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You've selected:
I Don't Believe You
Sheetmusic to print
13 sheet music found
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1
Believer
About Interact…
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About Interactive Downloads Interactive Downloads are dynamic sheet music files that can be viewed and altered directly in My Digital Library from any device. Interactive features include: playback, tempo control, transposition, melody instrument selection, adjustable note size, and full-screen viewing. Once you download your personalized sheet music, you can view and print it at home, school, or anywhere you want to make music, and you don’t have to be connected to the internet. Just purchase, download and play! PLEASE NOTE: All Interactive Downloads will have a watermark at the bottom of each page that will include your name, purchase date and number of copies purchased. You are only authorized to print the number of copies that you have purchased. You may not digitally distribute or print more copies than purchased for use (i.e., you may not print or digitally distribute individual copies to friends or students). Song List (1) Believer Reviews Don't miss out! Access exclusive content and coupons, and be the first to know about new releases
Song List: Believer
$4.99
4.5 €
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Believer
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SheetMusicPlus
Come Home To You
Guitar - Level 3 - Digital Download SKU: A0.1320143 By Ian Munsick. By Dave Villa, …
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Guitar - Level 3 - Digital Download SKU: A0.1320143 By Ian Munsick. By Dave Villa, Ian Munsick, Jamie Kenney, and Niko Moon. Arranged by Kyle Pudenz. 21st Century,Contemporary,Country,Pop,Wedding. Chords/Lyrics. 5 pages. ViolinVagabond Music #908674. Published by ViolinVagabond Music (A0.1320143). Here's a chart designed for the last-minute gigging musician, by the last-minute gigging musician. Indeed, I got called in to sub on a wedding gig on less than a week's notice, and found this song right at the top of the list. Having not played or listened to it... ever, I decided to display some semblance of due dilligence and write out a version that would work in the range of a solo instrumental violin. Then, and don't ask me where this sudden magnanimous streak came from, I decided to spin up the same chart with lyrics and chord diagrams just in case I ever needed to play it with a vocalist.Out of the goodness of my heart, ALL of the above is available to you for the low low price of about 5 bucks. While I was tabbing this out from the perspective of a violinist, the range is pretty universal and should be playable on just about any treble clef instrument. Including the viola... although if you got hired to play solo viola at a wedding or a cocktail hour I have questions.It's nothing spectacular, but here's what I can promise you if you buy this chart:- THE CHORDS ARE RIGHT. I honestly can't believe there are people that get the chords to songs like these wrong on their arrangements, but here we are. Rest assured I am not one of them.- YOU CAN ACTUALLY READ IT. Finale collisions and terrible interpretations of vocal rhythms need not apply here.- THE MELODY WILL WORK ON YOUR INSTRUMENT. Again, this is not one of those hyper-transcriptions of every little vocal ornament that was sang on the studio version. I purposefully chose where to simplify vs. embellish the melody so that there's room for instrumental interpretation without getting lost in the details.May this humble arranger's last-minute busy work bring joy to your audience and at least an extra 30 minutes of sleep to you by not having to learn this song the night before the gig. Enjoy the hustle, friends.
$4.99
4.5 €
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Ian Munsick
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Come Home To You
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ViolinVagabond Music
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SheetMusicPlus
Believing Is Seeing
Alto Saxophone,Double Bass,Drums,Guitar,Piano,Trumpet - Digital Download SKU: A0.107157…
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Alto Saxophone,Double Bass,Drums,Guitar,Piano,Trumpet - Digital Download SKU: A0.1071572 Composed by Keith Prater. Christian,Praise & Worship. Full Performance. Duration 383. Keith Prater #3130557. Published by Keith Prater (A0.1071572). Some say they will believe it when they see it. I say if you don't believe it before you see it, you won't believe it when you see it. Believing is seeing what God will do.
$2.50
2.26 €
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Keith Prater
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Believing Is Seeing
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Keith Prater
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SheetMusicPlus
Let Me Go
Rhythm Section 3-Part Mixed Chorus,Voice - Level 5 - Digital Download SKU: A0.1426655
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Rhythm Section 3-Part Mixed Chorus,Voice - Level 5 - Digital Download SKU: A0.1426655 By Holiyo. By Holyone Tombari Dodoh. Blues,Contemporary,Jazz,Opera,Reggae. Vocal Jazz Ensemble. 81 pages. Holyone Tombari Dodoh #1007357. Published by Holyone Tombari Dodoh (A0.1426655). Lyrics:I want to be free,I want to begin,I want to be me,I want to be happy.I want to be like you,I want to be someone,I want to believe,That I'm ready,Because I'm ready.Trust in me,And believe in tomorrow,I need to sowA good seed nowSo I can reap.When it's time,You'll be happy,Don't make me bitter today,I don't like sadness.Come on please,Let me go,Let me liveThe way I want,Why do you takeAway my pride,Oh come on,Let me go.Come on, you, let go,I'm not that little,This is so hurting,I want to be me.Please don't be offended,I'm asking for freedom,I want to be happy,Just like as you are.Come on please,Let me go,Let me liveThe way I want,Why do you takeAway my pride,Oh come on,Let me go.You're feeling so well,Please let me be,I want to feel well,Can't understand;Why don't you give meThe liberty to choose,How to run my life,Even when you see me,Doing better that way.I love you so much,I want you proud of me,Till the breaking of the day,Why can't you wait.And believe in my path,'Cause I won't let you down,You'd be happy,You'd tell me well done!Come on please,Let me go,Let me liveThe way I want,Why do you takeAway my pride,Oh come on,Let me go.Come on please,Let me go,Let me liveThe way I want,Why do you takeAway my pride,Oh come on,Let me go.
$7.00
6.31 €
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Holiyo
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Let Me Go
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Holyone Tombari Dodoh
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SheetMusicPlus
Long Live Cowgirls
Guitar - Level 3 - Digital Download SKU: A0.1320152 By Ian Munsick & Cody Johnson. …
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Guitar - Level 3 - Digital Download SKU: A0.1320152 By Ian Munsick & Cody Johnson. By Aby Gutierrez, Ian Munsick, and Phil O'Donnell. Arranged by Kyle Pudenz. 21st Century,Contemporary,Country,Wedding. Chords/Lyrics. 5 pages. ViolinVagabond Music #908681. Published by ViolinVagabond Music (A0.1320152). Here's a chart designed for the last-minute gigging musician, by the last-minute gigging musician. I got called in to play this tune as an instrumental duo at a wedding. Admittedly, it takes a very specific type of wedding for this to be the vibe for the entrance of the bridesmaids, but perhaps you too may find yourself in this same situation. Fortunately I am here to help!Whether you're performing this with a vocalist or as an instrumental solo/ensemble like me, this chart has everything you need. Chords/lyrics version AND an instrumental (treble clef) lead sheet are included, all for the low low price of about 5 bucks. While I was tabbing this out from the perspective of a violinist, the range is pretty universal and should be playable on just about any treble clef instrument. Including the viola... although if you got hired to play solo viola at a wedding or a cocktail hour I have questions.My promises to you if you buy this chart:- THE CHORDS ARE RIGHT. I honestly can't believe there are people that get the chords to songs like these wrong on their arrangements, but here we are. Rest assured I am not one of them.- YOU CAN ACTUALLY READ IT. Finale collisions and terrible interpretations of vocal rhythms need not apply here.- THE MELODY WILL WORK ON YOUR INSTRUMENT. Again, this is not one of those hyper-transcriptions of every little vocal ornament that was sang on the studio version. I purposefully chose where to simplify vs. embellish the melody so that there's room for instrumental interpretation without getting lost in the details.May this humble arranger's last-minute busy work bring joy to your audience and at least an extra 30 minutes of sleep to you by not having to learn this song the night before the gig. Enjoy the hustle, friends.
$4.99
4.5 €
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Ian Munsick & Cody Johnson
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Long Live Cowgirls
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ViolinVagabond Music
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SheetMusicPlus
10,000 Reasons (bless The Lord)
Guitar - Level 2 - Digital Download SKU: A0.1213599 By Matt Redman. By Jonas Myrin …
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Guitar - Level 2 - Digital Download SKU: A0.1213599 By Matt Redman. By Jonas Myrin and Matt Redman. Arranged by Kyle Pudenz. Christian,Praise & Worship,Religious,Wedding. Chords/Lyrics. 5 pages. ViolinVagabond Music #810792. Published by ViolinVagabond Music (A0.1213599). Here's a chart designed for the last-minute gigging musician, by the last-minute gigging musician. Indeed, I got called in to sub on a solo violin wedding gig on less than 24 hours' notice, and found this song right at the top of the list. Having not played or listened to it in... a while, I decided to display some semblance of due dilligence and write out a version that would work in the range of a solo instrumental violin. Then, and don't ask me where this sudden magnanimous streak came from, I decided to spin up the same chart with lyrics and chord diagrams just in case I ever needed to play it with a vocalist.Out of the goodness of my heart, ALL of the above is available to you for the low low price of (insert current minimum price for SMP chart). While I was tabbing this out from the perspective of a violinist, the range is pretty universal and should be playable on just about any treble clef instrument. Including the viola... although if you got hired to play solo viola at a wedding or a church service I have questions.It's nothing spectacular, but here's what I can promise you if you buy this chart:- THE CHORDS ARE RIGHT. I honestly can't believe there are people that get the chords to worship songs wrong on their arrangements, but here we are. Rest assured I am not one of them.- YOU CAN ACTUALLY READ IT. Finale collisions and terrible interpretations of vocal rhythms need not apply here.- THE MELODY WILL WORK ON YOUR INSTRUMENT. Again, this is not one of those hyper-transcriptions of every little vocal ornament that was sang on the studio version. I purposefully chose where to simplify vs. embellish the melody so that there's room for instrumental interpretation without getting lost in the details.May this humble arranger's last-minute busy work bring joy to your audience and at least an extra 30 minutes of sleep to you by not having to learn this song the night before the gig. Enjoy the hustle, friends.
$3.99
3.6 €
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Matt Redman
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10,000 Reasons
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ViolinVagabond Music
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SheetMusicPlus
Partituras - 50 Melodias com cifra - Livro 4
Acoustic Guitar,Alto Flute,C Instrument,Electric Violin,Electronic Keyboard,Instrumental S…
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Acoustic Guitar,Alto Flute,C Instrument,Electric Violin,Electronic Keyboard,Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.1150809 By Israel Pessoa. By Diversos. Arranged by Israel Pessoa. 20th Century,Broadway,Film/TV,Folk,Musical/Show,Wedding. Score and individual part. 71 pages. Israel Pessoa #750992. Published by Israel Pessoa (A0.1150809). Livro com 50 partituras. Melodias com cifra das principais musicas tocadas nos eventos em geral. Para você que quer começar ou expandir seu repertório. Todas as partituras foram escritas e revisadas com extremo cuidado para que você possar baixar e tocar. 1. Anjo Guardião - Banda da Graça 2. Beautiful Day - U2 3. Because You Loved Me - Celine Dion 4. Better Together - Jack Johnson 5. Blinding Lights - The Weeknd 6. Cheia de Manias - Raça Negra 7. Coffin Dance - Tabut Dansi 8. Como é lindo o canto de Iemanjá 9. Corre Pro Meu Mar - Maneva 10. Dandelions - Ruth B 11. De Janeiro a Janeiro - Nando Reis 12. Deixa Tudo Como Tá - Thiaguinho 13. Don’t Give Up On Me - Andy Grammer 14. Era uma Vez - Kell Smith 15. Espumas ao Vento - Lara Amélia 16. Eu Juro - Armandinho 17. Garota de Ipanema- VinÃcius de Moraes 18. Gratidão - Gabriela Rocha 19. Harvest Moon - Neil Young 20. Here comes the sun - The Beatles 21. História Infinita - Esdras Gondim 22. How Far I'll Go - Moana 23. I See The Light - Enrolados 24. Karma Chameleon - Culture Club 25. Like My Father -Jax 26. Locked Out Of Heaven - Bruno Mars 27. Monte Castelo - Legião Urbana 28. One Way Or Another - Blondie 29. Oxalá criou a Terrra, Oxalá criou o mar 30. Oxalá, nosso pai lá no céu 31. Pé na Areia - Diogo Nogueira 32. Pretexto - Imaginasamba 33. Primeiros Erros - Capital Inicial 34. Razão da Minha Vida - Belo 35. Señorita - Shawn Mendes - Camila Cabello 36. Simplesmente Jose - Eugênio Jorge 37. SÃtio do Pica-pau-amarelo - Gilberto Gil 38. Sugar - Maroon 5 39. Sweet Child O'Mine - Guns N' Roses - Com solos do Slash 40. Take On Me - A-Ha 41. Thank You - Led Zeppelin 42. That's How You Know - Encantada 43. Time After Time - Cyndi Lauper 44. Total Eclipse Of My Heart - Bonnie Tyler 45. True Colors - Cyndi Lauper 46. Vi Amor no Seu Olhar - Belo 47. Wave - Tom Jobim 48. When You Believe - O principe do Egito 49. Why Worry - Dire Straits 50. Yeshua - Casa Worship.
$10.00
9.02 €
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Israel Pessoa
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Partituras - 50 Melodias com cifra - Livro 4
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Israel Pessoa
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SheetMusicPlus
It Is Not Death to Die - Orchestration
Small Ensemble - Digital Download SKU: A0.976717 Composed by Robert Myers. Contempo…
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Small Ensemble - Digital Download SKU: A0.976717 Composed by Robert Myers. Contemporary,Easter,Sacred. Score and parts. 67 pages. WheatMyer Music #4794639. Published by WheatMyer Music (A0.976717). It Is Not Death to Die is a new setting of French poet Henri Abraham César Malan's Non, ce n'est pas mourir as translated by George Washington Bethune and adapted for this work. Why this text? It first came to my notice shortly after the passing of Billy Graham, who was known to paraphrase D. L. Moody, Someday you will read or hear that Billy Graham is dead. Don’t you believe a word of it. I shall be more alive than I am now. I will just have changed my address. I will have gone into the presence of God.Graham's bold proclamation and Malan's poetry motivated me to focus anew on the resurrection, re-remembering it as the pivotal element of the Christian faith. For if there is no resurrection, Paul says in 1 Cor 15, our faith is useless. But Christ has indeed been raised from the dead! Unfortunately, singing about heaven has, perhaps, been neglected of recent decades. We seem to have focused more on the already to the detriment of the not yet. But it is important to remember that this life is not all there is! Quoting Paul again, the sufferings of this present time are not worth comparing with the glory that is to be revealed to us (Rom 8:18). Yet, if Christ delays, the grim inevitability of our transition into eternity is a certain experience we all face. Malan's poetry so poignantly and eloquently captures this tension that it compelled me to compose a fresh musical setting that attempts to captures the mixture of dread and hope borne out in the acclamation that death is swallowed up in victory! I pray that this setting aids the Church to remember the great hope and promise Christ has granted us: O Death, where is your victory? O Death, where is your sting?_______________________________________________________________________________________________The music opens with a C# diminished chord in a very still and somber texture reflective of grief. The text is introduced with the first of two main motives, a rising 4-note outline of B minor in a triple repetition of It Is Not Death. As each stanza proceeds the music concludes on the second motive, a 5-note descending span of a minor 7th in Bb Lydian. The energy and mood of the music gradually shift over the five stanzas, as the focus moves from this life to the next; the texture thickens, the harmony expands, and the dynamic grows into the music’s pinnacle on reign with You on high! The music closes on a reprise of the opening section, simultaneously mindful of our mortality and our eternity.Available with orchestral (this version) or piano accompaniment, It Is Not Death to Die is a fitting close to the Easter season, or is suitable for Ascension Sunday, a funeral or memorial service, or any time in the church year to remind Christians of the central hope of our faith, eternal life in Christ.Robert MyersS.D.G.Orchestration 2 1 1 1 1 2 2 2 1 1 Timp Glock Perc Mark Tree, Sus Cym, Crash Cym, Snare, Bass Drum, Mid Tom, Triangle, Tam Tam Piano Strings
$75.00
67.65 €
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Robert Myers
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It Is Not Death to Die - Orchestration
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WheatMyer Music
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SheetMusicPlus
Playing with Scales
Guitar - Level 2 - Digital Download SKU: A0.1314698 Composed by Richard Hirsch. Ins…
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Guitar - Level 2 - Digital Download SKU: A0.1314698 Composed by Richard Hirsch. Instructional. Educational Exercises. 8 pages. Richard Hirsch #903442. Published by Richard Hirsch (A0.1314698). Many amateur guitarists and beginning students of guitar are ‘stuck in the first position’. The rest of the fretboard is ‘terra incognita’. They don’t know where the notes are and they don’t know how to get to them and use them in playing melodies. To help remedy this situation, I offer a collection of scales and exercises I have developed over the years that have helped me master the fretboard of the guitar and that I have used to warm up my left and right hands before practicing or playing proper pieces. Guitarists afraid to move up the fretboard miss out on all the tonal nuances that the guitar has to offer. They also often have undeveloped left hand technique with a little finger that flies around helplessly and uselessly. These scales and exercises will, if played regularly, put the little finger to good use and guide the left hand to orient to the fretboard properly, staying close to the fretboard with fingers that move as little and as efficiently as possible. They are also relaxing and fun to play around with. I read somewhere a while back that medical science had found that pianists were less likely to develop brain diseases. The scientists attributed this to the many hours pianists spend playing scales, as this is like a gentle brain massage. So scales are not only good warm up exercises for the fingers but also good warm-ups for the brain.The scale exercises written here in the keys of G and C should be played in different keys in higher positions on the fretboard. Students can try to see just how far up the neck they can go to reach the highest notes. After a while, what seemed challenging and strange will start to feel comfortable and familiar. Don’t hesitate to develop new variants of the scales when you grow tired of playing them as I propose here. Have fun playing and playing with the scales!The exercises often start in one position and move toward other higher or lower positions on the fretboard. When moving from one position to another, follow the suggested fingerings to utilise what is called a lead finger to move the hand to the next position. This will make the movement smooth and not interrupt the flow of the scale. In the end all movement should look and feel seamless and effortless.I have chosen scales in major keys I think are particularly good to play on the guitar. To practice a scale in a minor key, start the exercise in the related major key from the fundamental of the minor key, for example, to play an E minor scale start the G major exercise on an E and play from there. This is one way of creating new variants of these scales. Another way to vary the exercises is to play the scales in different time signatures or rhythms.I believe these exercises are particularly helpful for amateur guitarists who play in ensembles of different kinds, duos, trios, quartets, where the guitarist often only has one melodic line to play. Such melodies often sound much better played in higher positions where the guitar can be made to sing, rather than in the first position where the same tones, especially on open strings, often sound rather dull. From my own experience, I find that when I play a melody in a higher position using all the fingers of the left hand, the melody not only sounds better, the fingers remember the melody better.Â
$4.99
4.5 €
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Richard Hirsch
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Playing with Scales
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Richard Hirsch
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SheetMusicPlus
Ode to My Savior Beginner Trumpet Trio
Brass Ensemble Trumpet - Level 1 - Digital Download SKU: A0.1079739 Composed by Edd…
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Brass Ensemble Trumpet - Level 1 - Digital Download SKU: A0.1079739 Composed by Eddie Lewis. Classical,Instructional,Sacred. Score and parts. 6 pages. Tiger Music #683926. Published by Tiger Music (A0.1079739). I have said this in the description for other pieces, but it’s worth mentioning again. I believe that trumpet students should begin performing from the start of their careers. The problem with this belief is that there isn’t much good music written for the beginners to perform. Most of what is published is “dumbed down†and doesn’t sound like real music. I have been trying to fill that cap by composing pieces for the beginners that I would be proud to perform in public. My objective with these compositions is to write music that sounds like real music, but functions within the limitations of the beginners’ trumpet skills. My first compositions of this nature were the three bird solos, Bird March, Feathered Friends and The Purple Parrot (which I let my then current students name). One of those students performed the Bird March solo at a school assembly only three or four months after she started playing the trumpet. That student eventually quit trumpet to pursue a busy performance career in theater (she was an elementary school student) but performing the Bird March for her fellow students is a memory she will always fondly look back on. That is part of why performing early in the learning process is so important. You don’t know when students will continue, and which ones will not. For those students whose trumpet careers end up being no longer than a year, the one or two performances they have in that year are all they will have to look back on. Unfortunately, those who do not perform at all will only ever remember the drudgery of pointless practice and rehearsals. But there’s more to my early performance philosophy than just that. For those students who do continue their trumpet careers for many years, the earlier performances have a mental benefit that cannot be replaced in any other way. Their future progress on the trumpet is greatly enhanced by each performance they present in the first two years of their trumpet careers.
$5.08
4.58 €
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Eddie Lewis
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Ode to My Savior Beginner Trumpet Trio
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Tiger Music
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SheetMusicPlus
Georgia On My Mind
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - Digital Download SKU: A0.9…
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - Digital Download SKU: A0.923846 By Ray Charles. By Hoagy Carmichael. Arranged by Steve William Lussing. R & B,Soul. Score and parts. 4 pages. S. W. Lussing #2958031. Published by S. W. Lussing (A0.923846). Every artist who has ever entertained us with this classic Hoagy Carmichael creation has jumped right to the chase, that being the verse that begins with Geor - gia,.. Wikipedia refers to the missed component as, the commonly excised introductory verse. Well, I took a good look at that introductory verse, and concluded that there was a pretty good reason nobody sang it. It needed more work than the writers had put into it, in my opinion, which is a nice way of saying that it sucked. So I fixed it, so to speak. I believe that it stands up to scrutiny.The melody line throughout has some modifications in note lengths. It is a piece originally written in cut time, which it isn't really, since it is always being sung in a moody fashion you don't normally expect to find written in 2/2 time. I think maybe that Hoagy had a secret desire to write for movie musicals.I adapted the chord diagrams to make them more suitable for playing along with on the guitar. This arrangement will appeal to anyone who has ever studied Mickey Baker's jazz guitar chords. As I see it, every song is still a tune and should be fun to play. Georgia is no exception.
$4.99
4.5 €
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Ray Charles
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Georgia On My Mind
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S. W. Lussing
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SheetMusicPlus
Allegories for Flute, Euphonium, and Piano
Euphonium,Flute,Piano - Level 5 - Digital Download SKU: A0.1141957 Composed by Sy B…
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Euphonium,Flute,Piano - Level 5 - Digital Download SKU: A0.1141957 Composed by Sy Brandon. 20th Century,Chamber,Children,Classical. 65 pages. Sy Brandon #742334. Published by Sy Brandon (A0.1141957). “Allegories†is a five-movement composition based upon Aesop’s Fables. It was commissioned by and dedicated to Frank Meredith. The first movement “The Trumpeter Taken Captive†is a fable about how one’s actions affect the outcome. The trumpeter, who incites others to do battle, is as guilty as those who slay the enemy. The euphonium represents the trumpeter by playing battle tunes. Then the ensemble plays capture music, begging music, fatal music representing the slaying of the trumpeter (euphonium), and finally music representing the moral of the story. “The Boy Who Cried Wolf†is the basis for the second movement. The allegory is that nobody believes a liar. The flute plays a shepherd’s tune to represent the bored shepherd boy. The ensemble plays excited music three times as the boy cries wolf, the first two times just to amuse himself. After the third time when nobody responds to his cries, the flute plays a lament to end the movement. The third movement reflects the story of “The Goose That Laid The Golden Egg.†A golden euphonium melody accompanied by rich harmony represents the golden eggs laid by the goose. The ensemble then plays greedy music that is followed by a minor key lament as the farmer has killed his rich source of income because of his greed. A sweet dancing flute solo begins movement four appropriately named “The Fisherman and His Flute.†This short fable has the allegory of “timing is everything.†The poor fisherman expected the fish to jump out of the sea in response to his flute playing to no avail. When the ensemble plays a similar tune, it represents his success when he uses his net. The fisherman says “you bloody fish, when I played the flute you wouldn’t dance, but as soon I stopped, you started up.†The race between the “Tortoise and the Hare†is the subject of the last movement. The plodding euphonium represents the tortoise and the fast and agile flute represents the hare. The flute takes a nap in the middle of the movement and by the time the flute wakes up, it is too late to catch up with the slow and steady tortoise. The race is not always to the swift.
$14.99
13.52 €
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Sy Brandon
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Allegories for Flute, Euphonium, and Piano
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Sy Brandon
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SheetMusicPlus
Allegories for Flute, Euphonium, and Percussion
Euphonium,Flute,Percussion - Level 5 - Digital Download SKU: A0.1141962 Composed by…
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Euphonium,Flute,Percussion - Level 5 - Digital Download SKU: A0.1141962 Composed by Sy Brandon. 20th Century,Chamber,Children,Classical. 63 pages. Sy Brandon #742339. Published by Sy Brandon (A0.1141962). “Allegories†is a five-movement composition based upon Aesop’s Fables. It was commissioned by and dedicated to Frank Meredith. The first movement “The Trumpeter Taken Captive†is a fable about how one’s actions affect the outcome. The trumpeter, who incites others to do battle, is as guilty as those who slay the enemy. The euphonium represents the trumpeter by playing battle tunes. Then the ensemble plays capture music, begging music, fatal music representing the slaying of the trumpeter (euphonium), and finally music representing the moral of the story. “The Boy Who Cried Wolf†is the basis for the second movement. The allegory is that nobody believes a liar. The flute plays a shepherd’s tune to represent the bored shepherd boy. The ensemble plays excited music three times as the boy cries wolf, the first two times just to amuse himself. After the third time when nobody responds to his cries, the flute plays a lament to end the movement. The third movement reflects the story of “The Goose That Laid The Golden Egg.†A golden euphonium melody accompanied by rich harmony represents the golden eggs laid by the goose. The ensemble then plays greedy music that is followed by a minor key lament as the farmer has killed his rich source of income because of his greed. A sweet dancing flute solo begins movement four appropriately named “The Fisherman and His Flute.†This short fable has the allegory of “timing is everything.†The poor fisherman expected the fish to jump out of the sea in response to his flute playing to no avail. When the ensemble plays a similar tune, it represents his success when he uses his net. The fisherman says “you bloody fish, when I played the flute you wouldn’t dance, but as soon I stopped, you started up.†The race between the “Tortoise and the Hare†is the subject of the last movement. The plodding euphonium represents the tortoise and the fast and agile flute represents the hare. The flute takes a nap in the middle of the movement and by the time the flute wakes up, it is too late to catch up with the slow and steady tortoise. The race is not always to the swift.
$14.99
13.52 €
#
Sy Brandon
#
Allegories for Flute, Euphonium, and Percussion
#
Sy Brandon
#
SheetMusicPlus
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