Version française
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home
Instrumentations
Composers
New additions
Top 100
Metronome
Staff paper
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free
Sheet Music
0
Digital
Sheet Music
16
Sheet Music
Books
73
Music
Equipment
12
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Not classified
16
PIANO & KEYBOARDS
Piano solo
2
Piano, Vocal and Guitar
1
Organ
1
Piano Trio: piano, violin, cello
1
GUITARS
Guitar
1
VOICE
WOODWIND
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
3
Alto Saxophone
2
Clarinet Ensemble
2
Alto Saxophone and Piano
1
Flute
1
WOODBRASS
Brass Quartet: 4 trombones
1
STRINGS
Violin, Guitar (duet)
1
String Quartet: 2 violins, viola, cello
1
Violin, Cello (duet)
1
Harp
1
PERCUSSION & ORCHESTRA
String Orchestra
1
Percussion Ensemble
1
Chamber Orchestra
1
Orchestra
1
Handbells
1
OTHERS
You've selected:
Interrupted Dance
Sheetmusic to print
16 sheet music found
<
1
Dance
Instrumental Duet Instrumental Duet,Piano - Digital Download SKU: A0.1010877 Compos…
(+)
Instrumental Duet Instrumental Duet,Piano - Digital Download SKU: A0.1010877 Composed by Giovanni Andreani. 20th Century,Contemporary. Score and parts. 9 pages. GA-music #6383961. Published by GA-music (A0.1010877). Dance is a piano duet (piano four hands) characterised by a brilliant move. Dedicated to Igor Stravinski, in the second part of the piece, the main theme is constantly interrupted by rhythmic elements that confer a dynamic feeling of a changing meter. The piece is mainly based on the use of the five-finger position on the white keys.
$4.99
4.6 €
#
Giovanni Andreani
#
Dance
#
GA-music
#
SheetMusicPlus
Grieg: 4 Norwegian Dances Op.35 No.III Allegro moderato alla Marcia - wind dectet/bass
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.13106…
(+)
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1310667 Composed by Edvard Grieg. Arranged by Ray Thompson. 20th Century,Chamber,Romantic Period. 18 pages. RayThompsonMusic #899645. Published by RayThompsonMusic (A0.1310667). Arranged wind dectet and bass.Edvard Grieg 4 Norwegian Dances Op.35Arranged wind dectet/bass.This is my arrangement of No 3Thanks to Runyon programm notes for the following extract..... (https://www.runyanprogramnotes.com)Grieg first wrote and published the Norwegian Dances as Piano duets in 1881.There are 4 Dance movements.The four movements are derived from traditional Norwegian folk tunes contained in a collection published in 1853 by Ludvig Mathias Lindemans, entitled, “Mountain Melodies Old and New.â€Â They were not orchestrated by Grieg, but later, in 1888, Hans Sitt, a distinguished Czech violinist, did the honors.  They have become orchestral chestnuts ever since.Almost everyone has heard the demure, sly and winsome second dance - available hereThis my arrangement of the third dance.Extract  from Runyon's programme notes:The third movement is shaped rather like the first, but is a march, rather than a halling, though.  Listen for the rather humorous interruption by the angry brass in frenzied triplets. My arrangement has the triplet figure played by  both clarinets,  1st horn and 1st bassoon.© 2015 William E. Runyan.
$14.95
13.78 €
#
Edvard Grieg
#
Grieg: 4 Norwegian Dances Op.35 No.III Allegro moderato alla Marcia - wind dectet/bass
#
RayThompsonMusic
#
SheetMusicPlus
Grieg: 4 Norwegian Dances Op.35 No.II Allegretto tranquillo e grazioso - wind dectet/bass
A Clarinet,Bassoon,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.130…
(+)
A Clarinet,Bassoon,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1307519 Composed by Edvard Grieg. Arranged by Ray Thompson. 20th Century,Chamber,Folk,Romantic Period. 17 pages. RayThompsonMusic #896784. Published by RayThompsonMusic (A0.1307519). Edvard Grieg 4 Norwegian Dances Op.35Arranged wind dectet/bass.NB Clarinet parts are for CLARINET in A.This is my arrangement of No 2Thanks to Runyon programm notes for the following extract..... (https://www.runyanprogramnotes.com)Grieg first wrote and published the Norwegian Dances as Piano duets in 1881.There are 4 Dance movements.The four movements are derived from traditional Norwegian folk tunes contained in a collection published in 1853 by Ludvig Mathias Lindemans, entitled, “Mountain Melodies Old and New.†They were not orchestrated by Grieg, but later, in 1888, Hans Sitt, a distinguished Czech violinist, did the honors.  They have become orchestral chestnuts ever since.Almost everyone has heard the demure, sly and winsome second dance - this one -it’s ubiquitous.  A brief, but furious halling interrupts for just a few seconds, and then the familiar theme returns.© 2015 William E. Runyan
$14.99
13.82 €
#
Edvard Grieg
#
Grieg: 4 Norwegian Dances Op.35 No.II Allegretto tranquillo e grazioso - wind dectet/bass
#
RayThompsonMusic
#
SheetMusicPlus
Invocation and Dance for a Pagan God
Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.872626 Composed by Phi…
(+)
Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.872626 Composed by Philip Orem. Contemporary. Score and parts. 96 pages. Philip Orem #3549079. Published by Philip Orem (A0.872626). An exciting piece for trombone choir with interesting rhythms, chorales, harmony. It starts with a quiet, mysterious, atmospheric which a chant interrupts. The chant keeps growing until it becomes a full fledged riotous dance.SCORE SHOULD BE PRINTED ON TABLOID SIZE PAPER. Parts are on standard letter size paper.For further information contact me at po4musik@aol.com or https://po4musik.wixsite.com/website.
$100.00
92.18 €
#
Philip Orem
#
Invocation and Dance for a Pagan God
#
Philip Orem
#
SheetMusicPlus
Golliwog's Cakewalk for Recorder Sextet
Woodwind Ensemble Alto Recorder,Bass Recorder,Descant Recorder,Soprano Recorder,Tenor Reco…
(+)
Woodwind Ensemble Alto Recorder,Bass Recorder,Descant Recorder,Soprano Recorder,Tenor Recorder - Level 4 - Digital Download SKU: A0.1430413 By Keith Terrett. By Claude Debussy. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Multicultural,World. 18 pages. Keith Terrett #1011020. Published by Keith Terrett (A0.1430413). Golliwogg's Cakewalk arranged for Recorder Sextet.At the time of its composition, Golliwog's were in fashion, due partly to the popularity at that time of the novels of Florence Kate Upton (golliwog is a later usage). They were stuffed black dolls with red pants, red bow ties and wild hair, somewhat reminiscent of the black-face minstrels of the time. This is a ragtime piece with its syncopations and banjo-like effects. The dynamic range is quite large and very effective. The B section of this dance is interrupted on several occasions by the love-death leitmotif of Richard Wagner's opera Tristan und Isolde, marked avec une grande émotion (with great feeling). Each quotation is followed with banjo imitations. The cakewalk was a dance or a strut and the dancer with the most elaborate steps won a cake (took the cake).Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$12.99
11.97 €
#
Keith Terrett
#
Golliwog's Cakewalk for Recorder Sextet
#
Keith Terrett
#
SheetMusicPlus
Carson Cooman - Viola Quintet (Unquiet Parables) (2009) for two violins, two violas and cello
String Ensemble,String Quintet - Level 5 - Digital Download SKU: A0.775995 Composed…
(+)
String Ensemble,String Quintet - Level 5 - Digital Download SKU: A0.775995 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 73 pages. Musik Fabrik Music Publishing #2035285. Published by Musik Fabrik Music Publishing (A0.775995). Viola Quintet (Unquiet Parables) (2009) was commissioned by the Vienna Soloists and is dedicated to Jack Melby and Jane Thompson. The work is in three movements, each sharing the same basic musical material. The starting point for the music is dissonant cadential figuration centered on Ab (taken from the voice leading of American colonial-era music). Spinning out from this idea, the material extends to incorporate a sonority formed from perfect 5ths one semitone apart. Irregular phrase lengths and cadences are used as the basis of the work’s large-scale structures. The first movement, Recitatives and Chorales, consists of free, recitative-like material for the instruments in solo. These recitatives often erupt into fast spirals. This texture is interrupted periodically by chorale-like ideas presented by the full quintet. The second movement, Serenata, is a song-like with each instrument taking the melody in turn. Some of the recitative-ideas of the first movement re-emerge, as well as a re-articulation of the cadential figuration. The third movement, Ductia, is energetic and driving. A ductia is a Medieval stamping dance resembling the estampie. The driving (yet sometimes off-kilter) character of the dance is interrupted by a recollection of the first movement’s material. The final resolution of the extended cadential figurations occurs at the end, and the work ends exuberantly with a flourish in Ab major.
$32.45
29.91 €
#
Carson Cooman
#
Carson Cooman - Viola Quintet
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Conflusion - Suite - Woodwind Ensemble - Score Only
Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1115994 By Thomas Graf. By T…
(+)
Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1115994 By Thomas Graf. By Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. 27 pages. Thomas Graf - the-hit-factory.com #717714. Published by Thomas Graf - the-hit-factory.com (A0.1115994). Fantasy in 3 movements for large wind ensemble, double bass and percussion 1. Deux Caracteres 2. Dialogues 3. Dance de Confusion Confluence is the name of a place in Lyon where 2 rivers flow together: The Saône flows into the - at least in German - female Rhone. In French, however, it flows into DEN Rhone - Le Rhône. This confuses the composer: How do rivers get their gender, are they sometimes male, sometimes female? Is it because of their character, because of the landscape that they flow through? By their water, even by their fish? On the people on their shores? A real confusion ensues. In the subsequent thoughts about music, the composer discovers certain analogies and asks himself the question: does gender-typical music actually exist? Or instruments? Typically male harmonies or rhythms? Or clearly female melodies and the way to interpret? The 3-movement composition is dedicated to this question and meanders like a dance in the bed of the converging streams. Colorful modal harmonies form the bed for wide arcs of melody. A varied, recurring theme sets the direction and creates a bubbling, dancing pull in the direction of the mouth: dancing finale! 1st movement: Deux Characters In the first movement (Andante) the roles are distributed - the Sâone and the Rhône get their performers. A first glance at the ensemble reveals a tendency: woodwinds take on the female lead, the male brass the counterpart. The two drummers each support one of the two poles in solidarity. The assignment may be obvious, but strong doubts remain in the final chord of the first movement. 2. Dialogues: In smaller and larger dialogues, there is a lively exchange and the properties are worked out and further developed. But it is also increasingly being copied and imitated, even maliciously agitated and aped. You try to convince each other, interrupt each other, both sides increasingly flare up, it gets louder and more hectic, louder and louder, too loud, until communication stops: in the end, you just yell at each other! 3. Dance de Confusion The resulting confusion finds a conciliatory end in the third movement of the composition: Let's dance! In the end, the initial confusion turns into a confusion: what belongs together flows and dances together. Composed by: Thomas H. Graf Arranged by: Thomas H. Graf for Woodwind Ensemble Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum, Chimes) Perc 2 (Triangle, Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987  E-Mail: info@the-hit-factory.com.  www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic
$10.00
9.22 €
#
Thomas Graf
#
Conflusion - Suite - Woodwind Ensemble - Score Only
#
Thomas Graf - the-hit-factory.com
#
SheetMusicPlus
The Monk's Turned Topsy-Turvy
Clarinet - Digital Download SKU: A0.1071177 Composed by Lori Archer Sutherland. Con…
(+)
Clarinet - Digital Download SKU: A0.1071177 Composed by Lori Archer Sutherland. Contemporary,Folk,Standards. Full Performance. Duration 224. Lori Archer Sutherland #4804263. Published by Lori Archer Sutherland (A0.1071177). The Monk’s Turned Topsy-Turvy is an original fantasy for clarinet choir, based on the old French-Canadian children’s song, Ah! Si mon moine voulait danser! (Danse, mon moine, danse). The title is a play on words: moine means both monk and spinning top in French. The lyrics speak of persuading mon moine to dance by offering various articles of clothing, such as a hood or cap.After a brief, yet bold, introduction, the piece jumps into a straightforward rendition of the tune. From there, the melody is repeated, bringing in other voices and added flourishes. While the tune starts to repeat a third time, it doesn’t get to finish its full statement. It’s interrupted by a run up through the ensemble into a rollicking 7/8 section.With a rhythmic accompaniment underneath, the jaunty melody begins in the third clarinets. The upper instruments take over briefly in 6/8, then the tune returns to 7/8. After a quick breather, the accompaniment introduces an upward sweep motif. This alternates with the accompaniment pattern heard at the beginning of the 7/8 section.The lower voices then take control, driving downward into a different tonality and mood. An undulating accompaniment sets a dreamlike feel, with different voices quoting fragments of the theme. The accompaniment transfers between voices throughout the section, eventually changing back into a 3/4, then a 2/4 feel, resulting in a transition back to the original feel of the piece.The low voices get the melody, with rhythmic accompaniment and racing runs throughout the other sections. The melody goes a bit topsy-turvy before the group comes together in the descending quarter note motif from the beginning of the piece, bringing us to the coda. There’s one final quote of the opening of the main theme from the low voices, leading to a whirlwind in the first and Eb with accented notes and suspensions underneath. The Eb pipes up with one last comment and the group closes out the piece.
$1.99
1.83 €
#
Lori Archer Sutherland
#
The Monk's Turned Topsy-Turvy
#
Lori Archer Sutherland
#
SheetMusicPlus
CHINESE RHAPSODY No.3 For Saxophone & Wind Orchestra (without Arpa) , Op.46 [Score] - Score Only
Woodwind Ensemble - Level 5 - Digital Download SKU: A0.1073229 Composed by An-lun H…
(+)
Woodwind Ensemble - Level 5 - Digital Download SKU: A0.1073229 Composed by An-lun Huang. 20th Century,Classical,Contemporary,Multicultural,Traditional,World. 33 pages. DoReMi Edition #677492. Published by DoReMi Edition (A0.1073229). Chinese Rhapsody No.3 was composed e in Toronto, Canada , 1988. Huang dedicated the piece to the Canadian Saxophonist Paul Brodie who premiered it in Parry sound of Ontario in the same year. Written in Saibei Folk Style, the music is divided into 5 movements without stop. As usual, Huang didn‘t use any folk song . But the typical taste of Huang’s “Zhang Jia Kou[張家å£] accent†is pretty easy to be identified. With the concert virtuosity, the 1st movement is composed as an emotional Cadenza which expresses the profound affections to the land of Saibei. Using the same Alto Sax., the lyric 2nd movement is followed by a folk dance, the 3rd movement. Chang to a Soprano Saxophone, the 4th movement is sound like a dreamy nocturne which is interrupted by the percussions of the fiery 5th movement. The whole Rhapsody ends on a climax of the Chinese Northern west “wind and percussion “styleâ€. Brodie found more than 300 trills in this piece. Perhaps this is the key to perform the music in real Chinese style. Huang has composed 5 versions of these pieces for different ensembles: saxophone solo with piano, or strings, or winds/brasses, or Chinese traditional orchestra, or symphony orchestra. The attached mp3 was performed by the German saxophonist Jurgen Demmler with pianist Peter Grabinger in 1996. Duration: 20’.
$19.99
18.43 €
#
An-lun Huang
#
CHINESE RHAPSODY No.3 For Saxophone & Wind Orchestra
#
DoReMi Edition
#
SheetMusicPlus
CHINESE RHAPSODY No.3 For Saxophone with Wind Orchestra, Op.46(1988) [All parts]
Woodwind Ensemble - Level 5 - Digital Download SKU: A0.1073232 Composed by An-lun H…
(+)
Woodwind Ensemble - Level 5 - Digital Download SKU: A0.1073232 Composed by An-lun Huang. 20th Century,Classical,Contemporary,Multicultural,Traditional,World. 107 pages. DoReMi Edition #677496. Published by DoReMi Edition (A0.1073232). CHINESE RHAPSODY No.3 For Saxophone with various ensemble An-lun Huang Op.46(1988) Chinese Rhapsody No.3 was composed e in Toronto, Canada , 1988. Huang dedicated the piece to the Canadian Saxophonist Paul Brodie who premiered it in Parry sound of Ontario in the same year. Written in Saibei Folk Style, the music is divided into 5 movements without stop. As usual, Huang didn‘t use any folk song . But the typical taste of Huang’s “Zhang Jia Kou[張家å£] accent†is pretty easy to be identified. With the concert virtuosity, the 1st movement is composed as an emotional Cadenza which expresses the profound affections to the land of Saibei. Using the same Alto Sax., the lyric 2nd movement is followed by a folk dance, the 3rd movement. Chang to a Soprano Saxophone, the 4th movement is sound like a dreamy nocturne which is interrupted by the percussions of the fiery 5th movement. The whole Rhapsody ends on a climax of the Chinese Northern west “wind and percussion “styleâ€. Brodie found more than 300 trills in this piece. Perhaps this is the key to perform the music in real Chinese style. Huang has composed 5 versions of these pieces for different ensembles: saxophone solo with piano, or strings, or winds/brasses, or Chinese traditional orchestra, or symphony orchestra. The attached mp3 was performed by the German saxophonist Jurgen Demmler with pianist Peter Grabinger in 1996. Duration: 20’.
$200.00
184.37 €
#
An-lun Huang
#
CHINESE RHAPSODY No.3 For Saxophone with Wind Orchestra, Op.46(1988) [All parts]
#
DoReMi Edition
#
SheetMusicPlus
CHINESE RHAPSODY No.3 For Saxophone and Wind Orchestra (with Arpa) Op.46(1988) [Score] - Score Only
Woodwind Ensemble - Level 5 - Digital Download SKU: A0.1073231 Composed by An-lun H…
(+)
Woodwind Ensemble - Level 5 - Digital Download SKU: A0.1073231 Composed by An-lun Huang. 20th Century,Classical,Contemporary,Multicultural,Traditional,World. 33 pages. DoReMi Edition #677495. Published by DoReMi Edition (A0.1073231). Chinese Rhapsody No.3 was composed e in Toronto, Canada , 1988. Huang dedicated the piece to the Canadian Saxophonist Paul Brodie who premiered it in Parry sound of Ontario in the same year. Written in Saibei Folk Style, the music is divided into 5 movements without stop. As usual, Huang didn‘t use any folk song . But the typical taste of Huang’s “Zhang Jia Kou[張家å£] accent†is pretty easy to be identified. With the concert virtuosity, the 1st movement is composed as an emotional Cadenza which expresses the profound affections to the land of Saibei. Using the same Alto Sax., the lyric 2nd movement is followed by a folk dance, the 3rd movement. Chang to a Soprano Saxophone, the 4th movement is sound like a dreamy nocturne which is interrupted by the percussions of the fiery 5th movement. The whole Rhapsody ends on a climax of the Chinese Northern west “wind and percussion “styleâ€. Brodie found more than 300 trills in this piece. Perhaps this is the key to perform the music in real Chinese style. Huang has composed 5 versions of these pieces for different ensembles: saxophone solo with piano, or strings, or winds/brasses, or Chinese traditional orchestra, or symphony orchestra. The attached mp3 was performed by the German saxophonist Jurgen Demmler with pianist Peter Grabinger in 1996. Duration: 20’.
$19.99
18.43 €
#
An-lun Huang
#
CHINESE RHAPSODY No.3 For Saxophone and Wind Orchestra
#
DoReMi Edition
#
SheetMusicPlus
Del Caserío
Small Ensemble Bass Guitar,Electric Guitar,Multi-Percussion,Tenor Saxophone,Trombone,Trump…
(+)
Small Ensemble Bass Guitar,Electric Guitar,Multi-Percussion,Tenor Saxophone,Trombone,Trumpet - Level 5 - Digital Download SKU: A0.1008998 Composed by William Ortiz. 20th Century,Contemporary. Score and parts. 123 pages. William Ortiz #6093209. Published by William Ortiz (A0.1008998). Subtitled An urban pastiche, Del CaserÃo combines abstract sections of what I call sonic graffiti with popular Latin and Rock music riffs, which are most likely heard in a CaserÃo (a low-income housing community).The graffiti episodes are interrupted suddenly by these dance motives. This process is a musical metaphor for the dichotomy of present-day urban life. The work is scored to reflect the sound world and the emotional distress of a marginated society. But at the same time, it underlines and conveys the enthusiasm, energy and joyfulness that embodies this astonishing culture.
$22.00
20.28 €
#
William Ortiz
#
Del Caserío
#
William Ortiz
#
SheetMusicPlus
Vignettes (Three Scenes for Bassoon and String Quartet)
Bassoon,Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1260983 Composed by…
(+)
Bassoon,Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1260983 Composed by Kari Cruver Medina. Arranged by Kari Cruver Medina. 21st Century,Chamber,Classical,Contemporary,Contest,Festival. 71 pages. Kari Medina Music #854070. Published by Kari Medina Music (A0.1260983). Wonderful newly written chamber music (2021) by a female composer, Vignettes is a delightful work for Bassoon and String Quartet. Refreshing and evocative, Vignettes creates three distinct moods as it explores solo bassoon in relationship to the texture and color of the strings. The first movement, “Hopespun†is joyous and accessible, celebrating a dotted note pattern both dancelike and carefree. The second movement, “Somewhere, Tears†is lyrical and reflective, characterized by a poignant descending melody that moves throughout the ensemble.  “Infinite Imagines,†the third movement, is playful and imaginative, with a curious pizzicato theme that weaves its way through a series of short whole-tone scale patterns that are interrupted by comedic melodic bursts from the bassoon. Vignettes is a marvelous concert or competition piece, sure to please both performers and audience alike. Vignettes (Three Scenes for Bassoon and String Quartet)I. HopespunII. Somewhere, TearsIII. Infinite ImaginesInstumentation: Bassoon, Violin I, Violin II, Viola, CelloParts and Full Score included(each movement between 3-4 min) approx 12-13 Min. total time
$19.99
18.43 €
#
Kari Cruver Medina
#
Vignettes
#
Kari Medina Music
#
SheetMusicPlus
《無形的神殿》管弦樂與男è²å¤§åˆå”± The Invisible Temple - for male chorus and orchestr
Small Ensemble Choir,Voice - Digital Download SKU: A0.961991 Composed by Ma Shui Lo…
(+)
Small Ensemble Choir,Voice - Digital Download SKU: A0.961991 Composed by Ma Shui Long 馬水é¾. Contemporary. Score and parts. 47 pages. SpringAutumnmusic #47107. Published by SpringAutumnmusic (A0.961991). 《無形的神殿》，管弦樂與男è²å¤§åˆå”± 　 　　2003å¹´11月間一個美好的機緣，åƒèˆ‡æ–‡åŒ–總會ä¸éƒ¨è¾¦å…¬å®¤è·¯å¯’袖先生所推展的「玉山å¸ã€ï¼Œé€ 訪了å°ç£ç²¾ç¥žè–åœ°ï¼Œé«”é©—ç¾¤å¶½ä¹‹å† ã€ŒçŽ‰å±±ã€çš„雄å‰èˆ‡å¯¬å®¹ã€‚èª å¦‚ä½œå®¶è·¯å¯’è¢–å…ˆç”Ÿæ‰€è¨€ï¼šã€Œç„¡è«–ç™»é ‚èˆ‡å¦ï¼Œæ—¢å…¥å±±ä¸ï¼Œå³ç‚ºå±±æ‰€åŒ…容ã€ã€‚的確，登山ä¸åƒ…是觀賞美景讚嘆山的壯麗與險峻，而更é‡è¦çš„在空éˆçš„å±±ä¸éš±è—禪機，讓我們å¸ç¿’到真æ£çš„謙å‘。當作曲者親臨時刻，心ä¸å»ä¸€ç‰‡èŒ«ç„¶è€Œç„¡èªžï¼Œçž¬é–“，想起詩人æŽé賢先生一首詩作「無形的神殿ã€è¨€ï¼š 　　我高高在上 　　ä¸åœ¨ä¹Žçœ‹å¾—é 　　é 方茫茫 　　什麼也看ä¸è¦‹ ã€€ã€€æˆ‘å …æŒå†· 　　éœæˆ‘內部岩層的 　　 世界，我ç¨ç«‹ 　　在喧囂的紅塵外 　　熱氣騰騰的人 　　來我這裡無形的神殿 　　回到世間還是熱氣騰騰 　 　什麼也沒體會 　　作曲者經詩人æŽé賢先生的åŒæ„，借用詩å「無形的神殿ã€ä½œç‚ºæœ¬æ›²ä¹‹æ¨™é¡Œï¼Œèœå¯«ä½œæ›²è€…親臨拜訪「玉山ã€ï¼Œå¿ƒä¸çš„悸動與感å—ã€‚æœ¬æ›²å‰µä½œç´ æä¸ï¼Œäº¦å¼•ç”¨å¹¾é¦–é„’æ—與布農æ—原ä½æ°‘之æŒï¼Œåœ¨ç”·ç”Ÿå¤§åˆå”±èˆ‡ç®¡å¼¦æ¨‚交織ä¸ï¼Œåˆ†ç‚º(一)夜話排雲(二)日出(三)ç¥ç¥žç‰ä¸‰å¤§éƒ¨ä»½ï¼Œä»¥é€£æ¨‚ç« å½¢å¼å‘ˆç¾ã€‚ ※(1)本曲為邱å†èˆˆæ–‡æ•™åŸºé‡‘會委託創作之作å“，完æˆæ–¼2005~2006年，2007å¹´12月ä¸æ—¬åˆ†åˆ¥æ–¼å°ä¸åœ‹ç«‹å°ç£äº¤éŸ¿æ¨‚團演å¥å»³ã€é«˜é›„市文化ä¸å¿ƒè‡³å¾·å ‚åŠå°åŒ—國家音樂廳，指æ®å®¶é‚±å›å¼·æŒ‡æ®åœ‹ç«‹å°ç£äº¤éŸ¿æ¨‚團åŠå°åŒ—愛樂åˆå”±åœ˜è¯åˆèˆ‰è¡Œä¸–界首演。 (2)é„’æ—與布農æ—之æŒæ—‹å¾‹ï¼Œè³‡æ–™ä¾†è‡ªæ–¼é›²é–€èˆžé›†åŠæµ©æ©å‡ºç‰ˆç¤¾ï¼ˆé«˜å±±çš„禮讚）所出版之CD，並由我的作曲å¸ç”Ÿè”¡æ¬£å¾®è½å¯«æ•´ç†æ供，在æ¤ä¸€ä½µè¡¨ç¤ºæ„Ÿè¬ä¹‹æ„。 The Invisible Temple - for male chorus and orchestra 　　 In November 2003, by a chance of attending the Yushan Studies offered by Mr. Han-Hsu Lu at the General Association of Culture, the composer then visited the highest mountain and also the Holy spirit land of Taiwan, Yushan, and experienced its sublime grandeur. Just as Mr. Lu has said: No matter whether you climb to the top of the mountain or not, we are all embraced by it. It is true that we admire it not only for its great majesty and steep scenery, but, more importantly, for the spiritual meaning behind it, from which we learn humility. When visiting the mountain, the composer was moved to be lost and speechless, and soon reminded of the poem by the poet Kuei-Shien Lee, The Invisible Temple, as follows: I stand high, having no fear of seeing very far. It is blurry far away from here, and nothing can’t be seen. I insist on coldness, silencing the world in my inner rock strata. I am independent of the uproarious world of mortals. Those who are frantic come here, the invisible temple. Still frantic, they return to the world, without appreciating anything. With Lee’s consent, the title of the poem was applied to this work, to represent the composer’s feelings of visiting the Yu-shan Mountain. In this work, several songs from the aboriginal Tsou and Bunun tribes are adopted for the large male chorus and orchestra. It comprises three parts: 1. The talk in the night staying at the Inn Paiyun, 2. The Sunrise, and 3. The Worship, which are to be performed attacca (without pause or interruption). P.S. 1. The work was commissioned by Chew’s Culture Foundation, and was composed in 2005-2006. In December 2007, it was premiered by Chun-Chiang Chiu conducting the Taiwan National Symphony Orchestra and the Taipei Philharmonic Chorus at the Kaohsiung City Cultural Center and the National Concert Hall in Taipei, respectively. 2. The source of the folk melodies of Tsou and Bunun tribes is from the CD released by the Cloud Gate Dance Theatre of Taiwan and.
$44.99
41.47 €
#
Ma Shui Long 馬水é¾
#
《無形的神殿》管弦樂與男è²å¤§åˆå”± The Invisible Temple - for male chorus and orchestr
#
SpringAutumnmusic
#
SheetMusicPlus
Fantasia gregoriana
3 (3. auch Picc.) · 2 · Engl. Hr. · 2 · Bassklar. · 2 - 4 · 3 · 3 …
(+)
3 (3. auch Picc.) · 2 · Engl. Hr. · 2 · Bassklar. · 2 - 4 · 3 · 3 · 1 - P. S. (Vibr. · Trgl. · 3 hg. Beck. · Sizzle-Beck. · Gong · Tamt.) (2 Spieler) - Hfe. - Str. orchestra - Digital Download SKU: S9.Q7087 Für großes Orchester. Composed by Bertold Hummel. This edition: study score. Music Of Our Time. Downloadable, study score. Op. 65. Duration 8 minutes. Schott Music - Digital #Q7087. Published by Schott Music - Digital (S9.Q7087). The brief Fantasia gregoriana, op.65, is based on the Gregorian Easter Hallelujah. Like a mosaic, the individual heterogenic episodes, lyrical, dance-like, hymnal and dramatic in turn, are combined through the permanent presence of the theme into a unified whole. The Gregorian Hallelujah is present as a type of mode in every bar of the work. The subdued introduction, characterised by the tritonically transposed structure of the original material, is followed by a sharply accentuated presentation of the theme in the bass. Over the partially engarlanded resolved variants, a first bitonal climax is reached (F minor and D major simultaneously). The dramatic development is repeated, interspersed with arioso interruptions, until the main idea is brought to culmination in brilliant instrumentation. The final chord consists of all notes of the theme.
$22.99
21.19 €
#
Bertold Hummel
#
Fantasia gregoriana
#
Schott Music - Digital
#
SheetMusicPlus
Hey! I'm Kenny the Clown from Choir Practice (Downloadable)
Solo voices, piano - Medium - Digital Download SKU: MQ.7.0701-E Composed by Stephen…
(+)
Solo voices, piano - Medium - Digital Download SKU: MQ.7.0701-E Composed by Stephen Chatman. Instrument part. 18 pages. Duration 5 minutes, 20 seconds. Galaxy Music Corporation - Digital #7.0701-E. Published by Galaxy Music Corporation - Digital (MQ.7.0701-E). English.Libretto:Written by Tara Wohlberg. Synopsis:As choir director Willie faces his dilemma of choosing between Heather and Julia for a solo, Kenny the Clown interrupts, and joins the choir practice in progress, prompting various outbursts from the men. As Willie begins to take roll call, the rehearsal quickly digresses into a verbal battle of insults and innuendo between Julia and Heather, each attempting to make the other appear unworthy of the solo. Adonia, the Belly Dancer, enters briefly and exits, followed by Willie, leaving the choir members alone. They proceed to discuss rumors about Willie's manhood and prowess with the ladies.Duration: 5:20The purchase of this scene includes permission to reproduce a maximum number of 13 copies: 1 for each of the vocalists, 1 for the accompanist, and 1 for the conductor. If this will be performed in a concert setting without dramatic elements, it is covered by your organization's ASCAP or BMI license. Please report the concert accordingly. If this will be performed in a staged setting with dramatic elements such as costumes, lighting, etc., please contact the ECS Publishing Copyright Department for a grand rights license. A dramatic production is not covered by ASCAP or BMI.
$50.00
46.09 €
#
Stephen Chatman
#
Hey! I'm Kenny the Clown from Choir Practice
#
Galaxy Music Corporation - Digital
#
SheetMusicPlus
<
1
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version
