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25 sheet music found
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1
Corant - trio- flute/clarinet/bass clarinet
Woodwind Ensemble,Woodwind Trio Bass Clarinet,Flute - Level 4 - Digital Download SKU: A…
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Woodwind Ensemble,Woodwind Trio Bass Clarinet,Flute - Level 4 - Digital Download SKU: A0.1394226 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Phil Beaman #977700. Published by Phil Beaman (A0.1394226). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite. Â It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps. Â Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts. Â I wrote a highly ornamented continuo for each part when not playing melody. Â In true Baroque style I have created a tight interplay between the parts. Â Each part also has a rather wide range of about 2 octaves. Â Although in a Minor Key, this piece is very bright and uplifting. Â It is very accessible and thus a concert crowd pleaser. Â Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation. Â Most of all, this piece is just Pure Fun!6 pages score, 2 pages @ partRanges -Flute - Â second space A to high A above staffClarinet - second line G# to high D above staffBass Clarinet - low E below staff to high E above staff.
$7.99
7.34 €
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Jean-Baptiste Loeillet
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Corant - trio- flute/clarinet/bass clarinet
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Phil Beaman
#
SheetMusicPlus
Londonderry Air, for Brass Trio
Horn,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.763327 Composed by Tradi…
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Horn,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.763327 Composed by Traditional Irish. Arranged by Nigel Williams. Celtic,Holiday,Instructional,Irish,Lent. 8 pages. Nigel Williams #4793387. Published by Nigel Williams (A0.763327). Londonderry Air, also known as Danny Boy, is also the tune associated with the Gospel hymn He Looked Beyond My Faults. This arrangement is scored for either two trumpets and trombone or trumpet, horn and trombone. The trombone has the melody with the two trumpets providing a counter melodic accompaniment. The performance duration is around two and a half minutes, and phrasing has been added to encourage a legato performance. This arrangement will be a welcome addition to any young brass trio's repertoire for St Patrick's Day. The full score has four individual parts attached. Enjoy browsing my Brass quartet arrangement of Londonderry Air, also available on SMP.
$7.99
7.34 €
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Traditional Irish
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Londonderry Air, for Brass Trio
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Nigel Williams
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SheetMusicPlus
TRIO No. 3, Op. 8 - Allegretto
Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1110130 By NA. By Louis-…
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Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1110130 By NA. By Louis-Francois Dauprat (1781-1868). Arranged by Becky Dugan. 19th Century,Chamber,Classical,Contest,Festival. 17 pages. B. L. Dugan #712464. Published by B. L. Dugan (A0.1110130). TRIO #3 provides advancing brass players opportunities for graceful legato phrases and articulations. Length c. 3:15. This work is suitable for festivals, recitals, concerts, church services and other special occasions.
$12.00
11.02 €
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NA
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TRIO No. 3, Op. 8 - Allegretto
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B. L. Dugan
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SheetMusicPlus
Corant - trio- flute/clarinet/cello
Cello,Clarinet,Flute - Digital Download SKU: A0.1393780 Composed by Jean-Baptiste L…
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Cello,Clarinet,Flute - Digital Download SKU: A0.1393780 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Phil Beaman #977252. Published by Phil Beaman (A0.1393780). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite. Â It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps. Â Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts. Â I wrote a highly ornamented continuo for each part when not playing melody. Â In true Baroque style I have created a tight interplay between the parts. Â Each part also has a rather wide range of about 2 octaves. Â Although in a Minor Key, this piece is very bright and uplifting. Â It is very accessible and thus a concert crowd pleaser. Â Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation. Â Most of all, this piece is just Pure Fun!6 pages score, 2 pages @ partRanges -Flute - second space Ab to high F above staffClarinet - bottom space F# to high C above staffCello - low C below staff to high E above staffrecording is of Flute-Oboe-Cello version, with Clarinet subbing for the Oboe part.
$7.99
7.34 €
#
Jean-Baptiste Loeillet
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Corant - trio- flute/clarinet/cello
#
Phil Beaman
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SheetMusicPlus
Corant - trio- violin/oboe/cello
Cello,Oboe,Violin - Level 4 - Digital Download SKU: A0.1393758 Composed by Jean-Bap…
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Cello,Oboe,Violin - Level 4 - Digital Download SKU: A0.1393758 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Phil Beaman #977229. Published by Phil Beaman (A0.1393758). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite. Â It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps. Â Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts. Â I wrote a highly ornamented continuo for each part when not playing melody. Â In true Baroque style I have created a tight interplay between the parts. Â Each part also has a rather wide range of about 2 octaves. Â Although in a Minor Key, this piece is very bright and uplifting. Â It is very accessible and thus a concert crowd pleaser. Â Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation. Â Most of all, this piece is just Pure Fun!6 pages score, 2 pages @ partRanges -Violin - bottom space F# to high E above staffOboe - middle C to high A above staffCello - low C below staff to high E above staff.
$7.99
7.34 €
#
Jean-Baptiste Loeillet
#
Corant - trio- violin/oboe/cello
#
Phil Beaman
#
SheetMusicPlus
Corant - trio- xylophone/acoustic guitar/electric bass guitar
Acoustic Guitar,Electric Bass Guitar,Xylophone - Level 5 - Digital Download SKU: A0.139…
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Acoustic Guitar,Electric Bass Guitar,Xylophone - Level 5 - Digital Download SKU: A0.1394296 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Phil Beaman #977773. Published by Phil Beaman (A0.1394296). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite.  It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps.  Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts.  I wrote a highly ornamented continuo for each part when not playing melody.  In true Baroque style I have created a tight interplay between the parts.  Each part also has a rather wide range of about 2 octaves.  Although in a Minor Key, this piece is very bright and uplifting.  It is very accessible and thus a concert crowd pleaser.  Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation.  Most of all, this piece is just Pure Fun!  And who would expect a 17th century style piece on Xylophone, Acoustic Guitar, and Electric Bass Guitar!6 pages score, 2 pages @ partRanges -Xylophone -  bottom space F# to E above staffAcoustic Guitar - middle C to A above staffElecBass  Guitar - low B below staff to high E above staff.
$7.99
7.34 €
#
Jean-Baptiste Loeillet
#
Corant - trio- xylophone/acoustic guitar/electric bass guitar
#
Phil Beaman
#
SheetMusicPlus
Corant - trio- flute/clarinet/trombone
Bass Trombone,Clarinet,Flute - Level 4 - Digital Download SKU: A0.1394137 Composed …
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Bass Trombone,Clarinet,Flute - Level 4 - Digital Download SKU: A0.1394137 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Phil Beaman #977597. Published by Phil Beaman (A0.1394137). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite. Â It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps. Â Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts. Â I wrote a highly ornamented continuo for each part when not playing melody. Â In true Baroque style I have created a tight interplay between the parts. Â Each part also has a rather wide range of about 2 octaves. Â Although in a Minor Key, this piece is very bright and uplifting. Â It is very accessible and thus a concert crowd pleaser. Â Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation. Â Most of all, this piece is just Pure Fun!6 pages score, 2 pages @ partRanges -Flute - Â Ab to high F above staffClarinet - bottom space F# to high C above staffTrombone - low C below staff to high F above staff.
$7.99
7.34 €
#
Jean-Baptiste Loeillet
#
Corant - trio- flute/clarinet/trombone
#
Phil Beaman
#
SheetMusicPlus
Corant - trio- violin/clarinet/trombone
Bass Trombone,Clarinet,Violin - Level 4 - Digital Download SKU: A0.1394166 Composed…
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Bass Trombone,Clarinet,Violin - Level 4 - Digital Download SKU: A0.1394166 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Phil Beaman #977651. Published by Phil Beaman (A0.1394166). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite. Â It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps. Â Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts. Â I wrote a highly ornamented continuo for each part when not playing melody. Â In true Baroque style I have created a tight interplay between the parts. Â Each part also has a rather wide range of about 2 octaves. Â Although in a Minor Key, this piece is very bright and uplifting. Â It is very accessible and thus a concert crowd pleaser. Â Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation. Â Most of all, this piece is just Pure Fun!6 pages score, 2 pages @ partRanges -Violin - Â bottom space F# to high E above staffClarinet - bottom line E# to high B above staffTrombone - low C below staff to high E above staffrecording is of Violin/Trumpet/Trombone, clarinet would substitute for the trumpet part.
$7.99
7.34 €
#
Jean-Baptiste Loeillet
#
Corant - trio- violin/clarinet/trombone
#
Phil Beaman
#
SheetMusicPlus
Corant - trio- violin/trumpet/trombone
Bass Trombone,Trumpet,Violin - Level 4 - Digital Download SKU: A0.1394185 Composed …
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Bass Trombone,Trumpet,Violin - Level 4 - Digital Download SKU: A0.1394185 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Phil Beaman #977658. Published by Phil Beaman (A0.1394185). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite. Â It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps. Â Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts. Â I wrote a highly ornamented continuo for each part when not playing melody. Â In true Baroque style I have created a tight interplay between the parts. Â Each part also has a rather wide range of about 2 octaves. Â Although in a Minor Key, this piece is very bright and uplifting. Â It is very accessible and thus a concert crowd pleaser. Â Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation. Â Most of all, this piece is just Pure Fun!6 pages score, 2 pages @ partRanges -Violin - Â bottom space F# to high E above staffTrumpet - bottom line E# to high B above staffTrombone - low C below staff to high E above staff.
$7.99
7.34 €
#
Jean-Baptiste Loeillet
#
Corant - trio- violin/trumpet/trombone
#
Phil Beaman
#
SheetMusicPlus
Sleepers Awake (Wachet Auf) for Brass Trio
Horn,Trombone,Trumpet - Level 5 - Digital Download SKU: A0.792104 Composed by Johan…
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Horn,Trombone,Trumpet - Level 5 - Digital Download SKU: A0.792104 Composed by Johann Sebastian Bach. Arranged by Gordon Cherry. Baroque,Easter,Sacred. 8 pages. Gordon Cherry #3451765. Published by Gordon Cherry (A0.792104). For Trumpet, Horn & Trombone. This work gives all three instrumentalists a real workout. The horn playing the moving voice midrange along with the trombone on the bass line. The trumpet plays the choral prelude melody on top in a beautiful legato line. Available for Trumpet in B-flat
$20.00
18.37 €
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Johann Sebastian Bach
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Trombone
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Sleepers Awake
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Gordon Cherry
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SheetMusicPlus
Bizet: Habanera (viola trio)
Viola - Level 3 - Digital Download SKU: A0.1345506 Composed by Georges Bizet. Arran…
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Viola - Level 3 - Digital Download SKU: A0.1345506 Composed by Georges Bizet. Arranged by Marian Wilson. 19th Century,Chamber,Classical,Historic. 5 pages. Marian Wilson #930419. Published by Marian Wilson (A0.1345506). For three violas - an intermediate-level arrangement of the famous Habanera from Bizet's Carmen. All parts can be played entirely in 1st position. Great for practicing staccato/legato bow techniques, dramatic dynamic changes, and pizzicato! Simple chromatic lines for violas 1 and 2.
$9.99
9.17 €
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Georges Bizet
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Bizet: Habanera
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Marian Wilson
#
SheetMusicPlus
Bizet: Habanera (viola trio, intermediate advanced)
Viola - Level 4 - Digital Download SKU: A0.1345652 Composed by Georges Bizet. Arran…
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Viola - Level 4 - Digital Download SKU: A0.1345652 Composed by Georges Bizet. Arranged by Marian Wilson. 19th Century,Chamber,Classical,Historic,Opera. 5 pages. Marian Wilson #930434. Published by Marian Wilson (A0.1345652). For three violas: an advanced-intermediate level arrangement of the famous Habanera from Bizet's Carmen. The viola 1 part requires 3rd position. Violas 2 and 3 can be played entirely in 1st position. Great for practicing staccato/legato bow techniques, dramatic dynamic changes, and pizzicato! Simple chromatic lines for violas 1 and 2.
$9.99
9.17 €
#
Georges Bizet
#
Bizet: Habanera
#
Marian Wilson
#
SheetMusicPlus
Corant - Trio-Violin-Oboe-Bassoon
Small Ensemble Bassoon,Oboe,Violin - Level 4 - Digital Download SKU: A0.844426 Comp…
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Small Ensemble Bassoon,Oboe,Violin - Level 4 - Digital Download SKU: A0.844426 Composed by Jean Loeillet. Arranged by Phil Beaman. Baroque,Concert,Instructional,Standards. Score and parts. 12 pages. Phil Beaman #3260019. Published by Phil Beaman (A0.844426). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite. It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps. Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts. I wrote a highly ornamented continuo for each part when not playing melody. In true Baroque style I have created a tight interplay between parts. Each part also has a rather wide range. (6 pages score, 2 pages @ part)Although in a Minor Key, this piece is very bright and uplifting. It is very accessible and thus a concert crowd pleaser. Great for student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation. Most of all, this piece is just Pure Fun!
$7.99
7.34 €
#
Jean Loeillet
#
Corant - Trio-Violin-Oboe-Bassoon
#
Phil Beaman
#
SheetMusicPlus
Corant - Trio-Flute-Oboe-Cello
Small Ensemble Cello,Flute,Oboe - Level 4 - Digital Download SKU: A0.844429 Compose…
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Small Ensemble Cello,Flute,Oboe - Level 4 - Digital Download SKU: A0.844429 Composed by Jean Loeillet. Arranged by Phil Beaman. Baroque,Concert,Instructional,Standards. Score and parts. 12 pages. Phil Beaman #3260035. Published by Phil Beaman (A0.844429). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite. It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4. with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps. Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts. I wrote a highly ornamented continuo for each part when not playing melody. In true Baroque style I have created a tight interplay between the parts. Each part also has a rather wide range. (6 pages score, 2 pages @ part)Although in a Minor Key, this piece is very bright and uplifting. It is very accessible and thus a concert crowd pleaser. Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation. Most of all, this piece is just Pure Fun!
$7.99
7.34 €
#
Jean Loeillet
#
Corant - Trio-Flute-Oboe-Cello
#
Phil Beaman
#
SheetMusicPlus
SEXTET No. 4: Allegro
Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1108570 B…
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Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1108570 By NA. By Louis-Francois Dauprat (1781-1868). Arranged by Becky Dugan. 19th Century,Chamber,Classical. 24 pages. B. L. Dugan #711215. Published by B. L. Dugan (A0.1108570). Advanced brass players will enjoy the challenge of Dauprat's Sextet No.6 in minuet form. The legato TRIO in Gb provides a lovely contrast to the staccato, arpeggiated first two sections. The challenge will be to maintain a light, classical style and a proper quick tempo. This piece is suitable for festivals, recitals, concerts and other special occasions. It could also be combined with another of Dauprat's sextets. e.e. No. 3 in E minor. Performers and audiences will enjoy this delightful work from the late-Classical period.
$24.00
22.04 €
#
NA
#
SEXTET No. 4: Allegro
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B. L. Dugan
#
SheetMusicPlus
Divertimento
Oboe, clarinet, bassoon - Digital Download SKU: IZ.BCMS171 Composed by Sy Brandon. …
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Oboe, clarinet, bassoon - Digital Download SKU: IZ.BCMS171 Composed by Sy Brandon. BCMCC (Bassoon Chamber Music Composition Competition). Score and Parts. 69 pages. Imagine Music - Digital #BCMS171. Published by Imagine Music - Digital (IZ.BCMS171). 9 x 12 in inches.Divertimento is in three movements. The first movement, Frolic, has three main thematic ideas. The first contains dotted rhythms, staccato articulation, and meter change. The second thematic idea is related to the first in that it also uses dotted rhythms and meter change, but is more legato and begins with more sustained notes. The third thematic section is thinner in texture, more playful, and has a legato theme over a staccato background. The motivic material in each of these sections has similarities. Contrast is primarily obtained through change of style and mood. These thematic ideas develop throughout the movement by varying key, instrumentation, and melodic material. There are several sections of imitation that are very energetic.The second movement, Ballad, is lyrical at an Andante tempo. The form of the movement is through-composed as the motives develop into new variations instead of having clearly distinguished themes. There is however a recapitulation that brings the listen back to the opening material. The main motives that develop are a sixteenth note pattern that is arpeggiated and also stepwise, a dotted quarter and eighth note idea that is often on weak beats as well as appearing on strong beats, and scalewise eighth note lines.All of these interweave among the parts with frequent counterpoint and some imitation. The harmony is lush with seventh chords used frequently.The last movement, Tarantella, is in a lively tempo. The form of this movement is a large ABA(Scherzo, Trio, Scherzo). The A sections are in triple meter while the B section is in duple. The A section is in three parts, forming an ABA within the large A. The material for the first part is motivically derived. The first motive is a dotted eighth, sixteenth, eighth note followed by even eighth notes. The second motive is four chromatic sixteenth notes followed by an eighth note. This motive appears both ascending and descending. The B section within this large A consists of a slurred melodic line that has both stepwise motion and leaps. It is accompanied by staccato chromatic eighth notes. The large B section is folksong-like and is in a recognizable binary form that repeats in a new key. The large A serves as a recapitulation of the opening section and it ends lightly and playfully in keeping with the Divertimento title that means to divert or amuse.
$32.00
29.38 €
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Sy Brandon
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Divertimento
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Imagine Music - Digital
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SheetMusicPlus
Danny Boy
Euphonium,Trombone - Level 2 - Digital Download SKU: A0.1357695 Composed by Author …
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Euphonium,Trombone - Level 2 - Digital Download SKU: A0.1357695 Composed by Author Unknown. Arranged by W. C. Kennedy. Celtic,Classical,Folk,Irish,Traditional. 22 pages. Weldon C Kennedy #942232. Published by Weldon C Kennedy (A0.1357695). This is an original arrangement of the well-known classic Danny Boy. The a low brass trio arrangment written for either baritones or trombones. The pdf sheet music includes the score for both bass and treble clef, as well as the three individual parts for the trio in both treble and bass clef. This arrangement is an intermediate arrangement based on the range required, and it provides an opportunity for a small ensemble to demonstrate warm legato harmony and a range of dynamics. This arrangement is sure to appeal to a wide audience owing to the familiarity of the parent song.
$15.00
13.77 €
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Author Unknown
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Danny Boy
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Weldon C Kennedy
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SheetMusicPlus
Dream
Woodwind Ensemble,Woodwind Trio Bassoon,English Horn,Oboe - Level 5 - Digital Download …
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Woodwind Ensemble,Woodwind Trio Bassoon,English Horn,Oboe - Level 5 - Digital Download SKU: A0.917282 Composed by Robert Chamberlin. Contemporary. 8 pages. Robert Chamberlin #4830609. Published by Robert Chamberlin (A0.917282). Dream is a brief trio for double reeds: Oboe, English Horn, and Bassoon. The overall effect of this composition should be a relatively smooth, legato texture. Full score and individual parts are included with this listing.
$4.50
4.13 €
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Robert Chamberlin
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Dream
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Robert Chamberlin
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SheetMusicPlus
Symphony No. 104 'London'
Picc. 4Fl. Afl. Bfl. (Cafl)Cbfl. (SCBfl). (Dble CBFl) - Intermediate-Advanced - Digital Do…
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Picc. 4Fl. Afl. Bfl. (Cafl)Cbfl. (SCBfl). (Dble CBFl) - Intermediate-Advanced - Digital Download SKU: F2.FM553 Composed by Franz Joseph Haydn. Arranged by Robert Rainford. Flute Ensemble - Piccolo, 4Flutes, Alto Flute, Bass Flute, Optional Contr'Alto, Contrabass, Obtional Sub and Double Contras. Score and parts. 221 pages. Forton Music - Digital #FM553. Published by Forton Music - Digital (F2.FM553). ISBN 9790570484522.This is an arrangement of the last symphony that Haydn wrote. It was composed and premiered in London in 1795, and was an instant success. Following the standard four movement pattern of the time, it starts with a slow, serious introduction before the lighter, fast first movement begins properly. Using just one main theme, Haydn spins a delightful series of moods and emotions before rushing to the exciting conclusion. The second movement is more measured and controlled, but with episodes of drama and tension. The third movement is a traditional minuet and trio, with the lightness and humour of Haydn. The last movement has elements of folk music, with it's opening low drone and peasant like melody. Haydn however alternates the romping first section ideas with a more sophisticated, legato second section. This creates a delicious balance and has to make for one of the most satisfying symphonies ever written. This arrangement has been created with a range of playing standards in mind. The first and last movements use the full resources of the flute choir right down to the lowest double contrabass in C. The rarer flutes have optional parts so can be safely omitted, but add great depth to the sound. Flute 1 is quite complicated and involved, but then the parts get easier until flute 4 is fairly basic and could be easily realised by players with less experience. The second and third movements have been thinned down, with piccolo, G treble, contr'alto, subcontrabass in G and double contrabass in C being tacet. Also in these movements, flute 1 and 2 take the same line, while flute 3 and 4 are similarly in unison, with an optional contrabass part. These movements may be taken by four or five solo players, or some sections could be solos and others played by the full ensemble, or many other options.
$31.95
29.34 €
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Franz Joseph Haydn
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Symphony No. 104 'London'
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Forton Music - Digital
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SheetMusicPlus
Sync (Flute Part Only)
Small Ensemble Cello,Double Bass,Flute - Digital Download SKU: A0.1024748 Composed …
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Small Ensemble Cello,Double Bass,Flute - Digital Download SKU: A0.1024748 Composed by Will Phillips. 20th Century,Contemporary. Score and parts. 5 pages. Will Phillips Music #3465400. Published by Will Phillips Music (A0.1024748). Sync, for flute, cello, and bass trio, is a complex piece which includes a variety of time signatures, virtuosic flute lines, driving cello rhythms, and jazz-influenced pizzicato bass lines. The title derives from the phasing that occurs as a result of multiple pulses that align, dis-align, and re-align throughout. The rhythms that drive the piece are heavily syncopated, yet often times, even non-syncopated rhythms are perceived as such as a result of the offsetting phasing of the pulse. The rhythmic figures are constructed as not just a variety of attacks, but also note lengths, which alternate between combinations of accents, legato, and staccato phrases. Each section is glued together using transitions which guide the individual pulses to their next point of alignment. Throughout the bridge sections, all three instruments take on differing roles: the flute plays ethnically influenced over-arching melodies, while the cello underscores the flute with double and triple-stop chords, and the bass maintains a steady but syncopated pulse. Finally, the piece comes to a close with each instrument rallying together as one; the final sync point.
$3.99
3.66 €
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Will Phillips
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the final sync point.
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Sync
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Will Phillips Music
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SheetMusicPlus
Sync (Cello Part Only)
Small Ensemble Cello,Double Bass,Flute - Digital Download SKU: A0.1024749 Composed …
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Small Ensemble Cello,Double Bass,Flute - Digital Download SKU: A0.1024749 Composed by Will Phillips. 20th Century,Contemporary. Score and parts. 5 pages. Will Phillips Music #3465402. Published by Will Phillips Music (A0.1024749). Sync, for flute, cello, and bass trio, is a complex piece which includes a variety of time signatures, virtuosic flute lines, driving cello rhythms, and jazz-influenced pizzicato bass lines. The title derives from the phasing that occurs as a result of multiple pulses that align, dis-align, and re-align throughout. The rhythms that drive the piece are heavily syncopated, yet often times, even non-syncopated rhythms are perceived as such as a result of the offsetting phasing of the pulse. The rhythmic figures are constructed as not just a variety of attacks, but also note lengths, which alternate between combinations of accents, legato, and staccato phrases. Each section is glued together using transitions which guide the individual pulses to their next point of alignment. Throughout the bridge sections, all three instruments take on differing roles: the flute plays ethnically influenced over-arching melodies, while the cello underscores the flute with double and triple-stop chords, and the bass maintains a steady but syncopated pulse. Finally, the piece comes to a close with each instrument rallying together as one; the final sync point.
$3.99
3.66 €
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Will Phillips
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the final sync point.
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Sync
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Will Phillips Music
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SheetMusicPlus
Sync
Small Ensemble Cello,Double Bass,Flute - Level 5 - Digital Download SKU: A0.1024747…
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Small Ensemble Cello,Double Bass,Flute - Level 5 - Digital Download SKU: A0.1024747 Composed by Will Phillips. 20th Century,Contemporary. Score and parts. 13 pages. Will Phillips Music #3465398. Published by Will Phillips Music (A0.1024747). Sync, for flute, cello, and bass trio, is a complex piece which includes a variety of time signatures, virtuosic flute lines, driving cello rhythms, and jazz-influenced pizzicato bass lines. The title derives from the phasing that occurs as a result of multiple pulses that align, dis-align, and re-align throughout. The rhythms that drive the piece are heavily syncopated, yet often times, even non-syncopated rhythms are perceived as such as a result of the offsetting phasing of the pulse. The rhythmic figures are constructed as not just a variety of attacks, but also note lengths, which alternate between combinations of accents, legato, and staccato phrases. Each section is glued together using transitions which guide the individual pulses to their next point of alignment. Throughout the bridge sections, all three instruments take on differing roles: the flute plays ethnically influenced over-arching melodies, while the cello underscores the flute with double and triple-stop chords, and the bass maintains a steady but syncopated pulse. Finally, the piece comes to a close with each instrument rallying together as one; the final sync point.
$19.99
18.36 €
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Will Phillips
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the final sync point.
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Sync
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Will Phillips Music
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SheetMusicPlus
Tumult
Oboe, clarinet & bassoon - Digital Download SKU: IZ.CMS149 Composed by Lucas Floyd.…
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Oboe, clarinet & bassoon - Digital Download SKU: IZ.CMS149 Composed by Lucas Floyd. Score and Parts. 34 pages. Imagine Music - Digital #CMS149. Published by Imagine Music - Digital (IZ.CMS149). 9 x 12 in inches.Composer's NotesTumult is a struggle for prominence between three woodwinds. Wandering bassoon and clarinet solos introduce the first melody. A brisk tempo locks in, and the instruments bubble over each other to be heard. The music relaxes into a mournful, quasi-passacaglia in the middle. Energetic figures from the beginning then re-emerge, and oboe and clarinet cascade the music to a final climax.Writing for a reed trio, I exploit as much as possible the many timbral possibilities available from these woodwinds - chalumeau and clarino clarinet, legato or staccato bassoon, and the oboe piercing or blending throughout its range.
$16.00
14.69 €
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Lucas Floyd
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Tumult
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Imagine Music - Digital
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SheetMusicPlus
Brass Band - The Deanery High School March
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - Digital Download SKU: A0.767266 Composed by Mike Lyons. Contemporary. Brass Band. 44 pages. Lyons Music Services #3139251. Published by Lyons Music Services (A0.767266). This march was written for my very talented school band in the 1990s. It is easily playable by any standard of ensemble and follows the standard march format.The first section is a jolly, bouncy tune and needs to played with panache. The bass solo is well within the capabilities of most bass sections. The trio section is quite a contrast, with a legato melody in the solo baritone part, which is joined by the cornets, euph and flugel on the repeat. I had a good baritone player who deserved the chance to shine.I have added parts for American instruments (F horns, baritones/trombones/euphoniiums/basses in Bass clef).
$20.00
18.37 €
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Mike Lyons
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Brass Band - The Deanery High School March
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Lyons Music Services
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SheetMusicPlus
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