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You've selected:
In A Good Time!
Sheetmusic to print
477 sheet music found
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476
All I Want Is To Have A Good Time (Accompaniment Track)
Digital Download SKU: A0.1051829 Composed by Exultet Music. Broadway,Children,Music…
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Digital Download SKU: A0.1051829 Composed by Exultet Music. Broadway,Children,Musical/Show. Accompaniment. Duration 202. Exultet Music #4707. Published by Exultet Music (A0.1051829). This is the accompaniment track for All I Want Is To Have A Good Time that is featured in The Jungle Book: the musical which is available on this site. The sheet music for this piece is also available as well as a rehearsal track.
$3.99
3.63 €
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Exultet Music
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All I Want Is To Have A Good Time
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Exultet Music
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SheetMusicPlus
All I Want Is To Have A Good Time (Rehearsal Track)
Baritone Horn TC,Voice - Digital Download SKU: A0.1051830 Composed by Stephen DeCes…
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Baritone Horn TC,Voice - Digital Download SKU: A0.1051830 Composed by Stephen DeCesare. Broadway,Children,Musical/Show. Full Performance. Duration 202. Exultet Music #4709. Published by Exultet Music (A0.1051830). This is the rehearsal track for All I Want Is To Have A Good Time that is featured in The Jungle Book: the musical which is available on this site. The sheet music for this piece is also available as well as a rehearsal track.
$3.99
3.63 €
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Stephen DeCesare
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All I Want Is To Have A Good Time
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Exultet Music
#
SheetMusicPlus
STRAWBERRY TIME IN BUCKHANNAN
Small Ensemble - Level 3 - Digital Download SKU: A0.973634 Composed by Patrick Wism…
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Small Ensemble - Level 3 - Digital Download SKU: A0.973634 Composed by Patrick Wisman. Contemporary,Folk,Instructional,Pop,World. Score and parts. 1 pages. Patrick wisman #6305327. Published by patrick wisman (A0.973634). EDITED VERSION OF OUR 2002 COPYRIGHTED BLUE BERRY TIME IN SOUTH HAVEN. JUST A NICE TUNE TO SING OR PLAY AT YOUR NEXT PERFORMANCE. AND DONT FORGET ABOUT THAT SRAWBERRY PIE AND STRAWBERRYS AT THIS GREAT WV. FESTIVAL .HAVE A GOOD TIME AND ENJOY!PAT AND SANDRA WISMAN, BMI AFFILIATION.
$3.99
3.63 €
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Patrick Wisman
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STRAWBERRY TIME IN BUCKHANNAN
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patrick wisman
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SheetMusicPlus
Have A Good Time
Choral Alto Voice,Baritone Horn TC,Bass Voice,Soprano voice,Tenor Voice - Level 5 - Intera…
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Choral Alto Voice,Baritone Horn TC,Bass Voice,Soprano voice,Tenor Voice - Level 5 - Interactive Download SKU: A0.479740 By Paul Simon. By Paul Simon. Arranged by Deke Sharon. This edition: Interactive Download. Pop. Octavo. Duration 167. Deke Sharon #2oPZ079Cvmekj4Abf0TS1i. Published by Deke Sharon (A0.479740). Key: Bb major.I am excited to sell my music on Noteflight Marketplace and let ensembles adapt this arrangement for their needs. Please enjoy and perform this with all the passion in your heart!
$1.99
1.81 €
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Paul Simon
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Have A Good Time
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Deke Sharon
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SheetMusicPlus
Too Good At Goodbyes
Large Ensemble Bassoon,Cello,Clarinet,Double Bass,Euphonium,Flute,Oboe,Soprano Recorder,Te…
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Large Ensemble Bassoon,Cello,Clarinet,Double Bass,Euphonium,Flute,Oboe,Soprano Recorder,Tenor Recorder,Trombone,Tuba,Viola,Violin - Intermediate - Digital Download SKU: A0.510056 By Sam Smith. By James Napier, Mikkel Eriksen, Sam Smith, and Tor Hermansen. Arranged by Andrea La Rose. Pop. Score and parts. 61 pages. Published by Andrea La Rose (A0.510056). • Melody and four-part harmony parts for C instruments in treble, alto, and bass clefs: voice, flute, recorder, oboe, bassoon, violin, viola, cello, bass, trombone, baritone horn• Chords included in every part, to encourage use of song as a vehicle for improvisation. • In original key, so you can play along with the recording. As a young musician, I often had a hard time finding music for me and my friends to play together. Small wonder, when I was a flutist and my closest friends in band played trumpet, baritone sax, and clarinet. Who writes for that combination? Later, as a music teacher, I would either be approached by students in the same kind of situation or I would have an after-school ensemble consisting of something like 3 flutes, 2 alto saxes, 4 pianists, 5 drummers, a guitar, a viola, and an accordion. Now, really. Who writes for THAT combination?! Since I am also a composer (who often finds herself writing for similarly odd instrumentation), I would simply arrange music for that combination. But not every teacher or student is comfortable with doing that or has the time to. Finally, I am sharing with you all the fruits of my labor. Let friends play with friends! Let people pick parts that they are comfortable with! Let’s play some music we love!
$19.99
18.2 €
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Sam Smith
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Too Good At Goodbyes
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Andrea La Rose
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SheetMusicPlus
Heidenröslein: Variations on a Theme by Franz Schubert
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 3 - Digital Dow…
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Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 3 - Digital Download SKU: A0.927030 Composed by Franz Schubert, Kayla Roth. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 27 pages. Kayla Roth #3373343. Published by Kayla Roth (A0.927030). From the composer's program notes included with this purchase:I have taken Schubert’s famous setting and arranged it in a set of musical homages to other composers. I have also included Schubert’s original theme, transposed down to F, and I would recommend playing it twice in the beginning to give your audience a good idea of it.For most of the pieces, I tried to capture the composer’s overall style; however, there are a few particular pieces that are either quoted or used as the stylistic basis, as follows: Mozart - I based this variation, stylistically, on Piano Concerto No. 21 in C major (K.467), specifically movement two (Andante), as well as some of his earliest childhood piano compositions. Symphony 40 in G minor (K.550) is quoted rhythmically. Strauss, Jr. - For inspiration, I used Du und Du, Op. 367, a waltz that is derived from various parts of his beloved operetta, Die Fledermaus. I quoted rhythms from this, as well as from Frühlingsstimmen, Op. 410. Joplin - I didn’t base this on any particular piece of Joplin’s; I tried to include elements that are common in his rags (a short introduction, arpeggiated diminished seventh chords, chromaticism, syncopation over a boom-chuck). Perhaps the best advice comes from Joplin himself: Don’t play this piece fast. It is never right to play ragtime fast. Porter - I had to include an offering from the Great American Songbook! Frank Sinatra recorded several of Porter’s well-known tunes in the 1940s, such as Easy To Love, Night and Day, and I Love You; his renditions of these songs are heavy on the schmaltz and sentimentality, which is exactly what I was trying to achieve in this variation.Bach - The minor variation! I had Fugue in G minor, BWV 578 (Little Fugue) in mind when writing this.der Jodelkönig - As Heidenröslein is a strophic, folk-songesque German piece, I thought it fitting to end the variations with an imitation of traditional Alpine yodeling. It is named in honor of Franzl Lang, the Yodelking.
$20.00
18.21 €
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Franz Schubert, Kayla Roth
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Heidenröslein: Variations on a Theme by Franz Schubert
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Kayla Roth
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SheetMusicPlus
Too Good At Goodbyes
Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Intermediate - Digital…
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Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Intermediate - Digital Download SKU: A0.510057 By Sam Smith. By James Napier, Mikkel Eriksen, Sam Smith, and Tor Hermansen. Arranged by Andrea La Rose. Pop. Score and parts. 51 pages. Published by Andrea La Rose (A0.510057). • Melody and four-part harmony parts for Bb instruments (clarinet, bass clarinet, soprano saxophone, tenor saxophone, trumpet). • Chords included in every part, to encourage use of song as a vehicle for improvisation. • In original key, so you can play along with the recording. As a young musician, I often had a hard time finding music for me and my friends to play together. Small wonder, when I was a flutist and my closest friends in band played trumpet, baritone sax, and clarinet. Who writes for that combination? Later, as a music teacher, I would either be approached by students in the same kind of situation or I would have an after-school ensemble consisting of something like 3 flutes, 2 alto saxes, 4 pianists, 5 drummers, a guitar, a viola, and an accordion. Now, really. Who writes for THAT combination?! Since I am also a composer (who often finds herself writing for similarly odd instrumentation), I would simply arrange music for that combination. But not every teacher or student is comfortable with doing that or has the time to. Finally, I am sharing with you all the fruits of my labor. Let friends play with friends! Let people pick parts that they are comfortable with! Let’s play some music we love!
$19.99
18.2 €
#
Sam Smith
#
Too Good At Goodbyes
#
Andrea La Rose
#
SheetMusicPlus
Too Good At Goodbyes
Small Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,English Horn - Intermediate - Di…
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Small Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,English Horn - Intermediate - Digital Download SKU: A0.510058 By Sam Smith. By James Napier, Mikkel Eriksen, Sam Smith, and Tor Hermansen. Arranged by Andrea La Rose. Pop. Score and parts. 47 pages. Published by Andrea La Rose (A0.510058). • Melody and four-part harmony parts for Eb & F instruments (alto saxophone, baritone saxophone, alto horn, Eb clarinet, alto clarinet, English horn, French horn). • Chords included in every part, to encourage use of song as a vehicle for improvisation. • In original key, so you can play along with the recording. As a young musician, I often had a hard time finding music for me and my friends to play together. Small wonder, when I was a flutist and my closest friends in band played trumpet, baritone sax, and clarinet. Who writes for that combination? Later, as a music teacher, I would either be approached by students in the same kind of situation or I would have an after-school ensemble consisting of something like 3 flutes, 2 alto saxes, 4 pianists, 5 drummers, a guitar, a viola, and an accordion. Now, really. Who writes for THAT combination?! Since I am also a composer (who often finds herself writing for similarly odd instrumentation), I would simply arrange music for that combination. But not every teacher or student is comfortable with doing that or has the time to. Finally, I am sharing with you all the fruits of my labor. Let friends play with friends! Let people pick parts that they are comfortable with! Let’s play some music we love!
$17.99
16.38 €
#
Sam Smith
#
Too Good At Goodbyes
#
Andrea La Rose
#
SheetMusicPlus
Good King Wenceslas, Jazz Style, for Trumpet and Tenor Horn Duet
Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 4 - Digital Download SKU…
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Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 4 - Digital Download SKU: A0.594081 Composed by Traditional. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score and parts. 4 pages. David McKeown #6537273. Published by David McKeown (A0.594081). Good King Wenceslas is a much-loved Christmas carol. This version is arranged as a duet in a Jazz Swing style for one Trumpet and one Tenor Horn in E Flat. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.The melody of Good King Wenceslas is Finnish in origin and dates back to the thirteenth century. The Christmas lyrics we know and love were added much later by English hymn-writer John Mason Neale and were first published in 1853. With a performance time a little over three minutes, this version of Good King Wenceslas is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz swing style is a fun and fresh take on this familiar traditional tune.Good King Wenceslas is arranged in a key and range best suited to the instruments. Rhythms are syncopated, as one would expect in swing music, and there is plenty of articulation detail to help deliver an authentic style. While the key is straightforward, there are several chromatic passages to keep players on their toes. The melody is played four times, each version different from the last, with a short intro and outro. This arrangement is suitable for players at an intermediate or early advanced level. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.63 €
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Traditional
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Good King Wenceslas, Jazz Style, for Trumpet and Tenor Horn Duet
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David McKeown
#
SheetMusicPlus
Good King Wenceslas, Jazz Style, for Oboe and Violin Duet
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 4 - Digital Download SKU: A0.59…
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Instrumental Duet Instrumental Duet,Oboe,Violin - Level 4 - Digital Download SKU: A0.594071 Composed by Traditional. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score and parts. 4 pages. David McKeown #6537253. Published by David McKeown (A0.594071). Good King Wenceslas is a much-loved Christmas carol. This version is arranged as a duet in a Jazz Swing style for one Oboe and one Violin. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.The melody of Good King Wenceslas is Finnish in origin and dates back to the thirteenth century. The Christmas lyrics we know and love were added much later by English hymn-writer John Mason Neale and were first published in 1853. With a performance time a little over three minutes, this version of Good King Wenceslas is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz swing style is a fun and fresh take on this familiar traditional tune.Good King Wenceslas is arranged in a key and range best suited to the instruments. Rhythms are syncopated, as one would expect in swing music, and there is plenty of articulation detail to help deliver an authentic style. While the key is straightforward, there are several chromatic passages to keep players on their toes. The melody is played four times, each version different from the last, with a short intro and outro. This arrangement is suitable for players at an intermediate or early advanced level. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.63 €
#
Traditional
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Good King Wenceslas, Jazz Style, for Oboe and Violin Duet
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David McKeown
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SheetMusicPlus
Good King Wenceslas, Jazz Style, for Oboe and Cor Anglais (or English Horn) Duet
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 4 - Digital Download SKU:…
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 4 - Digital Download SKU: A0.594070 Composed by Traditional. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score and parts. 4 pages. David McKeown #6537251. Published by David McKeown (A0.594070). Good King Wenceslas is a much-loved Christmas carol. This version is arranged as a duet in a Jazz Swing style for one Oboe and one Cor Anglais (or English Horn). Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.The melody of Good King Wenceslas is Finnish in origin and dates back to the thirteenth century. The Christmas lyrics we know and love were added much later by English hymn-writer John Mason Neale and were first published in 1853. With a performance time a little over three minutes, this version of Good King Wenceslas is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz swing style is a fun and fresh take on this familiar traditional tune.Good King Wenceslas is arranged in a key and range best suited to the instruments. Rhythms are syncopated, as one would expect in swing music, and there is plenty of articulation detail to help deliver an authentic style. While the key is straightforward, there are several chromatic passages to keep players on their toes. The melody is played four times, each version different from the last, with a short intro and outro. This arrangement is suitable for players at an intermediate or early advanced level. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.63 €
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Traditional
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Good King Wenceslas, Jazz Style, for Oboe and Cor Anglais
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David McKeown
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SheetMusicPlus
Maybe This Time
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.746217 Composed by John Kander. Arranged by Michael Pilley. Broadway,Jazz,Musical/Show. Brass Band. 55 pages. Michael Pilley Music #4796517. Published by Michael Pilley Music (A0.746217). The ever popular tune from Cabaret, this arrangement is a perfect addition to your concert repertoire. Faithful to the original orchestration and form, this swinging number is suitable for female vocalists, with an option to feature any instrumentalist from the band, Eb instruments preferred. A good understanding of big band style swing is required, with a healthy dose of trombone lines, and there is also an optional Piano part.Written for Tredegar Town Band and vocalist Siwan Henderson, this arrangement is at an advanced intermediate level and requires a good sense of time and advanced range in the lead players. Sensitivity to the vocalists volume is always suggested when accompanying a soloist, so playing one per part might be encouraged at times.Beautifully laid out in A4 size, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. If you're printing on letter size paper, please fit to page when sending to the printer.More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic
$50.00
45.53 €
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John Kander
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Maybe This Time
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Michael Pilley Music
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SheetMusicPlus
Seven Dwarves: A Suite of Miniatures for Piccolo, Harpsichord and Percussion
Small Ensemble Flute,Harpsichord,Marimba,Multi-Percussion - Level 4 - Digital Download …
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Small Ensemble Flute,Harpsichord,Marimba,Multi-Percussion - Level 4 - Digital Download SKU: A0.836702 Composed by Brian Joyce. Contemporary. Score and parts. 45 pages. Brian Joyce #2897325. Published by Brian Joyce (A0.836702). It’s a brave musician who, armed only with a piccolo, is willing to walk onto a stage strewn with the assorted weaponry of a determined percussionist. One’s confidence can be shaken to the point of asking, who is the soloist here, anyway?But the rewards for courage are great: where else will you find bongos, a harpsichord and a piccolo performing together? How many times do you come across a military march in 3/4 time? In what other circumstances would Goldilocks intrude on the Seven Dwarves? What more could you ask?Percussion required (one player): marimba, glockenspiel, field drum, bongos, suspended cymbal with yarn sticks, sleigh bells, maracas (1 or 2, one hand).Piccolos required: one (1).The score assumes a five-octave double-manual harpsichord, but adjustments can be made to accommodate a single without appreciable harm to the music.The audio file accompanying this blurb features snippets of the 1st, 2nd, 4th, 6th and 7th movements. Performance time is approximately 12 minutes. Good luck!
$10.95
9.97 €
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Brian Joyce
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Seven Dwarves: A Suite of Miniatures for Piccolo, Harpsichord and Percussion
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Brian Joyce
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SheetMusicPlus
In The Good Old Summer Time with "Summer Days" (Those Good Old Summer Days) 2-Part Mixed Chorus
Choral Choir - Level 4 - Digital Download SKU: A0.781021 Composed by Al Piantadosi,…
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Choral Choir - Level 4 - Digital Download SKU: A0.781021 Composed by Al Piantadosi, In The Good Old Summer Time: George Evans, Ren Shields, and Summer Days: Joe McCarthy. Arranged by Cathy Stamegna. Folk,Holiday,Patriotic,Traditional. Octavo. 12 pages. Cathy Stamegna #6363195. Published by Cathy Stamegna (A0.781021). Two popular numbers from the early 20th century pair up for this arrangement. These partner songs from 1902 and 1911 will engage your audience with clapping, toe tapping, and knee slapping fun! Each is stated separately and overlaps on their repeats. A winner for end of school concerts or Summer festivals! Level is more toward Upper Intermediate due to the quick rhythms, chromatic steps, and overlapping melodies. Appropriate for a duet or two-part group.  Performance Time 3:11.
$2.25
2.05 €
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Al Piantadosi, In The Good Old Summer Time: George Evans, Ren Shields, and Summer Days: Joe McCarthy
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In The Good Old Summer Time with "Summer Days"
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Cathy Stamegna
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SheetMusicPlus
Feeling Good
Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.969085 By Michael Bubl…
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Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.969085 By Michael Buble. By Anthony Newley and Leslie Bricusse. Arranged by Robert Todd, Jr. Jazz. Score and parts. 14 pages. Robert Todd, Jr #5317761. Published by Robert Todd, Jr (A0.969085). From Michael Bublé's hit album, It's Time. This trombone quartet arrangement is true to form with starting out calm and ending huge with full emotion. The main melody is in the First trombone, but all the other parts get their moment to shine as well. This piece is sure to be a highlight of any performance. First Trombone goes to a Bb a few times. Bass trombone goes down to a pedal F# .
$14.99
13.65 €
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Michael Buble
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Feeling Good
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Robert Todd, Jr
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SheetMusicPlus
OF LIGHT AND SHADOW (A NEW YEAR)
Small Ensemble Drums,Flute,Piano,Violin - Digital Download SKU: A0.1012752 Composed…
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Small Ensemble Drums,Flute,Piano,Violin - Digital Download SKU: A0.1012752 Composed by Monica Bergo. Contemporary. Score and parts. 37 pages. Moni Bergo #5743757. Published by Moni Bergo (A0.1012752). Music and song composed by meOF LIGHT AND SHADOW (A new year) Lights that shine On these days of mine Shadows that kill My enthusiasm but there is A whole journey that has been written for me Like a novel, its plot will unveil Another year on me And new days to be invented Find out what will happen It's a good reason to fight The light will illuminate me Or there will be new pain Find out what will happen It's a good reason to stay And I always run so strong For fear of falling Maybe this year I will learn How to do walk And I never slow down my pace Back I can not come back Because I would meet myself And inside me I should look I will fill with light and shadow This my eternal emptiness That I can not placate A thousand songs I will invent If there will be someone who will want to listen In connection with the world singing of fairies, magicians, elves, witches and intrigues always uncomfortable in my time looking for a place, a role in this year new I know that nothing will change yet Of light and shadow I will live I steal from the moon her mysteries I will give them to the sun In exchange for the eternal heat in the heart And like a witch burning at the stake I fire, I melt And born again And the alignment of Jupiter in Pluto The lunar eclipse gives me protection I wish the night would go down fast When my pain never finds peace I wish the sun would shine forever In every season, summer and winter A new year here Before me I mess up his days The gray of November With the warmth of September with lights and shadows I will confuse I will steal the sun in June and my Christmas will heat up and the January ice at Easter I will donate I will confuse the night and the day always mistress of my time in that mirror I will look happy with what I will see and new trips and experiences and emotions on the skin I will live with joy and intensity the light and the shadow that will come how many smiles on my lips will form new wrinkles happy with my age it's a nice finish line to be here and how many tears again will come down on my face will be joy or pain of light and shadow I will live It will be a new year of joys and sorrows of light and shadow of cold and heat ... .. Monica Bergo
$5.00
4.55 €
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Monica Bergo
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OF LIGHT AND SHADOW
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Moni Bergo
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SheetMusicPlus
Psalm 92: Lord, It Is Good
Level 3 - Digital Download SKU: A0.832248 Composed by Bill Hayes. Christian,Praise …
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Level 3 - Digital Download SKU: A0.832248 Composed by Bill Hayes. Christian,Praise & Worship,Sacred,Spiritual. 1 pages. Www.HayesMusicPublishing.com #4321691. Published by www.HayesMusicPublishing.com (A0.832248). Psalm 92 setting suitable for use in Catholic liturgy and other religious services with a simple refrain and common verse melody, written in a lead sheet format with single line melody, chord symbols and ICEL lyrics. Easy to learn. Appropriate for the 8th Sunday in Ordinary Time, Year A and 11th Sunday in Ordinary Time, Year B as well as personal reflection.
$1.99
1.81 €
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Bill Hayes
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Easy to learn.
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Psalm 92: Lord, It Is Good
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www.HayesMusicPublishing.com
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SheetMusicPlus
Rhythm: Simple & Compound Time educational pack - Perform Compose Understand PCU Series
Large Ensemble - Level 3 - Digital Download SKU: A0.569856 Composed by Austin Ralph…
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Large Ensemble - Level 3 - Digital Download SKU: A0.569856 Composed by Austin Ralphson. Instructional. Score and parts. 92 pages. Austin Ralphson #4731861. Published by Austin Ralphson (A0.569856). Rhythm: Simple & Compound Time - Perform, Compose, Understand Series. This pack comprises a piece called What Time Is It?, worksheets and questions which relate to the piece. It is all about understanding these two metrics, although it asks many other general musical questions as well.Welcome to the PCU Series for classroom-based groups. This series focuses on learning by doing; there are many accomplished performers within our school classrooms throughout the world, but my years of experience has taught me that many of these students learn to play by rote – literally be learning one note followed by another – without gaining full understanding of how the pieces work musically and theoretically. Indeed, some of them can perform to a high standard using this method, but then really struggle with composition and general musical understanding later in their educational careers.I equate this to learning to speak sentences in a foreign language without fully understanding what those sentences actually mean.So who is this book for?It is for music teachers to use with their students who are learning to create exam-level compositions within a school environment. It is ideal for courses such as the American High School Diploma, GCSE, BTEC, IGCSE, SCS, HKCEE, IB(MYP), SPM, GCEO, CCEF, HKCEE, VSSD, GES or ICSE.It is designed to cater for almost any instrument due to the parts being provided in many different keys and clefs (including tab and bass tab). Drum parts are intentionally not provided as drummers still need to have a good understanding of non-percussive elements such as melody and harmony; I would suggest that they play a keyboard part for the purposes of learning about composition.You can also download backing tracks of all pieces in this series by searching:Classroom Performance educational pack: RHYTHM backing tracksThese contain parts 2-5, allowing part 1 to be played live over the top.
$5.99
5.45 €
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Austin Ralphson
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Rhythm: Simple & Compound Time educational pack - Perform Compose Understand PCU Series
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Austin Ralphson
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SheetMusicPlus
Reverie, op. 24 by A. Glazunov
Brass Ensemble Horn - Level 2 - Digital Download SKU: A0.931260 Composed by A. Glaz…
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Brass Ensemble Horn - Level 2 - Digital Download SKU: A0.931260 Composed by A. Glazunov. Arranged by Alessandro Macrì. Instructional,Romantic Period,Standards. Score and parts. 22 pages. Music Macri Editions #5798447. Published by Music Macri Editions (A0.931260). As a composer, Alexander Glazunov was as at home in the late Romantic symphony as he was in chamber music forms. His shorter solo pieces impress on account of their enchanting melodies and their attention to detail, which is also true of the Rêverie for horn and piano. Glazunov was himself a good horn player and played in several orchestras as a young student. It was at this time that Glazunov composed this highly romantic work in which he showed off the melodious qualities of this instrument to their best advantage. It is an effective recital piece, even for advanced pupils, and is being published for the first time as an Urtext edition; alongside the first edition we also consulted Glazunov’s autograph in the National Library of Russia in St Petersburg for the first time.
$12.00
10.93 €
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A
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Reverie, op. 24 by A. Glazunov
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Music Macri Editions
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SheetMusicPlus
Christmas Time Is Here
Trombone - Level 3 - Digital Download SKU: A0.782100 Composed by Vince Guaraldi. Ar…
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Trombone - Level 3 - Digital Download SKU: A0.782100 Composed by Vince Guaraldi. Arranged by Steve Ash. Children,Christmas,Contemporary,Film/TV,Holiday. 15 pages. Aaron Hettinga #6709645. Published by Aaron Hettinga (A0.782100). This melancholy Christmas standard from the 1960’s A Charlie Brown Christmas television special gets a low brass treatment in Steve Ash’s lovely arrangement for trombone quintet. While every part takes its turn with the melody for at least a short time, this is a good vehicle for showcasing a solid jazzy-ballad lead trombonist. Other accompanying moving lines around the entire ensemble will keep things interesting for everybody. While the lead trombone part spends a little bit of time in the upper register, and there are a few characteristic lower notes for the bass trombonist, there aren’t many other technical challenges making for an accessible chart for a broad range of skill levels. This fantastic chart belongs in the book for every trombone ensemble’s Christmas program as it brings a smile to everyone’s face! * Recorded by the Glenwood Moravian Trombone Choir during their Advent Concert, Dec. 2021.
$19.99
18.2 €
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Vince Guaraldi
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Christmas Time Is Here
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Aaron Hettinga
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (Tuba/Euphonium)
Small Ensemble - Level 3 - Digital Download SKU: A0.784348 Composed by Joshua Hause…
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Small Ensemble - Level 3 - Digital Download SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Published by Slide Ride (A0.784348). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instrumentsIf this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$7.50
6.83 €
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet
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Slide Ride
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet (or Baritone T.C.)
Small Ensemble - Level 3 - Digital Download SKU: A0.784334 Composed by Joshua Hause…
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Small Ensemble - Level 3 - Digital Download SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide Ride (A0.784334). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.55 €
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Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet
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Slide Ride
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
Small Ensemble Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.784336 C…
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Small Ensemble Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288665. Published by Slide Ride (A0.784336). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.55 €
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Joshua Hauser
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#
Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
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Slide Ride
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Quartet
Small Ensemble Double Bass - Level 3 - Digital Download SKU: A0.784342 Composed by …
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Small Ensemble Double Bass - Level 3 - Digital Download SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288689. Published by Slide Ride (A0.784342). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.55 €
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Joshua Hauser
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#
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Quartet
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Slide Ride
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SheetMusicPlus
Good Ol' Sam (Piano Accompaniment Track)
Guitar,Piano,Voice - Digital Download SKU: A0.1065561 Composed by Carol Troutman Wi…
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Guitar,Piano,Voice - Digital Download SKU: A0.1065561 Composed by Carol Troutman Wiggins. Country. Accompaniment. Duration 149. Carol Troutman Wiggins #3482089. Published by Carol Troutman Wiggins (A0.1065561). GOOD OL' SAM Piano TrackPiano/Vocal/GuitarGood Ol' Sam is a country song in 3/4 time about looking back and wishing you could have seen the good qualities in someone long ago. Comfortable singing rangeGreat for lower voice solo or bandEasy melody & chords
$5.99
5.45 €
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Carol Troutman Wiggins
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chords
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Good Ol' Sam
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Carol Troutman Wiggins
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SheetMusicPlus
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