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Sheetmusic to print
22 sheet music found
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1
The Lord Bless You and Keep You
Choral (SATB) SKU: HL.8739817 SATB chorus. Composed by Peter Lutkin. Arrange…
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Choral (SATB) SKU: HL.8739817 SATB chorus. Composed by Peter Lutkin. Arranged by Allan Robert Petker. Bulletin Insert. Fred Bock Publications. General Worship, Sacred. Octavo. 4 pages. Fred Bock Music Company #BG2453. Published by Fred Bock Music Company (HL.8739817). UPC: 073999398175. 5.5x8.5 inches.The Lutkin benediction may be the best-known and best-loved service or concert closer in the world. It is now available as a bulletin insert. The Hallelujah Chorus was the first entry into the congregational insert series and has been a phenomenal favorite. A simple keyboard introduction begins the piece and the rest is exactly as Lutkin composed it. As a bonus, the back page features the beautiful “Amen†from Petker's “May You Be Lifted Up.â€.
$0.75
0.69 €
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Peter Lutkin
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The Lord Bless You and Keep You
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Fred Bock Music Company
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SheetMusicPlus
The Nutcracker Suite 4. Trepak
Woodwind Ensemble - Level 5 - Digital Download SKU: A0.996114 Composed by Peter Ily…
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Woodwind Ensemble - Level 5 - Digital Download SKU: A0.996114 Composed by Peter Ilyich Tchaikovsky. Arranged by Erik Cole. Romantic Period. 25 pages. Erik Cole #4792951. Published by Erik Cole (A0.996114). This very famous movement is quite a technical one! Since I already made a simpler student version, though, I went all-out, especially in the first oboe part. It's tough, but not much tougher than the flute part from the original. Keeping the accelerando at the end from getting too out of hand can significantly help with the difficulty level.
$15.00
13.84 €
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Peter Ilyich Tchaikovsky
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The Nutcracker Suite 4. Trepak
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Erik Cole
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SheetMusicPlus
Angels We Have Heard on High for Alto and Tenor Saxophone Duet
Alto Saxophone,Instrumental Duet,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1…
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Alto Saxophone,Instrumental Duet,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1423282 Composed by Traditional. Arranged by David Burndrett. Christmas. 4 pages. David Burndrett #1004609. Published by David Burndrett (A0.1423282). This arrangement is about 2-3 standard and upwards.I have tried to keep it simple while making it sound interesting for various standards of playing.Each instrument gets part of the tune.
$4.95
4.57 €
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Traditional
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Angels We Have Heard on High for Alto and Tenor Saxophone Duet
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David Burndrett
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SheetMusicPlus
In Dulci Jubilo for Clarinet and Bass Clarinet Duet
B-Flat Bass Clarinet,B-Flat Clarinet,Instrumental Duet - Level 2 - Digital Download SKU…
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B-Flat Bass Clarinet,B-Flat Clarinet,Instrumental Duet - Level 2 - Digital Download SKU: A0.1427947 Composed by Traditional. Arranged by David Burndrett. Christmas. 4 pages. David Burndrett #1008690. Published by David Burndrett (A0.1427947). This arrangement is about three standard and upwards.I have tried to keep it simple while making it sound interesting for various standards of playing.Each instrument gets part of the tune.
$4.95
4.57 €
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Traditional
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In Dulci Jubilo for Clarinet and Bass Clarinet Duet
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David Burndrett
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SheetMusicPlus
Prelude from Te Deum for Clarinet and Bass Clarinet Duet
B-Flat Bass Clarinet,B-Flat Clarinet,Instrumental Duet - Level 2 - Digital Download SKU…
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B-Flat Bass Clarinet,B-Flat Clarinet,Instrumental Duet - Level 2 - Digital Download SKU: A0.1427941 Composed by Marc-Antoine Charpentier. Arranged by David Burndrett. Baroque. 4 pages. David Burndrett #1008684. Published by David Burndrett (A0.1427941). This arrangement is about three standard and upwards.I have tried to keep it simple while making it sound interesting for various standards of playing.Each instrument gets part of the tune.
$4.95
4.57 €
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Marc-Antoine Charpentier
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Prelude from Te Deum for Clarinet and Bass Clarinet Duet
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David Burndrett
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SheetMusicPlus
Barcarolle "The Tales of Hoffmann" for Clarinet and Bass Clarinet Duet
B-Flat Bass Clarinet,B-Flat Clarinet,Instrumental Duet - Level 2 - Digital Download SKU…
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B-Flat Bass Clarinet,B-Flat Clarinet,Instrumental Duet - Level 2 - Digital Download SKU: A0.1427960 Composed by Jacques Offenbach. Arranged by David Burndrett. Romantic Period. 4 pages. David Burndrett #1008704. Published by David Burndrett (A0.1427960). This arrangement is about three standard and upwards.I have tried to keep it simple while making it sound interesting for various standards of playing.Each instrument gets part of the tune.
$4.95
4.57 €
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Jacques Offenbach
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Barcarolle "The Tales of Hoffmann" for Clarinet and Bass Clarinet Duet
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David Burndrett
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SheetMusicPlus
Angels We Have Heard on High for Clarinet and Bass Clarinet Duet
B-Flat Bass Clarinet,B-Flat Clarinet,Instrumental Duet - Level 2 - Digital Download SKU…
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B-Flat Bass Clarinet,B-Flat Clarinet,Instrumental Duet - Level 2 - Digital Download SKU: A0.1427205 Composed by Traditional. Arranged by David Burndrett. Christmas. 4 pages. David Burndrett #1007920. Published by David Burndrett (A0.1427205). This arrangement is about three standard and upwards.I have tried to keep it simple while making it sound interesting for various standards of playing.Each instrument gets part of the tune.
$4.95
4.57 €
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Traditional
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Angels We Have Heard on High for Clarinet and Bass Clarinet Duet
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David Burndrett
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SheetMusicPlus
Trumpet Tune for Clarinet and Bass Clarinet Duet
B-Flat Bass Clarinet,B-Flat Clarinet,Instrumental Duet - Digital Download SKU: A0.14272…
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B-Flat Bass Clarinet,B-Flat Clarinet,Instrumental Duet - Digital Download SKU: A0.1427206 Composed by Jeremiah Clarke. Arranged by David Burndrett. Baroque,Wedding. 4 pages. David Burndrett #1007922. Published by David Burndrett (A0.1427206). This arrangement is about three standard and upwards.I have tried to keep it simple while making it sound interesting for various standards of playing.Each instrument gets part of the tune.
$4.95
4.57 €
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Jeremiah Clarke
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Trumpet Tune for Clarinet and Bass Clarinet Duet
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David Burndrett
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SheetMusicPlus
Barcarolle "The Tales of Hoffmann" for Viola and Double Bass Duet
Double Bass,Instrumental Duet,Viola - Level 2 - Digital Download SKU: A0.1406077 Co…
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Double Bass,Instrumental Duet,Viola - Level 2 - Digital Download SKU: A0.1406077 Composed by Jacques Offenbach. Arranged by David Burndrett. Romantic Period. 4 pages. David Burndrett #989168. Published by David Burndrett (A0.1406077). This arrangement is about three standard and upwards.I have tried to keep it simple while making it sound interesting for various standards of playing.Each instrument gets part of the tune.
$3.99
3.68 €
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Jacques Offenbach
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Barcarolle "The Tales of Hoffmann" for Viola and Double Bass Duet
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David Burndrett
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SheetMusicPlus
Barcarolle "The Tales of Hoffmann" for Cello and Double Bass Duet
Cello,Double Bass,Instrumental Duet - Level 1 - Digital Download SKU: A0.1406075 Co…
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Cello,Double Bass,Instrumental Duet - Level 1 - Digital Download SKU: A0.1406075 Composed by Jacques Offenbach. Arranged by David Burndrett. Romantic Period. 4 pages. David Burndrett #989165. Published by David Burndrett (A0.1406075). This arrangement is about three standard and upwards.I have tried to keep it simple while making it sound interesting for various standards of playing.Each instrument gets part of the tune.
$3.99
3.68 €
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Jacques Offenbach
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Barcarolle "The Tales of Hoffmann" for Cello and Double Bass Duet
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David Burndrett
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SheetMusicPlus
Hallelujah Chorus for Alto and Tenor Saxophone Duet
Alto Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1387698 Compose…
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Alto Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1387698 Composed by G.F Handel. Arranged by David Burndrett. Christmas,Easter,Praise & Worship. Saxophone Duet. 4 pages. David Burndrett #971555. Published by David Burndrett (A0.1387698). This arrangement is about three standard and upwards.I have tried to keep it simple while making it sound interesting for various standards of playing.Each instrument gets part of the tune.I have added an optional piano part, for added support.Download includes the score and all of the parts.
$3.99
3.68 €
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G
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Hallelujah Chorus for Alto and Tenor Saxophone Duet
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David Burndrett
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SheetMusicPlus
Tu scendi dalle stelle (Italian Christmas song)
Bass Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.934334 Composed by Alfon…
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Bass Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.934334 Composed by Alfonso Maria de Liguori. Arranged by Stefano Olcese. Christian,Christmas,Classical,World. 4 pages. Stefano Olcese #6605999. Published by Stefano Olcese (A0.934334). Tu scendi dalle stelle (You Come Down from the Stars) is a Christmas carol from Italy, written in 1732 by Alfonso Maria De Liguori in the musical style of a pastorale. I arranged it here for bass voice and piano, trying to keep it simple. The tessitura/range is extremely comfortable and suitable also for a beginner. I have added a short piano passage in between the two parts, so bars 27-39 are entirely original and of my own. I have also added a half-tone up switch at the beginning of the second part.Here you can find more infos about this Christmas carol, its text and its English translation: https://en.wikipedia.org/wiki/Tu_scendi_dalle_stelleMore infos about me: http://www.stefano-olcese.com/My Instagram profile: https://www.instagram.com/stefano_olcese/
$2.99
2.76 €
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Alfonso Maria de Liguori
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Tu scendi dalle stelle
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Stefano Olcese
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SheetMusicPlus
The Last Of Us
Acoustic Guitar,Flute,Instrumental Duet - Level 2 - Digital Download SKU: A0.1387407
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Acoustic Guitar,Flute,Instrumental Duet - Level 2 - Digital Download SKU: A0.1387407 Composed by Gustavo Santaolalla. Arranged by Cade Gooley. Video Game. 13 pages. CadeVerse Music #971255. Published by CadeVerse Music (A0.1387407). This arrangement is adapted from the video game version of the main theme. It is meant to be highly faithful to the original composition, with the exception of shortening some breaks to keep the simpler arrangement in motion throughout. Time signature is 12/8 but can be though of in 4/4 with each quarter beat broken into triplets.Guitar part is in TAB. features mainly first position chords suitable for new fingerstyle students. Higher position chords do not go above the octave, making the part playable across a wide range of guitars.Flute part is faithful to the melody, with the bridge portion pulled from a textural-yet-audible woodwind part.PDF includes flute score and gutar tab separately, as well as combined.
$5.99
5.53 €
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Gustavo Santaolalla
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The Last Of Us
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CadeVerse Music
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SheetMusicPlus
Who Put The Bomp (in The Bomp Ba Bomp Ba Bomp)
Rhythm Section,Small Ensemble Bass Clef Instrument,Bass Guitar,Bass Trombone,Double Bass,D…
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Rhythm Section,Small Ensemble Bass Clef Instrument,Bass Guitar,Bass Trombone,Double Bass,Drum Set,Drums,Keyboard,Piano,Tenor Trombone,Trombone/Baritone B.C. - Level 4 - Digital Download SKU: A0.961216 By Barry Mann. By Barry Mann and Gerry Goffin. Arranged by Robert Coil. 20th Century,Contemporary,Jazz,Pop. Score and parts. 40 pages. Polished Brass #6704317. Published by Polished Brass (A0.961216). This classic Doo-Wop song is arranged for trombone quintet with optional rhythm section. The range of the first and second trombone goes briefly up to B flat4, the third trombone goes up to G4. The range of the fourth trombone is a modest A flat2 to F4, but has the opening solo. The Bass Trombone provides the rhythmic drive and harmonic foundation, with range consistently low, from A flat1 to E flat3, thus requiring a player with solid technique and determination to keep the tempo from sagging. (ASPN pitch notation)This arrangement may be played by trombone quintet with or without the optional rhythm section. When performed without the rhythm section accompaniment, it is essential for each player to strive to keep the tempo up. A number of pieces popular in the 1940s, 50s, and 60s had lyrics that had no meaning but were nonsense syllables (non-lexical vocables) that were sung. Anyone familiar with the era will recognize songs such as: Witch Doctor (Ooo, eee, ooo ah ah, ting tang, Walla walla, bing bang), Sh-Boom (Do-roo-do-do, sh-boom), Blue Moon (Bom ba ba bom ba bom ba bom bom, Dang a dang dang, ding a dong ding). Often, the lead singer had lyrics that told a story, while a backup chorus just sang, Ooo, Aaah. The genre became known as Doo Wop. By the 1960s, the genre, with its simple chords, nonsense syllables, often sung a cappella or featuring a 4 or 5 part vocal group with simple accompaniment, was starting to fade in popularity. The song Who Put the Bomp manages to be both a part of the genre and a nostalgic reflection on its passing. This arrangement captures the essence of the era with close harmonies and a lively beat. The arranger, Bob Coil, is a graduate of the University of Cincinnati College-Conservatory of music, where he studied bass trombone with Betty Glover. Dr. Coil is the leader of the Bones of Cincinnatus trombone ensemble in Cincinnati, OH.
$16.99
15.68 €
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Barry Mann
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Who Put The Bomp
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Polished Brass
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SheetMusicPlus
è¸æ¥ Step Forward
Small Ensemble Bass Guitar,Double Bass,Drum Set,Piano Accompaniment,Voice - Level 4 - Digi…
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Small Ensemble Bass Guitar,Double Bass,Drum Set,Piano Accompaniment,Voice - Level 4 - Digital Download SKU: A0.1019464 Composed by Egon Tse. Arranged by Egon Tse. Contemporary,Pop,World. Score and parts. 14 pages. Egon Tse #3471251. Published by Egon Tse (A0.1019464). This is a Chinese Version vocal song in Cantonese. To tell a deep feeling on leaving a music school on graduation to society, as the title name è¸æ¥ Step Forward and also heart fully say thanks to all teachers, staff, as well as all classmates on their kindness and help during my music school life. It is a lucky on meeting them. This piece is designed in a simple ternary form with a male voice, piano, bass guitar, double bass and a drum-set. Everyday we have a chance and a group of friend to build up relationship for future. One who has accompanied you to pass through a challenge should say thanks to, and keep contact in your best way.
$12.00
11.08 €
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Egon Tse
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è¸æ¥ Step Forward
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Egon Tse
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SheetMusicPlus
Failure
Woodwind Ensemble,Woodwind Quintet Alto Flute,Bassoon,Clarinet,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Alto Flute,Bassoon,Clarinet,Oboe - Level 4 - Digital Download SKU: A0.1289688 By George Williams. By Blue Apollo Music. 20th Century,21st Century,Chamber,Classical,Contemporary. 31 pages. George Henry Williams III #880397. Published by George Henry Williams III (A0.1289688). An inspiring song about pushing through setbacks and becoming stronger on the other side, Failure is titled after life's Greatest Teacher. With the soaring sounds of the flutes and a driving, simple rhyme in the single and double reeds, it encourages listeners never to give up and to keep fighting to conquer their goals, no matter how many times they may stumble along the way. Whether you're facing personal or professional obstacles, this song is the perfect reminder that failure is simply a stepping stone toward success.
$10.99
10.14 €
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George Williams
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Failure
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George Henry Williams III
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SheetMusicPlus
Sonrise
3, 4, 5 octave handbells - Level 2 SKU: JF.MFBBGH1019 Composed by Julie Turner. Pub…
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3, 4, 5 octave handbells - Level 2 SKU: JF.MFBBGH1019 Composed by Julie Turner. Published by Fred Bock Music Company (JF.MFBBGH1019). This simple yet elegant original from talented composer Julie Turner is equally at home in a worship service, at a festival or, when played under the alternate title Sunrise, in a school or secular concert. There is plenty to keep ringers challenged, from frequently changing meters to special techniques to accidentals. Composed in C Major, it is 60 measures in length.
$3.75
3.46 €
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Julie Turner
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Sonrise
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Fred Bock Music Company
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SheetMusicPlus
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,…
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Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone,Treble Clef Instrument,Trumpet,Ukulele,Vibraphone,Violin,Xylophone - Level 4 - Digital Download SKU: A0.931832 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269045. Published by Dots and Beams (A0.931832). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a treble staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4. Be creative with this one, the possib.
$10.00
9.23 €
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Nathan Petitpas - Dots and Beams
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I encourage you to use both
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Pitch and Rhythm - Treble Clef, Diatonic
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Dots and Beams
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SheetMusicPlus
Pitch and Rhythm - Bass Clef, Diatonic (Sight Reading Exercise Book)
Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsich…
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Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - Digital Download SKU: A0.931833 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269061. Published by Dots and Beams (A0.931833). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a bass staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second e.
$10.00
9.23 €
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Nathan Petitpas - Dots and Beams
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I encourage you to use both
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Pitch and Rhythm - Bass Clef, Diatonic
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Dots and Beams
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SheetMusicPlus
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bas…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - Digital Download SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
9.23 €
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Nathan Petitpas - Dots and Beams
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Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters
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Dots and Beams
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SheetMusicPlus
March of the Enchanted Toys
Percussion Ensemble Sleigh Bells,Woodblock,Xylophone - Level 1 - Digital Download SKU: …
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Percussion Ensemble Sleigh Bells,Woodblock,Xylophone - Level 1 - Digital Download SKU: A0.1323033 Composed by Brian L. Monroe. Children,Christmas,Holiday,Instructional. 28 pages. BLM Music Publications (https://brianmonroemusic.com) #911304. Published by BLM Music Publications (https://brianmonroemusic.com) (A0.1323033). About the PieceT'was the day after Christmas and magic was in the air.The toys had been played with and were thrown about without care.  but with a bell's magic jingle, they suddenly came alive,and moved to gather three, four, then five.  They began to march in an enchanted paradeKeeping good time like a well-trained brigade.They continued their hike around the tree with prideso festive and happy just to be free and alive.But the magic was waining with the jingle of bellsand the toys disbanded and said their farewells,Their magic had run out, at least for this yearIt would be 365 days before the March of the Enchanted Toys would again reappear. March of the Enchanted Toys is a work for beginning-level percussionists.  A simple melody and rhythmic patterns make it easier to teach and learn.  In addition, the score and parts are all written with alpha notes, making it easier for young students to read the notes that are not usually in their range.     Instrumentation:  For 6-12 Percussionists 4 Bells Sets (written for beginning percussion kits),  Xylophone,  Triangle,  Ratchet,  Vibraslap,  Wood Block,  Bass Drum,  Sleighbells,  Temple Blocks (5)If you wish to play this with reduced instrumentation, Use the instruments in this order: 4 Bells  Xylophone  Sleighbells  Ratchet/Vibraslap (played by 1 player) Temple Blocks Triangle Wood Blocks.
$15.00
13.84 €
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Brian L
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March of the Enchanted Toys
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BLM Music Publications
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SheetMusicPlus
Double Reed Quintet - Courtly Dances
Woodwind Ensemble,Woodwind Quintet Bassoon,English Horn,Oboe - Level 4 - Digital Download …
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Woodwind Ensemble,Woodwind Quintet Bassoon,English Horn,Oboe - Level 4 - Digital Download SKU: A0.767472 Composed by Mike Lyons. Baroque,Concert. 37 pages. Lyons Music Services #4613665. Published by Lyons Music Services (A0.767472). Basically it is a set of three dances loosely described as Allemande, Courante and Jygg. Orchestration is for Double Reed quintet 2 oboes, CA, Bassoon, ContrabassoonThe style of the first one is marcato, with a touch of irony! The contra leads with an Alberti pattern followed by the first melodic idea stated on the Bassoon. This motif is eventually taken up by all the instruments. The melody then morphs into a lovely little B-section melody on the Oboe 1 with an obbligato on oboe 2 before the DS. Surprisingly simple, but 3 mins long.Movement 2 plays on the meaning of courante (running). It's in 3, as courantes were. Each instrument has an important role in keeping the music flowing - even the Contrabassoon and Bassoon. The middle section has a mournful Contra melody with weaving contrapuntal lines from all the others. There's a bridge into the DS and the first section is repeated, leading eventually to the short coda.Movement 3 is the hardest movement. It's in 9/8 with lots of dynamism. It also has a few modern touches. After the short (2 bars) 12/8 section, there is a Berlioz-esque dance of the witches type of fever about the music. Then DS to fine.
$10.99
10.14 €
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Mike Lyons
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Double Reed Quintet - Courtly Dances
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Lyons Music Services
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SheetMusicPlus
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