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The Skye Boat Song (oboe, bassoon and piano)
Instrumental Duet,Piano Bassoon,Instrumental Duet,Oboe,Piano - Level 2 - Digital Download …
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Instrumental Duet,Piano Bassoon,Instrumental Duet,Oboe,Piano - Level 2 - Digital Download SKU: A0.1373257 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Folk,Historic,Irish,Traditional. 12 pages. Colin Kirkpatrick Publications #957602. Published by Colin Kirkpatrick Publications (A0.1373257). This is one of the most well-known of all British folksongs and refers to real historical events. It has been used in film and television programs (notably the TV series Outlander) and known to almost everyone in Britain. Skye (also known as “The Isle of Skyeâ€) is the largest island of the Inner Hebrides. With an area of about 640 square miles, the island is about sixty miles long and lies close to the Scottish mainland.   The boat in the song (“Speed bonny boatâ€) refers to a small sailing ship that in 1746 “carried the lad who was born to be king†to the Isle of Skye. The lad in question was Prince Charles Edward Stuart known affectionately as “Bonnie Prince Charlie.†The song also refers to the Battle of Culloden of April 1746, the last ever battle on British soil, fought between the British Army and the army of Bonnie Prince Charlie.   In June 1746 and disguised as a maid-servant, Charles was secretly transported from the Hebridean island of Benbecula to the more southerly Isle of Skye. This is the event to which the song refers. The woodwind parts avoid technical challenges and the piano part is fairly easy. This beautiful folk song would make a spendid addition to your repertoire and aso make a pleasant encore number after a classical recital.
$5.95
5.37 €
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Traditional
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The Skye Boat Song
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Colin Kirkpatrick Publications
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SheetMusicPlus
A Christmas Lullaby (sung by the Alteri Choir)
Choir - Digital Download SKU: A0.1068423 Composed by Colin W Bayliss. 20th Century,…
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Choir - Digital Download SKU: A0.1068423 Composed by Colin W Bayliss. 20th Century,Christian,Christmas,Contemporary. Full Performance. Duration 410. Colin Bayliss #3408055. Published by Colin Bayliss (A0.1068423). This piece was written in April 2003 for the Thornesian Prize Competition for a piece for SATB. The composer, who sung in many choirs in his teens and twenties, before damaging his vocal chords, at last felt that he should write something for choir. The music uses a modal tune for the word lullaby, and interweaves this with the opening phrase of the 15th century Coventry Carol. Changing modulations and a few words and phrases are used to suggest the atmosphere of the coming of the angels and the three kings.
$2.50
2.26 €
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Colin W Bayliss
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A Christmas Lullaby
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Colin Bayliss
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SheetMusicPlus
A Christmas lullaby (sung by the dwsChorale)
Choir - Digital Download SKU: A0.1068420 Composed by Colin W Bayliss. 20th Century,…
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Choir - Digital Download SKU: A0.1068420 Composed by Colin W Bayliss. 20th Century,Christian,Christmas. Full Performance. Duration 273. Colin Bayliss #3408053. Published by Colin Bayliss (A0.1068420). This piece was written in April 2003 for the Thornesian Prize Competition for a piece for SATB. The composer, who sung in many choirs in his teens and twenties, before damaging his vocal chords, at last felt that he should write something for choir. The music uses a modal tune for the word lullaby, and interweaves this with the opening phrase of the 15th century Coventry Carol. Changing modulations and a few words and phrases are used to suggest the atmosphere of the coming of the angels and the three kings.This is the performance by the dwsChorale. A slower version by the Alteri Choir is also available.
$2.50
2.26 €
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Colin W Bayliss
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by the dwsChorale
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A Christmas lullaby
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Colin Bayliss
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SheetMusicPlus
The Lost Chord for Tuba Choir
Instrumental Duet Euphonium,Instrumental Duet,Tuba - Level 4 - Digital Download SKU: A0…
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Instrumental Duet Euphonium,Instrumental Duet,Tuba - Level 4 - Digital Download SKU: A0.780114 Composed by Sir Arthur Seymour Sullivan. Arranged by Graham Boag. 20th Century. Score and parts. 30 pages. Graham Boag #6474497. Published by Graham Boag (A0.780114). The Lost Chord is a song composed by Arthur Sullivan in 1877at the bedside of his brother Fred during Fred's last illness.The manuscript is dated 13 January 1877; Fred Sullivan died five days later. The lyric was written as a poem by Adelaide Anne Procter called A Lost Chord,published in 1858 in The English Woman's Journal.The song was immediately successful and became particularly associated with American contralto Antoinette Sterling, with Sullivan's close friend and mistress, Fanny Ronalds,and with British contralto Clara Butt.Sullivan was proud of the song and later noted:I have composed much music since then,but have never written a second Lost Chord.Many singers have recorded the song, including Enrico Caruso, who sang it at the Metropolitan Opera House on 29 April 1912 at a benefit concert for families of victimsof the Titanic disaster.The piece has endured as one of Sullivan's best-known songs, and the setting is still performed today.Alternative Treble Clef parts included
$22.99
20.74 €
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Sir Arthur Seymour Sullivan
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The Lost Chord for Tuba Choir
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Graham Boag
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SheetMusicPlus
A Whitman Triptych: II. What Is the Grass? (Downloadable)
Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - Digital Download SK…
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Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8322-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 15 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8322-E. Published by E. C. Schirmer Music Company - Digital (MQ.8322-E). UPC: 600313483226. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. “What is the Grass?†is also an adaptation of a much longer poem, one of Whitman’s deepest, and most mysterious. The poem begins as a child-like meditation on grass; as hope, as an embodiment of new life and new growth in the plant world. Then suddenly there is a somber turn with the line “And now it seems to me the beautiful uncut hair of graves.†Here Whitman enters an extended mediation on how grass connects life and death, informed by his experiences in the Civil War. Hope returns with the line: “They are alive and well somewhere,†leading to the mysterious final line: “And to die is different from what anyone supposed, and luckier…†Here Whitman affirms that death can be an initiation into a broader participation of existence. In the words of poet Ivan M. Granger, Whitman offers a “Zen-like riddle that doesn’t offer an answer so much as a pathway of questioning.†My musical setting follows Whitman’s exploration, first taking a child’s point of view, expressed with lilting melodies set in a lively compound meter. The entry of the tenor soloist indicates a change of mood to the serious. The first mood returns, leading to a climax on the words “And led forward life…â€, set in 9-part harmony. The mood turns reverent, as the tenor soloist intones: “All goes onward and outward; nothing collapses.†The piece ends with a tone of gentle, slightly ironic questioning. -David ConteDuration: 5:42
$2.85
2.57 €
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David Conte
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A Whitman Triptych: II. What Is the Grass?
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Piano Quartet (2019) for violin, viola, cello and piano
String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.869600
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String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.869600 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 34 pages. Thomas Oboe Lee #4639473. Published by Thomas Oboe Lee (A0.869600). Sally Pinkas and I go way back!!! She has performed my music on many occasions, both as soloist and in chamber music settings. She and her husband Evan Hirsch recorded my Visconti-Sforza Tarot Cards, opus 66 (1996) on the Arsis label. I wrote Twenty-nine Fireflies Book V ... Four Pieces [xxvi-xxix] (2002) for them.Last year Sally as a member of the Schumann Ensemble asked me to write a trio for oboe, viola and piano. I gave them Parodia Schumanniana (2016) which they have performed quite a few times and then recorded it for my bandcamp page. This year Sally asked me to write a piano quartet for her and the Adaskin Trio. So I started it on April 11 and competed it on May 28th, 2019.Piano Quartet (2019) is in five movements. 1. Moderato2. Vivace3. Adagio4. Allegro vivace5. LargoAudio link: https://thomasoboelee.bandcamp.com/album/piano-quartet-2019YouTube link: https://youtu.be/3Uw7rJUj_rA
$9.99
9.01 €
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Thomas Oboe Lee
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Piano Quartet
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Thomas Oboe Lee
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SheetMusicPlus
Shortly Asleep
Cello,Double Bass,Flute,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1292562…
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Cello,Double Bass,Flute,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1292562 Composed by Cliff Craig (b. 2002). 21st Century,Chamber,Classical,Contemporary. 124 pages. Cliff Craig #883115. Published by Cliff Craig (A0.1292562). This piece was composed from October 2022- April 2023.This piece was orchestrated for Flute, String quintet, and Piano.The piece's four movements represents what it feels like going through a dream. The first movement symbolized entering the dream. Second movement represents not knowing what world your in. Third movement represents the world feeling familiar to you. And the last movement representing being content to you and not wanting to leave.
$14.99
13.52 €
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Cliff Craig
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Shortly Asleep
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Cliff Craig
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SheetMusicPlus
A Whitman Triptych: III. Facing West (Downloadable)
Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - Digi…
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Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8323-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 9 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8323-E. Published by E. C. Schirmer Music Company - Digital (MQ.8323-E). UPC: 600313483233. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. Facing West is drawn from the Children of Adam book from Walt Whitman's Leaves of Grass. The full title of the poem is Facing West From California's Shores. Though Whitman never visited California, his biographer Justin Kaplan made the insightful observation that he imagined California's shores to be the starting point for a journey through time and culture. Here was Walt, 'a child, very old,' facing home again, looking over to it, joyous, as after long travel, growth, and sleep, asking: 'But where is what I started for, so long ago?/And why is it yet unfound?' The invitation from the International Orange Chorale to compose a piece in honor of the 75th anniversary of the Golden Gate Bridge led me easily and naturally to this great poem. The tone of Facing West is rich and complex, and draws on one of Whitman's favorite themes of using travel to distant lands as a metaphor for spiritual development. In his poem, Whitman strikes notes of reflection, of longing for adventure, and ultimately ends with a question. The continuing relevance of this question is for me beautifully addressed by the contemporary American writer Edmund White in his 1980 book States of Desire. To paraphrase somewhat, White writes: California is where dreams may come true, and the problem it presents is whether, after all, we wanted these particular dreams to be fulfilled - or would we have preferred others? Did we know what price these dreams would exact? Did we anticipate the ways in which they would unsuit us for the business of daily life? Or should our notion of daily life itself be transformed? For Americans, California's coast is as far as one can go in establishing new roots and new ways of living. As a transplanted Midwesterner who has made California his home for nearly three decades, I experience the Golden Gate Bridge as a beautiful monument to the aspirations and dreams of a restless and inventive people, qualities that Whitman's poem captures perfectly. -David ConteDuration: 5:42
$2.65
2.39 €
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David Conte
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A Whitman Triptych: III. Facing West
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
William Sterndale Bennett | Adagio (Intro Voluntary) | for Double Reed Quintet
Woodwind Ensemble Bassoon,Double Reed Quintet,English Horn,Oboe - Level 3 - Digital Downlo…
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Woodwind Ensemble Bassoon,Double Reed Quintet,English Horn,Oboe - Level 3 - Digital Download SKU: A0.1473211 By William Sterndale Bennett. By William Sterndale Bennett. Arranged by Andrew Lamb. 19th Century,Romantic Period. 25 pages. Andrew Lamb #1050951. Published by Andrew Lamb (A0.1473211). 🎶 Double-Reed Quintet Adaptation of Adagio by William Sterndale Bennett 🎶Discover the beautiful Adagio by the renowned English composer, pianist, conductor, and music educator Sir William Sterndale Bennett. Born on April 13, 1816, Bennett was a musical prodigy, admitted to the London Royal Academy of Music at the age of ten. His exceptional talent earned him the admiration of contemporaries such as Felix Mendelssohn and Robert Schumann. Over his illustrious career, Bennett made significant contributions to English music both as a composer and educator.Instrumentation: 🎵 Part 1: Oboe 🎵 Part 2: Oboe 🎵 Part 3: English Horn 🎵 Part 4: Bassoon 🎵 Part 5: Bassoon Level of Difficulty: MediumPotential Uses: This arrangement could be used as an Introductory Voluntary in a church service. It would also be suitable as a concert or recital piece.About William Sterndale Bennett: Bennett's career highlights include composing and performing in Leipzig, teaching at the Royal Academy of Music, and serving as Principal of the Academy, where he helped save it from closure. Knighted in 1871, Bennett left a lasting legacy on English music, influencing students like Arthur Sullivan and Hubert Parry. His compositions, including symphonies, piano concerti, and vocal music, continue to be appreciated today.Please like and subscribe for more videos and music arrangements.
$9.00
8.12 €
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William Sterndale Bennett
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William Sterndale Bennett | Adagio
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Andrew Lamb
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SheetMusicPlus
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