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Sheetmusic to print
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James Bond Theme
Brass Ensemble Horn - Level 2 - Digital Download SKU: A0.931262 Composed by Monty N…
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Brass Ensemble Horn - Level 2 - Digital Download SKU: A0.931262 Composed by Monty Norman. Arranged by Alessandro Macrì. Contemporary. Score and parts. 11 pages. Music Macri Editions #5801411. Published by Music Macri Editions (A0.931262). Il James Bond Theme è la firma principale tema dei James Bond film e ha caratterizzato in ogni Eon Productions film di James Bond dal Dr. No , uscito nel 1962. Il pezzo è stato utilizzato come un accompagnamento fanfara alla sequenza di canna della pistola in quasi ogni film di James Bond.Il James Bond Theme ha accompagnato i titoli di testa due volte, come parte del medley che si apre Dr. No e poi di nuovo nei titoli di testa di Dalla Russia con amore (1963). E 'stato usato come musica nel corso dei titoli di coda di Dr. No , Thunderball (1965), Al servizio segreto di Sua Maestà (1969), Il mondo non basta (1999), Casino Royale (2006), Quantum of Solace (2008) , Skyfall (2012), e la Spectre (2015).
$13.00
11.89 €
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Monty Norman
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è la firma principale
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James Bond Theme
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Music Macri Editions
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SheetMusicPlus
Do Like James for Brass Band - Original Composition and Arrangement by Anderson Quevedo
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1283522 By Anderson Quevedo. By Anderson Quevedo. Arranged by Anderson Quevedo. Contest,Festival,Funk,Instructional,Jazz. Brass Band. 29 pages. The Sheet Music Library #874710. Published by The Sheet Music Library (A0.1283522). Do Like James for Brass Band - Original Composition and Arrangement by Anderson QuevedoDo Like James is a fast funky-jazz tune for Brass Band ( Alto, Tenor, Baritone Saxophone, Trumpet in Bb, Trombone, Tuba & Drums)Score & Parts.
$42.99
39.33 €
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Anderson Quevedo
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Drums)
Score &
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Do Like James for Brass Band - Original Composition and Arrangement by Anderson Quevedo
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The Sheet Music Library
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SheetMusicPlus
Soliloquy in E Minor - French Horn & Piano
Horn,Piano - Digital Download SKU: A0.1062864 Composed by James Michael Stevens. Ar…
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Horn,Piano - Digital Download SKU: A0.1062864 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,Sacred. Full Performance. Duration 178. James M Stevens Music ASCAP #6306849. Published by James M Stevens Music ASCAP (A0.1062864). This is the French Horn and Piano demonstration performance of Stevens' Soliloquy in E Minor.
$1.99
1.82 €
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James Michael Stevens
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Soliloquy in E Minor - French Horn & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
Meditative Etude, No. 1 in E Minor - Alto Flute & Piano
Alto Flute - Digital Download SKU: A0.1062177 Composed by James Michael Stevens. Ar…
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Alto Flute - Digital Download SKU: A0.1062177 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,Sacred,Wedding. Full Performance. Duration 132. James M Stevens Music ASCAP #5453515. Published by James M Stevens Music ASCAP (A0.1062177). This is the Alto Flute and Piano performance of Stevens' Meditative Etude, No. 1 in E Minor.
$1.99
1.82 €
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James Michael Stevens
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Meditative Etude, No. 1 in E Minor - Alto Flute & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
Largo from Symphony No. 9 in E Minor, Op. 95 From the New World (Going Home) (Clarinet Quartet arr.)
Woodwind Ensemble,Woodwind Quartet Bass Clarinet,E-Flat Clarinet - Level 5 - Digital Downl…
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Woodwind Ensemble,Woodwind Quartet Bass Clarinet,E-Flat Clarinet - Level 5 - Digital Download SKU: A0.1099603 Composed by Antonin Dvořák (1841-1904). Arranged by James Pybus. 20th Century,Classical,Contest,Festival. 26 pages. James Pybus #703475. Published by James Pybus (A0.1099603). Largo (Going Home) is the second movement from Dvořák’s Symphony No.9. This arrangement for clarinets is in the original key and is playable by SSAB or SSSB quartet. Would Dvořák have approved of this adaptation of his music? It is pure speculation of course, but I would like to believe that as a composer who incorporated folk influences into his nationalistic style, he would have embraced this reimagining of one of his most popular melodies. Duration is ca. 9:00. Contact me at james.pybus56@gmail.com.
$20.00
18.3 €
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Antonin Dvořák
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Largo from Symphony No. 9 in E Minor, Op. 95 From the New World
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James Pybus
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SheetMusicPlus
Alte Kameraden - Brass Band (in the style of James Last)
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.806293 Composed by Carl Teike. Arranged by Nigel Hall. Contemporary. Brass Band. 49 pages. Elgin Media #6614489. Published by Elgin Media (A0.806293). The classic march arranged for Brass Band in the style of James Last.
$25.00
22.87 €
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Carl Teike
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Alte Kameraden - Brass Band
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Elgin Media
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SheetMusicPlus
St James' Infirmary. for Solo Horn in Eb and Piano
E-Flat Cornet,Horn in E-Flat,Instrumental Solo,Piano,Tenor Horn - Level 3 - Digital Downlo…
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E-Flat Cornet,Horn in E-Flat,Instrumental Solo,Piano,Tenor Horn - Level 3 - Digital Download SKU: A0.716589 Composed by Traditional. Arranged by Curd. Blues,Contemporary,Jazz. Score and individual part. 4 pages. Tim Curd #3475361. Published by Tim Curd (A0.716589). St James’ Infirmary.
$4.99
4.57 €
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Traditional
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St James' Infirmary. for Solo Horn in Eb and Piano
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Tim Curd
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SheetMusicPlus
La Donna E Mobile
Alto Saxophone,Clarinet,Drum Set,Violin - Level 1 - Interactive Download SKU: A0.135572…
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Alto Saxophone,Clarinet,Drum Set,Violin - Level 1 - Interactive Download SKU: A0.1355726 Composed by Giuseppe Verdi. Arranged by Tyler James Cook (ASCAP). This edition: Interactive Download. Classical,Contest. 13 pages. Duration 51. Tyler James Cook #4HV6JuZEItP3a6ZFeq2EJe. Published by Tyler James Cook (A0.1355726). Key: C major.An arrangement of La donna è mobile from Verdi's opera _Rigoletto_ for a small, mixed instrumental ensemble. I arranged this specifically for my Middle School Music Ensemble. The Piano 3 part doubles as chords for guitar players. The Violin part doubles the Piano 1 - RH melody.
$4.99
4.57 €
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Giuseppe Verdi
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La Donna E Mobile
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Tyler James Cook
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SheetMusicPlus
James Joint
Instrumental Duet,Vibraphone,Voice - Level 5 - Digital Download SKU: A0.824258 By R…
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Instrumental Duet,Vibraphone,Voice - Level 5 - Digital Download SKU: A0.824258 By Rihanna. By James Edward Fauntleroy Ii, James Fauntleroy, Robert Taylor, and Robyn Fenty. Arranged by Phoebe Chou. Hip-Hop,R & B. 3 pages. Phoebe C Music #431060. Published by Phoebe C Music (A0.824258). Written as solo for vibraphone with vocals. Optional as a duet. Parental Advisory: Explicit Lyrics Personnel: 1 player, (optional 2 players) Level: Advanced Duration: ~1:30 min Instruments: Low E Vibraphone, Voice.
$9.99
9.14 €
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Rihanna
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James Joint
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Phoebe C Music
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SheetMusicPlus
James Bond Theme
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1196531 Composed by Monty Norman. Arranged by Jack Capstaff. Film/TV. Brass Band. 39 pages. Jack Capstaff #795690. Published by Jack Capstaff (A0.1196531). Monty Norman’s exciting score from the film Dr. No, brough to brass band, with additional rhythm section by Jack Capstaff in this exciting new arrangement which will suite any stage and screen programme as a fantastic opener. Electric guitar and bass parts and provided in both notation and tablature.
$24.99
22.86 €
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Monty Norman
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James Bond Theme
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Jack Capstaff
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SheetMusicPlus
Chopin Prelude in E minor - Guitar Trio
Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.876622 Composed by Fred…
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Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.876622 Composed by Frederic Chopin. Arranged by Sean Atkinson. 20th Century,Classical,Romantic Period. Score and parts. 5 pages. Sean James Atkinson #6230631. Published by Sean James Atkinson (A0.876622). Originally published in 1839, this very famous Prélude is a favorite among classical music enthusiasts, and is now available to be performed by a classical guitar trio. The texture of the original piece, of course composed for the piano, while somewhat simple for Chopin, is extremely consistent, making it a great piece for a guitar ensemble at any level.
$9.99
9.14 €
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Frederic Chopin
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Chopin Prelude in E minor - Guitar Trio
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Sean James Atkinson
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SheetMusicPlus
James Bond Theme
Instrumental Solo - Level 5 - Interactive Download SKU: A0.1128160 Composed by Mont…
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Instrumental Solo - Level 5 - Interactive Download SKU: A0.1128160 Composed by Monty Norman. Arranged by Bradley Eustace. This edition: Interactive Download. Film/TV,Pop,Standards. Individual part. 17 pages. Duration 180. Bradley Eustace #4FxkUpDH9SoH8wcIQpOhx. Published by Bradley Eustace (A0.1128160). Key: E minor.An EDM arrangement of the classic film score - James Bond 007. Set for 61-note/76-note digital keyboard or 88-note digital piano with accompaniment feature. Left-hand part is notated using Yamaha AI fingered mode as a guide.
$4.99
4.57 €
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Monty Norman
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James Bond Theme
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Bradley Eustace
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SheetMusicPlus
CPE BACH: Sonata in E Minor WQ124 for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.551525 Comp…
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Bass Flute,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.551525 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by James Guthrie, ASCAP. Classical,Instructional,Standards,Wedding. Score and individual part. 23 pages. Jmsgu3 #5308735. Published by jmsgu3 (A0.551525). Sonata in E Minor. Duration: 7:151. Adagio2. Allegro3. Menuett & 2 VariationsCarl Philipp Emanuel Bach (1714-1788) was an influential composer who worked during a time of transition between the Baroque and Classical styles of music. His personal approach, known as empfindsamer Stil or sensitive style, applied the principles of rhetoric and drama to musical structures. The duets composed by C.P.E. Bach are significant because they showcase his unique style and are considered to be some of his most important works. They are known for their unpredictability and expressive qualities, which were a departure from the style of his father, Johann Sebastian Bach.
$24.95
22.83 €
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Carl Philipp Emanuel Bach
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CPE BACH: Sonata in E Minor WQ124 for Bass Flute & Piano
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jmsgu3
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SheetMusicPlus
Lo, How a Rose E'er Blooming for Brass Trio
Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1328151 Composed by …
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Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1328151 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Holiday,Traditional. 6 pages. Jmsgu3 #916141. Published by jmsgu3 (A0.1328151). Lo, How a Rose E'er Blooming is a Christmas carol with a rich history and deep theological significance. It is most commonly translated from the original German hymn Es ist ein Ros entsprungen. The hymn emphasizes the royal genealogy of Jesus and Christian messianic prophecies, describing a rose sprouting from the stem of the Tree of Jesse, symbolizing the descent of Jesus from Jesse of Bethlehem, the father of King David. The hymn has been set to music by various composers, with the familiar harmonization by Michael Praetorius dating back to the early 17th century. The English translation by Theodore Baker, Lo, How a Rose E'er Blooming, was written in 1894 and has been widely used in English-language hymnals. The hymn's enduring appeal lies in its theological depth, musical beauty, and historical significance, making it a cherished part of the Christmas tradition for many.
$24.95
22.83 €
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Traditional
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Lo, How a Rose E'er Blooming for Brass Trio
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jmsgu3
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SheetMusicPlus
Hail to the Chief for Double Wind Quintet in E Flat Major (arr. Lee) - Set of Parts
Woodwind Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0…
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Woodwind Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.866071 Composed by James Sanderson. Arranged by Yoon Jae Lee. Classical. 10 pages. Ondine Press #2011441. Published by Ondine Press (A0.866071). This is a set of parts to Yoon Jae Lee's arrangement of this famous presidential theme for double wind quintet in E Flat Major. The parts are appropriately written in the style of early 19th century reflecting the period in which the tune was written. This short piece has many practical uses such as party music, teaching wind ensemble, or as an encore. Hail to the Chief is a popular crowd pleaser and this arrangement brings a European sounding tradition to an American classic. This arrangement calls for E Flat Horns but transposed parts for F Horns are included.
$6.00
5.49 €
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James Sanderson
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Hail to the Chief for Double Wind Quintet in E Flat Major
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Ondine Press
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SheetMusicPlus
Lo, How a Rose E'er Blooming for Woodwind Trio
Woodwind Ensemble,Woodwind Trio Bass Clarinet,Flute,Oboe - Level 3 - Digital Download S…
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Woodwind Ensemble,Woodwind Trio Bass Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.1329418 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Holiday,Traditional. 6 pages. Jmsgu3 #917401. Published by jmsgu3 (A0.1329418). Lo, How a Rose E'er Blooming is a Christmas carol with a rich history and deep theological significance. It is most commonly translated from the original German hymn Es ist ein Ros entsprungen. The hymn emphasizes the royal genealogy of Jesus and Christian messianic prophecies, describing a rose sprouting from the stem of the Tree of Jesse, symbolizing the descent of Jesus from Jesse of Bethlehem, the father of King David. The hymn has been set to music by various composers, with the familiar harmonization by Michael Praetorius dating back to the early 17th century. The English translation by Theodore Baker, Lo, How a Rose E'er Blooming, was written in 1894 and has been widely used in English-language hymnals. The hymn's enduring appeal lies in its theological depth, musical beauty, and historical significance, making it a cherished part of the Christmas tradition for many.
$24.95
22.83 €
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Traditional
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Lo, How a Rose E'er Blooming for Woodwind Trio
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jmsgu3
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SheetMusicPlus
Hail to the Chief for Double Wind Quintet in E Flat Major (arr. Lee) - Score Only
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.866059 Composed by James San…
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Woodwind Ensemble - Level 3 - Digital Download SKU: A0.866059 Composed by James Sanderson. Arranged by Yoon Jae Lee. Classical. 5 pages. Ondine Press #2003249. Published by Ondine Press (A0.866059). This famous presidential theme has been arranged for double wind quintet in E Flat Major. The parts are appropriately written in the style of early 19th century reflecting the period in which the tune was written. This short piece has many practical uses such as party music, teaching wind ensemble, or as an encore. Hail to the Chief is a popular crowd pleaser and this arrangement brings a European sounding tradition to an American classic. This arrangement calls for E Flat Horns but transposed parts for F Horns are also available.
$5.00
4.57 €
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James Sanderson
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Hail to the Chief for Double Wind Quintet in E Flat Major
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Ondine Press
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SheetMusicPlus
CPE BACH: Sonata in E Minor WQ 124 for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 4 - Digital Download SKU: A0.551527 Co…
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Instrumental Solo,Oboe d'Amore,Piano - Level 4 - Digital Download SKU: A0.551527 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by James Guthrie, ASCAP. Classical,Instructional,Standards,Wedding. Score and individual part. 22 pages. Jmsgu3 #5308747. Published by jmsgu3 (A0.551527). Sonata in E Minor, Score: 11 pages, Duration: 7:151. Adagio2. Allegro3. Menuett & 2 VariationsCarl Philipp Emanuel Bach (1714-1788) was an influential composer who worked during a time of transition between the Baroque and Classical styles of music. His personal approach, known as empfindsamer Stil or sensitive style, applied the principles of rhetoric and drama to musical structures. The duets composed by C.P.E. Bach are significant because they showcase his unique style and are considered to be some of his most important works. They are known for their unpredictability and expressive qualities, which were a departure from the style of his father, Johann Sebastian Bach.
$24.95
22.83 €
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Carl Philipp Emanuel Bach
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CPE BACH: Sonata in E Minor WQ 124 for Oboe d'Amore & Piano
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jmsgu3
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for String Choir
String Ensemble - Level 2 - Digital Download SKU: A0.549211 Composed by Gabrieli. A…
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String Ensemble - Level 2 - Digital Download SKU: A0.549211 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 88 pages. Jmsgu3 #3464715. Published by jmsgu3 (A0.549211). A musical monument: the first composition to employ dynamics. Instrumentation: 2 violins, 1 viola, 5 cellos 1 double bass. Arranged in two antiphonal choirs: I - string quartet, II - cello choir w/bass. The double bass part assumes low c extension; however, a non-extension bass part is included.Giovanni Gabrieli's Sonata Pian e Forte is essential as it represents the shift from the Renaissance to the Baroque period. It is part of his 1597 Sacrae symphoniae, which contains sixty-three choral and instrumental works, many in multi-choir formations. It is the first known composition in history to employ dynamics, with Gabrieli using specific notation to indicate instrumentation and experimenting with assembling massive instrumental forces into isolated groups separated by space. This innovation contributed heavily to the Baroque Concertato style and the development of the sonata, a musical form that came into general use toward the end of the sixteenth century. The structure of the piece is defined by the dialogue between two instrumental choirs, making it a key example of Gabrieli's influential contributions to the transition in musical style during his time.
$47.95
43.87 €
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Gabrieli
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Gabrieli: Sonata Pian e Forte Ch. 175 for String Choir
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jmsgu3
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Double Reed Choir
Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 2 - Digital Download SKU: A0.…
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Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 2 - Digital Download SKU: A0.549212 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3465004. Published by jmsgu3 (A0.549212). A musical monument: the first composition to employ dynamics. Instrumentation: 3 oboes, 3 English horns, 2 bassoons, 1 contrabassoon. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86.  Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
43.87 €
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Gabrieli
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Gabrieli: Sonata Pian e Forte Ch. 175 for Double Reed Choir
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jmsgu3
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch 175 for Cello Choir
String Ensemble Cello - Level 2 - Digital Download SKU: A0.549267 Composed by Giova…
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String Ensemble Cello - Level 2 - Digital Download SKU: A0.549267 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Instructional,Renaissance,Standards. 45 pages. Jmsgu3 #3479835. Published by jmsgu3 (A0.549267). A musical monument: the first composition to employ dynamics. Minimum instrumentation: 11 cellos.  Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.87 €
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Giovanni Gabrieli
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Gabrieli: Sonata Pian e Forte Ch 175 for Cello Choir
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jmsgu3
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Saxophone Choir
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.549214 Composed by Giovanni …
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Woodwind Ensemble - Level 3 - Digital Download SKU: A0.549214 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3 #3465026. Published by jmsgu3 (A0.549214). A musical monument: the first known composition in history to employ dynamics. Minimum Instrumentation: 2 sopranos, 5 altos, 3 tenors, and 1 baritone sax. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.87 €
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Giovanni Gabrieli
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Gabrieli: Sonata Pian e Forte Ch. 175 for Saxophone Choir
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jmsgu3
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SheetMusicPlus
BACH: Sonata in E Minor BWV 1034 for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 4 - Digital Download SKU: A0.551581 Co…
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Instrumental Solo,Oboe d'Amore,Piano - Level 4 - Digital Download SKU: A0.551581 Composed by Johann Sebastian Bach. Arranged by James Guthrie, ASCAP. Baroque,Concert,Instructional,Standards,Wedding. Score and individual part. 46 pages. Jmsgu3 #5320549. Published by jmsgu3 (A0.551581). BACH: Sonata in E Minor BWV 1034, Duration: 15:00, Score:26 pages.1. Adagio ma non tanto2. Allegro3. Andante4. AllegroOriginally scored for Flauto traverso and continuo.
$24.95
22.83 €
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Johann Sebastian Bach
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BACH: Sonata in E Minor BWV 1034 for Oboe d'Amore & Piano
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jmsgu3
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Brass Choir
Brass Band Bass Trombone,Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.549208
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Brass Band Bass Trombone,Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.549208 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3464513. Published by jmsgu3 (A0.549208). A musical monument: the first composition to employ dynamics Minimum Instrumentation: 4 trumpets, 3 French Horns, 2 tenor trombones, 1 bass trombone, 1 tuba. Arranged in two antiphonal choirs. Suggested instrumentation: 8 trumpets, 9 Horns, 6 Tenor Trombones, 2 Bass Trombone, 4 Tubas. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.87 €
#
Giovanni Gabrieli
#
Gabrieli: Sonata Pian e Forte Ch. 175 for Brass Choir
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jmsgu3
#
SheetMusicPlus
Brother James’ Air (Downloadable Introduction and Alternate Harmonization)
Organ, with optional descant - Moderately Easy - Digital Download SKU: MQ.10-389-04E
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Organ, with optional descant - Moderately Easy - Digital Download SKU: MQ.10-389-04E Composed by John E. Wigal. Christmas, Easter. 3 pages. MorningStar Music Publishers - Digital Sheet Music #10-389-04E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.10-389-04E).
$5.00
4.57 €
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John E
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Brother James’ Air
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
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