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La Bourée
Sheetmusic to print
21 sheet music found
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1
La Bourrée
Brass Ensemble Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1491035 Compos…
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Brass Ensemble Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1491035 Composed by Michael Praetorius. Arranged by Alberto Mandarini. Baroque,Chamber,Classical,Instructional,Renaissance. 18 pages. Alm@music #1067793. Published by Alm@music (A0.1491035). Brass Ensemble: 3 Trumpets and 2 Trombones - Grade 2.This is also a transcription and a small adaptation of the original score.I chose “La Bourrée” by Michael Praetorius mainly for educational purposes thanks to the not excessive difficulty, but perfect for students with an intermediate level of preparation. Furthermore, the skillful writing of Praetorius and the beauty of this short composition of his, make the piece absolutely suitable to be included in any concert program.Starting from the 4 canonical parts, I focused above all on the redistribution of the voices bringing them to 5 and intervening on the reorganization of the refrains. Always with the utmost respect for the original score, I simply imagined two opposing choirs that alternate, responding to each other and becoming protagonists from time to time, thus replacing the mere repetition of the refrains.The themes, in turn and to the extent possible, were distributed across all the voices using, in some cases, even simple doubling.As in the adaptation of Contrapunctus I by J. S. Bach, ( https://www.sheetmusicplus.com/en/product/contrapunctus-i-from-the-art-of-the-fugue-bwv-1080-22828292.html ) the choice to use 3 trumpets and 2 trombones, and not the more typical brass quintet (2 trumpets, horn, trombone and tuba), was dictated by the formation for which I made the transcription.Finally, on a didactic level, this piece was fundamental to consolidate a formation at the first experiences and allowed me to deepen the salient aspects of ensemble music such as listening, musical breathing and interplay in its broadest sense.To the individual parts, as usual, I also added that of the horn in F, replacing the 3rd trumpet. At your discretion, of course, to decide whether to replace it or double it directly.The total duration is about 2 minutes and 20 seconds and the midi audio should be useful to get an idea of the arrangement and to be able to study the individual parts.Good Music!am.
$4.99
4.58 €
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Michael Praetorius
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La Bourrée
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Alm@music
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SheetMusicPlus
By Various LA BOURRÉE- Dance XXXII (32) from Terpsichore (Praetorius) for Wind Instruments by Various
Composed by Various. Arranged by Colin Kirkpatrick. Renaissance, Repertoire. Score, …
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Composed by Various. Arranged by Colin Kirkpatrick. Renaissance, Repertoire. Score, Set of Parts. 25 pages. Published by Colin Kirkpatrick Publications
By the time MichaelPraetorius published his extensive dance collection entitled Terpsichore (terp-SIH-cory)in 1612, he was one of the most famous musicians in Germany. This Bouréeis a well-known and lively dance and sure to add some sparkle to any concertevent. This piece is arranged for virtually any combination of conventionalwind instruments and percussion, with optional keyboard part.<br> <br> In this series, Renaissance Hits for Wind Instruments, someof the most well-known dances from Terpsichore are included. They are allattractive pieces and are sure to be popular at any concerts or end-of-semesterevents. They are fairly easy to play too. The flexible arrangement makes themplayable by all sorts of non-standard ensembles.The keyboard part allows you to use them as solos or duets for mixed instruments.<br> <br> This publication consists of a score showing the four-partensemble, keyboard and percussion parts. There are separate parts in varioustranspositions. The optional keyboard part is intended as a guide and whenpossible the keyboard player should improvise around the part and chords shown.A piano sounds distinctly out of place in this music and a digital or acousticharpsichord sounds more authentic. Most electronic keyboards have a harpsichordoption.<br> <br> The percussion instruments used are similar to those foundin elementary school music rooms and usually include a small bass drum orhand-held drum, clave or small headless tambourine. Two players are usuallyrequired and the parts can be interpreted quite freely. Dance music is intendedto be fun, and we hope that this arrangement brings you just that.
$11.99
11 €
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Various
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By Various LA BOURRÉE- Dance XXXII
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Colin Kirkpatrick Publications
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SheetMusicPlus
Bizet: Jeux D'Enfants (Children's Games) I.March (Trompette et tambour) - symphonic wind
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.553908 Composed by Georges Bizet. Arranged by Ray Thompson. 20th Century,Children,Christmas,Romantic Period. Score and parts. 19 pages. RayThompsonMusic #6083141. Published by RayThompsonMusic (A0.553908). Jeux d'enfants (Children's Games) Op. 22, is a suite of twelve miniatures composed by Georges Bizet for piano four hands in 1871.[ The entire piece has a duration of about 20 to 23 minutes. The movement titles are as follows:L'escarpolette – reverie (The swing)La toupie – impromptu (The spinning top)La poupée – berceuse (The doll)Les chevaux de bois – scherzo (Wooden horses)Le volant – fantasie (Battledore and shuttlecock)Trompette et tambour – marche (Trumpet and drum)Les bulles de savon – rondino (Soap bubbles)Les quatre coins – esquisse (Puss in the corner)Colin-maillard – nocturne (Blind man's buff)Saute-mouton – caprice (Leap-frog)Petit mari, petite femme – duo (Little husband, little wife)Le bal – galop (The ball)Bizet orchestrated five of these; Nos. 6, 3, 2, 11, 12 became his Petite Suite; it is probable he also orchestrated No. 4,This is my arrangement of no 6 (no 1 in the petite suite).It is arranged for double wind quintet and bass.
$14.95
13.72 €
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Georges Bizet
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Bizet: Jeux D'Enfants
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RayThompsonMusic
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SheetMusicPlus
Gaillarde (La Rocque), First Book of Dances (Pierre Phalèse, 1571) for Wind Instruments
Small Ensemble - Level 2 - Digital Download SKU: A0.522179 Composed by Pierre Phal…
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Small Ensemble - Level 2 - Digital Download SKU: A0.522179 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance. Score and parts. 25 pages. Colin Kirkpatrick Publications #6097857. Published by Colin Kirkpatrick Publications (A0.522179). Pierre Phalèse (1510-1575) was a Flemish publisher and his First Book of Dances, an extensive collection of dances in four parts, was published in Leuven in 1571. They are attractive pieces and are sure to be popular at any concerts, public recitals or end-of-semester events. During the sixteenth and seventeenth centuries, the gaillarde (or galliard) was a popular dance and a favorite of Queen Elizabeth I of England. This is the 11th dance in a set of 20 gaillardes in the original publication. The title might be a reference to a French surname (Larocque) or it might refer to the small town on the island of Jersey (La Rocque) in the Channel Islands. From the Middle Ages, the its harbour was a refuge for fishing boats. This arrangement is scored for virtually any combination of conventional wind instruments with optional percussion and keyboard parts. The flexible arrangement makes them playable by non-standard ensembles. The optional keyboard part enables you to use the piece as a solo or duet and trio for mixed instruments.This 4-part arrangement is presented in a single PDF file which includes the Full Score; Part 1 (C, B flat, E flat); Part 2 (C, B flat, E flat); Part 3 (C, F, B flat, E flat), Part 4 (C, B flat, E flat); Keyboard and Percussion. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option. The percussion instruments used are similar to those found in elementary school music rooms and two or three players are usually required. Other percussion instruments may be added as desired. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$10.99
10.09 €
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Pierre Phalèse
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Part 1 (C, B flat, E flat)
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Gaillarde
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Colin Kirkpatrick Publications
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SheetMusicPlus
Bransle de chevaux & Jouyssance vous donnerai by T. Arbeau
Brass Ensemble Horn - Level 2 - Digital Download SKU: A0.931229 Composed by Thoinot…
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Brass Ensemble Horn - Level 2 - Digital Download SKU: A0.931229 Composed by Thoinot Arbeau. Arranged by Alessandro Macrì. Classical,Concert,Film/TV,Graduation,Renaissance. Score and parts. 16 pages. Music Macri Editions #5371749. Published by Music Macri Editions (A0.931229). Sono due danze rinascimentali: Bransle de chevaux e Jouyssance vous donnerai, composte da Thoinot Arbeau, pseudonimo di Jehan Tabourot (Digione, 1519 – Langres, 1595).Il Tabourot fu nominato canonico della città di Langres (nei pressi di Digione) nel 1574. Grande appassionato della danza e con buone conoscenze musicali, decise di dedicarsi alla raccolta delle danze più diffuse ai suoi tempi e di annotarne i passi, la struttura e la musica. Perciò egli è celebre nell'ambito della storiografia della danza per aver scritto un trattato dal titolo Orchésographie et traité en forme de dialogue par lequel toutes personnes peuvent facilement apprendre et pratiquer l'honnête exercice des danses, ossia Orchésographie e trattato in forma di dialogo attraverso il quale tutti possono facilmente imparare e praticare l'onesto esercizio delle danze. Il trattato fu pubblicato una prima volta nel 1589 ed ebbe in seguito altre edizioni, posteriori alla morte dell'autore (seconda edizione 1596). Il trattato - come è annunciato nel titolo - è scritto in forma di dialogo tra l'Arbeau e un immaginario allievo, di nome Capriol e, oltre alla descrizione di numerose danze in uso ai tempi dell'autore, contiene le notazioni delle melodie che accompagnavano dette danze, istruzioni per suonare alcuni strumenti musicali, indicazioni sull'accompagnamento polifonico, teorie, cenni storici e molte illustrazioni, ottenute con il metodo della xilografia, che rappresentano le differenti fasi di esecuzione delle danze.
$8.00
7.34 €
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Thoinot Arbeau
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Bransle de chevaux & Jouyssance vous donnerai by T. Arbeau
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Music Macri Editions
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SheetMusicPlus
Le Melodica Classique
Small Ensemble - Level 1 - Digital Download SKU: A0.842816 Composed by Ludwig van B…
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Small Ensemble - Level 1 - Digital Download SKU: A0.842816 Composed by Ludwig van Beethoven, Pièces faciles de Bach, Vivaldi ainsi que d'autres compositeurs, and Wolfgang Amadeus Mozart. Arranged by Javier Marcó. Baroque,Classical,Romantic Period,Standards. Score and parts. 28 pages. Javier Marco #6358061. Published by Javier Marco (A0.842816). Cette collection présente une sélection d'oeuvres classiques appartenant aux compositeurs les plus renommés: Ludwig van Beethoven, George Frideric Handel, Wolfgang Amadeus Mozart, Antonio Lucio Vivaldi, Piotr Ilyich Tchaikovsky, Johann Strauss II, Johann Pachelbel, Giuseppe Verdi, Richard Wagner et Johannes Brahms.18 thèmes faciles et amusants à jouer comme solos, présentée dans une version simplifiée pour les débutants, qui peuvent être accompagnés de piano ou de guitare (chiffrage américain).Comprend:1812 Overture, Op. 49An der schönen blauen Donau, Op. 314Bourrée, BWV 996Dance of the Flowers, Op. 71aEine kleine Nachtmusik, K.525Für Elise, WoO 59GreensleevesGuten Abend, gut’ NachtI Dovregubbens hallJesus bleibet meine Freude, BWV 147Kanon in D-DurLa Donna è Mobilela Primavera, RV. 269Menuett, BWV Anh 114Ode an die Freude, Op. 125Pomp and Circumstance March Nº1, Op. 39Treulich geführtWater Music, HWV 349
$9.99
9.17 €
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Ludwig van Beethoven, Pièces faciles de Bach, Vivaldi ainsi que d'autres compositeurs, and Wolfgang Amadeus Mozart
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Le Melodica Classique
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Javier Marco
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SheetMusicPlus
Easy Classical Melodica Solos
Small Ensemble Melodica - Level 1 - Digital Download SKU: A0.842746 Composed by Geo…
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Small Ensemble Melodica - Level 1 - Digital Download SKU: A0.842746 Composed by George Frideric Handel, Johann Sebastian Bach, Ludwig van Beethoven, and Wolfgang Amadeus Mozart and other composers. Arranged by Javier Marcó. Baroque,Classical,Instructional,Romantic Period,Standards. Score and parts. 28 pages. Javier Marco #5214353. Published by Javier Marco (A0.842746). This collection features a selection of classical pieces by the world's most renowned composers: Johann Sebastian Bach, Ludwig van Beethoven, George Frideric Handel, Wolfgang Amadeus Mozart, Antonio Lucio Vivaldi, Piotr Ilyich Tchaikovsky, Johann Strauss II, Edvard Grieg, Johann Pachelbel, Giuseppe Verdi, Edward Elgar, Richard Wagner and Johannes Brahms.All the pieces are presented in simplified version for the beginner. Includes:1812 Overture, Op. 49An der schönen blauen Donau, Op. 314Bourrée, BWV 996Dance of the Flowers, Op. 71aEine kleine Nachtmusik, K.525Für Elise, WoO 59GreensleevesGuten Abend, gut’ NachtI Dovregubbens hallJesus bleibet meine Freude, BWV 147Kanon in D-DurLa Donna è Mobilela Primavera, RV. 269Menuett, BWV Anh 114Ode an die Freude, Op. 125Pomp and Circumstance March Nº1, Op. 39Treulich geführtWater Music, HWV 349
$9.99
9.17 €
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George Frideric Handel, Johann Sebastian Bach, Ludwig van Beethoven, and Wolfgang Amadeus Mozart and other composers
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Easy Classical Melodica Solos
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Javier Marco
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SheetMusicPlus
Klassische Melodica
Small Ensemble - Level 1 - Digital Download SKU: A0.842790 Composed by Ludwig van B…
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Small Ensemble - Level 1 - Digital Download SKU: A0.842790 Composed by Ludwig van Beethoven, Mit Musik von Bach, Vivaldi und anderen Komponisten, and Wolfgang Amadeus Mozart. Arranged by Javier Marcó. Baroque,Classical,Romantic Period,Standards. Score and parts. 28 pages. Javier Marco #6357177. Published by Javier Marco (A0.842790). Diese Sammlung bietet eine Auswahl an klassischen Stücken von den weltweit renommiertesten Komponisten: Johann Sebastian Bach, Ludwig van Beethoven, George Frideric Handel, Wolfgang Amadeus Mozart, Antonio Lucio Vivaldi, Piotr Ilyich Tchaikovsky, Johann Strauss II, Edvard Grieg, Johann Pachelbel, Giuseppe Verdi, Edward Elgar, Richard Wagner und Johannes Brahms.18 leichte Themen zum Solos, die in einer vereinfachten Version für den Anfänger präsentiert werden, die von Klavier oder Gitarre begleitet werden können (Akkordsymbole).Enthält:1812 Overture, Op. 49An der schönen blauen Donau, Op. 314Bourrée, BWV 996Dance of the Flowers, Op. 71aEine kleine Nachtmusik, K.525Für Elise, WoO 59GreensleevesGuten Abend, gut’ NachtI Dovregubbens hallJesus bleibet meine Freude, BWV 147Kanon in D-DurLa Donna è Mobilela Primavera, RV. 269Menuett, BWV Anh 114Ode an die Freude, Op. 125Pomp and Circumstance March Nº1, Op. 39Treulich geführtWater Music, HWV 349
$9.99
9.17 €
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Ludwig van Beethoven, Mit Musik von Bach, Vivaldi und anderen Komponisten, and Wolfgang Amadeus Mozart
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Klassische Melodica
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Javier Marco
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SheetMusicPlus
Guthrie: The Piano Quintet Wedding Collection
Small Ensemble,Strings Piano - Level 3 - Digital Download SKU: A0.552120 Composed b…
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Small Ensemble,Strings Piano - Level 3 - Digital Download SKU: A0.552120 Composed by Various. Arranged by James M. Guthrie. Baroque,Classical,Romantic Period,Standards,Wedding. Score and parts. 377 pages. Jmsgu3 #6121283. Published by jmsgu3 (A0.552120). Guthrie: The Piano Quintet Wedding Collection (score & parts) Bach: Air on a G String Bist du bei mir Jesu Joy of Man's Desiring Wachet auf Bach-Gounod: Ave Maria Charpentier: Te Deum Prelude Clarke: Trumpet Voluntary (Prince of Denmark's March) Clarke: Purcell Trumpet Tune Fauré: Pavane Franck: Panis Angelicus The Gift of Love (The Water is Wide, or O Waly Waly) Handel: Arrival of the Queen of Sheba from Solomon La Réjouissance from Royal Fireworks Music Largo from Xerxes Seven Pieces from Water Music          1. Air          2. Minuet          3. Bourrée          4. Hornpipe          5. Rigaudon          6. Minuet          7. Andante Mendelssohn: Wedding March Mozart: Ave verum Pachelbel: Canon in D Schubert: Ave Maria Schumann: Traumerei Wagner: Bridal Chorus
$99.95
91.72 €
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Various
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parts)
Bach:
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Guthrie: The Piano Quintet Wedding Collection
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jmsgu3
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SheetMusicPlus
Bizet: Jeux D'Enfants (Children's Games) IV. Duo - symphonic wind
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.553927 Composed by Georges Bizet. Arranged by Ray Thompson. Holiday,Instructional,Romantic Period. Score and parts. 16 pages. RayThompsonMusic #6196941. Published by RayThompsonMusic (A0.553927). Jeux d'enfants (Children's Games) Op. 22, is a suite of twelve miniatures composed by Georges Bizet for piano four hands in 1871 The entire piece has a duration of about 20 to 23 minutes. The movement titles are as follows:L'escarpolette – reverie (The swing)La toupie – impromptu (The spinning top)La poupée – berceuse (The doll)Les chevaux de bois – scherzo (Wooden horses)Le volant – fantasie (Battledore and shuttlecock)Trompette et tambour – marche (Trumpet and drum)Les bulles de savon – rondino (Soap bubbles)Les quatre coins – esquisse (Puss in the corner)Colin-maillard – nocturne (Blind man's buff)Saute-mouton – caprice (Leap-frog)Petit mari, petite femme – duo (Little husband, little wife) (this one)Le bal – galop (The ball) Bizet orchestrated five of these; Nos. 6, 3, 2, 11, 12 became his Petite Suite; it is probable he also orchestrated No. 4,This is my arrangement of one movement - no. 11 (no. 4 in the petite suite) Arranged double wind quintet and bass,
$7.95
7.3 €
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Georges Bizet
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Bizet: Jeux D'Enfants
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RayThompsonMusic
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SheetMusicPlus
Bizet: Jeux D'Enfants (Children's Games) III. Impromptu (Le Toupie) - symphonic wind
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.553913 Composed by Georges Bizet. Arranged by Ray Thompson. 20th Century,Children,Standards. Score and parts. 16 pages. RayThompsonMusic #6089863. Published by RayThompsonMusic (A0.553913). Jeux d'enfants (Children's Games) Op. 22, is a suite of twelve miniatures composed by Georges Bizet for piano four hands in 1871 The entire piece has a duration of about 20 to 23 minutes. The movement titles are as follows:L'escarpolette – reverie (The swing)La toupie – impromptu (The spinning top) (this one)La poupée – berceuse (The doll)Les chevaux de bois – scherzo (Wooden horses)Le volant – fantasie (Battledore and shuttlecock)Trompette et tambour – marche (Trumpet and drum)Les bulles de savon – rondino (Soap bubbles)Les quatre coins – esquisse (Puss in the corner)Colin-maillard – nocturne (Blind man's buff)Saute-mouton – caprice (Leap-frog)Petit mari, petite femme – duo (Little husband, little wife)Le bal – galop (The ball) Bizet orchestrated five of these; Nos. 6, 3, 2, 11, 12 became his Petite Suite; it is probable he also orchestrated No. 4,This is my arrangement of one movement - no. 2 (no. 3 in the petite suite) Arranged double wind quintet and bass,
$7.95
7.3 €
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Georges Bizet
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Bizet: Jeux D'Enfants
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RayThompsonMusic
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SheetMusicPlus
Bizet: Jeux D'Enfants Suite (Children's Games)(Complete) - symphonic wind
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 5 - Digital Download
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.553928 Composed by Georges Bizet. Arranged by Ray Thompson. Children,Instructional,Romantic Period. Score and parts. 63 pages. RayThompsonMusic #6197359. Published by RayThompsonMusic (A0.553928). Jeux d'enfants (Children's Games) Op. 22, is a suite of twelve miniatures composed by Georges Bizet for piano four hands in 1871 The entire piece has a duration of about 20 to 23 minutes. The movement titles are as follows:L'escarpolette – reverie (The swing)La toupie – impromptu (The spinning top)La poupée – berceuse (The doll)Les chevaux de bois – scherzo (Wooden horses)Le volant – fantasie (Battledore and shuttlecock)Trompette et tambour – marche (Trumpet and drum)Les bulles de savon – rondino (Soap bubbles)Les quatre coins – esquisse (Puss in the corner)Colin-maillard – nocturne (Blind man's buff)Saute-mouton – caprice (Leap-frog)Petit mari, petite femme – duo (Little husband, little wife) Le bal – galop (The ball)Bizet orchestrated five of these; Nos. 6, 3, 2, 11, 12 became his Petite Suite; it is probable he also orchestrated No. 4,This is my arrangement of the suite.(in bold above) for double wind quintet/bass
$24.95
22.9 €
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Georges Bizet
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Bizet: Jeux D'Enfants Suite
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RayThompsonMusic
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SheetMusicPlus
Suite No. 1
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Sco…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95
10.05 €
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Madonna il tuo bel viso for alto and lute by Philippe Verdelot (mp3)
Alto Voice,Lute - Level 3 - Digital Download SKU: A0.1390609 By David Warin Solomon…
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Alto Voice,Lute - Level 3 - Digital Download SKU: A0.1390609 By David Warin Solomons (alto) and Rowena Allen (lute). By Philippe Verdelot. Arranged by David Warin Solomons. Early Music,Renaissance. Full Performance. Duration 194. David Warin Solomons #974169. Published by David Warin Solomons (A0.1390609). Madonna il tuo bel viso, Che nel gran mar d'Amor m'è duc'e scortaHora tien viva mia speranz', hor mortaHora tien viva mia speranz', hor mortaEt qualhor scorg' in esso un bel serenoSpiega la vela al vento, Senza temer di scogli'o di procella: Ma se la luce nel camin vien meno, Ripiena di spavento, Cala la vela alla sua navicella, All' instabil' tua stella, Scorre l'onde fallace a dritt' e a torto, Et tem' e sper' e mai non vede 'l porto.Et tem' e sper' e mai non vede 'l porto. My Lady your fair faceMy captain and companion through the great sea of love Sometimes it keeps my hope alive sometimes it slays it Sometimes it keeps my hope alive only then to die. And when I spy in it fine fair weather Spreads out its sail to catch the wind with out fear of rocks and raging stormsBut if the light that shows my way grows fainter my hope is filled with terror lowers the sheets that sped the little boat it sails in No longer trusting your star Running from treach'rous wave hither and thither and fears and hopes but never sees safe harbour and fears and hopes and never sees safe harbour.
$4.50
4.13 €
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David Warin Solomons
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Madonna il tuo bel viso for alto and lute by Philippe Verdelot
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David Warin Solomons
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SheetMusicPlus
Madrigal Pavane / Timburibá
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. A…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95
7.3 €
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Francisco Braga
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Madrigal Pavane / Timburibá
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Les Productions d'OZ - Digital
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SheetMusicPlus
Boulevard Pey Arnaud
Guitar - Digital Download SKU: ZZ.DZ-4292 Composed by Michel Dalle Ave. Score. 4 pa…
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Guitar - Digital Download SKU: ZZ.DZ-4292 Composed by Michel Dalle Ave. Score. 4 pages. Les Productions d'OZ - Digital #DZ 4292. Published by Les Productions d'OZ - Digital (ZZ.DZ-4292). « Boulevard Pey Arnaud » est une composition soliste pour guitare inspirée par le lieu où se trouve ma maison, dans un environnement protégé, entourée de forêts de pins et traversée par un petit ruisseau nommé « l’eau bourde ». Depuis quatre décennies, ce cadre enchanteur a nourri mon inspiration, m’offrant un refuge de sérénité. Chaque note de cette courte balade est imprégnée des souvenirs heureux de mes enfants grandissant sur ce boulevard, leurs rires et jeux résonnant parmi les arbres. « Boulevard Pey Arnaud » est une ode à la nature, à la famille et aux moments de paix trouvés dans ce quartier.Boulevard Pey Arnaud is a solo composition for guitar inspired by the place where my house is located, in a protected environment, surrounded by pine forests and crossed by a small stream called l’eau bourde. For four decades, this enchanting setting has nourished my inspiration, offering me a refuge of serenity. Every note of this short stroll is imbued with the happy memories of my children growing up on this boulevard, their laughter and games echoing among the trees. Boulevard Pey Arnaud is an ode to nature, family and the moments of peace found in this neighborhood.
$3.95
3.62 €
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Michel Dalle Ave
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Boulevard Pey Arnaud
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Les Productions d'OZ - Digital
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SheetMusicPlus
Wynwood Walls
Guitar and string quartet - Advanced - Digital Download SKU: ZY.DO-1526 Composed by…
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Guitar and string quartet - Advanced - Digital Download SKU: ZY.DO-1526 Composed by Stephen Goss. Score and parts. 120 pages. Les Editions Doberman-Yppan (digital) #DO 1526. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1526). Wynwood Walls draws on 9 artworks which lend their titles to the 9 connected sections of the quintet. The music reflects and amplifies my own subjective responses to the artworks.The movements are organised in pairs, circling out from a still centre – No Woman, No Cry. The title for this centrepiece comes from Chris Ofili’s moving portrait of Doreen Lawrence, the mother of a teenager murdered in an unprovoked racist attack. As well as this specific reference, the artist intended the painting to be read as a universal portrayal of melancholy, solace, and grief. The two segments flanking No Woman, No Cry complete the central triptych. Edward Hopper’s Nighthawks explores loneliness and isolation, while Grayson Perry’s #Lamentation is a meditation on remembrance and the transience of life. In contrast to the rest of Wynwood Walls, the music here is dark and introspective.I want my time with you is a giant neon sign designed by Tracey Emin for St. Pancras Station, London. Selfie with Sunflowers is an essay written by Julian Barnes about our over-familiarisation with Van Gogh’s iconic sunflower paintings. The music is sentimental, bordering on schmaltz and kitsch. Sunflower Seeds and Infinity Room are a pair of moto perpetuo scherzos inspired by the minimalist installations of Ai Weiwei and Yayoi Kusama respectively. The opening section, Bathers at Asnières, suggests Seurat’s iconic painting, while the finale, Seurat’s Bathers, evokes Howard Hodgkin’s reworking of the Seurat using a blaze of vivid colours.The title of the quintet is borrowed from the Wynwood art district of Miami – an area characterised by the hundreds of colourful street murals which decorate the walls of old warehouses in the neighbourhood. In performance, the artworks can be projected onto a screen behind the ensemble.Wynwood Walls s'appuient sur 9 œuvres d'art dont les titres prêtent leurs noms aux 9 sections connectées du quintette. La musique reflète et amplifie mes propres réponses subjectives aux œuvres d'art.Les mouvements sont organisés par paires, émergeant d'un centre immobile - No Woman, No Cry. Le titre de cette pièce maîtresse provient du portrait émouvant de Chris Ofili de Doreen Lawrence, la mère d'un adolescent assassiné lors d'une attaque raciste gratuite. En plus de cette référence spécifique, l'artiste a voulu que le tableau soit perçu comme une représentation universelle de la mélancolie, du réconfort et du chagrin. Les deux segments flanquant No Woman, No Cry complètent le triptyque central. Nighthawks d'Edward Hopper explore la solitude et l'isolement, tandis que #Lamentation de Grayson Perry est une méditation sur le souvenir et la fugacité de la vie. Contrairement au reste des Wynwood Walls, la musique ici est sombre et introspective.I want my time with you est un immense panneau néon conçu par Tracey Emin pour la gare de St. Pancras, à Londres. Selfie with Sunflowers est un essai écrit par Julian Barnes sur notre sur-familiarisation avec les peintures emblématiques de tournesols de Van Gogh. La musique est sentimentale, frôlant le kitsch et le sentimentalisme. Sunflower Seeds et Infinity Room sont une paire de scherzos moto perpetuo inspirés des installations minimalistes d'Ai Weiwei et de Yayoi Kusama respectivement. La section d'ouverture, Bathers at Asnières, suggère le tableau emblématique de Seurat, tandis que le finale, Seurat’s Bathers, évoque la réinterprétation de Seurat par Howard Hodgkin en utilisant une explosion de couleurs vives.Le titre du quintette est emprunté au quartier artistique de Wynwood à Miami - une zone caractérisée par les centaines de fresques murales colorées qui ornent les murs des vieux entrepôts du quartier. En performance, les œuvres d'art peuvent être projetées sur un écran derrière l'ensemble.
$33.95
31.16 €
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Stephen Goss
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Wynwood Walls
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Les Editions Doberman-Yppan
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SheetMusicPlus
Poema de Natal (1996) for mezzo-soprano, clarinet, trombone, piano and percussion
Small Ensemble Clarinet,Percussion,Trombone,Voice - Level 4 - Digital Download SKU: A0.…
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Small Ensemble Clarinet,Percussion,Trombone,Voice - Level 4 - Digital Download SKU: A0.869182 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 29 pages. Thomas Oboe Lee #31001. Published by Thomas Oboe Lee (A0.869182). Instrumentation: B-clarinet Tenor trombone Percussion: triangle, 2 small cymbals, tambourine, snare drum, bass drum Piano Mezzo-soprano POEMA DE NATAL - Vinicius de Moraes Para isso fomos feitos: Para lembrar e ser lembrados, Para chorar e fazer chorar, Para enterrar os nossos mortos -- Por isso temos braços longos para os adeuses, Mãos para colher o que foi dado, Dedos para cavar a terra. Assim será nossa vida; Uma tarde sempre a esquecer, Uma estrêla a se apagar na treva, Um caminho entre dois túmulos -- Por isso precisamos velar, Falar baixo, pisar leve, ver A noite dormir em silêncio. Não há muito que dizer: Uma canção sobre um berço, Um verso, talvez, de amor, Uma prece por quem se vai -- Mas que essa hora não esqueça E que por ela os nossos corações Se deixem, graves e simples. Pois para isso fomos feitos: Para a esperança no milagre, Para a participacão da poesia, Para ver a face da morte -- De repente, nunca mais esperaremos ... Hoje a noite é jovem; da morte apenas Nascemos, imensamente.
$9.99
9.17 €
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Thomas Oboe Lee
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Poema de Natal
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Thomas Oboe Lee
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SheetMusicPlus
Brindisi
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - Digital Download SKU: A0.1113176 Composed by Giuseppe Verdi. Arranged by Colin G Dance. Broadway,Musical/Show,Opera. Brass Band. 30 pages. Dance is With Music #715135. Published by Dance is With Music (A0.1113176). Here’s an arrangement of Verdi’s ‘Brindisi’ from his opera La Traviata. It’s a great addition to any concert programme – and not too difficult either. Brindisi is a port city on the Adriatic Sea, in southern Italy’s Apulia region. The red-stone Aragonese Castle stands on a small island at the harbor’s entrance. The tall Monumento al Marinaio d’Italia, a rudder-shaped limestone memorial to sailors, has sea and city views. Across the harbour, the Swabian Castle of Brindisi dates from the 13th century.
$50.00
45.88 €
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Giuseppe Verdi
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Brindisi
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Dance is With Music
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SheetMusicPlus
Music for Three Treble Instruments Collection No. 2 Wedding & Classical Favorites 58002
Cello,Clarinet,Flute,Oboe,Viola,Violin - Level 5 - Digital Download SKU: A0.1109470…
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Cello,Clarinet,Flute,Oboe,Viola,Violin - Level 5 - Digital Download SKU: A0.1109470 By Daniel Kelley. By Various. Arranged by Daniel Kelley. 19th Century,20th Century,Baroque,Romantic Period,Wedding. 52 pages. Last Resort Music Publishing #711892. Published by Last Resort Music Publishing (A0.1109470). 8 Arrangements including works by Delibes, Handel, Saint-Saens, Vivaldi and more! The following 6 parts are included in this digital set: Part 1 Flute or Oboe or ViolinPart 2 Flute or Oboe or Violin Part 2 Clarinet in BbPart 3 Violin in C Part 3 ViolaPart 3 Clarinet in BbExtra Parts available as separate Digital DownloadsPart 1 Clarinet in Bb (Makes a clarinet trio) Part 3 Alto Flute in G (Makes a flute trio) Part 3 English Horn or French Horn in F (Makes a mixed trio or Double Reed trio) Score (Parts 1 - 3 in C)Â TABLE OF CONTENTSAllegro from Concerto in E Major, Op. 8 #1 Spring (Vivaldi)Bourree from The Fireworks Music (Handel)Flower Duet from Lakme (Delibes)Fossils from Carnival of the Animals (Saint-Saens)Largo from Xerxes (Handel)Ode to Joy from Symphony No. 9 (Beethoven)Rejouissance, La from the Fireworks Music (Handel)Rondeau from Incidental Music to Abdelazer (Purcell) All available on SheetMusicPlus and www.lastresortmusic.com Published by Last Resort Music PublishingÂ
$22.00
20.19 €
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Daniel Kelley
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Music for Three Treble Instruments Collection No. 2 Wedding & Classical Favorites 58002
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Last Resort Music Publishing
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SheetMusicPlus
Variance (performance score)
Small Ensemble B-Flat Clarinet,Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download …
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Small Ensemble B-Flat Clarinet,Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.799464 Composed by Drake Mabry. 20th Century,Contemporary. Score and parts. 9 pages. Drake Mabry #1989269. Published by Drake Mabry (A0.799464). Variance is a minimalist - repetitive journey for clarinet quintet. It goes through several moods beginning with an energetic rhythmic beginning that eases into long sustained note passages and culminates with a virtuoso final section in which the single pitch motif expands to full fledged rhythmic melodic lines. The clarinets used are the Eb, 2 Bb, alto and bass clarinets. The work was commissioned by the Bourse de la Creation 1996 du Conseil General des Vosges for the Ensemble Variance.. The duration is approximately 10 minutes.
$5.99
5.5 €
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Drake Mabry
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Variance
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Drake Mabry
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SheetMusicPlus
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