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J.B.M.C.A.
Sheetmusic to print
17 sheet music found
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1
J.B.M.C.A. (Jingle Bells, Merry Christmas to All)
Chorus - Digital Download SKU: AX.00-PO-0004789 Composed by James Pierpont. Arrange…
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Chorus - Digital Download SKU: AX.00-PO-0004789 Composed by James Pierpont. Arranged by Jeff Funk. Choral. 11 pages. Alfred Music - Digital Sheet Music #00-PO-0004789. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0004789). UPC: 723188051250.
$2.25
2.06 €
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James Pierpont
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J.B.M.C.A.
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
I'm Living in Canaan Now
Small Ensemble French Horn, Horn, Trombone, Trumpet, Tuba - Level 3 - Interactive Download…
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Small Ensemble French Horn, Horn, Trombone, Trumpet, Tuba - Level 3 - Interactive Download SKU: A0.1510341 By ... By Claud H. Center and J.R. Baxter. Arranged by J. Randolph Hall. This edition: Interactive Download, pdf. Christian, Classical, Folk, Pop, Praise & Worship, Standards, World. 10 pages. Duration 94. J. Randolph Hall #6aqQeqGyE9tgyoszRbfgvH. Published by J. Randolph Hall (A0.1510341). Key: Bb major.Very little is known about Center except for the fact that he was a songwriter who contributed a great deal to the Christian music genre. Baxter was an early 20th century publisher and writer from Alabama. The song is both a reference to the narrative of Israelites leaving Egypt in Exodus as well as one's testimony of freedom experienced through faith in Jesus Christ. Sections A and C are the verse. Sections B and D are the chorus. A modulation to a new key occurs towards the end of section B with the help of a French augmented sixth chord. A descant by yours truly is then added in sections C and D.
$5.00
4.58 €
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I'm Living in Canaan Now
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J. Randolph Hall
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SheetMusicPlus
I'm Not Ashamed to Own My Lord - PISGAH - for Woodwind Sextet/Quintet
B-Flat Clarinet,Flute,Horn,Oboe,Trombone - Level 2 - Digital Download SKU: A0.1205732
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B-Flat Clarinet,Flute,Horn,Oboe,Trombone - Level 2 - Digital Download SKU: A0.1205732 Composed by Attr. to J.C. Lowry. Arranged by Jesse Maurer. Classical,Praise & Worship,Religious,Sacred,Traditional. 8 pages. Jesse Maurer Music #803912. Published by Jesse Maurer Music (A0.1205732). This is a great choice for use in your church's corporate worship. Â The hymn I'm Not Ashamed to Own My Lord uses the tune Pisgah and has been set with a fugal, immitative texture here for a sextet or quintet to perform. Â This can be performed as a sextet with two clarinets or as a quintet with only one clarinet.ORIGINAL SCORING: Flute Oboe B-flat Clarinet B-flat Clarinet F Horn Trombone SCORING OPTIONS: This can be performed with only one clarinet A bassoon can be substituted for the trombone if a true woodwind quintet/sextet is desired. Other instruments substitutions are possible and will be coming soon!
$20.00
18.32 €
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Attr
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I'm Not Ashamed to Own My Lord - PISGAH - for Woodwind Sextet/Quintet
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Jesse Maurer Music
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SheetMusicPlus
It's A Small World
Bells,Instrumental Solo - Digital Download SKU: A0.932054 Composed by Richard M. Sh…
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Bells,Instrumental Solo - Digital Download SKU: A0.932054 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Lisa Lonie. Contemporary. Individual part. 3 pages. Lisa J. Lonie #6612115. Published by Lisa J. Lonie (A0.932054). Two octave, 25 bell carillonC,D,E...D.
$4.99
4.57 €
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Richard M
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It's A Small World
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Lisa J. Lonie
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SheetMusicPlus
When The Roll Is Called Up Yonder
Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.1135…
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Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.1135550 Composed by James M. Black. Arranged by J. Randolph Hall. This edition: Interactive Download. Classical,Folk,Praise & Worship,Standards. Score and parts. 10 pages. Duration 80. J. Randolph Hall #4IhTbwrIXtcEZqo6gyEKzy. Published by J. Randolph Hall (A0.1135550). Key: Eb major.James Milton Black was an American hymnist from the 19th and early 20th Centuries. An absentee from his Sunday School class got him to think about those absent from Heaven. Luke 10:20, 1 Thessalonians 4:16, and Revelation 20:15. Sections A and C are the verses. Section B and D are the refrain. A modulation to the new key between B and C with the help of an augmented sixth chord (French 6th). A descant is then added by yours truly. A few measures before the employs the use of a deceptive cadence.
$4.00
3.66 €
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James M
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When The Roll Is Called Up Yonder
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J. Randolph Hall
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SheetMusicPlus
Hymntime Piano Book #2 Children's Piano
SKU: HL.8738365 Arranged by Fred Bock. Piano Method. Fred Bock Publications. Childr…
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SKU: HL.8738365 Arranged by Fred Bock. Piano Method. Fred Bock Publications. Children, General Worship, Sacred. 31 pages. Fred Bock Music Company #BG0837. Published by Fred Bock Music Company (HL.8738365). ISBN 9780634011856. UPC: 073999383652. 12.0x9.0x0.105 inches.Continuing where Book 1 leaves off, Book 2 covers many of the early problems encountered by the young pianist. Dotted rhythms are effectively taught through familiar titles that the pianist will love to play. Again, a listing of problems and correlating pieces is provided for the teacher's convenience.
Song List
: Christ the Lord Is Risen Today (Lyra Davidica) Just As I Am (William B Bradbury) Onward, Christian Soldiers (A Sullivan) What A Friend We Have in Jesus (C Converse) Savior, Like A Shepherd Lead Us (Thrupp/Bradbury) For the Beauty of the Earth (F. Pierpoint/C. Kocher) Faith of Our Fathers (F. Faber) The B-I-B-L-E Jesus Loves the Little Children (Geo. Root) Spirit of God, Decend Upon My Heart (F Atkinson) Away in A Manger (M Luther/C Muller) Blest Be the Tie That Binds (J Naegeli) All the Happy Children (F Dillingham/F Havergal) America (Sam Smith) I'll Be A Sunbeam (N Talbot/E Excell) Why Not I? (S Ford/J Peterson) Sun of My Soul (K Keble/P Ritter) Wonderful Words of Life (P Bliss) DOXOLOGY, THE (T KEN/L BOURGEOIS) CREED, A (J PETERSON)
$5.95
5.45 €
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Hymntime Piano Book #2 Children's Piano
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Fred Bock Music Company
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SheetMusicPlus
Suite No. 1
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Sco…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95
10.03 €
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Air on the G String
Brass Ensemble Trombone,Trumpet - Level 3 - Digital Download SKU: A0.495315 By Joha…
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Brass Ensemble Trombone,Trumpet - Level 3 - Digital Download SKU: A0.495315 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Márcio Moreira Júnior. Baroque,Classical,Praise & Worship,Traditional,Wedding. Score and parts. 8 pages. Márcio M. Júnior #109775. Published by Márcio M. Júnior (A0.495315). Description in English: Piece originally written for chamber orchestra, in this arrangement it was changed to brass quartet. Instrumentation: 2 Trumpets and 2 Trombones. The key was also modified, going from D Major to B Major. Descrição em Português: Peça escrita originalmente para orquestra de câmara, nesse arranjo foi modificado para quarteto de metais. Instrumentação: 2 Trompetes e 2 Trombones. Foi modificado também a tonalidade, passando de Ré Maior para Sib Maior.
$7.00
6.41 €
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Johann Sebastian Bach
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Air on the G String
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Márcio M. Júnior
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SheetMusicPlus
Blessed Jesus, at Thy Word
Horn,Trombone,Trumpet,Tuba - Level 1 - Interactive Download SKU: A0.1441675 By ... …
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Horn,Trombone,Trumpet,Tuba - Level 1 - Interactive Download SKU: A0.1441675 By ... By J. R. Ahle and Johann Sebastian Bach. Arranged by J. Randolph Hall. This edition: Interactive Download. Christian,Classical,Praise & Worship,Standards,World. 9 pages. Duration 82. J. Randolph Hall #qyWQMRqDCyXj1tjLxbIVc. Published by J. Randolph Hall (A0.1441675). Key: Eb major.Bach is a well know German composer of the Baroque period. He both composed sacred works and harmonized others. Ahle was a 17th Century organist, mayor (Mühlhausen), and composer of chorales. Section A is played moderate dymnamics and on the repeat, softer. A modulation to a new key occurs at the end of B section with the help of an Italian augmented sixth chord. A descant by yours truly is then added at the beginning of C. Sections C and D should be played with a little more grandeur.
$4.00
3.66 €
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Blessed Jesus, at Thy Word
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J. Randolph Hall
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SheetMusicPlus
Étude Duet II
Horn - Interactive Download SKU: A0.482486 Composed by J. Randolph Hall. This editi…
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Horn - Interactive Download SKU: A0.482486 Composed by J. Randolph Hall. This edition: Interactive Download. Classical. Score. 8 pages. Duration 132. Published by J. Randolph Hall (A0.482486). This is a piece for two horns (or even trumpets) and explores counter-rhythms of simple vs. compound meter. It is in palindromic form. Sections A and E are c minor. Sections B and D are in B flat major. In these four sections, the players get to swap parts or voices.Section C is a mêlée of atonal, whole tone scale, modes etc; and plays with quintuplets.
$3.00
2.75 €
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J
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and plays with quintuplets
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Étude Duet II
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J. Randolph Hall
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SheetMusicPlus
Six Pieces from First Term at the Piano, - instruments in four parts
Small Ensemble - Level 2 - Digital Download SKU: A0.835850 Composed by Bela Bartok.…
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Small Ensemble - Level 2 - Digital Download SKU: A0.835850 Composed by Bela Bartok. Arranged by Paul Burnell. 20th Century,Children,Folk. Score and parts. 34 pages. Paul Burnell #5724505. Published by Paul Burnell (A0.835850). Six Pieces from First Term at the Piano by Béla Bartók arranged by Paul Burnell for instruments in four parts.Duration 4:45I Allegro Deciso (No. 17)II Andante (No. 14)III Waltz (No. 18, Keringo)IV Folk Song: Moderato (No. 7, Népdal)V Where Have You Been, My Lamb? - Folksong (No. 13, Hol jártál, báránykám? - Népdal)VI Folksong: Allegro (No. 10, Népdal)The arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows: Part 1: C, Eb (flute, oboe, alto recorder, Eb clarinet, violin 1)Part 2: C, Bb (oboe, tenor recorder, Bb clarinet, violin 2)Part 3: C - alto & bass clefs, Bb, Eb, F (Bb clarinet, bass recorder, alto saxophone, horn in F, viola)Part 4: C - bass clef, Bb, F (bassoon, great bass recorder, tenor saxophone, horn in F, 'cello)Part 4 may be played an octave lower than written.Any other appropriate instruments, even if not suggested above, may play.Although the score is presented with a layout appropriate for string quartet this does not indicate a preferred instrumentation.Performers may wish to consider playing each movement through more than once and, in an ensemble with more than four players, varying the instrumentation for each iteration.The arrangements maintain the keys of the original piano pieces, but many sections have been transposed at the octave.The original metronome indication in Folksong: Allegro has been maintained, but performers may prefer a faster speed.Programme note:‘First Term at the Piano’ (‘Kezdök zongoramuzsikája’ – piano music for beginners) is a collection of pieces for first-year piano students. The collection was collaboration with Sándor Reschofsky with Béla Bartók writing eighteen of the short pieces. The volume was published in 1913 and was intended as the first of a five-volume piano instructional series. This arrangement features six of Bartók’s contributions: Allegro Deciso, Andante, Waltz, and three Folksongs.
$3.99
3.66 €
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Bela Bartok
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Six Pieces from First Term at the Piano, - instruments in four parts
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Paul Burnell
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SheetMusicPlus
Leaning on the Everlasting Arms
Large Ensemble Flute,Marimba,Oboe,Piano Accompaniment,Vibraphone,Violin,Xylophone - Level …
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Large Ensemble Flute,Marimba,Oboe,Piano Accompaniment,Vibraphone,Violin,Xylophone - Level 3 - Digital Download SKU: A0.908549 Composed by Anthony J. Showalter. Arranged by Nathan M. Pontz. Christian,Jazz,Latin,Sacred. Score and parts. 6 pages. Nathan Pontz #3098373. Published by Nathan Pontz (A0.908549). This arrangement of the hymn Leaning on the Everlasting Arms features an instrumental soloist with piano accompaniment. The original melody is modified and re-harmonized in a jazz setting that explores a variety of grooves, making this arrangement great for offertories, preludes, and other church performances throughout the year. The solo part is written flexibly in the treble clef so that it can be played by a wide variety of C instruments. Also available for C instruments in bass clef, B-flat instruments, and E-flat instruments (sold separately). Duration: approx. 3 minutes Instrumentation: Solo C Instrument (Flute, Oboe, Violin, Mallet Percussion, etc.) with Piano Accompaniment
$3.99
3.66 €
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Anthony J
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Leaning on the Everlasting Arms
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Nathan Pontz
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SheetMusicPlus
Bach-Gonoud: Ave Maria, Schwencke version for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.550921 Comp…
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Bass Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.550921 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christian,Christmas,Concert,Easter,Standards. Score and individual part. 12 pages. Jmsgu3 #4888307. Published by jmsgu3 (A0.550921). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Register for free lifetime updates and revisions at www.jamesguthrie.comAve MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.Bach OverviewFirst of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. HistoryBach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer. StyleIt seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. VoyagerNASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
$27.95
25.61 €
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Bach-Gonoud: Ave Maria, Schwencke version for Bass Flute & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria for Baritone Horn & Piano
Baritone Horn TC/Euphonium,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0…
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Baritone Horn TC/Euphonium,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.552852 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and individual part. 11 pages. Jmsgu3 #3491315. Published by jmsgu3 (A0.552852). Schwencke There are two popular versions of the Bach-Gounod Ave Maria to consider. Firstly, we have the version that exactly follows the harmonic scheme set forth by J. S. Bach in his Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Secondly, we have the arrangement introduced by the Choirmaster Christian Friedrich Gottlieb Schwencke in 1783 that introduces a controversial added measure designed to intensify the harmony in measure 27. Both versions employ the melody that Charles Gounod provided as an overlay to the Bach harmony. In either case, the convenient 1st & 2nd endings provide options for extended performance. The duration with the repeat runs about 4:50. This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Baritone Horn & Piano, S0.661783. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.19 €
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Bach-Gounod
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Bach-Gounod: Ave Maria for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.550930 Co…
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Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.550930 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and individual part. 12 pages. Jmsgu3 #4888395. Published by jmsgu3 (A0.550930). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.19 €
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J
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Bach-Gounod: Ave Maria, Schwencke version for Oboe d'Amore & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria for String Trio
String Trio - Level 3 - Digital Download SKU: A0.552111 Composed by Bach-Gounod. Ar…
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String Trio - Level 3 - Digital Download SKU: A0.552111 Composed by Bach-Gounod. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. 10 pages. Jmsgu3 #6120335. Published by jmsgu3 (A0.552111). SchwenckeThere are two popular versions of the Bach-Gounod Ave Maria to consider. Firstly, we have the version that exactly follows the harmonic scheme set forth by J. S. Bach in his Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Secondly, we have the arrangement introduced by the Choirmaster Christian Friedrich Gottlieb Schwencke in 1783 that introduces a controversial added measure designed to intensify the harmony in measure 27. Both versions employ the melody that Charles Gounod provided as an overlay to the Bach harmony. In either case, the convenient 1st & 2nd endings provide options for extended performance. The duration with the repeat runs about 4:50.  This version features the Schwencke measure (ms 27). Ave MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.Bach OverviewJohann Sebastian Bach was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. Bach HistoryBach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Bach StyleIt seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Bach Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$42.95
39.35 €
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Bach-Gounod
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Bach-Gounod: Ave Maria for String Trio
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jmsgu3
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SheetMusicPlus
Heloisa quintet
Cello,Clarinet,Fiddle,Piano - Level 4 - Digital Download SKU: A0.1378514 By Anderso…
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Cello,Clarinet,Fiddle,Piano - Level 4 - Digital Download SKU: A0.1378514 By Anderson Alves. By Anderson Alves. Arranged by Anderson Alves. 20th Century,Classical,Contemporary,Film/TV,Jazz. 16 pages. Anderson Alves #963136. Published by Anderson Alves (A0.1378514). Arranjos para clarinete, dois violinos e violoncelo e piano. Composta por Anderson Alves, São Paulo, Brasil. Dedicado à minha filha Heloisa. RaciocÃnio inspirador para composição baseada na série pelo nome:A B C D E F G H I J K L M N O P Q R S T U V X Z1 2 3 4 5 6 7 8 9 0 11 12 13 14 15 16 17 18 19 20 21 22mod12H e l o i s a8 5 0 2 9 6 1 Lab fa do re lá fa# reb
$13.00
11.91 €
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Anderson Alves
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Heloisa quintet
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Anderson Alves
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SheetMusicPlus
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