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58
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48
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45
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45
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44
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41
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27
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19
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14
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13
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12
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11
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9
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Brass Quintet: 2 trumpets, horn, trombone, tuba
78
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String Quartet: 2 violins, viola, cello
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2 Violas (duet)
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String Trio: 2 violins, cello
19
String Quintet: 2 violins, viola, cello, bass
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14
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8
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5
4 Cellos
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String Trio: 3 violins
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String Trio: 3 cellos
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String Quintet: 2 violins, viola, 2 cellos
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In the Good Old Summertime, Harp and Tin Whistle (D)
Instrumental Duet Harp,Instrumental Duet,Tin Whistle - Level 3 - Digital Download SKU: …
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Instrumental Duet Harp,Instrumental Duet,Tin Whistle - Level 3 - Digital Download SKU: A0.1176679 Composed by George Evans. Arranged by Cindy Blevins. Folk. Score and parts. 10 pages. Cindy Blevins #776751. Published by Cindy Blevins (A0.1176679). This arrangement is for harp and D tin whistle (the most standard key of whistle that most players have). Â You can use lever or pedal harp. There are no lever/pedal changes within the arrangement.You receive the tin whistle part without fingering diagrams, the same part but WITH fingering diagrams, the score, the separate harp part in case you need it, and a separate comprehensive fingering chart for your tin flute. So if you enjoy playing the notes on the staff, there is a part for you! And if you need the diagrams for learning, or for using every time, there's a part for you!
$4.99
4.5 €
#
George Evans
#
In the Good Old Summertime, Harp and Tin Whistle
#
Cindy Blevins
#
SheetMusicPlus
If You Were the Only Girl In the World, Harp and Tin Whistle (D)
Instrumental Duet Harp,Instrumental Duet,Tin Whistle - Level 3 - Digital Download SKU: …
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Instrumental Duet Harp,Instrumental Duet,Tin Whistle - Level 3 - Digital Download SKU: A0.1176530 Composed by Henry Burr. Arranged by Cindy Blevins. Folk. Score and parts. 10 pages. Cindy Blevins #776603. Published by Cindy Blevins (A0.1176530). This arrangement is for harp and D tin whistle (the most standard key of whistle that most players have). Â You can use lever or pedal harp. There are no lever/pedal changes within the arrangement.You receive the tin whistle part without fingering diagrams, the same part but WITH fingering diagrams, the score, the separate harp part in case you need it, and a separate comprehensive fingering chart for your tin flute. So if you enjoy playing the notes on the staff, there is a part for you! And if you need the diagrams for learning, or for using every time, there's a part for you!
$4.99
4.5 €
#
Henry Burr
#
If You Were the Only Girl In the World, Harp and Tin Whistle
#
Cindy Blevins
#
SheetMusicPlus
Away In A Manger, Harp and Tin Whistle (D)
Instrumental Duet Harp,Instrumental Duet,Tin Whistle - Level 3 - Digital Download SKU: …
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Instrumental Duet Harp,Instrumental Duet,Tin Whistle - Level 3 - Digital Download SKU: A0.1193999 Composed by William J. Kirkpatrick, James Ramsey Murray. Arranged by Cindy Blevins. Christmas. Score and parts. 10 pages. Cindy Blevins #793474. Published by Cindy Blevins (A0.1193999). This arrangement is for harp and D tin whistle (the most standard key of whistle that most players have). You can use a high D or low D whistle. You receive the tin whistle part without fingering diagrams, the same part but WITH fingering diagrams, the score, the separate harp part in case you need it, and a comprehensive fingering chart for your tin whistle. So if you enjoy playing the notes on the staff, there is a part for you! And if you need the diagrams for learning, or for using every time, there's a part for you! Tin whistle isn't just for Irish music, it is extremely versatile and fun to play!
$4.99
4.5 €
#
William J
#
Away In A Manger, Harp and Tin Whistle
#
Cindy Blevins
#
SheetMusicPlus
What A Friend We Have In Jesus, Harp and Tin Whistle (D)
Harp,Instrumental Duet,Tin Whistle - Level 3 - Digital Download SKU: A0.1150564 Com…
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Harp,Instrumental Duet,Tin Whistle - Level 3 - Digital Download SKU: A0.1150564 Composed by Charles C. Converse. Arranged by Cindy Blevins. Christian,Praise & Worship,Religious. 10 pages. Cindy Blevins #750741. Published by Cindy Blevins (A0.1150564). This arrangement is for harp and D tin whistle (the most standard key of whistle that most players have). You can use a high or a low D whistle.  You receive the tin whistle part without fingering diagrams, the same part but WITH fingering diagrams, the score, the separate harp part in case you need it, and a separate comprehensive fingering chart for your tin flute. So if you enjoy playing the notes on the staff, there is a part for you! And if you need the diagrams for learning, or for using every time, there's a part for you!
$4.99
4.5 €
#
Charles C
#
What A Friend We Have In Jesus, Harp and Tin Whistle
#
Cindy Blevins
#
SheetMusicPlus
Minuet In G, Harp and Tin Whistle (D)
Instrumental Duet Harp,Instrumental Duet,Tin Whistle - Level 3 - Digital Download SKU: …
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Instrumental Duet Harp,Instrumental Duet,Tin Whistle - Level 3 - Digital Download SKU: A0.1176874 Composed by Johann Sebastian Bach. Arranged by Cindy Blevins. Baroque. Score and parts. 10 pages. Cindy Blevins #776955. Published by Cindy Blevins (A0.1176874). This arrangement is for harp and D tin whistle (the most standard key of whistle that most players have). Â You can use lever or pedal harp. There are no lever/pedal changes within the arrangement.You receive the tin whistle part without fingering diagrams, the same part but WITH fingering diagrams, the score, the separate harp part in case you need it, and a separate comprehensive fingering chart for your tin flute. So if you enjoy playing the notes on the staff, there is a part for you! And if you need the diagrams for learning, or for using every time, there's a part for you!
$4.99
4.5 €
#
Johann Sebastian Bach
#
Minuet In G, Harp and Tin Whistle
#
Cindy Blevins
#
SheetMusicPlus
In the Bleak Midwinter, Harp and Tin Whistle (D)
Instrumental Duet Harp,Instrumental Duet,Tin Whistle - Level 3 - Digital Download SKU: …
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Instrumental Duet Harp,Instrumental Duet,Tin Whistle - Level 3 - Digital Download SKU: A0.1200982 Composed by GUSTAV T. HOLST. Arranged by Cindy Blevins. Christmas. Score and parts. 11 pages. Cindy Blevins #799632. Published by Cindy Blevins (A0.1200982). This arrangement is for harp and D tin whistle (the most standard key of whistle that most players have). You can use a high D or low D whistle. You receive the tin whistle part without fingering diagrams, the same part but WITH fingering diagrams, the score, the separate harp part in case you need it, and a comprehensive fingering chart for your tin whistle. So if you enjoy playing the notes on the staff, there is a part for you! And if you need the diagrams for learning, or for using every time, there's a part for you! Tin whistle isn't just for Irish music, it is extremely versatile and fun to play!
$4.99
4.5 €
#
GUSTAV T
#
In the Bleak Midwinter, Harp and Tin Whistle
#
Cindy Blevins
#
SheetMusicPlus
In Dulci Jubilo, Harp and Tin Whistle (D)
Instrumental Duet Harp,Instrumental Duet,Tin Whistle - Level 3 - Digital Download SKU: …
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Instrumental Duet Harp,Instrumental Duet,Tin Whistle - Level 3 - Digital Download SKU: A0.1200962 Composed by German. Arranged by Cindy Blevins. Christmas. Score and parts. 12 pages. Cindy Blevins #799613. Published by Cindy Blevins (A0.1200962). This arrangement is for harp and D tin whistle (the most standard key of whistle that most players have). You can use a high D or low D whistle. You receive the tin whistle part without fingering diagrams, the same part but WITH fingering diagrams, the score, the separate harp part in case you need it, and a comprehensive fingering chart for your tin whistle. So if you enjoy playing the notes on the staff, there is a part for you! And if you need the diagrams for learning, or for using every time, there's a part for you! Tin whistle isn't just for Irish music, it is extremely versatile and fun to play!
$4.99
4.5 €
#
German
#
In Dulci Jubilo, Harp and Tin Whistle
#
Cindy Blevins
#
SheetMusicPlus
Verdi: Prestissimo from String Quartet in e for Three Clarinets and Bassoon
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet - Level 4 - Digital Download SKU: A…
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet - Level 4 - Digital Download SKU: A0.914246 Composed by Giuseppe Verdi. Arranged by Craig Buying. Classical,Concert,Romantic Period,Standards,World. 17 pages. No Squeak Publishing #4413115. Published by No Squeak Publishing (A0.914246). Prestissimo, the third movement from Verdi's String Quartet in e minor is an excellent opener or closer for a program! The movement is approximately 3 minutes and is filled with excitement throughout. This arrangement is designed for mature players, as every part is demanding. That being said, this arrangement is very easily rehearsed and performed. Tutti sections of long eighth note passages from the original have been adapted for winds, so while challenging the parts are all playable and accessible. Other changes have been made throughout to allow for breathing. Early college students could perform this piece easily or even advanced high school students with proper guidance. This work is a real showcase for both the clarinets and bassoon! Audiences really enjoy this one as every member is equally showcased.
$6.99
6.31 €
#
Giuseppe Verdi
#
Verdi: Prestissimo from String Quartet in e for Three Clarinets and Bassoon
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No Squeak Publishing
#
SheetMusicPlus
Concertino in A major (Badley A2)
Cello,Flute,Harpsichord,Violin - Level 3 - Digital Download SKU: A0.1487810 Compose…
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Cello,Flute,Harpsichord,Violin - Level 3 - Digital Download SKU: A0.1487810 Composed by Leopold Hofmann. Arranged by Allan Badley. Classical. 48 pages. Artaria Editions #1064748. Published by Artaria Editions (A0.1487810). Artaria Editions AE198For flute, violin, cello, harpsichord, and basso (usually a second cello)The present work was advertised by Breitkopf (Supplement IV) in 1769 along with two of the composer's keyboard concerti.Most of Hofmann's keyboard music appears to date from his years as Hofklaviermeister (1769-1774) and we can assume that a good deal of it was intended as teaching material. In the circumstances it is tempting to suggest that this attractive and unusually-scored work was composed for Hofmann's imperial pupils and that Joseph II perhaps played the cello part in a domestic concert at court. This edition is based on a set of MS parts now preserved in the Staatsbibliothek zu Berlin under the shelfmark Mus.ms. 10733/3. The wrapper reads: 'A/ Concertino / a / Cembalo / Flauto Traverso / Violino / Violoncello / e / Basso / del Sigr. Leop: Hoffmann / Grave' . The intended 'basso' instrument is uncertain but in all likelihood it was played by a second cello. In the absence of both the autograph score and an authentic set of parts, this edition presents as faithfully as possible the intentions of the composer as transmitted in the Berlin copy. The simple continuo realisation, printed here in smaller type, has been added by a later hand and is certainly not the work of the composer. As is often the case in Hofmann's chamber music there are few dynamic markings in the parts although considerable care is taken with articulation. The style and notation of these have been standardised throughout, and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets. Like most eighteenth-century sources, the present manuscript is inconsistent at times in its notation of appoggiature ; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Allan Badley.
$62.00
55.95 €
#
Leopold Hofmann
#
Concertino in A major
#
Artaria Editions
#
SheetMusicPlus
Divertimento in D major (Badley III:D4)
Cello,Flute,Viola,Violin - Digital Download SKU: A0.1487809 Composed by Leopold Hof…
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Cello,Flute,Viola,Violin - Digital Download SKU: A0.1487809 Composed by Leopold Hofmann. Arranged by Allan Badley. Classical. 29 pages. Artaria Editions #1064747. Published by Artaria Editions (A0.1487809). The present work was advertised by Breitkopf in 1767 (Supplement II) but it was certainly composed in the previous year at the latest as the copy upon which this edition is based carries the performance date '15 Dezemb. 766' on the wrapper. A copy attributed to Joseph Haydn (and catalogued by Hoboken as II D6) is now preserved in the Gesellschaft der Musikfreunde in Wien: 'Divertimento in D / Flauto Traverso unison / Violino Concertato / Viola di Alto Oblig. / con / Basso / Del Sigre Giuseppe Haydn M. Doc LXVS / a / uso di Antonio Schaarschmidt 1767'. This edition is based on a set of MS parts now held in the Austrian National Library under the shelfmark S.m.11946. The wrapper reads: 'No.5 [No.1] / Divertimento / a / Flauto Traverso / Violino / Viola / e / Basso / Del / Sige: Leopoldo Hoffmann'. In the absence of both the autograph score and an authentic set of parts, this edition presents as faithfully as possible the intentions of the composer as transmitted in the source. As is often the case in Hofmann's chamber music there are very few dynamic markings; these are left to the discretion and good taste of the performer. The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets. Like most eighteenth-century sources, the present manuscript is inconsistent at times in its notation of appoggiature ; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Allan Badley.
$53.00
47.83 €
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Leopold Hofmann
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Divertimento in D major
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Artaria Editions
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SheetMusicPlus
A Night In Tunisia
Guitar,Piano - Level 3 - Digital Download SKU: A0.747044 By Dizzy Gillespie. By Diz…
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Guitar,Piano - Level 3 - Digital Download SKU: A0.747044 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5953127. Published by Keith Terrett (A0.747044). A great sounding arrangement of A Night in Tunisia arranged for Guitar (notaion) & Piano, Guitarists will love this! Tab is available on request: keithterrett@gmail.comA jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
8.11 €
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Dizzy Gillespie
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
A Night In Tunisia
Instrumental Duet,Piano Instrumental Duet,Marimba,Piano,Vibraphone - Level 3 - Digital Dow…
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Instrumental Duet,Piano Instrumental Duet,Marimba,Piano,Vibraphone - Level 3 - Digital Download SKU: A0.747043 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 12 pages. Keith Terrett #5953111. Published by Keith Terrett (A0.747043). A great sounding arrangement of A Night in Tunisia arranged for Vibraphone/Marimba & Piano, Vibe players will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
8.11 €
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Dizzy Gillespie
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
A Night In Tunisia
Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.746991 By Diz…
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Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.746991 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 13 pages. Keith Terrett #5827945. Published by Keith Terrett (A0.746991). A great sounding arrangement of A Night in Tunisia, your Wind Quintet will love it!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$14.99
13.53 €
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Dizzy Gillespie
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Martino Bitti. Dresden sonata N.6 in A major
Small Ensemble Cello,Harpsichord,Violin - Level 5 - Digital Download SKU: A0.890772…
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Small Ensemble Cello,Harpsichord,Violin - Level 5 - Digital Download SKU: A0.890772 Composed by Martino Bitti. Arranged by Sneakwood Editions. Baroque. Score and parts. 16 pages. Sneakwood Editions #5321911. Published by Sneakwood Editions (A0.890772). Martino Bitti – Dresden Sonata for violin and continuo N.6 in A major (Sinfonia)Anton Domenico Gabbiani – Portrait of Three Musicians of the Medici Court (The violinist is Martino Bitti)Martino Bitti is one of the great virtuosos of the past who has fallen into oblivion. Few know his work today. However, a look at the works he has left us and his life as a musician reveals a great virtuoso who deserves to be rediscovered.The relatively recent work done by Professor Talbot in his work: A Thematic Catalogue of the Instrumental Music of Martino Bitti (1655/6–1743) [ Michael Talbot (2015) A Thematic Catalogue of the Instrumental Music of Martino Bitti (1655/6–1743), Royal Musical Association Research Chronicle, 46:1, 46-94, DOI: 10.1080/14723808.2014.986256] has brought to light some of Bitti’s most interesting compositions. This is the case of this Sinfonia, listed as anonymous until that moment in the archives of the Sächsische Landesbibliothek – Staats- und Universitätsbibliothek Dresden (SLUB).The only copy of this work is in the SLUB, as part of the Pisendel collection (Schrank II), the manuscript Mus. 2-R-8, 102, entirely copied by Pisendel. It is very probable that Pisendel copied the sonata during his trip to Italy and his passage through Florence in 1717, where he would meet the crème de la crème of the Florentine violinists: Fanfani and Bitti. Pisendel kept in his collection nine sonatas by Martino Bitti.Bitti’s virtuosity is noted in this work. The large number of double stops and their use in the complex counterpoint of the second movement demand a high technical mastery from the performer.
$12.00
10.83 €
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Martino Bitti
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Martino Bitti. Dresden sonata N.6 in A major
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Sneakwood Editions
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SheetMusicPlus
Sonata for Violin & Harpsichord in D minor (VB 157)
Harpsichord,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1488837 C…
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Harpsichord,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1488837 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 27 pages. Artaria Editions #1065691. Published by Artaria Editions (A0.1488837). Artaria Editions AE432Joseph Martin Kraus was one of the most gifted and unusual composers of the 18th century, whose talent for thematic development, colourful orchestration and theatrical flair caused Haydn to proclaim him one of only two 'geniuses' he knew (Mozart being the other one). Although Kraus's focus as a composer was mainly upon works written for the stage, he had occasion and opportunity to write a variety of works for chamber setting, including four sonatas for violin and fortepiano, and this work in D minor, was written in 1777 expressly for violin and clavicembalo, representing a different sort of piece than the more common duo sonata. It is not known for whom the work was written, but the extensive virtuosity makes it likely that it was intended either for Kraus himself or his brother Franz (1760-1790), an exceptional talent on the violin. The two-movement format is similar to Kraus's early string quartets (VB 178; Artaria Editions AE418), though in this case, the extensive sonata form first movement is followed by a through-composed one consisting of a slow pastorale (replete with bass drone in the violin) and an exotic faster section that includes material from the first movement. What makes this work interesting is the use of scordatura; the G string is to be tuned down to F, which makes it more useful from a harmonic standpoint in that the note can be used in the tonic, relative major, and all dominant-subdominant keys. The Basso part is completely figured—for this edition it has been realized by the editor - but given that Kraus specifically mentions only the keyboard instrument (clavicembalo), it is unlikely that it was performed as a continuo, i.e. with additional violoncello/contrabass, but rather was intended for harpsichord alone.Allan Badley.
$30.00
27.07 €
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Joseph Martin Kraus
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Sonata for Violin & Harpsichord in D minor
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Artaria Editions
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SheetMusicPlus
CHORINHO in Dm for classical guitar solo
Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1158047 Comp…
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Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1158047 Composed by Socrates Arvanitakis. Contemporary,Multicultural,World. Individual part. 3 pages. Socrates Arvanitakis #758345. Published by Socrates Arvanitakis (A0.1158047). Choro and its diminutive Chorinho meaning Lament and Little Lament respectively is a Brazilian popular music genre originating in the 19th century. Despite its genre name the music is mostly characterised with happy fast syncopated rhythms and melodies in counterpoint and also with instrumental dexterity. Many times in has found its way in works by classical composers as in the case of H. Villa Lobos etc, and although usually played by various ensemble bands in its popular dance form, the guitar as a solo instrument is a very obvious choice for its rendering.
$3.00
2.71 €
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Socrates Arvanitakis
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CHORINHO in Dm for classical guitar solo
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Socrates Arvanitakis
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SheetMusicPlus
Divertimento in G major (Badley II:G1)
Cello,Flute,Viola,Violin - Level 3 - Digital Download SKU: A0.1487807 Composed by L…
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Cello,Flute,Viola,Violin - Level 3 - Digital Download SKU: A0.1487807 Composed by Leopold Hofmann. Arranged by Allan Badley. Classical. 33 pages. Artaria Editions #1064745. Published by Artaria Editions (A0.1487807). In the absence of both the autograph score and an authentic set of parts, this edition presents as faithfully as possible the intentions of the composer as transmitted in the source. As is often the case in Hofmann's chamber music there are very few dynamic markings; these are left to the discretion and good taste of the performer. The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets. Like most eighteenth-century sources, the present manuscript is inconsistent at times in its notation of appoggiature ; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Allan Badley.
$53.00
47.83 €
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Leopold Hofmann
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Divertimento in G major
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Artaria Editions
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SheetMusicPlus
Divertimento in D major (Badley II:D1)
Cello,Double Bass,Flute,Violin - Level 3 - Digital Download SKU: A0.1487805 Compose…
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Cello,Double Bass,Flute,Violin - Level 3 - Digital Download SKU: A0.1487805 Composed by Leopold Hofmann. Arranged by Allan Badley. Classical. 36 pages. Artaria Editions #1064743. Published by Artaria Editions (A0.1487805). In the absence of both the autograph score and an authentic set of parts, this edition presents as faithfully as possible the intentions of the composer as transmitted in the source. As is often the case in Hofmann's chamber music there are very few dynamic markings; these are left to the discretion and good taste of the performer. The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets. Like most eighteenth-century sources, the present manuscript is inconsistent at times in its notation of appoggiature ; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Allan Badley.
$53.00
47.83 €
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Leopold Hofmann
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Divertimento in D major
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Artaria Editions
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SheetMusicPlus
10 easy major II-V-I Chet Baker licks in 12 keys - Bass clef
Small Ensemble Bass Guitar,Cello,Double Bass,Trombone,Tuba,Voice - Level 3 - Digital Downl…
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Small Ensemble Bass Guitar,Cello,Double Bass,Trombone,Tuba,Voice - Level 3 - Digital Download SKU: A0.856093 Composed by Darren Lloyd. Instructional,Jazz. Score and parts. 14 pages. Darren Lloyd #5754547. Published by Darren Lloyd (A0.856093). 10 easy major II-V-I Chet Baker licks in 12 keys - Bass clef, has been created to help musicians wanting to develop their jazz language abilities. It has long been recognised the benefits of copying the great jazz masters! Even Clark Terry said ‘It’s ok to be a copy cat as long as you copy the right cat’! Well, Chet Baker is definitely the right cat in this case, with 10 easy to play and remember II-V-I licks in major keys to master. This book is a great introduction into the wonderful world of improvising. Aimed at intermediate players. The book also has a guide on how to use the book most effectively.
$4.99
4.5 €
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Darren Lloyd
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10 easy major II-V-I Chet Baker licks in 12 keys - Bass clef
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Darren Lloyd
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SheetMusicPlus
10 easy minor II-V-I licks Chet Baker in 12 keys - Bass clef
Small Ensemble Bass Guitar,Cello,Double Bass,Low Voice,Trombone - Level 3 - Digital Downlo…
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Small Ensemble Bass Guitar,Cello,Double Bass,Low Voice,Trombone - Level 3 - Digital Download SKU: A0.856092 Composed by Darren Lloyd. Instructional,Jazz. Score and parts. 14 pages. Darren Lloyd #5754551. Published by Darren Lloyd (A0.856092). 10 easy minor II-V-I licks Chet Baker in 12 keys - Bass clef has been created to help musicians wanting to develop their jazz language abilities. It has long been recognised the benefits of copying the great jazz masters! Even Clark Terry said ‘It’s ok to be a copy cat as long as you copy the right cat’! Well, Chet Baker is definitely the right cat in this case, with 10 easy to play and remember II-V-I licks in minor keys to master. This book is a great introduction into the wonderful world of improvising. Aimed at intermediate players. The book also has a guide on how to use the book most effectively.
$4.99
4.5 €
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Darren Lloyd
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10 easy minor II-V-I licks Chet Baker in 12 keys - Bass clef
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Darren Lloyd
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SheetMusicPlus
One Moment In Time
Small Ensemble Bass Voice,Cello,Double Bass,Piano,Viola,Violin - Level 3 - Digital Downloa…
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Small Ensemble Bass Voice,Cello,Double Bass,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.985238 By Whitney Houston. By Albert Hammond and John Bettis. Arranged by Tom Rundle-Wood. Contemporary,Pop. Score and parts. 28 pages. Tom Rundle-Wood #5354783. Published by Tom Rundle-Wood (A0.985238). One Moment in Time A classic timeless track that will get everybody in the audience channelling their inner Whitney!A great piece to show case the middle of the ensemble with the melody in the second violins for a change, allowing your firsts to show off their ensemble skills. With split first and second violin parts and 2 viola and 2 cello parts with bass and piano - would need to played by a 10 piece ensemble as a minimum - but obviously we're all friends here, so more the merrier!!Enjoy!
$14.99
13.53 €
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Whitney Houston
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One Moment In Time
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Tom Rundle-Wood
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SheetMusicPlus
10 easy minor II-V-I licks Chet Baker in 12 keys - Treble clef
Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,English Horn,Euphonium,Flute,Gui…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,English Horn,Euphonium,Flute,Guitar,Oboe,Tenor Saxophone,Trombone,Trumpet,Tuba,Violin,Voice - Level 3 - Digital Download SKU: A0.856096 Composed by Darren Lloyd. Instructional,Jazz. Score and parts. 14 pages. Darren Lloyd #5754553. Published by Darren Lloyd (A0.856096). 10 easy minor II-V-I licks Chet Baker in 12 keys - Treble clef has been created to help musicians wanting to develop their jazz language abilities. It has long been recognised the benefits of copying the great jazz masters! Even Clark Terry said ‘It’s ok to be a copy cat as long as you copy the right cat’! Well, Chet Baker is definitely the right cat in this case, with 10 easy to play and remember II-V-I licks in minor keys to master. This book is a great introduction into the wonderful world of improvising. Aimed at intermediate players. The book also has a guide on how to use the book most effectively.
$4.99
4.5 €
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Darren Lloyd
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10 easy minor II-V-I licks Chet Baker in 12 keys - Treble clef
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Darren Lloyd
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SheetMusicPlus
Ballad Of Casey Jones
Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.797763 Composed by Eddi…
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Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.797763 Composed by Eddie Newton and Jill Gallina. Arranged by Derek Hasted. Contemporary,Film/TV. Score and parts. 14 pages. Derek Hasted #5206431. Published by Derek Hasted (A0.797763). CASEY JONES - 6 GUITARS or LARGE ENSEMBLEThe Ballad of Casey Jones - most famously used as the Theme Music to the TV series Casey Jones.Derek Hasted writes This is a great piece for six or more guitars, especially for those with limited experience of playing in ensemble.Schoolteachers - this is ideal for a school ensemble of mixed ability players, as there are parts from 'very much a novice' up to intermediate (which the teacher can help support).My arrangement sets out to make classical guitars sound like a steam locomotive - I hope you find that it works better than you imagined!The slow introduction and the gathering speed doesn’t require a collective accelerando, it’s all done in the writing - the metronome mark stays the same.Be sure to accent the beats where shown, and keep that pulsing accent rippling through the entire piece.Guitar 6 requires the bottom string tuned down to D - as this is the line suited to those with the least experience, you might want to mark up the fret numbers for the bass notes below the open A - they are all two frets higher than they normally are.This piece has featured in concerts played by The Hampshire Guitar Orchestra, and it’s always gone down well.I hope you enjoy playing this piece!
$4.99
4.5 €
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Eddie Newton and Jill Gallina
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Ballad Of Casey Jones
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Derek Hasted
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SheetMusicPlus
Del Caserío
Small Ensemble Bass Guitar,Electric Guitar,Multi-Percussion,Tenor Saxophone,Trombone,Trump…
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Small Ensemble Bass Guitar,Electric Guitar,Multi-Percussion,Tenor Saxophone,Trombone,Trumpet - Level 5 - Digital Download SKU: A0.1008998 Composed by William Ortiz. 20th Century,Contemporary. Score and parts. 123 pages. William Ortiz #6093209. Published by William Ortiz (A0.1008998). Subtitled An urban pastiche, Del CaserÃo combines abstract sections of what I call sonic graffiti with popular Latin and Rock music riffs, which are most likely heard in a CaserÃo (a low-income housing community).The graffiti episodes are interrupted suddenly by these dance motives. This process is a musical metaphor for the dichotomy of present-day urban life. The work is scored to reflect the sound world and the emotional distress of a marginated society. But at the same time, it underlines and conveys the enthusiasm, energy and joyfulness that embodies this astonishing culture.
$22.00
19.85 €
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William Ortiz
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Del Caserío
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William Ortiz
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SheetMusicPlus
Toccata, Adagio and Fugue in C, BWV 564 for Violin & Viola
Instrumental Duet - Level 5 - Digital Download SKU: A0.1475965 Composed by Johann S…
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Instrumental Duet - Level 5 - Digital Download SKU: A0.1475965 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 23 pages. ACORDO Sheet Music #1053543. Published by ACORDO Sheet Music (A0.1475965). Toccata, Adagio and Fugue in C, BWV 564 is one of Johann Sebastian Bach's most famous organ works.Toccata: This part starts with an introduction that sounds like improvisation. It has fast, single-note passages like a concerto's cadenza. At measure 32, it changes to a bright, full sound like an orchestra.Adagio: This part is slow and very beautiful, with a sad feeling in a minor key.Fugue: In 6/8 time, this part is lively and bright, like a dance such as a Gigue or Passepied, even though it is not labeled as a dance.In my previous publication, Toccata & Fugue, BWV 565 for Violin and Viola, I showcased the unique beauty of string instruments. Similarly, in this piece, the beautiful melody of the Adagio fits perfectly with the Violin and Viola, as if it were originally composed for them. The dance-like energy of the Fugue is also easier to express with string instruments.When two people perform this piece, it creates an interesting dialogue, almost like a conversation. The introduction of the Toccata reflects this, inspired by my students who would chat enthusiastically before starting their practice. Their conversation in the music lasts for 31 measures without any chords together. The short unison phrase in measure 13 symbolizes their agreement to start playing together. After that, their conversation continues, with triplets and important motifs of this movement appearing, increasing the expectation for the ensemble to begin. From measure 32, the real ensemble playing begins. Although we don't know what Bach imagined when he wrote this introduction, I now hear it as a conversation, even when listening to the original organ version.In the Adagio viola part, the continuo notes are marked in black, and the notes that create harmony are marked in blue. Players who can control the volume balance of double stops should balance it so that the continuo flows naturally. Players who are not skilled in playing double stops, it might be better to omit the blue notes in difficult sections. If omitted, the section might feel empty, but with careful playing before and after, it could still sound natural.
$14.20
12.81 €
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Johann Sebastian Bach
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Toccata, Adagio and Fugue in C, BWV 564 for Violin & Viola
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ACORDO Sheet Music
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SheetMusicPlus
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