notes they are assigned. This alternate score format may be easier to sight-read since the only notes on the staff are the assigned notes allowing the player to focus on rhythm. This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. If you have a set of bells or tubes with a different color scheme, Chroma-Notes Stick Ons can be purchased and applied so the instruments match the Boomwhackers® color scheme. Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. All sharps and flats are displayed as well (shown in the key of C); a helpful reminder for beginning musicians. Notes used for each instrument are as follows: Bells ~ C D E F G A B♠C* where C* is high C, one octave above middle C Boomwhackers® ~ C D E F G A B♠B Note assignment suggestions are provided.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®   * form a choir using multiple sets of bells and/or Boomwhackers® * use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, children's ministriesPermission is granted to make as many copies as needed for one family, church, school, or other performing group. Please purchase additional copies for multiple groups or organizations.Boomwhackers® is a registered trademark of Rhythm Band Instruments LLC. Used by permissionVisit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$10.00
CANON IN D Trio, Intermediate Level for String Trio, Woodwind Trio, any combination of two treble c
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J
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Sherry Lewis
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CANON IN D Trio, Intermediate
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Sherry Lewis Publishing
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SheetMusicPlus
Strings Bassoon,Cello,Flute,Oboe,Violin - Level 3 - Digital Download SKU: A0.521378 Composed by J. Pachelbel. Arranged by Sherry Lewis. Baroque,Christmas...
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Strings Bassoon,Cello,Flute,Oboe,Violin - Level 3 - Digital Download SKU: A0.521378 Composed by J. Pachelbel. Arranged by Sherry Lewis. Baroque,Christmas,Holiday,Wedding. 13 pages. Sherry Lewis Publishing #5986195. Published by Sherry Lewis Publishing (A0.521378). CANON IN D - 2 Treble and 1 Bass InstrumentIntermediate LevelScore: 5 pagesParts: 5 pages Time: 4'45MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$6.50
Guthrie: Mystery Canon for Tenor Saxophone Trio
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James M
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Guthrie: Mystery Canon for Ten
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Tenor Saxophone - Level 3 - Digital Download SKU: A0.1382193 Composed by James M. Guthrie. 21st Century,Chamber,Contempor...
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Woodwind Ensemble,Woodwind Trio Tenor Saxophone - Level 3 - Digital Download SKU: A0.1382193 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Wedding. 10 pages. Jmsgu3 #966722. Published by jmsgu3 (A0.1382193). A meditation on infinity.Infinity is a concept that refers to something unlimited, endless, or larger than any natural number. In mathematics, infinity is often denoted by the symbol ∞∞. There are different types of infinity, such as mathematical, physical, and metaphysical infinities. Mathematical infinities occur, for instance, as the number of points on a continuous line or as the size of the endless sequence of counting numbers. In set theory, mathematicians have shown that some infinities are larger than others, and there are different sizes of infinity like ℵ0ℵ0​ (aleph-null), ℵ1ℵ1​ (aleph-one), and the continuum. Infinity is not a real number and does not behave like an actual number. It is an idea of something without an end and cannot be measured. We don't have anything like it in our world, so we imagine it as endless or boundless..
$27.95
Children's Graded Fiddle Solos Volume 1
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Country
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Carol Ann Wheeler
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Children's Graded Fiddle Solos
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Fiddle - Beginning-Intermediate - Digital Download SKU: M0.97803MEB Composed by Carol Ann Wheeler. Country. Children's. E-book and online audio. Mel Bay ...
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Fiddle - Beginning-Intermediate - Digital Download SKU: M0.97803MEB Composed by Carol Ann Wheeler. Country. Children's. E-book and online audio. Mel Bay Publications - Digital Sheet Music #97803MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.97803MEB). ISBN 9781610656375. 8.75x11.75 inches.This book of fiddle solos is a companion to Children's Fiddling Method Volume 1. The tunes, presented first in their simplest form followed by progressively more difficult arrangements, utilize the skills and techniques introduced in the method book. While created for children, this music will also be enjoyed by adults who wish to gain an understanding of how to fiddle a tune. Teachers will find it a great teaching aid, as they can play the more difficult arrangements while the student chooses which ever arrangement suits their current playing ability. Fiddlers can grow into the tunes as they progress to higher skill levels and while this is happening, they will absorb the concepts and techniques of how to fiddle, which can be used in all fiddle tunes they play. All readers will delight in the eye-friendly layout carefully created so as help the student with ease of reading and to eliminate the intimidation that frequently occurs when less experienced players read tunes with lots of notes. Includes access to online audio.  .
$17.99
THE BEETHOVEN DUETS FOR CELLO VOLUME 1 SCHERZI 1, 2 and 3
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Classical
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Joe Procopio The Beethoven Due
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Ludwig van Beethoven
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Joe Procopio
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THE BEETHOVEN DUETS FOR CELLO
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JoeCopio Music LLC
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SheetMusicPlus
String Ensemble Cello - Level 5 - Digital Download SKU: A0.876553 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. ...
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String Ensemble Cello - Level 5 - Digital Download SKU: A0.876553 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. Score and parts. 43 pages. JoeCopio Music LLC #2101603. Published by JoeCopio Music LLC (A0.876553). THE BEETHOVEN DUETS FOR VIOLONCELLO By Joe Procopio The Beethoven Duets by Joe Procopio is a collection of duets that artist -composer Joe Procopio has adapted and arranged from the 9 Scherzi found in Ludwig van Beethoven’s 9 Symphonies. These duets are unique. They can be performed as a duet for Cello I and Cello II and as a Cello ensemble in groups of 2, 4, 6, 8, etc. Each Scherzo is published for many other orchestral instruments. They are published individually for each instrument; in a Three Volume Collection with 3 Scherzi in each volume; and in a Complete Collection containing all three volumes. Volume One has Scherzo No.1, Scherzo No. 2 and Scherzo No.3. Volume Two has Scherzo No.4, Scherzo No 5 and Scherzo No.6. Volume Three has Scherzo No.7, Scherzo No.8 and Scherzo No.9. The Complete Collection has all 3 Volumes for each instrument with all 9 Scherzi. What’s more they will soon be published in the Procopio PlayAlong Music Program. This is an exclusive MP3 music audio program personally designed and developed in which Player 1 plays along with a music audio track for Player 2. To be sure, The Beethoven Scherzi Duets for Violoncello are a marvel of Beethoven’s skill with sections reaching the sublime. It is my deep felt personal belief that these Scherzi will bring you great pleasure and long lasting satisfaction. Joe Procopio AN INTRODUCTION TO THE BEETHOVEN DUETS By Joe Procopio Because of the complexities, range and sonorities inherent in all of the Beethoven Symphonies, it may seem impossible to transcribe any one movement as a duet that is true to the composer. Nevertheless, I believe these duets contain the heart, soul and essence of Beethoven’s melodies, rhythms and expressions; even though these works are tiny when they are compared to the Master’s great musical creations which have no equal. In fact, there is no comparison. However, my sincere hope is that since I have rendered some of Beethoven’s music as duets, his music is now more readily available to all permitting a greater number of musicians and all the people who hear their performances to come to know and love a bit of the world’s most valuable, breathtaking and beautiful music. In truth, Beethoven’s music has stood the test of time. He astonished people in his day whenever he performed his music or had his music played. He still does today. To be sure, his music has enhanced and enriched the lives of many of us for over 200 years. In performing and listening to these Scherzi you will find the whole of each work a marvel of Beethoven’s skill with sections reaching the sublime. Few composers have been able to write down on paper music of such incredible beauty that it reflects the awesome splendor of God’s creation. What comes to mind immediately is Beethoven’s Pastoral Symphony No. 6. It has been said, that much of his music mirrors not only the magnificence of God’s creation but also the radiance of God the Creator himself. In any event, this music is simply amazing and awe-inspiring. A joy to listen to and to play. I know and can safely say without any hesitation or reservations that this collection will bring you much enjoyment.
$19.98
THE BEETHOVEN DUETS FOR VIOLA VOLUME 1 SCHERZI 1, 2 and 3
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Classical
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Joe Procopio The Beethoven Due
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Ludwig van Beethoven
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Joe Procopio
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THE BEETHOVEN DUETS FOR VIOLA
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JoeCopio Music LLC
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SheetMusicPlus
String Ensemble Viola - Level 5 - Digital Download SKU: A0.876542 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. ...
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String Ensemble Viola - Level 5 - Digital Download SKU: A0.876542 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. Score and parts. 37 pages. JoeCopio Music LLC #2101571. Published by JoeCopio Music LLC (A0.876542). THE BEETHOVEN DUETS FOR VIOLA By Joe Procopio The Beethoven Duets by Joe Procopio is a collection of duets that artist -composer Joe Procopio has adapted and arranged from the 9 Scherzi found in Ludwig van Beethoven’s 9 Symphonies. These duets are unique. They can be performed as a duet for Viola I and Viola II and as a Viola ensemble in groups of 2, 4, 6, 8, etc. Each Scherzo is published for many other orchestral instruments. They are published individually for each instrument; in a Three Volume Collection with 3 Scherzi in each volume; and in a Complete Collection containing all three volumes. Volume One has Scherzo No.1, Scherzo No. 2 and Scherzo No.3. Volume Two has Scherzo No.4, Scherzo No 5 and Scherzo No.6. Volume Three has Scherzo No.7, Scherzo No.8 and Scherzo No.9. The Complete Collection has all 3 Volumes for each instrument with all 9 Scherzi. What’s more they will soon be published in the Procopio PlayAlong Music Program. This is an exclusive MP3 music audio program personally designed and developed in which Player 1 plays along with a music audio track for Player 2. To be sure, The Beethoven Scherzi Duets for Viola are a marvel of Beethoven’s skill with sections reaching the sublime. It is my deep felt personal belief that these Scherzi will bring you great pleasure and long lasting satisfaction. Joe Procopio AN INTRODUCTION TO THE BEETHOVEN DUETS By Joe Procopio Because of the complexities, range and sonorities inherent in all of the Beethoven Symphonies, it may seem impossible to transcribe any one movement as a duet that is true to the composer. Nevertheless, I believe these duets contain the heart, soul and essence of Beethoven’s melodies, rhythms and expressions; even though these works are tiny when they are compared to the Master’s great musical creations which have no equal. In fact, there is no comparison. However, my sincere hope is that since I have rendered some of Beethoven’s music as duets, his music is now more readily available to all permitting a greater number of musicians and all the people who hear their performances to come to know and love a bit of the world’s most valuable, breathtaking and beautiful music. In truth, Beethoven’s music has stood the test of time. He astonished people in his day whenever he performed his music or had his music played. He still does today. To be sure, his music has enhanced and enriched the lives of many of us for over 200 years. In performing and listening to these Scherzi you will find the whole of each work a marvel of Beethoven’s skill with sections reaching the sublime. Few composers have been able to write down on paper music of such incredible beauty that it reflects the awesome splendor of God’s creation. What comes to mind immediately is Beethoven’s Pastoral Symphony No. 6. It has been said, that much of his music mirrors not only the magnificence of God’s creation but also the radiance of God the Creator himself. In any event, this music is simply amazing and awe-inspiring. A joy to listen to and to play. I know and can safely say without any hesitation or reservations that this collection will bring you much enjoyment.
$19.98
THE BEETHOVEN DUETS FOR CELLO SCHERZO NO 1
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Classical
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Joe Procopio The Beethoven Due
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Ludwig van Beethoven
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Joe Procopio
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THE BEETHOVEN DUETS FOR CELLO
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JoeCopio Music LLC
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SheetMusicPlus
String Ensemble Cello - Level 5 - Digital Download SKU: A0.876545 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. ...
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String Ensemble Cello - Level 5 - Digital Download SKU: A0.876545 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. Score and parts. 13 pages. JoeCopio Music LLC #2101585. Published by JoeCopio Music LLC (A0.876545). THE BEETHOVEN DUETS FOR VIOLONCELLO By Joe Procopio The Beethoven Duets by Joe Procopio is a collection of duets that artist -composer Joe Procopio has adapted and arranged from the 9 Scherzi found in Ludwig van Beethoven’s 9 Symphonies. These duets are unique. They can be performed as a duet for Cello I and Cello II and as a Cello ensemble in groups of 2, 4, 6, 8, etc. Each Scherzo is published for many other orchestral instruments. They are published individually for each instrument; in a Three Volume Collection with 3 Scherzi in each volume; and in a Complete Collection containing all three volumes. Volume One has Scherzo No.1, Scherzo No. 2 and Scherzo No.3. Volume Two has Scherzo No.4, Scherzo No 5 and Scherzo No.6. Volume Three has Scherzo No.7, Scherzo No.8 and Scherzo No.9. The Complete Collection has all 3 Volumes for each instrument with all 9 Scherzi. What’s more they will soon be published in the Procopio PlayAlong Music Program. This is an exclusive MP3 music audio program personally designed and developed in which Player 1 plays along with a music audio track for Player 2. To be sure, The Beethoven Scherzi Duets for Violoncello are a marvel of Beethoven’s skill with sections reaching the sublime. It is my deep felt personal belief that these Scherzi will bring you great pleasure and long lasting satisfaction. Joe Procopio AN INTRODUCTION TO THE BEETHOVEN DUETS By Joe Procopio Because of the complexities, range and sonorities inherent in all of the Beethoven Symphonies, it may seem impossible to transcribe any one movement as a duet that is true to the composer. Nevertheless, I believe these duets contain the heart, soul and essence of Beethoven’s melodies, rhythms and expressions; even though these works are tiny when they are compared to the Master’s great musical creations which have no equal. In fact, there is no comparison. However, my sincere hope is that since I have rendered some of Beethoven’s music as duets, his music is now more readily available to all permitting a greater number of musicians and all the people who hear their performances to come to know and love a bit of the world’s most valuable, breathtaking and beautiful music. In truth, Beethoven’s music has stood the test of time. He astonished people in his day whenever he performed his music or had his music played. He still does today. To be sure, his music has enhanced and enriched the lives of many of us for over 200 years. In performing and listening to these Scherzi you will find the whole of each work a marvel of Beethoven’s skill with sections reaching the sublime. Few composers have been able to write down on paper music of such incredible beauty that it reflects the awesome splendor of God’s creation. What comes to mind immediately is Beethoven’s Pastoral Symphony No. 6. It has been said, that much of his music mirrors not only the magnificence of God’s creation but also the radiance of God the Creator himself. In any event, this music is simply amazing and awe-inspiring. A joy to listen to and to play. I know and can safely say without any hesitation or reservations that this collection will bring you much enjoyment.
$9.99
O Morning Star, How Fair and Bright
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Patricia Hurlbutt
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O Morning Star, How Fair and B
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Chorister's Guild - Digital
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SheetMusicPlus
4 or 5 octaves handbells                    - Level 1+ - Digital Download SKU: C7.CGB1274 O ...
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4 or 5 octaves handbells                    - Level 1+ - Digital Download SKU: C7.CGB1274 O Holy Spirit, Enter In. Composed by Patricia Hurlbutt. Epiphany-Pentecost-General. With 2-3 Octaves. Score. 8 pages. Chorister's Guild - Digital #CGB1274. Published by Chorister's Guild - Digital (C7.CGB1274). Written in the style of a toccata, this arrangement features long, sustained melodic notes over a busy accompaniment. After a brief chordal section the piece concludes with a joyous pealing of the bells. While it can be played by beginning groups, more advanced ringers can be challenged by using a faster tempo. If desired, another instrument could also double the melody. Compatible editions for 2-3 and 3-5 octaves make this a great choice for festivals and other massed ringing events.
$4.95
Shake It Off
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Taylor Swift
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Sharon Wilson
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Shake It Off
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Sharon Wilson
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SheetMusicPlus
Mixed Percussion,Small Ensemble Bells,Boomwhackers,Handbell,Handchime,Orff Instrument,Ukulele,Xylophone - Level 1 - Digital Download SKU: A0.1506096 By T...
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Mixed Percussion,Small Ensemble Bells,Boomwhackers,Handbell,Handchime,Orff Instrument,Ukulele,Xylophone - Level 1 - Digital Download SKU: A0.1506096 By Taylor Swift. By Johan Schuster, Max Martin, Shellback, and Taylor Swift. Arranged by Sharon Wilson. Children,Contemporary,Instructional,Pop,Rock. 29 pages. Sharon Wilson #1081466. Published by Sharon Wilson (A0.1506096). This sheet music is notated for 13-note (one octave, C to C chromatic scale) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. Both the melody and rhythm have been simplified from the original to make it easier to learn and perform.Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord reference chart is also provided. To aid in the learning and teaching of this song or for use with other instruments (such as a Ukulele), chord names are included. Lyrics are also provided on the grand staff and handbells staff for sing along enjoyment.Two copies of each score are provided. The scores are identical except one uses color coded noteheads and the other uses black and white noteheads. The score with colored noteheads corresponds to the Boomwhackers® color scheme. If you have a set of bells or tubes with a different color scheme, Chroma-Notes Stick Ons can be purchased and applied so the instruments match the Boomwhackers® color scheme. Using color coded notes helps beginning musicians learn to read standard sheet music notation. The score with black and white notes will print clearer if you do not have access to a color printer or have a group of players already familiar with reading music notation.Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to distinguish (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure. All flats are displayed as well (shown in the key of C); a helpful reminder for beginning musicians.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers® * form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school or home* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, home school groupsVisit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusicBoomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.
$15.00
Silent Night (Bb) (String Quintet - 2 Violins, 1 Viola, 1 Cello, 1 Bass)
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Christmas
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the 1840's, the song was well
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Franz Xaver Gruber
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Regis Bookshar
#
Silent Night
#
Regis Bookshar
#
SheetMusicPlus
String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813970 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instruct...
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String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813970 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,World. Score and parts. 7 pages. Regis Bookshar #6635863. Published by Regis Bookshar (A0.813970). String Quintet - Intermediate - Digital Download. This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a String Quintet, consisting of 2 Violins, 1 Viola, 1 Violoncello and 1 Double Bass, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$5.00
Silent Night (Bb) (Woodwind Octet - 2 Flute, 1 Oboe, 3 Clar, 1 Hrn, 1 Bassoon)
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Christmas
#
the 1840's, the song was well
#
Franz Xaver Gruber
#
Regis Bookshar
#
Silent Night
#
Regis Bookshar
#
SheetMusicPlus
Woodwind Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.814535 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar...
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Woodwind Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.814535 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 12 pages. Regis Bookshar #6636671. Published by Regis Bookshar (A0.814535). Woodwind Octet - Intermediate - Digital Download. This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (12 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Woodwind Octet, consisting of 2 Flutes, 1 Oboe, 3 Clarinets, 1 French Horn and 1 Bassoon, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$8.00
Silent Night (Bb) (Woodwind Octet - 3 Flute, 1 Oboe, 2 Clar, 1 Hrn, 1 Bassoon)
#
Christmas
#
the 1840's, the song was well
#
Franz Xaver Gruber
#
Regis Bookshar
#
Silent Night
#
Regis Bookshar
#
SheetMusicPlus
Woodwind Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.814536 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar...
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Woodwind Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.814536 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 12 pages. Regis Bookshar #6636673. Published by Regis Bookshar (A0.814536). Woodwind Octet - Intermediate - Digital Download. This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (12 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Woodwind Octet, consisting of 3 Flutes, 1 Oboe, 2 Clarinets, 1 French Horn and 1 Bassoon, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$8.00
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