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Jesus Culture
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Partituras - 50 Melodias com cifra - Livro 6
Alto Flute,C Instrument,Fiddle,Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Do…
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Alto Flute,C Instrument,Fiddle,Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.1353299 By Diversos. By Diversos. Arranged by Israel Pessoa. 21st Century,Christian,Christmas,Classical,Wedding. Score and individual part. 71 pages. Israel Pessoa #938070. Published by Israel Pessoa (A0.1353299). Livro com 50 partituras. Melodias com cifra das principais musicas tocadas nos eventos em geral. Para você que quer começar ou expandir seu repertório. Todas as partituras foram escritas e revisadas com extremo cuidado para que você possar baixar e tocar.1   Accidentally in Love - Counting Crowes2   Aclame ao Senhor - Diante do Trono3   As It Was - Harry Styles4   Até Outra Vez - Projeto Sola5   Autor da Minha Fé - Paulo Cézar da Silva6   Ay Tenli Kadın - Ufuk Beydemir7   Azul da Cor do Mar - Tim Maia8   Bom Bom Pai - Gabriel Guedes9   Bom Natal - Quero Ver - Passarinho10   Bondade de Deus - Isaias Saad11   Canção do Amigo - Ludmila Ferber12   Canção do Apocalipse - Diante do Trono13   Céu e Fé - Exaltasamba14   Da Vida, O Melhor - Projeto Sola15   Dance Monkey - TONES AND I16   Descansarei - Etiene Pires17   Deus da FamÃlia - Regis Danese18   Deus de Promessas - Davi Sacer19   Dog Days Are Over - The Machine20   Essa Aliança - Entretons21   Everlong - Foo Fighters22   Greensleeves - Anônimo23   Harmonia do Meu Coração - Arthur Salermo24   I Want It That Way - Blackstreet Boys25   Iris - Goo Goo Dolls26   Is This Love - Bob Marley27   Jesus Cristo Mudou Meu Viver28   Jingle-Bell Rock - Joe Bela and Jim Bootle29   Marcha Nupcial + Pompa e circunstancia30   Marcha Nupcial + Valsa Rancho - Chico Buarque31   Mirrors - Justin Timberlake32   Moi Moi - Albin dela Simone33   Moon River - Henry Manchini34   Natal Todo Dia - Roupa Nova35   Noite Feliz - F. Gruber - Tradicional Natalina36   Noites Traiçoeiras - Pe. Zeca37   O Meu Amor - Chico Buarque38   O Senhor é Rei - Pe. Marcelo Rossi39   Pinheirinhos, Que Alegria! - Tradicional Natalina40   Please, n Let Me Get What I Want - The Smiths41   Revelation Song - Jesus Culture42   Ribbon In The Sky - Stevie Wonder43   Right Here Waiting - Richard Marx44   Sina - Djavan45   Stand By Me - Ben E. King46   Touch The Sky - Hillsong47   Valerie - Amy Winehouse48   Vem Chegando O Natal - Aline Barros49   Viva La Vida - Coldplay50   Wish You Were Here - Pink Floyd.
$10.00
9.24 €
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Diversos
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Partituras - 50 Melodias com cifra - Livro 6
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Israel Pessoa
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.9 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
#
Soundnotation
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
(+)
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.9 €
#
Silvano A
#
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
#
Soundnotation
#
SheetMusicPlus
Thuma Mina
Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-32298 Arranged by …
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Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-32298 Arranged by Sheldon Curry. This edition: InstruPax. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Church Choral Series. Sacred. Part(s). 15 pages. Jubilate Music Group - Digital #00-32298. Published by Jubilate Music Group - Digital (JX.00-32298). English. Traditional South African Chant.I was introduced to Thuma Mina (Too-ma Mee-na) by a South African, Garmon Ashby. I immediately fell in love with it., says composer Sheldon Curry. Curry has long been interested in sacred music of cultures other than his own. In Thuma Mina he combines the folk tune with a his version of I Have Decided To Follow Jesus, which originally came from India. The result is a fun, vibrant international feast.
$30.00
27.73 €
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Choral Octavo
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Thuma Mina
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Jubilate Music Group - Digital
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SheetMusicPlus
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