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1
A Night In Tunisia
Guitar,Piano - Level 3 - Digital Download SKU: A0.747044 By Dizzy Gillespie. By Diz…
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Guitar,Piano - Level 3 - Digital Download SKU: A0.747044 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5953127. Published by Keith Terrett (A0.747044). A great sounding arrangement of A Night in Tunisia arranged for Guitar (notaion) & Piano, Guitarists will love this! Tab is available on request: keithterrett@gmail.comA jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
8.29 €
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Dizzy Gillespie
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
A Night In Tunisia
Instrumental Duet,Piano Instrumental Duet,Marimba,Piano,Vibraphone - Level 3 - Digital Dow…
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Instrumental Duet,Piano Instrumental Duet,Marimba,Piano,Vibraphone - Level 3 - Digital Download SKU: A0.747043 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 12 pages. Keith Terrett #5953111. Published by Keith Terrett (A0.747043). A great sounding arrangement of A Night in Tunisia arranged for Vibraphone/Marimba & Piano, Vibe players will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
8.29 €
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Dizzy Gillespie
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Storypeople Songs (high voice)
Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.1023639 Composed by Jeffrey R…
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Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.1023639 Composed by Jeffrey Richard Carter. Contemporary,Standards. 14 pages. Jeffrey Richard Carter #6209413. Published by Jeffrey Richard Carter (A0.1023639). Storypeople Songs flow from a random Facebook newsfeed posting where I saw a former student say these stories would make great songs. I read her post, clicked through to the Storypeople.com website, and realized what a treasure these little stories truly are. And at that moment I decided I simply must set some to music.I had promised James Stevens, a 2015 graduate of Webster University (Bachelor of Music in Vocal Performance) that I would compose something for his senior recital. These little ditties are his,written with his voice and his style in mind. They were composed in the cold of January 2015.May these songs bring smiles, a few laughs, and perhaps a tear or two to all who sing them and all who hear them.The seven songs are intended to be sung as a set; they alternate between humor and heart-feels. They were conceived for a college-level voice.The recording is by Saint Louis residents Matt Pentecost, baritone, and Nancy Mayo, piano, both colleagues of mine.
$9.99
9.21 €
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Jeffrey Richard Carter
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Storypeople Songs
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Jeffrey Richard Carter
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SheetMusicPlus
SANTA VISITS ON HALLOWEEN
Small Ensemble - Digital Download SKU: A0.865229 Composed by Chris Cooke. Christmas…
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Small Ensemble - Digital Download SKU: A0.865229 Composed by Chris Cooke. Christmas,Halloween. Score and parts. 3 pages. Chris Cooke #2071027. Published by Chris Cooke (A0.865229). Are your piano students anxious to play Christmas carols in October? If so, you can whet their appetites with this little song. Beginning in A minor, it sounds sinister as Santa laughs, Ho-ho-ho, He-he-he! Santa puts on his merry face in the middle section in F major as we hear a bit of Jolly Old St. Nicholas. The piece concludes with the A minor section again and a big Boo! at the end. This is within reach of many late first-year students.
$3.50
3.23 €
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Chris Cooke
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SANTA VISITS ON HALLOWEEN
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Chris Cooke
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SheetMusicPlus
Barnacle Bill the Sailor (for German Band)
Large Ensemble Clarinet,Drum Set,Drums,Trombone,Trumpet,Tuba,Voice - Level 3 - Digital Dow…
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Large Ensemble Clarinet,Drum Set,Drums,Trombone,Trumpet,Tuba,Voice - Level 3 - Digital Download SKU: A0.734796 Composed by Traditional. Arranged by Joseph Hasper. Folk,Jazz,Traditional. Score and parts. 14 pages. Joseph Hasper #3213083. Published by Joseph Hasper (A0.734796). Traditional sailor's song arranged for German Band with two clarinets, trumpet, trombone, tuba, and optional drums. Includes a full score and all parts. Includes optional lyrics that let you sing a verse! Key of F. 81 measures, 20pages.Barnacle Bill the Sailor is an American drinking song adapted from Bollocky Bill the Sailor, a traditional folk song originally titled Abraham Brown. The first printed version of the song is in the public domain book Immortalia (1927). Later versions feature the eponymous Barnacle Bill, a fictional character loosely based on a 19th-century San Francisco sailor and Gold Rush miner named William Bernard. Versions are also known in England and Scotland from the early twentieth century.One version of Barnacle Bill refers to an exchange between Bill and a fair young maiden. Each verse opens with inquiries by the maiden, sung by women, or by men in falsetto, and continues with Bill's profane responses sung by men.Barnacle Bill the Sailor (Roud 4704) is an American drinking song adapted from Bollocky Bill the Sailor, a traditional folk song originally titled Abraham Brown.[1]There are several versions of the bawdy song in the Gordon Inferno Collection at the Library of Congress folklife archive. The first printed version of the song is in the public domain book Immortalia (1927). Later versions feature the eponymous Barnacle Bill, a fictional character loosely based on a 19th-century San Francisco sailor and Gold Rush miner named William Bernard.[2] Versions are also known in England and Scotland from the early twentieth century.The earliest known recording is an expurgated adaptation by Carson Robison and Frank Luther in 1928. This version was also recorded on May 21, 1930 by Bix Beiderbecke and Hoagy Carmichael with Carson Robison on vocals and released as a Victor 78, V-38139-A and 25371. In 1996 it was released on CD on the album Bix Beiderbecke 1927–1930.[3] According to Philip R. Evans, Bix Beiderbecke's biographer, in the second chorus of this recording, violinist Joe Venuti can be heard singing Barnacle Bill the Shit-head, either to express his attitude toward the record producer, or typical of his wacky sense of humor. Esten Spurrier, a friend of Beiderbecke's, is quoted by Evans as saying that Beiderbecke told him he could not believe the record would be pressed and had felt that it had been done just for laughs. Beiderbecke cut loose on the tune with what is believed to be one of his finest cornet solos. John Valby (aka Dr. Dirty) also recorded the song.The tune has inspired a Fleischer Studios Betty Boop cartoon and two films, as well as the name of a rock on Mars. Louis Jordan and the Tympany Five (then known as The Elks Rendezvous Band) recorded a clean version in 1938.[4] In the first Fleischer Popeye cartoon, Popeye the Sailor (1933), Barnacle Bill was used as the recurring theme for the Bluto character. A later Fleischer Popeye cartoon, Beware of Barnacle Bill (1935), is a mock operetta based around a toned-down version of the song.Example of lyrics[edit]One version of Barnacle Bill refers to an exchange between Bill and a fair young maiden. Each verse opens with inquiries by the maiden, sung by women, or by men in falsetto, and continues with Bill's profane responses sung by men.
$11.99
11.05 €
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Traditional
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Barnacle Bill the Sailor
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Joseph Hasper
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SheetMusicPlus
No. 24
Fl(pic).cl(bcl).pno.4 untrained singers.2vn.db alto-trombone and small ensemble - Digital …
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Fl(pic).cl(bcl).pno.4 untrained singers.2vn.db alto-trombone and small ensemble - Digital Download SKU: S9.Q23839 (NONcerto for alto trombone). Composed by Richard Ayres. This edition: study score. Music Of Our Time. Downloadable, study score. Duration 15 minutes. Schott Music - Digital #Q23839. Published by Schott Music - Digital (S9.Q23839). No. 24 is the first of three “NONcertos†by Richard Ayres, a form that exposes the possibilities and especially the impossibilities of the soloist. As Ayres says himself “whenever this piece is performed, the reaction is always the same: the audience laughs at first but very soon the embarrassment of the situation becomes clear. By the time it ends you can cut the tension with a knifeâ€.
$19.99
18.43 €
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the time it ends you can cut the tension with a knifeâ€
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Richard Ayres
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No. 24
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Schott Music - Digital
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SheetMusicPlus
Brass Band - March - O. H. B.
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.767284 Composed by Mike Lyons. Contemporary. Brass Band. 82 pages. Lyons Music Services #3227757. Published by Lyons Music Services (A0.767284). I wrote this march and dedicated it to my current band, Old Hall Brass, when I was first playing with them in 2003. Now that I'm back with them after a 9 year hiatus, I felt it only appropriate to publish it here.The opening 10 bars are a bit of a muck-around and are entirely optional. OHB's current conductor, John North, likes to entertain, so it's basically a tuning up section, like you would find in an orchestral concert but with some laughs thrown in!The march starts for real at the Segno. There's a fanfare-like opening which leads into the first main melody for the euphonium and solo horn. This is repeated with extra fanfare interjections from the trombones. The bass solo is a fairly traditional part of a march and this is no exception, except that it is not repeated. Another fanfare-like section leads into a reprise of the euphonium/horn melody with interjections from trombones and cornets. The final section is similar to the opening fanfare before the DS. Repeats should not be played on the DS.
$25.00
23.05 €
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Mike Lyons
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Brass Band - March - O. H. B.
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Lyons Music Services
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SheetMusicPlus
A Night In Tunisia
Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.746991 By Diz…
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Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.746991 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 13 pages. Keith Terrett #5827945. Published by Keith Terrett (A0.746991). A great sounding arrangement of A Night in Tunisia, your Wind Quintet will love it!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$14.99
13.82 €
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Dizzy Gillespie
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A Night In Tunisia
#
Keith Terrett
#
SheetMusicPlus
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