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I've Got a Feeling TAB
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Stabat Mater - string ensemble parts
Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke L…
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Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lustenhouwer #795094. Published by Annemieke Lustenhouwer (A0.1195919). What happens when you close your eyes and you see yourself standing next to Mother Mary when Jesus dies? What do you see and what do you feel? That was what I’ve been asking myself for years when I read the text Stabat Mater. This composition tells about this experience and this questions. Sometimes a motif tells quite literally about this story, like the moment when Jesus is nailed down the cross: first the right hand, then the left hand and finaly with one nail both feet. In the first part of the composition, the viola tells with sforzato accents about this.This Stabat Mater is not only an expression of the pain of the Virgin Mother, but is also a tribute to JS Bach as well. Bach is by some seen as a fith evangelist. Nowadays there are still a lot of people who are affected by how his music tells about biblical stories, like I am. In this Stabat Mater I use the number 5 to express that: the first part is written in 5/4th and the last part Quando corpus et Amen is written with 5 parts in the choir. There can also be found a reworked choral in the choir passages of  O quam tristis et afflicta. It is the choral Wie nahe mir mein Ende from BWV 166.Polyfony is a returning presence in this Stabat Mater. I had an visual idea about this. When I was young I saw in an exhibition a tapestry with all kinds of colours and threads, and everything felt in motion. It was a kind of organized mess, but it was beautiful and felt perfect. I wondered if I could manage to express this idea in music as well. Under one of the polyphonic passages there is a Latin-American dance rhythm to express that motion. I heard that rhythm in my childhood in a rhythmbox of the keyboard of my dad. Another passage has the baroque sarabande-rhythme underneath in the double bass.A lullaby-feeling in some parts of the Stabat Mater tells about another story that got intertwined with this composition. It’s the story of a mother who rocks her terminal dying little son in her arms. I once read that story and it felt connected with the Stabat Mater text for a long time. I decided to express that as well.This composition is dedicated to the Dutch conductor Geert van den Dungen. However I saw many conductors, while playing the oboe and clarinet from a young age, there was nobody who let me think very deeply about music. Geert was the one who changed that for me. I started to study scores and developed a great interest in music analysis and music psychology. Many moments of inspiration and understanding for this Stabat Mater happened on choir rehearsals and concerts where Geert was working. I am very grateful for that.String parts only, see for conductors/ choir score Sheet Music plus and Sheet music direct.
$19.00
17.43 €
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Annemieke Lustenhouwer
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Stabat Mater - string ensemble parts
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Annemieke Lustenhouwer
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SheetMusicPlus
We Can Work It Out
Brass Ensemble,Brass Quartet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SK…
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Brass Ensemble,Brass Quartet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.771560 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Pop. Score and parts. 8 pages. RayThompsonMusic #379203. Published by RayThompsonMusic (A0.771560). We Can Work It Out is a song by the English rock band the Beatles, written by Paul McCartneyand John Lennon. It was first issued as a double A-side single with Day Tripper in December 1965. It also appeared on the 1966 US release Yesterday and Today. The release marked the first time in Britain that both tracks on an artist's single were promoted as joint A-sides.The song was recorded during the sessions for the band's Rubber Soul album. The single was number 1 in Britain (where it won the Ivor Novello Award for the top-selling A-side of 1965), the United States, Australia, Canada and Ireland. In the UK, it was the seventh highest selling single of the 1960s. We Can Work It Out is a comparatively rare example of a Lennon–McCartney collaboration from this period in the Beatles' career, in that it recalls the level of collaboration the two songwriters had shared when writing the group's hit singles of 1963. This song, A Day in the Life, Baby, You're a Rich Man and I've Got a Feeling, are among the notable exceptions. Arranged brass quartet: 2 tpt,tbn and tuba Melody is shared amongst 3 treble clef instruments, tuba provides steady bass line. Alt. horn in F part for tbn. Video is the clarinet quartet version.
$17.95
16.46 €
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The Beatles
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We Can Work It Out
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RayThompsonMusic
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SheetMusicPlus
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