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1
Presto (Mozart K522 - theme from The Horse Of The Year Show) - 3 guitars/large ensemble
Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.1074681 Composed by Wol…
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Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.1074681 Composed by Wolfgang Amadeus Mozart. Arranged by Derek Hasted. Classical,Film/TV. Score and parts. 18 pages. Derek Hasted #678951. Published by Derek Hasted (A0.1074681). PRESTO (Mozart K522) The Horse Of The Year Show TV Theme - 3 GUITARS OR LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This is part of the fourth movement - Presto - of Mozart’s K522 for string quartet and two horns. It’s commonly known as “A Musical Jokeâ€, though the correct translation is “Some Musical Funâ€. In the UK, a sanitised version with added drumbeat and electric bass was used as the TV theme music to “The Horse Of The Year Showâ€. My arrangement has just some of the thematic material of the original, yet still fills a music stand. An optional repeat extends the piece to a little over 3 minutes. Mozart intended the piece as a showcase of how NOT to write, and the Presto contains some extraordinary and modern-sounding key changes as well as some rather odd counterpoint. The original Presto finishes with an unexpected burst into 4 different keys, all sounding together after one of the longest build-ups to an ending you’ll ever hear. My setting for 3 guitars ends in 3 of the 4 keys that Mozart burst into. Most audiences would probably associate this with a catastrophic disaster, so I’ve included a second ending that stays in key for a nice happy ending! Rather than the isolated quavers (eighth notes) and rests, I’ve used staccato marks to make a version that is much easier to read yet has exactly the same articulation. I hope you enjoy this piece!
$2.99
2.76 €
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Wolfgang Amadeus Mozart
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Presto
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Derek Hasted
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SheetMusicPlus
Beethoven - Choral Fantasia Op80 (arr. Piano Quartet) (Full Score)
Piano Quintet,String Ensemble Cello,Double Bass,Piano,Viola,Violin - Level 4 - Digital Dow…
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Piano Quintet,String Ensemble Cello,Double Bass,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.945582 Composed by L. v. Beethoven. Arranged by Tony Matthews. Classical. Score and parts. 62 pages. Archway Publications #6331857. Published by Archway Publications (A0.945582). This Fantasia (or Fantasy) for piano, vocal soloists, chorus, and orchestra, Op. 80, was composed in 1808 by a 38 year old Beethoven.The Fantasia was hastily written to serve as the grand finale for a (personal) benefit concert on the 22nd December 1808 which included premiers of his 5th and 6th symphonies, the 4th Piano concerto and the Mass in C. Beethoven took the opportunity to use the forces available to make this comparatively short piece for piano, orchestra, and a choral finale where he, the soloist, could showoff just how good he was.Sadly, this work is seldom performed because who wants to hire a choir for just 2 minutes of music and an orchestra for not that much longer. This quintet version addresses this by allowing a much smaller ensemble to enjoy performing this utterly delightful work. The piano part is basically what Beethoven wrote, however it has been suitably modified in places to allow the piano to fit into the overall ensemble.
$4.99
4.6 €
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L
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Beethoven - Choral Fantasia Op80
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Archway Publications
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SheetMusicPlus
Ave Maria Easter Version SATB violin or flute or cello and piano
Alto Voice,Bass Voice,Cello,Flute,Piano Accompaniment,Soprano voice,Tenor Voice,Violin - L…
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Alto Voice,Bass Voice,Cello,Flute,Piano Accompaniment,Soprano voice,Tenor Voice,Violin - Level 3 - Digital Download SKU: A0.1340935 Composed by Franz Schubert. Arranged by Connie Boss. Easter,Holiday,Religious,Sacred. 18 pages. Connie Boss #926508. Published by Connie Boss (A0.1340935). This Easter version of Ave Maria tells how Mary Magdeline went to the tomb the third day after Jesus was crucified. When she arrives, she sees that the stone has been rolled away. She runs to find help and gets Simon Peter to go with her. They find Jesus was no longer there. He had risen from the dead on the third day as he had told them. He went to Heaven to be with his father. She is telling Mary about their discovery. This version is for SATB with a soloist and choice of flute, violin or cello with parts included and piano. I have other versions on here as well.For requests or questions, email cdboss@cvalley.netAve Maria, I have exciting news for youMaria, I just came from HIs tombMaria, the stone was removedAve, Ave, I ran to get helpTo bring help to the tombSimon Peter went with me to the tombHe found that Jesus was no longer thereHis burial cloths were lying thereLying there on the floor of the tombAve Maria….. Ave Maria, mother of GodMaria, do not be afraidMaria, Jesus was raised on highAve, Ave Maria, it was just as he saidThat he would rise on the third dayAnd now He joins his father in heavenAnd He will sit at His right handYour son has saved the world from sinAve, Maria……….
$7.99
7.37 €
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Franz Schubert
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Ave Maria Easter Version SATB violin or flute or cello and piano
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Connie Boss
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SheetMusicPlus
Der fliegende Holländer
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. - Str. …
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. - Str. Auf dem Theater: 3 Picc. · 6 Hr. · Tamt. · Windschleuder - Digital Download SKU: S9.Q25918 Romantische Oper in drei Aufzügen. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25918. Published by Schott Music - Digital (S9.Q25918). German.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (1842-1880 version) This piano reduction is based on the edition of Der fliegende Holländer from the Critical Complete Edition of Richard Wagner’s works (Richard Wagner, Sämtliche Werke [Collected works], Vol. 4, III-VI, edited by Egon Voss, Mainz, 2000f.) The primary source for this edition was the first print of the score dating from 1845 which had however been augmented utilising the sources of additions undertaken after 1845, meaning that this edition is actually a compilation of the final versions of all individual sections or relevant details. The overture for example dates back to 1860 whereas No. 1 appears in the version from 1864. What is however most significant is that the versions from the Collected Editions based on new sources is without doubt closer to the original than the score from 1897 edited by Felix Weingartner which had previously formed the basis for all editions and logically also for all performances.†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).
$47.99
44.24 €
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Richard Wagner
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Der fliegende Holländer
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Schott Music - Digital
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SheetMusicPlus
Bist du bei mir for Bass Trombone or Tuba and Piano
Bass Trombone,Instrumental Solo,Piano,Tuba - Level 3 - Digital Download SKU: A0.1270460…
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Bass Trombone,Instrumental Solo,Piano,Tuba - Level 3 - Digital Download SKU: A0.1270460 Composed by Johann Sebastian Bach. Arranged by Philip Brink. Baroque. Score and individual part. 3 pages. Gordon Cherry #862844. Published by Gordon Cherry (A0.1270460). J. S. Bach's Bist du bei mir, BWV 508 is a tender and poignant aria that showcases the composer's mastery of vocal music. Originally attributed to Bach, it is now believed to have been composed by Gottfried Heinrich Stölzel. This beautiful piece, written in the 18th century, is sung in German and translates to If you are with me. Its simple yet heartfelt melody is accompanied by delicate piano or harpsichord chords, creating an intimate atmosphere. Bist du bei mir expresses deep love, longing, and a sense of comfort in the presence of a loved one, making it a cherished gem in the classical vocal repertoire.This mini masterpiece has been arranged for Bass Trombone or Tuba by Phil Brink and is perfect for intermediate level performers.
$12.50
11.52 €
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Johann Sebastian Bach
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Bist du bei mir for Bass Trombone or Tuba and Piano
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Gordon Cherry
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SheetMusicPlus
Schubert: MASS In G Major D-167 (Version for SSAA choir, SSA soli, strings and organ) - Score Only
Level 3 - Digital Download SKU: A0.1401951 Composed by Franz Schubert. Arranged by …
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Level 3 - Digital Download SKU: A0.1401951 Composed by Franz Schubert. Arranged by Roar Kvam. 19th Century,Classical,Latin,Praise and Worship,Romantic Period. 123 pages. KVAMusic Edition #985149. Published by KVAMusic Edition (A0.1401951). The Mass no. 2 in G major by Franz Schubert, D 167, was composed in 1815. This is the best known of the three shorter mass compositions which Schubert composed between the more elaborate first and fifth masses. In addition, the later Deutsche Messe or German Mass, D 872,and the ultimate sixth mass would be longer. The mass no. 2, commonly referred to as Schubert's Mass in G, was composed in less than a week (March 2 to 7, 1815), the year after his first mass had been successfully performed in Schubert's home parish.The second mass was originally more modestly scored than the first, requiring only a string orchestra and organ in addition to the soloists and choir. However, in the 1980s a set of parts for the mass were discovered at Klosterneuburg which are dated later than Schubert's full score.They not only include minor changes throughout the work, which would apparently represent Schubert's final intentions,they also include trumpet and timpani parts. Apart from some passages for the soprano soloist, the solistic interventions are very modest. Characteristically for Schubert, he is more interested in an overall devotional mood of a religious composition than in individualistic romantic text-expression. In this edition for women's voices, I use Schubert's first version for strings and organ which fits excellently to the sound of the women's choir.
$20.00
18.44 €
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Franz Schubert
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Schubert: MASS In G Major D-167
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KVAMusic Edition
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SheetMusicPlus
Schubert: MASS In G Major D-167 (Version for SSAA choir, SSA soli, strings and organ)
Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.768510 Composed by Franz…
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Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.768510 Composed by Franz Schubert. Arranged by Roar Kvam. Romantic Period,Sacred. Octavo. 123 pages. KVAMusic Edition #5321075. Published by KVAMusic Edition (A0.768510). The Mass no. 2 in G major by Franz Schubert, D 167, was composed in 1815. This is the best known of the three shorter mass compositions which Schubert composed between the more elaborate first and fifth masses. In addition, the later Deutsche Messe or German Mass, D 872,and the ultimate sixth mass would be longer. The mass no. 2, commonly referred to as Schubert's Mass in G, was composed in less than a week (March 2 to 7, 1815), the year after his first mass had been successfully performed in Schubert's home parish.The second mass was originally more modestly scored than the first, requiring only a string orchestra and organ in addition to the soloists and choir. However, in the 1980s a set of parts for the mass were discovered at Klosterneuburg which are dated later than Schubert's full score.They not only include minor changes throughout the work, which would apparently represent Schubert's final intentions,they also include trumpet and timpani parts. Apart from some passages for the soprano soloist, the solistic interventions are very modest. Characteristically for Schubert, he is more interested in an overall devotional mood of a religious composition than in individualistic romantic text-expression. In this edition for women's voices, I use Schubert's first version for strings and organ which fits excellently to the sound of the women's choir.
$55.00
50.71 €
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Franz Schubert
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Schubert: MASS In G Major D-167
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KVAMusic Edition
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SheetMusicPlus
Schubert: MASS in G Major (Version for SSAA choir, SAA soli, strings and organ) set of orchestra par
Small Ensemble - Level 3 - Digital Download SKU: A0.768512 Composed by Franz Schube…
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Small Ensemble - Level 3 - Digital Download SKU: A0.768512 Composed by Franz Schubert. Arranged by Roar Kvam. Romantic Period,Sacred. Score and parts. 98 pages. KVAMusic Edition #5321083. Published by KVAMusic Edition (A0.768512). The Mass no. 2 in G major by Franz Schubert, D 167, was composed in 1815. This is the best known of the three shorter mass compositions which Schubert composed between the more elaborate first and fifth masses. In addition, the later Deutsche Messe or German Mass, D 872,and the ultimate sixth mass would be longer. The mass no. 2, commonly referred to as Schubert's Mass in G, was composed in less than a week (March 2 to 7, 1815), the year after his first mass had been successfully performed in Schubert's home parish.The second mass was originally more modestly scored than the first, requiring only a string orchestra and organ in addition to the soloists and choir. However, in the 1980s a set of parts for the mass were discovered at Klosterneuburg which are dated later than Schubert's full score.They not only include minor changes throughout the work, which would apparently represent Schubert's final intentions,they also include trumpet and timpani parts. Apart from some passages for the soprano soloist, the solistic interventions are very modest. Characteristically for Schubert, he is more interested in an overall devotional mood of a religious composition than in individualistic romantic text-expression. In this edition for women's voices, I use Schubert's first version for strings and organ which fits excellently to the sound of the women's choir.
$25.00
23.05 €
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Franz Schubert
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Schubert: MASS in G Major
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KVAMusic Edition
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SheetMusicPlus
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